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A man whose back tattoo was unwittingly photoshopped into a Cardi B album cover is once again asking a federal judge to revive his failed case against the rapper, arguing that the star âengaged in theatricsâ on the witness stand and deprived him of a fair trial.
Weeks after Judge Cormac Carney ruled there had been enough evidence to support Cardiâs courtroom victory, Kevin Brophy formally requested a new trial Wednesday, seeking another chance to convince a jury that she âhumiliatedâ him with the risquĂŠ cover of her 2016 Gangsta Bitch Music Vol. 1.
Among other things, Brophy took aim at Cardi herself, arguing that the star (real name Belcalis AlmĂĄnzar) had committed âmisconductâ on the witness stand by sparring with Brophyâs attorney, A. Barry Cappello.
âAlmanzar repeatedly engaged in theatrics, refused to answer basic questions, impermissibly disclosed privileged and confidential settlement communications, and generally acted with total disregard and disrespect for the juryâs time and formal nature of court proceedings,â Brophyâs lawyers wrote.
Citing supposedly calm behavior when examined by her own lawyers â âa switch in demeanor that puts Dr. Jekyll and Mr. Hyde to shameâ â the filing called Cardiâs testimony a âa deliberate strategy to frustrate Plaintiffâs presentation of his case and improperly influence the jury.â
Brophy sued Cardi in 2017 for millions in damages, claiming he was âdevastated, humiliated and embarrassedâ by the cover of Cardiâs Gangsta Bitch. The image featured the then-rising star taking a swig of a large beer, staring directly into the camera with her legs spread wide, and holding a manâs head while he appears to perform oral sex on her.
The actual man in the image was a model who had consented to the shoot, but a giant tattoo on the manâs back belonged to Brophy. Unbeknownst to Cardi, a freelance graphic designer had typed âback tattoosâ into Google Image, found one that fit (Brophyâs), and Photoshopped it onto the modelâs body.
Brophyâs lawsuit claimed Cardi and others involved in the cover had violated his so-called right of publicity by using his likeness without his consent, and also violated his right to privacy by casting him in a âfalse lightâ that was âhighly offensive.â Cardiâs lawyers called the allegations âsheer fantasyâ and âvastly overblown,â arguing that nobody would have recognized a relatively unknown man based merely on his back.
During a four-day trial in October, Cardi took the stand to defend herself. When examined by Brophyâs attorney Cappello, things repeatedly got heated between the two â so much so that at one point the Judge Carney cleared the jury, told Cappello he had âtotally crossed the line,â and threatened to declare a mistrial.
At the end of the trial, the jury agreed with the superstarâs defenses, clearing Cardi of all Brophyâs claims. Brophy later asked the judge to throw out the verdict for a lack of evidence, but the judge denied that motion in December.
In addition to criticizing Cardiâs testimony, Brophyâs new motion on Wednesday also argued that his lawyers had been denied the chance to properly cross-examine the star, and that the judge had unfairly refused to let jurors hear about Cardiâs earlier defamation trial in Atlanta.
Attorneys for Cardi will have chance to file a formal response in court in the coming weeks. The starâs lawyers did not immediately return a request for comment on Thursday.
Read the entire motion for a new trial here:
A federal judge on Wednesday (Jan. 25) declared a mistrial in the high-profile courtroom battle pitting T.I. and wife Tameka âTinyâ Harris against toymaker MGA over a line of dolls, ending the proceedings after jurors heard inadmissible testimony claiming the company âsteals from African Americans.â
A day after attorneys for MGA argued that the âinflammatoryâ testimony about cultural appropriation had ruined their chances of a fair trial, Judge James V. Selna agreed, granting a mistrial. That means the case will need to be re-tried in front of a new jury at some point in the future.
Following the mistrial, MGA told Billboard that âdiversity has always been a key valueâ at the company: âWe are disappointed that the trial was cut short, but look forward to vindicating our rights in the next trial.â An attorney for T.I. and Tiny did not immediately return a request for comment.
The ruling marks an abrupt end for the closely-watched intellectual property trial, in which T.I. and Tiny were trying to persuade a jury that MGAâs line of âOMGâ dolls stole their look and name from the OMG Girlz, a defunct teen pop trio created by Tiny and starring her daughter Zonnique Pullins.
