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Lawyers for Sean “Diddy” Combs are demanding that the government reveal the names of his alleged sexual abuse victims, arguing he cannot fairly defend himself without knowing their identities.
In a motion filed late Tuesday in Manhattan federal court, the star’s attorneys asked the judge to force prosecutors to filed a so-called bill of particulars, disclosing who exactly was accusing him of abuse.
Citing a “torrent” of anonymous civil accusations ranging from “false to outright absurd,” Combs’ lawyers say they cannot mount an adequate defense without knowing which of those claims forms the basis for the criminal charges.
“The government is forcing him, unfairly, to play a guessing a game—one made all the more challenging by the onslaught of baseless allegations that desperate plaintiffs are lodging at him (for the most part anonymously) in civil suits designed to exact a payoff from Mr. Combs and others,” Combs attorney Marc Agnifilo writes in the filing.
The defense attorneys say the wording of the sex trafficking and racketeering indictment is so vague that it “could be interpreted as treating Mr. Combs’ entire sexual history over the past sixteen years as part of the alleged criminal conspiracy.”
“Without clarity from the government, Mr. Combs has no way of knowing which allegations the government is relying on for purposes of the Indictment,” Agnifilo writes.
Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But last month, he was indicted by federal prosecutors on charges of racketeering and sex trafficking over what the government says was a sprawling criminal operation aimed at satisfying his need for “sexual gratification.”
The decades-long scheme allegedly involved not only elaborate sexual parties called “freak offs” and other sex abuse, but also forced labor, kidnapping, arson and bribery. If convicted on all of the charges at trial – currently set to start May 5 – Combs potentially faces a sentence of life in prison.
With the trial still months away, Combs’ attorneys have already begun to fight back. In a motion last week, they accused the government of leaking evidence to the press, including the infamous video of Combs assaulting then-girlfriend Cassie Ventura. Prosecutors have argued back that those “baseless” claims are a strategic move aimed at preventing prosecutors from showing the video to jurors.
In Tuesday’s filing, Combs’ lawyers argued that the continued anonymity of the alleged victims would seriously hamper their practical ability to prepare for the trial
“Mr. Combs … anticipates that the discovery will contain voluminous evidence of consensual sexual activity – making it all the more difficult for Mr. Combs to ascertain which of his prior sexual partners now claim, years later, that they felt coerced,” his lawyers write.
If history is any guide, Combs’ lawyers face an uphill battle in convincing the judge to unmask his alleged victims.
In the similar racketeering case against R. Kelly, prosecutors privately disclosed the names of several alleged victims to Kelly’s legal team, but argued that others must remain hidden, citing concerns that the singer or his entourage might seek to intimidate them.
The judge eventually agreed, saying that federal courts “routinely deny requests for victims’ identities in racketeering cases, especially when the government demonstrates a risk to witness safety [or] the potential for witness intimidation.” At Kelly’s eventual trial in 2021, several victims testified under pseudonyms.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Limp Bizkit sues Universal Music Group for $200 million over claims that the band has ‘never’ been paid royalties; a lawsuit against Nelly takes a twist as his former bandmates allegedly push back on the case; Barry White’s estate files a lawsuit over Future and Metro Boomin’s chart-topper “Like That”; and much more.
THE BIG STORY: Has Limp Bizkit Really Never Gotten Royalties?
At one point in the bombshell, $200 million lawsuit Limp Bizkit filed against Universal Music Group last week, the band’s attorneys explicitly asked the question that everyone was thinking as they read the case: “The band had still not been paid a single cent by UMG in any royalties until taking action against UMG, leading one to ask how on earth that could possibly be true.”
How on earth, indeed. How had one of the biggest bands of its era, which sold millions of records during the music industry’s MTV-fueled, turn-of-the-century glory days, still never have been paid any royalties nearly three decades later?
According to Limp Bizkit and frontman Fred Durst, the answer is an “appalling and unsettling” scheme by UMG centered on “systemic” and “fraudulent” policies that were “deliberately designed” to conceal royalties from artists and “keep those profits for itself.”
