Legal News
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Lauryn Hill is facing a lawsuit from her Fugees bandmate Pras Michel, claiming she defrauded him over the group’s shortened 2023 tour — and that her “gross mismanagement” also led to the abrupt recent cancellation of the 2024 tour.
In a complaint filed Tuesday in Manhattan federal court, lawyers for Pras allege that Hill exploited his mounting legal bills to get him to sign onto a plan for the 2023 tour with false promises – a deal they say enriched Hill at the expense of her bandmate.
“Hill’s ploy to appear to be Michel’s supposed savior was actually a devious attempt to make a big score for herself by generating millions of dollars from a Fugees tour,” his lawyers write. In the process, it did not matter to Hill if she took full advantage of Michel’s vulnerability – her friend and creative partner of over 30 years. In fact, she counted on exploiting that vulnerability to carry out her scheme.”
The lawsuit also sheds light on the aborted 2024 tour – which had been set to kick off in early August but was quietly cancelled just days before it was set to begin, with no immediate reason given. In his court papers, Michel pins the blame squarely on Hill.
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“Because of the gross mismanagement by Hill and [her company], who had taken far too long to close the deal with Live Nation, the 2024 U.S. tour tickets sales were dismal,” his attorneys say. “There was little or no marketing for the tour, and not enough time between the announcement and the first concert date to do sufficient advance sales to justify the tour.”
Comprised of Hill, Michel, and Wyclef Jean, the Fugees rose to fame in the 1990s with hits like “Killing Me Softly,” “Ready or Not,” and “Fu-Gee-La.” After splitting up in 1998, the three each had successful solo careers and mostly stayed separate until recent years, when they have attempted multiple reunion tours.
In 2019, Michel was hit with sweeping federal criminal charges, including funneling money from a Malaysian financier to Barack Obama’s 2012 campaign and then later trying to influence an extradition case on behalf of China. In April 2023, he was convicted on 10 counts including conspiracy, witness tampering and failing to register as a foreign agent.
In his lawsuit on Tuesday, Michel’s lawyers said Hill took advantage of a “desperate man” who needed to pay expensive criminal lawyers, using an advance of cash to get him to sign a deal with “onerous terms” that he would have “easily rejected in the years before his criminal conviction.”
“While the contractual advance paid to Pras enabled him to retain his new criminal lawyers, the 2023 tour agreement was a wolf in sheep’s clothing,” his lawyers say.
The touring agreement was “based on a lie” about how much Hill was being paid, Michel’s lawyers say, and it “ceded all financial and creative control” to her and her company – which gave her the “total lack of transparency she needed in order to secretly siphon off money.”
The lawsuit claims that Hill secretly took 40 percent “off the top” from the tour revenue before accounting for the one-third split that was owed to each of the three members. And he says the tour made much less money than it should have, thanks to a “bloated” budget and an abrupt cancellation of the second half of the tour.
As for the 2024 tour, Michel claims that Hill misled Live Nation that Michel was “on board” with the plan for another run of concerts when no such deal had been inked – and did so in order to receive a $1.1 million advance.
“That was another lie by Hill and [her company] since Michel was not ‘on board,’” say Miche’s lawyers, adding that her company “never signed the fully-negotiated agreement, never paid Michel anything, and never intended to do either.”
In technical terms, the lawsuit accuses Hill of fraud, fraudulently inducing Michel to sign the 2023 deal and breaching both her contract and her fiduciary duty. It also demands a ruling that the 2023 deal is voided and a court-ordered accounting of the books from the tour.
A spokesman for Hill did not immediately return a request for comment.
Attorneys for Sean “Diddy” Combs have formally launched an appeal of a judge’s ruling denying him bail, marking their latest effort to get him released from jail as he awaits trial on racketeering and sex trafficking charges.
In a notice filed in Manhattan federal court on Monday (Sept. 30), the rapper’s lawyers said they would ask the U.S. Court of Appeal for the Second Circuit to overturn Judge Andrew L. Carter’s ruling earlier this month, which kept Combs behind bars on the grounds that he might pose a danger if released.