In their 2021 complaint, T.I. and Tiny alleged that MGA had committed both âcultural appropriation and outright theft of the intellectual property,â stealing the look of a group of âyoung multicultural women.â The lawsuit included side-by-side images, aiming to show how each doll was directly based on a particular member of the OMG Girlz, who disbanded in 2015.
On the fifth day of the trial, jurors heard videotaped deposition testimony from a woman named Moneice Campbell, a former MGA customer. According to court documents, Campbell testified that she would no longer purchase the companyâs products because MGA âsteals from African Americans and their ideas and profit off of it.â She also said that âhundredsâ of social media users had agreed with the accusations, citing the fact that âpeople often steal from the black community and make money off of it.â
Earlier in the case, Judge Selna had already expressly prohibited such testimony from the trial. In one such order, he ruled that statements about âcultural appropriationâ were âimmaterial and impertinentâ to the actual legal issues at play in the case and could not be made in front of jurors.
In a written motion filed after Tuesdayâs courtroom proceedings had concluded, MGAâs lawyers demanded an immediate mistrial, arguing that the impact of the inadmissible testimony on the fairness of the case âcannot be understated.â
âThere is no way to unring the bell of the juryâs hearing Ms. Campbellâs emotionally charged accusations that MGA has been âstealingâ from the African-American community,â the MGA attorneys wrote. âHer improper testimony cannot be challenged, rebutted or cured without drawing further attention to it.â
A federal judge says Kanye Westâs lawyers need to keep trying to reach their client a little bit longer before the judge will allow the attorneys to take an unusual step: printing newspaper ads announcing theyâve dropped the embattled rapper.
In an order issued Tuesday, Judge Analisa Torres denied â for now â a request by attorneys from the law firm Greenberg Traurig to take such extraordinary measures to formally cut ties with West (who has legally changed his name to Ye). The firm says it has âexhausted all methodsâ of contacting the rapper, but the judge is not yet convinced.
âThe court finds that GT has not provided sufficient facts to support its conclusion that personal service is impracticable,â Judge Torres wrote. âGTâs latest attempts⌠do not indicate diligent efforts at attempting to locate Ye.â
Greenberg, one of many law firms to cut ties with Ye in the wake of his antisemitic statements last year, has been trying for months to legally notify the rapper that its lawyers will no longer be representing him in a copyright lawsuit album over a song off Donda 2. Judge Torres already approved their withdrawal, but federal litigation rules and legal ethics require lawyers to personally serve clients with formal notice that theyâve been dropped as a client.
Itâs this process that Greenberg says Kanye is evading.
In a Jan. 13 request, they argued that the star was engaged in âdeliberate avoidance and obstruction,â including ditching his previous representatives and changing his phone number. Faced with that obstinance, Greenberg lawyers asked earlier this month to let them notify him by mail â or to simply print the notice in public newspapers.
âGiven Yeâs public status, publication of the withdrawal order will likely garner significant media attention, resulting in broader publication and provide an even greater likelihood of apprising Ye of the Order,â the Greenberg lawyers wrote in making the unusual request.
But in Tuesdayâs order, Judge Torres said she would need to see more proof that Greenberg had truly run out of options. She suggested that the firm could show that it had used databases to search for a new address, or even âhiring private investigatorsâ to locate the star.
The judge gave the firm a Feb. 15 deadline to either successfully serve notice on Kanye â or offer more detailed proof to support the newspaper plan. Kanyeâs former lawyer at Greenberg did not immediately return a request for comment. A press representative for West could not immediately be located for comment.
Prosecutors in Kansas City, Missouri dismissed misdemeanor assault charges against Tool drummer Danny Carey on Monday (Jan. 23) in an incident that took place at the cityâs airport in Dec. 2021. According to Fox 4, a spokesperson for the court did not give a reason for the dismissal of the charges, telling the outlet that the case was a âclosed confidential matterâ as of this week.