Scathing language aside, the lawsuit really appears to be a long-delayed dispute over recoupment.
Durst says that UMG repeatedly told him that Limp remained unrecouped — meaning its royalties still had not surpassed the amount the group had been paid in upfront advances. UMG allegedly told Durst that it had paid out a whopping $43 million in advances over the years, a huge figure that would go a long way to explaining the lack of royalties.
Limp Bizkit’s lawsuit says UMG didn’t provide “any back-up for this alleged amount” – and that the label essentially kept the band in the red with shady bookkeeping, including “intentionally concealing the true amount of sales” and “fraudulent accounting practices.”
“Where did this additional $199,676.00 charged to the account come from?” the band’s lawyers wrote at one point, referring to one such alleged inconsistency. “It seems to have come out of thin air to overdraft Limp Bizkit’s due and payable account in order to defraud Limp Bizkit and show an unrecouped account.”
UMG has not yet publicly commented on the allegations, so we’ll keep you updated when the music giant files its first formal response in court…
Other top stories this week…
ALWAYS MORE DIDDY – Since you last heard from Legal Beat one whole week ago, there have somehow already been four big developments in the story of Sean “Diddy” Combs, who stands accused of decades of sexual abuse. Here goes:
-Attorneys for the rapper filed their opening salvo in an appeal of a ruling denying him pre-trial release on bail, arguing the “sensationalism” of the case led the judge to keep him locked up over “purely speculative” concerns about witness intimidation. In the days since, the appeals court has already declined to issue a quick ruling releasing him; instead, the court will hear the case at normal pace and rule at some point in the next few months on whether he should be set free until trial.
-Less than a day after filing the appeal, Combs’s team accused the government of leaking evidence to the media in order to “taint the jury pool and deprive Mr. Combs of his right to a fair trial.” Among other evidence allegedly shared with the press? The infamous surveillance video of Combs assaulting then-girlfriend Cassie in 2016, which his lawyers say was leaked “to mortally wound the reputation and the prospect of Sean Combs successfully defending himself.”
-The judge set a May 5 date for the start of Combs’ criminal trial, in which he will face charges of racketeering and sex trafficking over what prosecutors say was a sprawling criminal operation aimed at satisfying his need for “sexual gratification.” The schedule could still be pushed back, particularly if prosecutors file new charges or add defendants to the case, or if Combs eventually gets released on bail and chooses to waive his “speedy trial” right.
-Six new civil lawsuits were filed in Manhattan federal court, including one from a man who says he was sexually assaulted by Combs in 1998 when he was 16 years old and attending one of the rapper’s famed “white parties” in the Hamptons. The cases were the first in a wave of dozens of civil cases that are expected to be filed in the weeks ahead by Los Angeles attorney Andrew Van Arsdale and Texas attorney Tony Buzbee, who earlier this month said they are representing at least 120 such alleged victims.
ST. LUNATICS REBEL – Weeks after Nelly’s former St. Lunatics groupmates sued him for allegedly cutting them out of royalties, an attorney for the star claimed that three of them had never approved the lawsuit in the first place. In a letter sent last month, Nelly’s attorney warned the lawyer who filed the case last month that Murphy Lee (Tohri Harper), Kyjuan (Robert Kyjuan) and City Spud (Lavell Webb) had recently retained his services and had “informed me that they did not authorize you to include them as plaintiffs” and were “demanding you remove their names” from the case.
DR. DRE’S DR. DRAMA – Dr. Dre was hit with a lawsuit accusing him a waging a “malicious campaign of harassment” against a psychiatrist served as a marriage counselor and mediator for the rapper and his now-ex-wife Nicole Young. Dr. Charles J. Sophy says the rapper subjected him to a “barrage of threats” via text message, and even sent fake FBI agents to his home to intimidate him. Dre’s attorneys quickly fired back, saying Sophy only sued because Dre is currently seeking to have his medical license revoked over allegations of “dereliction of duties and incredible incompetence” during the divorce.