Monday’s filing did not contain detailed arguments, which will be filed later at the appeals court.
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Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But earlier this month he was indicted by federal prosecutors over accusations of sex trafficking, forced labor, kidnapping, arson and bribery. If convicted on all the charges, he potentially faces a sentence of life in prison.
Prosecutors allege that Combs ran a sprawling criminal operation, aimed at satisfying his need for “sexual gratification.” The charges detailed “freak offs” in which Combs and others would allegedly ply victims with drugs and then coerce them into having sex with male sex workers, as well as alleged acts of violence and intimidation to keep victims silent.
“For decades, Sean Combs … abused, threatened and coerced women and others around him to fulfill his sexual desires, protect his reputation and conceal his conduct,” prosecutors wrote in the indictment. “To do so, Combs relied on the employees, resources and the influence of his multi-faceted business empire that he led and controlled.”
A day after the indictment was unsealed, Carter denied the rapper bail. Though Combs’ legal team had offered to pay a $50 million bond and submit to strict monitoring, the judge was swayed by arguments from prosecutors that he might still flee or might obstruct the government’s case by pressuring witnesses.
The ruling has left Combs at the Metropolitan Detention Center — a federal correctional facility in Brooklyn that has long been criticized for danger and dysfunction. In court filings, Agnifilo has called the MDC “horrific” and “not fit for pre-trial detention.” In a press conference after the bail hearing, he called the jail “inhumane housing conditions.”
DaBaby has settled a civil lawsuit over a 2020 incident in which he allegedly attacked a property manager during a music video shoot at a Los Angeles mansion, two months after he took a plea deal to avoid jail time over the episode.
The rapper (Jonathan Lyndale Kirk) was set to face a November trial in the case, in which Gary Pagar claims that DaBaby and others “beat, punched, spat on, threatened, shoved, and robbed” him after he confronted them for breaking rental rules at his Hollywood Hills mansion.
But in a court filing last week (Sept. 25) in Los Angeles Superior Court, attorneys for both Pagar and DaBaby said they had “reached a global settlement of this entire action.” Terms of the deal were not disclosed in public filings, and neither side immediately returned requests for comment.
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In addition to Pagar’s civil lawsuit, DaBaby was also initially charged with felony battery over the incident. But in July, he pleaded guilty to a lesser misdemeanor battery charge and agreed to pay $10,000 restitution in a deal with prosecutors that allowed him to avoid prison time.
Pagar sued in February 2021, accusing DaBaby and others of fraud, breach of contract, battery and other wrongdoing. He claimed that the rapper and his associates had rented the house for “a private vacation with no more than nine people,” and swore to him that there would be “no crowds, no parties, and no filming.”
“In fact, the purpose of defendants’ trip to Los Angeles was to gather 40 people and a commercial film crew at Mr. Pagar’s house to film a music video,” his lawyers wrote at the time. “When Mr. Pagar asked them to stop, they beat and battered him, stole his phone by force so he couldn’t call the police, and threatened him. Then they vandalized his house and left, after stealing various valuable items.”
When DaBaby was criminally charged by Los Angeles prosecutors over the same alleged incident in April 2022, he released purported footage that appeared to show Pagar using a racial epithet during the encounter. He accused Pagar of lying to law enforcement and the media “not knowing that he’s caught on camera.”
Across more than three years of litigation, Pagar’s civil case moved slowly. Last summer, attorneys for DaBaby asked to delay the proceedings so that the rapper would not be forced to testify in ways that would “potentially incriminate him in the parallel criminal case.” Then earlier this year, DaBaby again moved to delay the case, citing scheduling conflicts for his lawyers.
Before the settlement, a trial had been scheduled to start November 11.