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Carey was arrested for misdemeanor assault at the Kansas City International Airport on Dec. 12, 2021 after allegedly getting into an altercation. Airport law enforcement received notice that evening of a âdisturbance between two males at an airport terminal,â which resulted in Carey being arrested for misdemeanor assault and transported to a nearby Kansas City Police Dept. station.
The other man, whose name was not released at the time, was not taken into custody. Fox 4 reported that according to a ticket issued by officers, Carey intentionally inflicted injury when he allegedly yelled a homophobic slur at the unnamed victim while jabbing him in the chest with two fingers. TMZ video from the evening showed Carey being handcuffed at the airport and talking to officers outside the terminal, where he could be heard asking, âWho did I assault?â
At press time a spokesperson for Tool had not returned a request for comment from Billboard on the dismissal of the charges; a spokesperson for the Kansas City Prosecutorâs office had also not returned a request for comment at press time.
According to reports at the time, the Kansas-bred drummer performed in the stands with the school band during the University of Kansasâ basketball game against the University of Missouri the day before his arrest.
Actress Esme Bianco and Marilyn Manson have reached a settlement to end her sexual assault lawsuit against the rocker, one of several such cases accusing Manson of abuse.
In a filing made Tuesday in Los Angeles federal court, attorneys for both sides alerted the judge that they had âreached an agreement in principleâ to âresolveâ the case. Terms of the settlement were not disclosed.
Jay D. Ellwanger, lawyer for Bianco, confirmed to Billboard that the actress had âagreed to resolve her claims against Brian Warner and Marilyn Manson Records, Inc. in order to move on with her life and career.â An attorney for Manson, whose real name is Brian Warner, did not immediately return a request for comment.
Bianco was one of several women to accuse Manson of sexual abuse or other wrongdoing over the past two years.
Evan Rachel Wood, who began publicly dating Manson in 2007 when she was 19 and he was 39, accused him in a February 2021 Instagram post of âgrooming me when I was a teenagerâ before he âhorrifically abused me for years.â Those allegations were followed by separate lawsuits from model Ashley Morgan Smithline, former assistant Ashley Walters, and an unnamed Jane Doe accuser.
Bianco added her own lawsuit in April 2021, claiming Warner had, among other shocking allegations, âused drugs, force and threats of force to coerce sexual actsâ and had âlocked Ms. Bianco in the bedroom, tied her to a prayer kneeler and beat her with a whip that Mr. Warner said was utilized by the Nazis.â
Manson strongly denied the allegations, filing a motion to dismiss the case in which he accused Bianco of âcynically and dishonestly seeking to monetize and exploit the #MeToo movement.â Heâs gone so far as to file a defamation lawsuit against Wood, claiming she had âsecretly recruited, coordinated, and pressured prospective accusers to emerge simultaneouslyâ with false allegations against the rocker. Wood denies the allegations and the case is pending.
Biancoâs lawsuit is the second against Manson to end in recent weeks. On Jan. 3, a federal judge dismissed Smithlineâs case, citing the fact that she failed to retain a new lawyer after splitting with her old legal team last fall.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings, and all the fun stuff in between. This week: A judge says Roc Nation CEO Desiree Perez must sit for a deposition in Megan Thee Stallionâs war with her record company, a member of Journey sues his longtime bandmate over allegations of lavish spending, Flo Rida wins an $82 million verdict against a beverage company, and much more.
THE BIG STORY: To Depose Or Not To Depose
When should a top executive be hauled into a deposition to answer questions in a lawsuit? Itâs a difficult question. Make it too hard and you could insulate powerful people from the legal process; make it too easy and attorneys could use it as a form of gamesmanship in cases of questionable merit. Imagine if Lucian Grainge could be deposed every time someone sued Universal Music?
Courts typically resolve the problem with something called the apex doctrine, which says that busy âapexâ officials only need to testify when they have unique info that canât be derived from other less burdensome sources. Spotify cited the doctrine last year in an (unsuccessful) effort to block the deposition of CEO Daniel Ek in a copyright lawsuit over Eminemâs music.