SAMPLE SPAT – Barry White’s estate filed a copyright lawsuit over allegations that a prominent sample at the heart of Future and Metro Boomin’s chart-topping “Like That” infringes the rights to a 1973 song by the legendary singer — but they didn’t actually file the case against those stars. Instead, they sued duo Rodney-O (Rodney Oliver) & Joe Cooley, the classic hip hop duo behind “Everlasting Bass,” the track that Future and Metro Boomin sampled.
NAME BLAME – Attorneys for Garth Brooks publicly disclosed the name of a woman who sued the country star for sexual assault, naming her as a defendant in a lawsuit that accuses the woman of extortion and defamation. The move drew a sharp rebuke from the woman’s lawyers, who said Brooks had “publicly named a rape victim” in order to “punish” her for speaking out.
THE CASE ISN’T ALRIGHT – A California appeals court sided with The Offspring in a long-running court case filed by former drummer Ron Welty, rejecting his claims that he was owed millions more from the punk band’s $35 million catalog sale to Round Hill Music. A Los Angeles judge rejected those accusations last year, and California’s Court of Appeals ruled that there had been “no reversible error” in that decision.
I WANT MY ROYALTIES BACK, ROYALTIES BACK – What’s going on in the Chili’s legal department? For the second time this year, the huge restaurant chain was sued over accusations that it used copyrighted music on social media without permission — this time by Universal Music Group over dozens songs by Ariana Grande, Justin Bieber and other stars. The new case came shortly after the advertising-averse Beastie Boys sued Chili’s over the same thing back in July.
TAKING THE STAND – Amid a lawsuit claiming Martin Shkreli might leak copies of Wu-Tang Clan’s ultra-rare album Once Upon a Time in Shaolin, a federal judge ruled that the pharma exec must personally go to court and testify under oath about the fate of the album. Shkreli once owned the album, but was forced to forfeit to federal prosecutors after he was convicted of securities fraud.
YE LAWSUIT UPDATE – Ye (formerly Kanye West) was sued by Lauren Pisciotta, a former assistant who claimed that the rapper drugged and sexually assaulted her during a studio session he co-hosted with Diddy. Pisciotta already sued Ye in July for sexual harassment, breach of contract and wrongful termination, but she filed an updated version of the case that includes the Diddy-linked claims.
Seven new sexual abuse lawsuits against Sean “Diddy” Combs were filed Monday (Oct. 14) in Manhattan federal court, the first in a wave of dozens of civil cases expected to be filed in the weeks ahead.
The cases — each filed by an anonymous Jane Doe or John Doe plaintiff — were all filed by Los Angeles attorney Andrew Van Arsdale and Texas attorney Tony Buzbee, who earlier this month said he is representing at least 120 such alleged victims.
“While his wealth has kept him above consequence for years, Combs now faces the awesome power of the American judicial system and ultimately a jury of his peers who will be asked to punish him for the deplorable conduct,” the lawyers wrote in matching language in each complaint.
Five of the cases on Monday were filed by men and two were filed by women. In one, a woman claims that Combs lured her into a bathroom at a 1995 promotional event for a Notorious B.I.G. music video, then violently raped her. “You better not tell anyone about this, or you will disappear,” he allegedly told her after the attack.
Another case was filed by a man who says he was sexually assaulted by Combs in 1998 when he was 16 years old and attending one of the rapper’s famed “white parties” in the Hamptons. The man claims that Combs forced him to remove his pants and demanded he allow him to “inspect” his genitals.
“Combs abruptly then let go of John Doe’s genitals and told him that his people would be in touch,” the lawyers write in that lawsuit. “Combs continued with his party as if nothing had happened, but for John Doe, everything had changed.”
Representatives for Combs did not immediately respond to requests for comment.
Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But last month, he was indicted by federal prosecutors over accusations of sex trafficking, forced labor, kidnapping, arson and bribery. If convicted on all the charges, he potentially faces a sentence of life in prison.