As reported by Rolling Stone, DaBaby pleaded guilty to a single count of misdemeanor battery at a July 11 court hearing, agreeing to pay restitution and serve one year of probation. At the hearing, prosecutors told the judge they had agreed to drop the felony charge because they foresaw to “problems of proof of proving serious bodily injury at trial.”
Indicted hip-hop mogul Sean “Diddy” Combs has been hit with yet another civil lawsuit, claiming that he repeatedly drugged and sexually assaulted an unnamed model over a four year period.
In a lawsuit filed Thursday in New York state court, the accuser – identified only as a Florida model under the pseudonym Jane Doe – says that Combs abused her on multiple occasions from 2020 to earlier this year, often after giving her drugs and using other coercive tactics.
The allegations from the woman – at least the twelfth victim to accuse Combs of sexual abuse of over the last year – echo claims made by federal prosecutors in a sweeping indictment unsealed last week, which detailed elaborate, drug-fueled “freak off” performances involving numerous victims.
“Combs would make her ‘perform a show’ for him and would ply her with alcohol and substances until she passed out,” her lawyers write. “Throughout the four years, defendant Combs would consistently pressure Jane Doe adding other men and women into the bedroom despite Jane Doe being clear that she did not want others involved.”
The accuser says Combs and others used “coercive and harassing language” to force her to agree to his demands, including making “threatening jokes” to her that caused her to “fear for her safety if she did not comply.” She says he and others even tracked her location and monitored her conversations.
At one point in 2022, the accuser says she became pregnant shortly after a sexual encounter with Combs. After she shared the news with Combs, her lawyers say one of his associates “harassed Jane Doe by repeatedly calling her and telling Jane Doe to have an abortion.” She says she later suffered a miscarriage.
Combs, also known as Puff Daddy and P. Diddy, was once one of the most powerful men in the music industry. But over the past year, he has faced a flood of civil abuse lawsuits, starting with a high-profile case filed late last year by his former longtime girlfriend Cassie Ventura. That case quickly settled, but it was later corroborated by a widely shared video of Combs assaulting her at a hotel, and it was followed by numerous other cases with similar allegations.
Then last week, federal prosecutors unveiled a sweeping indictment, accusing Combs of operating a criminal enterprise centered on a “pervasive pattern of abuse toward women.”
“For decades, Sean Combs … abused, threatened and coerced women and others around him to fulfill his sexual desires, protect his reputation and conceal his conduct,” reads the indictment, which was obtained by Billboard. “To do so, Combs relied on the employees, resources and the influence of his multi-faceted business empire that he led and controlled.”
Even after the criminal charges, new civil cases have continued to be filed. Earlier this week, a woman named Thalia Graves filed a case claiming that Combs and another man another man “viciously raped” her New York City studio in 2001 – and that they filmed the encounter.
Combs is currently behind bars after a federal judge refused to grant him bail, ruling that he would pose a flight risk and might seek to intimidate witnesses and victims if released. The criminal case is pending, with a trial likely still months away.
Canadian musician K’naan has been charged with sexual assault. A charge sheet was filed this morning (Sept. 26) in Quebec City for the musician and director, born Keinan Abdi Warsame, for a count of sexual assault dating back to 2010, The Canadian Press reports. The arrest warrant alleges that the assault took place between July 16 and 17 […]
Facing a federal criminal indictment, New York City Mayor Eric Adams has lawyered up by hiring a prominent litigator with extensive music industry experience, including representing Jay-Z and Megan Thee Stallion.
According to Bloomberg Law, Adams will be defended by Alex Spiro of the firm Quinn Emanuel – an attorney who’s risen to fame in recent years repping Elon Musk and other celebrity clients. Most recently, he won a manslaughter trial against Alec Baldwin over a shooting on the Rust movie set.
The case against Adams, unsealed on Thursday morning, features five federal charges related to bribery, wire fraud, conspiracy and soliciting campaign contributions from foreign nationals who were “seeking to gain influence over him.” The mayor has denied the allegations.