That same tricky situation cropped up last week in Megan Thee Stallionâs ongoing legal war with her estranged record label, 1501 Certified Entertainment. Industry bigwig Desiree Perez is the CEO of Jay-Zâs Roc Nation â the prototypical kind of executive who can sometimes avoid depositions. But sheâs also Meganâs actual manager, and 1501 Certified said she was âone of the most criticalâ witnesses in the case.
In seeking to avoid the sit-down, Meganâs legal team argued that 1501 was âharassingâ Perez by seeking to depose her. But in a ruling last week, the judge overseeing the case didnât buy it.
To get the full story, go read Billboardâs entire article here.
Other top stories this weekâŚ
TOP RAPPER BATTLES EX-MANAGER â Billboard took a deep-dive this week into an ugly lawsuit pitting Latin trap star Anuel AA against his former manager Frabian Eli â two âlifelong friendsâ who are now accusing each other of serious legal wrongdoing. The latest flashpoint is an emergency hearing this week over whether Eli can sell a $4.8 million Florida mansion that Anuel claims was purchased with stolen money.
DONâT STOP LITIGATING â The civil war inside the iconic rock band Journey continues. Keyboardist Jonathan Cain filed a lawsuit against bandmate Neal Schon for allegedly spending over $1 million on the bandâs shared American Express card, including $400,000 in a single month last year â itself a response to a case filed by Schon last year.
PUBLISHER POO-POOS PARODY Music publisher BMG launched a copyright lawsuit against toymaker MGA Entertainment for promoting a brand of âunicorn poopâ toys by releasing a song called âMy Poopsâ â a scatological parody set to the tune of the Black Eyed Peasâ âMy Humps.â Is that a legal fair use or just an unlicensed commercial? Weâre going to find out.
FLO RIDA WINS BIG OVER ENERGY DRINKS â A jury awarded $82 million in damages to Flo Rida in his legal battle with energy drink maker Celsius, siding with the rapperâs allegations that the company reneged on the terms of an endorsement deal. His lawyers told me: âHe was due these shares, he worked for them, and he wasnât going to just let it go.â
Lawyers for Latin trap star Anuel AA are heading to a Miami courthouse Tuesday to ask a judge to block his former manager Frabian Eli from selling a $4.8 million Florida mansion â the latest bizarre twist in a nasty legal battle between the âlifelong friends.â
After years of partnership amid rising stardom, the two have suddenly found themselves in an ugly divorce. Eli (full name Frabian Eli Carrion) sued in September, claiming Anuel breached their contracts by abruptly firing him last summer and owes him millions in unpaid fees. The star rapper (real name Emmanuel Gazmey Santiago) fired back with a countersuit in November, accusing Eli of stealing millions in order to âfund his own extravagant lifestyle.â
In the upcoming showdown Tuesday, the lawsuitâs messiness is on full display.
Anuel is seeking an âemergency injunctionâ that would bar Eli from selling a 6,000-square-foot home in Doral, Fla., worth an alleged $4.8 million â a property the star calls âone of the many illicit purchases made by Carrion using funds from the companyâs bank accounts.â Â Without the order, they claim Eli will sell the house in an effort to avoid paying back the money he stole.
Eli, meanwhile, says the injunction demand is baseless and the latest example of his former friend choosing to âlash outâ rather than pay him his fair share of their success: âNothing more than an attempt to divert the court, and the public monitoring this case, away from the undisputed facts of the case.â
âUnilaterally Terminatedâ
Anuel and Eli worked together for years, starting well before the Puerto Rican rapper released his 2018 debut, Real Hasta la Muerte, and won the 2019 new artist of the year award at the Billboard Latin Music Awards. Eli then managed Anuel through three subsequent albums that all topped Billboardâs Top Latin Albums chart, and the pair also started and operated their own record label.
But just nine months after Eli gushed about his âchildhood friendâ to Billboard, on Sept. 4 the manager filed a lawsuit against Anuel in Florida state court, alleging he had been âunilaterally terminatedâ from their shared company, despite a seven-year contract that hadnât been set to expire until 2026. The deal allegedly entitled Eli to 10% of Anuelâs gross earnings.
In his complaint, Eli said he had been surprised by the move because he had worked tirelessly to advance the starâs career, including during Anuelâs months-long stint in prison after pleading guilty to a gun possession charge.