In their indictment, prosecutors allege that Combs ran a sprawling criminal operation aimed at satisfying his need for “sexual gratification.” The charges detailed “freak offs” in which Combs and others would allegedly ply victims with drugs and then coerce them into having sex with male sex workers, as well as alleged acts of violence and intimidation to keep victims silent.
A trial is currently set for May 5.
In addition to the criminal cases, Combs has also faced a slew of civil lawsuits over the past year, including at least 12 filed prior to Monday’s new lawsuits.
Amid a federal lawsuit, a judge says Martin Shkreli must personally go to court and testify under oath about the extent to which he copied and shared Wu-Tang Clan’s rare album Once Upon a Time in Shaolin.
In a brief ruling Friday (Oct. 11), Judge Pamela K. Chen scheduled a hearing for next month to resolve the issue of what exactly Shkreli did with Once Upon, an ultra-rare Wu-Tang record that he once owned but was forced to forfeit to federal prosecutors after he was convicted of securities fraud.
The judge said the ruling was designed to “resolve the deficiencies” in Shkreli’s previous sworn statements about the fate of the album, in which the pharma exec said he wasn’t sure who might still have copies.
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“Defendant Shkreli will be called upon to testify under oath regarding the copying and distribution of the album’s tracks,” the judge wrote. “Both parties will be permitted to question defendant Shkreli on these issues.”
Wu-Tang’s fabled album was recorded in secret and published just once, on a CD secured in an engraved nickel and silver box. In addition to the bizarre trappings, Once Upon came with strict legal stipulations — namely, that the one-of-a-kind album could not be released to the general public until 2103.
In 2015, Shkreli — soon to become infamous as the man who intentionally spiked the price of crucial AIDS medications — bought Once Upon at auction for $2 million. But after he was convicted of securities fraud in 2017, he forfeited it to federal prosecutors to help pay his multi-million dollar restitution sentence. PleasrDAO, a collective of early NFT collectors and digital artists, then bought the album from the government in 2021 for $4 million, and in 2024 acquired the copyrights and other rights for another $750,000.
Amid recent efforts to monetize Once Upon, Pleasr sued Shkreli in June after he made threats to release the album publicly and destroy the exclusivity that the company had purchased. The lawsuit accused him of both breaching the federal forfeiture order and violating federal trade secrets law, which protects valuable proprietary information from misappropriation.
In August, Judge Chen granted Pleasr a preliminary injunction requiring Shkreli to hand over any copies of Once Upon that were still in his possession. Shkreli’s attorneys had argued he had the right to create private copies when he owned the album and could retain them even after he forfeited the original copy, but the judge rejected that argument.
Last month, Shkreli told the judge he had “searched my devices, electronic accounts, and other personal effects” and handed over any copies he owned. He swore that he had done so “under penalty of perjury under the laws of the United States of America.”
But he also said he didn’t know exactly who he had shared it with, and that some of them probably still have copies.
“Because I shared the musical work several times several years ago, I cannot recall each and every time that I have shared the musical work,” he told the judge. “It is possible, and indeed I find it highly likely, that one of the many people who viewed, heard, or otherwise accessed the musical work via my social media recorded the musical work and retains a copy of the same.”
Attorneys for Pleasr weren’t pleased. In a response filing days later, they told the judge that Shkreli’s disclosure “falls short” of the judge’s requirements and “raises doubts as to whether Defendant has, in fact, made a good faith effort to comply.”
On Friday, Judge Chen responded with her order requiring Shkreli to appear in court. His attorneys did not immediately return a request for comment on Monday (Oct. 14).
Ye (formerly Kanye West) is being sued by a former assistant who alleges the rapper drugged and sexually assaulted her during a studio session he co-hosted with Diddy.
Lauren Pisciotta, the ex-assistant who filed the new lawsuit, previously sued Ye in June, when she accused him of sexual harassment, breach of contract and wrongful termination; a legal rep for Ye denied the lawsuit’s allegations in June.