âThat prison sentence did not stop the manager from continuing to believe in the artist and to work towards the continuation of his career, while working for the artist twenty-four hours a day seven days a week, without receiving any pay,â Eliâs lawyers wrote at the time. âTogether, the manager and the artist have enjoyed enormous success in the music industry, which due to the managerâs handling of the artistâs affairs, has parlayed into a number of other successes in life.â
Read Eliâs entire lawsuit here.
âMaliciously Exploitedâ
In November, Anuel told his side of the story â and he went a lot further than simply rebutting Eliâs allegations. In his own counter-suit, the star said Eli had been terminated because he had âmaliciously exploitedâ their friendship to âdefraudâ him out of millions of dollars.
Among other allegations of wrongdoing, Anuel claimed his manager had secretly taken excess money from music agreements with Sonyâs The Orchard and with Kobalt; that he had stolen money set aside for tax payments; and that he had secretly made huge personal purchases with company money, like $191,000 toward a Lamborghini, more than $1 million toward jewelry, and an undisclosed sum for renting private jets for his family.
The lawsuit also claimed Eli had taken âkickbacksâ in return accepting bad business deals on Anuelâs behalf. For instance, it claimed that when Eli had arranged the purchase of a Miami condo for Anuelâs parents, he had âconspiredâ with the realtor to pay âa higher than necessary priceâ in return for a personal payment from the agent.
âIn complete and utter contravention of his contractual and fiduciary duties; all reasonable sense of morality; and his years long friendship with artist, which led artist to place his full trust in Carrion, Carrion ⌠ bilked counter-plaintiffs out of millions of dollars for which they are rightfully entitled,â Anuelâs lawyers wrote at the time.
Read Anuelâs entire counter-suit here.
âLosing Out On Millionsâ
With the lawsuit and counter-suit both still in the earliest stages of litigation, Anuel threw another bomb in early December â demanding the emergency court order restraining Eli from selling the $4.8 million house in Doral. He claimed that more than $1 million in payments for the Doral house had come from company bank accounts.
In the filing, Anuelâs lawyers warned that Eli was already in âa precarious financial positionâ and that the property was the only asset they could find under his name. Without a court order requiring him to retain it until the lawsuit was over, the lawyers said there might be no other way for Anuel to recover the allegedly stolen money.
âCounter-plaintiffs risk being successful on its claims, and nonetheless losing out on millions of dollars because [Eli] was permitted to dispose of the property â the sole asset currently in his name â and no longer possessed sufficient assets to cover the value of harm he deliberately and calculatedly took,â they wrote in the Dec. 2 motion.
Eliâs attorneys fired back two weeks later, arguing there was no grounds for an extraordinary order like an injunction freezing the sale of a home. Anuelâs core allegations against Eli, they said, were âsimply ludicrousâ and ânon-sensicalâ â meaning that he would eventually owe money to their client, not vice-versa.
âThis case is really about an artist ⌠that rose to stardom based in part on the work done by the manager, who has now chosen to lash out against the manager with falsities in response to a lawsuit which had to be filed due to the artistâs own irrational actions,â Eliâs attorneys wrote. âInstead of litigating this case on provable facts, with evidence, Anuel is trying to use a âkitchen sink approachâ to muddy the waters and cause as much harm as he can.â
Read the entire emergency motion and response here.
Attorneys hired by Jay-Z and other entertainers have ended two lawsuits they filed on behalf of Mississippi inmates in 2020 over what they said were squalid living conditions at the stateâs oldest prison â a facility that came under Justice Department scrutiny after outbursts of deadly violence by inmates.
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Even before the violence at the Mississippi State Penitentiary at Parchman in late 2019 and early 2020, state health inspectors had found repeated problems with broken toilets and moldy showers. Inmates said some cell doors did not lock, and it was common to see rats and roaches.
The lawsuits were dismissed Jan. 13 after the inmatesâ attorneys and the state Department of Corrections said improvements have been made during the past three years, including installing air conditioning in most of the prison, renovating some bathrooms and updating the electrical, water and sewer systems.
In April, the U.S. Justice Department issued a report that said Parchman had violated inmatesâ constitutional rights. The department said the prison failed to protect inmates from violence, meet their mental health needs or take adequate steps for suicide prevention, and that the prison had relied too much on prolonged solitary confinement.
The Justice Department spent two years investigating Parchman. Assistant Attorney General Kristen Clarke said in April that Mississippi Department of Corrections officials cooperated with the investigation and pledged to resolve problems.
U.S. District Judge Sharion Aycock in northern Mississippi filed the order this month dismissing the lawsuits that were funded by Jay-Z; rapper Yo Gotti; and Team Roc, the philanthropic arm of Jay-Zâs Roc Nation. In a court filing, attorneys for the plaintiffs and for the defendants in the Mississippi Department of Corrections agreed that nobody involved in the lawsuits admitted liability or responsibility to anyone else in the suits.
âWeâre pleased that Parchman has started to address the cruel and inhumane prison conditions after the Department of Justiceâs investigation, but we arenât satisfied with short-term improvements,â Mario Mims, who goes by the stage name Yo Gotti, said in a statement Monday (Jan. 22). âThe Mississippi Department of Corrections has neglected these torturous living conditions for decades, so we will continue to hold them accountable and ensure they commit to creating long-lasting change that safely protects their incarcerated population.â
One lawsuit was filed in January 2020 and the other was filed a month later. They two were eventually merged. The second suit said Parchman was a violent, rat-infested place where inmates lived in âabhorrent conditionsâ and their medical needs were routinely ignored.
Burl Cain, a former Louisiana prison warden, became commissioner of the Mississippi Department of Corrections in May 2020 and vowed to improve conditions at Parchman. Since then, the department has moved some inmates to other prisons. Parchman had more than 3,200 inmates in December 2019; it has about 2,450 this month.
âThe Mississippi Department of Corrections appreciates the tremendous responsibility of housing individuals sentenced to our care, custody and control and has always been committed to continuously improving the living conditions of the individuals housed in all of our correctional facilities, including the Mississippi State Penitentiary at Parchman,â Courtney Cockrell, an attorney for the department, said in a statement Monday. âAccordingly, we have and will continue to make diligent efforts to improve the quality of life for all individuals in the custody of the MDOC and provide them with opportunities to successfully return to their communities.â
Violence has been a longstanding problem in Mississippi prisons, where many jobs for guards have gone unfilled. Officials with the state Department of Corrections have said for years that it is difficult to find people to work as guards because of low pay, long hours and dangerous conditions. The state increased pay during the past two years.
The Justice Department said last year that it found âgross understaffingâ and âuncontrolled gang activity.â It also found that insufficient security gave inmates âunfettered access to contraband.â Parchman was founded in 1901 on the site of a former plantation. For decades, inmates worked in a farming operation that critics said was akin to slavery.
A Houston judge ruled late Thursday (Jan. 19) that Megan Thee Stallionâs manager, Roc Nation CEO Desiree Perez, must sit for a deposition in the starâs ongoing war with her record company, rejecting Meganâs arguments that the label was âharassingâ Perez by seeking to depose her.
For months, the two sides sparred over whether the Roc Nation big wig must answer questions from lawyers for 1501 Certified Entertainment amid Meganâs litigious split with the Houston-based label. The companyâs lawyers called Perez âone of the most criticalâ witnesses in the case; Meganâs lawyers said 1501 was simply trying to âharassâ a busy executive who had little pertinent info to share.
In a ruling made public on Thursday afternoon, Judge Robert Schaffer sided with 1501 â denying a motion from Meganâs lawyers seeking a so-called protective order that would have shielded Perez from the deposition. Though he ruled on detailed arguments from both sides, the judge included no written opinion explaining his rationale for the decision.
Itâs unclear when such a sit-down between 1501âs lawyers and Perez will take place. A representative for Megan and for Roc Nation did not immediately return a request for comment on Friday.