Amended court documents were filed in California on Oct. 8 and first obtained by TMZ, according to The Hollywood Reporter, who reached out to Ye’s rep for comment.
Pisciotta, who worked for Ye for a year, claims in the October filing that she and an unnamed artist management client were invited to one of Combs’ studio sessions.
She says “drinks were served to her and others in attendance, followed by an announcement that everybody had to drink, if they wanted to stay.”
“After a few small sips of the beverage, poured at the direction of Kanye West a.k.a. Ye by a studio assistant and then served to her by Kanye West, Plaintiff suddenly started to feel disoriented,” the suit alleges. Pisciotta claims she got roofied. Pisciotta says upon waking up she felt “immense shame and embarrassment” but could remember almost nothing about what happened.
She alleges Ye brought up that night to her years later, telling her they “did kind of hook up,” and that he provided details about what happened.
Pisciotta, an OnlyFans model, worked for Ye first as an executive assistant and later as chief of staff for his companies.
Sean “Diddy” Combs is named in the amended case filing as co-host of the studio event on the night of the alleged incident. However, Pisciotta has not made any accusations against him.
Diddy is currently being held in a Brooklyn jail, awaiting trial after his Sept. 16 arrest on sex trafficking and racketeering.
R. Kelly’s daughter Buku Abi is claiming in a new documentary that her father sexually abused her as a child.
Abi, whom Kelly shares with his ex-wife Andrea “Drea” Kelly, made the accusation in the two-part series R. Kelly‘s Karma: A Daughter’s Journey, which premiered through the TVEI Streaming Network on Friday (Oct. 11).
“He was my everything. For a long time, I didn’t even want to believe that it happened. I didn’t know that even if he was a bad person that he would do something to me,” Abi, whose legal name is Joann Kelly, says in the episode. “I was too scared to tell anybody. I was too scared to tell my mom.”
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In the second episode, Abi, now 26, claims the abuse happened when she was 8 or 9 years old. “I just remember waking up to him touching me,” she tearfully recalls. “And I didn’t know what to do, so I just kind of laid there, and I pretended to be asleep.” She added, “from that moment on, I was a different person.”
Abi says she initially reported the alleged abuse to her mother in 2009, and a complaint was filed under “Jane Doe,” but the statute of limitations had run out. “They couldn’t prosecute him because I waited too long. So at that point in my life, I felt like I said something for nothing,” she said.
Kelly’s attorney Jennifer Bonjean said in a statement to People that the imprisoned singer “vehemently denies these allegations. His ex-wife made the same allegation years ago, and it was investigated by the Illinois Department of Children & Family Services and was unfounded…. And the ‘filmmakers,’ whoever they are, did not reach out to Mr. Kelly or his team to even allow him to deny these hurtful claims.”
The disgraced R&B singer, whose real name is Robert Sylvester Kelly, is currently serving a 30-year prison sentence after he was convicted of racketeering and sex trafficking charges in 2021. In 2022, Kelly was also convicted of six counts of child pornography and enticing a minor to engage in sexual activity.
The first two episodes of R. Kelly’s Karma: A Daughter’s Journey are currently streaming through the TVEI Streaming Network.
A founding member of the experimental rock band Mr. Bungle was found guilty Friday (Oct. 11) of first-degree murder in the killing of his girlfriend after prosecutors in California found an audio file the victim recorded on her phone as she fought for her life.
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A jury in Santa Cruz deliberated for a day before finding Theobald “Theo” Lengyel guilty of first-degree murder in the killing of his girlfriend Alice “Alyx” Kamakaokalani Herrmann on the night of Dec. 4, 2023, inside her Capitola home, KSBW-TV reported. Lengyel faces life in prison and is set to be sentenced in November.
Lengyel, 55, was arrested in January after investigators found Herrmann’s remains in a wooded area of Tilden Regional Park in Berkeley. Herrmann was reported missing the previous month after she didn’t show up to a family gathering in Hawaii.