The star rapper (real name Megan Pete) has been fighting with 1501 for more than two years, claiming the company duped the young artist into signing an âunconscionableâ record deal in 2018 that was well-below industry standards. She says that when she signed a new management deal with Jay-Zâs Roc Nation in 2019, she got âreal lawyersâ who helped her see that the deal was âcrazy.â
That core dispute has mushroomed into additional litigation, with both sides accusing the other of various forms of wrongdoing and claiming millions in damages. A judge ruled in December that the case will need to be decided by a jury trial; a date has not yet been set.
With both sides preparing to make their case, 1501 sought to have Perez sit for a deposition â meaning she would meet with the companyâs lawyers and answer questions about Meganâs case under oath. But the rapperâs lawyers quickly threw a challenge flag in November, seeking the protective order that would have shielded Perez from what they called âgamesmanshipâ by 1501.
Meganâs lawyers pointed to whatâs known as the apex doctrine, which limits when high-ranking executives can be forced to give a deposition. (Thatâs the same rule that Spotify cited last year when it tried to shield CEO Daniel Ek from questioning in a copyright lawsuit.) Under the apex doctrine, busy top officials only need to testify when they have unique info that canât be derived from other less burdensome sources.
The label quickly fired back in December, arguing that Perez was instead a key âfact witnessâ who had been âdirectly, personally, and substantially involved in the underlying facts of the lawsuit.â They claimed sheâd had direct conversations about whether Meganâs 2021 release Something for Thee Hotties counted as an âalbumâ under her deal â a central dispute in the case. And they said Perez had personally negotiated one of Meganâs record contracts at issue in the lawsuit.
Attorneys for 1501 declined to comment on the decision on Friday.
Journey keyboardist Jonathan Cain is suing longtime bandmate Neal Schon for allegedly spending over $1 million on the bandâs shared American Express card, including $400,000 in a single month last year.
The new allegations came months after Schon sparked the legal battle by filing his own lawsuit accusing Cain of blocking access to âcriticalâ financial records linked to the Amex account.
In a countersuit filed last week in California state court, Cain said it was Schonâs own actions that had led to those restrictions on his access to the Amex account, including âmisusingâ the card to deal with his own âfinancial problems as a result of an extravagant lifestyle.â
âSchonâs use of the [shared] AMEX card for personal expenses created serious liquidity problems for the band, as the AMEX balance had to be paid every month, and there were insufficient revenues to pay for other expenses as Schon saddled Journey with over $1 million of his personal expenses,â Cainâs lawyers wrote in the new complaint, filed Jan. 13.
Cainâs countersuit included a number of specific allegations about Schonâs spending habits. Once given access to the band Amex, Cain says Schon promptly spent over $100,000 in January 2022. Then in March, he allegedly spent a whopping $400,000 in charges at Bergdorf Goodman department store in New York City and other retailers.
At the end of a recent tour, Cain says Schon demanded suites at a Hawaiian hotel that cost north of $5,000 per night, then stayed a week longer than necessary and racked up more than $100,000 more in charges on the card.
Schonâs attorney did not immediately return a request for comment on the new allegations.
Members of Journey have been sparring in court for years. Back in 2020, Schon and Cain teamed up to file a lawsuit against former drummer Steven Smith and former bassist Ross Valory over the bandâs name. And in September, former lead singer Steve Perry took legal action to stop Schon and Cain from registering federal trademarks on the names of many of the bandâs biggest hits. But in both of those cases, which have since settled, Schon and Cain were on the same team.
In October, Schon and Cain finally found themselves on opposite sides of the courtroom. In his complaint, Schon said Cain had unfairly blocked access to the Amex account, âinterferingâ with the bandâs activities and delaying payments to crew members and vendors. âThis action is brought to turn the lights on, so to speak,â Schonâs lawyers wrote at the time.
But in the new countersuit, Cain told his side of the story, arguing that it was Schonâs reckless spending that was interfering with the bandâs activities.
âSchonâs charges placed considerable pressure on Journey and its ability to cover normal tour expenses,â his lawyers wrote. âSchon was spending Journeyâs money, and Cain is the one who was and is ultimately liable for the AMEX Account and Schonâs charges on the AMEX Card.â
In technical terms, Cain is accusing Schon of breaching his fiduciary duty to the bandâs shared corporate entity, called Nomota LLC, and of unjustly enriching himself at Cainâs expense.
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