On Oct. 1, prosecutors played an audio recorded on Herrmann’s phone begging for her life as her boyfriend strangled her to death, KRON-TV reported.
It is unclear if Herrmann, 61, intentionally recorded the audio or if the app inadvertently recorded it.
District Attorney’s Office Inspector Steven Ryan testified that investigators did not discover the chilling audio file until Sept. 22, 2024, a month after Lengyel’s murder trial began.
The recording starts with Lengyel playing piano before growing angry at Herrmann because she doesn’t want to go out to play pool. Herrmann repeatedly says she does not want to go because she has to work in Berkeley the next day.
A few minutes into their argument, Lengyel can be heard threatening his girlfriend stating, “I could mash your f(asterisk)(asterisk)(asterisk)ing brain.”
According to prosecutors, the verbal argument escalated into a physical altercation. Herrmann could then be heard pleading for her life, gasping for air.
Lengyel left Mr. Bungle in 1996 after playing saxophone, clarinet and keyboards on several recordings, including the band’s self-titled 1991 debut album and Disco Volante in 1995. He did not participate in any of the band’s recent reunion tours, which began in 2020.
Mr. Bungle was formed in Northern California’s Humboldt County in 1985 by high school friends including guitarist Trey Spruance, bassist Trevor Dunn and vocalist Mike Patton, who went on to perform with Faith No More. Mr. Bungle experimented with funk, heavy metal, electronic, jazz and other musical styles, gaining popularity during the alternative rock boom of the 1990s.
In a 2005 Q&A, Dunn said Lengyel left the band on bad terms, SF Gate reported.
A federal appeals court judge has ruled to keep Sean “Diddy” Combs locked up while he makes a third bid for bail in his sex trafficking case, which is slated to go to trial in May.
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In a decision filed Friday (Oct. 11), Circuit Judge William J. Nardini denied the hip-hop mogul’s immediate release from jail while a three-judge panel weighs his bail request.
Combs’ lawyers appealed to the 2nd U.S. Circuit Court of Appeals on Sept. 30 after two judges rejected his release.
Combs, 54, has been held at a federal jail in Brooklyn since his Sept. 16 arrest on charges that he used his “power and prestige” as a music star to induce female victims into drugged-up, elaborately produced sexual performances with male sex workers in events dubbed “Freak Offs.”
Combs has pleaded not guilty to racketeering conspiracy and sex trafficking charges alleging he coerced and abused women for years with help from a network of associates and employees while silencing victims through blackmail and violence, including kidnapping, arson and physical beatings.
At a bail hearing three weeks ago, a judge rejected the defense’s $50 million bail proposal that would’ve allowed the “I’ll Be Missing You” singer to be placed under house arrest at his Florida mansion with GPS monitoring and strict limits on visitors.
Judge Andrew L. Carter Jr., who has since recused himself from the case, said that prosecutors had presented “clear and convincing evidence” that Combs is a danger to the community. He said “no condition or set of conditions” could guard against the risk of Combs obstructing the investigation or threatening or harming witnesses.
In their appeal, Combs’ lawyers argued that the judge had “endorsed the government’s exaggerated rhetoric” and ordered Combs detained for “purely speculative reasons.”
“Indeed, hardly a risk of flight, he is a 54-year-old father of seven, a U.S. citizen, an extraordinarily successful artist, businessman, and philanthropist, and one of the most recognizable people on earth,” the lawyers wrote.
Combs’ lawyers have not asked the new trial judge, Arun Subramanian, to consider releasing him on bail. At a hearing Thursday, as Combs sat alongside his lawyers in a beige jail jumpsuit, Subramanian suggested he would at least be open to taking up the issue.
After setting a May 5 trial date, Subramanian briefly questioned Combs’ lawyers about his treatment at the Metropolitan Detention Center, which has been plagued by violence and dysfunction for years.
Combs lawyer Mark Agnifilo, who had previously sought to have him moved to a jail in New Jersey, told the judge: “We’re making a go of the MDC. The MDC has been very responsive for us.”
Another Combs lawyer, Anthony Ricco, told reporters outside the courthouse afterward: “He’s doing fine. It’s a difficult circumstance. He’s making the best of the situation.”
But, Ricco said: “Nobody’s OK with staying in jail for now.”
A British YouTuber and rapper known as Yung Filly has been charged with raping and choking a woman in a hotel room following an Australian music performance.
The 29-year-old, whose real name is Andres Felipe Valencia Barrientos, was freed on bail when he appeared Thursday (Oct. 10) on several charges in a court in Perth, the west coast city where police allege his crimes were allegedly committed on Sept. 28.
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His bail conditions include that he remain in Western Australia state, doesn’t contact his alleged victim and doesn’t post about the case on social media.
He was ordered to surrender his passport and to report to police daily. His surety was set at 100,000 Australian dollars ($67,400).
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Prosecutors had opposed bail because of a risk that he would flee the state.
His lawyer, Seamus Rafferty, did not immediately respond to a request for comment on Friday.
Barrientos is currently touring Australia and was arrested in the east coast city of Brisbane on Tuesday, a police statement said. The Colombia-born entertainer, who has 1.8 million followers on YouTube, was extradited back to Perth on Wednesday.
His Australian tour began in Perth and traveled to Melbourne and Sydney before it was scheduled to end in Brisbane.
Police allege he assaulted a woman aged in her 20s in a hotel room after he had performed in a Perth nightclub.
His show at Bar1 Nightclub was promoted by ticket-selling platform MoshTix as a “seamless blend of spontaneity, humor and music that’ll have you talking for weeks!”
He is charged with four counts of rape, three counts of assault causing bodily harm and one count of impeding the woman’s normal breathing or circulation by applying pressure to her neck, police said.
Barrientos started his YouTube career in 2013 and music career in 2017. He has also hosted or appeared in several television programs.
He won a MOBO Award, an annual British music award presentation honoring achievements in “music of Black origin,” in the Best Media Personality category in 2021.
Sean “Diddy” Combs will stand trial on May 5 in his racketeering and sex trafficking case, a federal judge ruled at a court hearing on Thursday (Oct. 10).
The order from Judge Arun Subramanian — who replaced Judge Andrew L. Carter as the presiding judge last week and will handle the eventual trial — was issued from the bench and reported by the Associated Press and other outlets.
The trial date is in line with what the rapper’s legal team wanted. In court documents Wednesday (Oct. 9), they said they were continuing to assert his constitutional right to a speedy trial and would be seeking to get the case before a jury in April or May.
Though a trial date is now set, the schedule could still be pushed back, particularly if prosecutors file new charges or add defendants to the case. It could also be delayed if Combs eventually waives his speedy trial right to give his team more time to prepare — a decision that might hinge on whether he’s granted bail in a pending appeal.
When he does stand trial, Combs will face charges of racketeering and sex trafficking over what prosecutors say was a sprawling criminal operation aimed at satisfying his need for “sexual gratification.” The decades-long scheme allegedly involved not only elaborate sexual parties called “freak offs” and other sex abuse, but also forced labor, kidnapping, arson and bribery.
“For decades, Sean Combs … abused, threatened and coerced women and others around him to fulfill his sexual desires, protect his reputation and conceal his conduct,” prosecutors wrote in their indictment last month. “To do so, Combs relied on the employees, resources and the influence of his multi-faceted business empire that he led and controlled.”
Thursday’s hearing came less than 24 hours after Combs’ lawyers accused the government of leaking evidence to the media, including the infamous surveillance video of Combs assaulting then-girlfriend Cassie in 2016.
At Thursday’s hearing, according to AP, Assistant U.S. Attorney Emily Johnson pushed back on those “baseless” claims, saying it was simply an effort by Combs’ lawyers to prevent jurors from seeing the “damning” Cassie video: “Not a single one of those alleged leaks are from members of the prosecution team,” Johnson said.
The next court date for Combs’ case is currently set for December.