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Spiro, one of Billboard’s Top Music Lawyers, is best known in the music industry for representing Jay-Z and his Roc Nation companies in a range of legal matters.
He handled the rapper’s years-long case over a cologne endorsement deal that went bad, eventually beating a demand for $67 million in damages and actually winning the superstar $7 million in unpaid royalties. Spiro also helped Jay-Z, Meek Mill and other stars pen an open letter in support of legislation that would ban prosecutors from using rap lyrics as evidence in criminal cases.
He’s currently working on complicated litigation over the looming auction of Damon Dash’s stake in Jay-Z’s Roc-A-Fella Records, filing a motion as recently as this week over the rights to the rapper’s iconic debut album Reasonable Doubt.
Another prominent music client for Spiro is Megan Thee Stallion. He repped her for years in contentious litigation against her former record label 1501 Certified Entertainment, in which she claimed she had been duped into signing an “unconscionable” record deal as a young artist.
Spiro is known as an uncompromising litigator who will aggressively defend his clients’ interests, including outside the courtroom. Amid the Megan Thee Stallion case, he told Billboard in a 2022 interview that her record deal amounted to “indentured servitude” for the superstar: “We’re going to very aggressively take depositions, seek accounting for all the money they sucked out of this, and end it once and for all,” Spiro said at the time.
He also represented Megan in her role as a victim and witness the trial of Tory Lanez, who was convicted in 2022 of shooting the star in the foot during a 2020 argument. When defense attorneys opened that trial by arguing that the case was really about “jealousy,” Spiro didn’t mince words in an interview with ABC News: “It’s obviously absurd and an attempt at distraction. [Tory Lanez] shot her and that’s what the case is about.”
In a widely circulated statement on the Adams indictment on Thursday, Spiro assumed that same aggressive posture for his new client: “Federal agents appeared this morning at Gracie Mansion in an effort to create a spectacle (again) and take Mayor Adams phone (again),” Spiro said, as reported by Bloomberg. “He has not been arrested and looks forward to his day in court.“
Other music industry clients for Spiro have included 21 Savage, who he repped following his 2019 detainment by U.S. immigration authorities; Bobby Shmurda, who he defended in his 2016 murder conspiracy case; and a memorabilia auction house called Gotta Have Rock and Roll, who he represented in a recent dispute with the Michael Jackson estate.
With Sean “Diddy” Combs sitting in jail on federal sex trafficking and racketeering charges, he faces an uncertain path ahead in the immediate future — with unresolved issues over his detainment and how quickly he’ll face trial.
Combs, who was arrested and charged last week, stands accused of sweeping criminal wrongdoing, including physical abuse, forced labor, kidnapping, arson and bribery. If convicted on all the charges, he potentially faces a sentence of life in prison.
After Judge Andrew L. Carter denied him bail on the grounds that Combs posed a flight risk and might intimidate witnesses, the music mogul’s lead attorney Marc Agnifilo suggested he would appeal that ruling to a federal appeals court. But he has not yet filed that appeal, and such a challenge faces long odds.
Until then, Combs will likely remain at the Metropolitan Detention Center in Brooklyn — a federal correctional facility that has long been criticized for danger and dysfunction. In July, one of New York’s U.S. Congressmen called for an investigation, citing “chronic understaffing, perpetual solitary confinement and widespread violence.” Last month, a federal judge criticized “dangerous, barbaric conditions” at the facility.
In court filings, Agnifilo has called the MDC “horrific” and “not fit for pre-trial detention,” and he suggested at last week’s bail hearing that he would seek to have Combs transferred elsewhere. But Judge Carter told him that decisions on pre-trial jail placement were not within his purview, and in a court filing on Monday, Agnifilo declined to formally ask the judge for a change in jails.
How long will the embattled mogul be waiting at MDC? That depends on when his trial takes place, which is a harder thing to predict than you might think.
Anyone accused of a crime in the U.S. has a constitutional right to a speedy trial, which in federal cases means a jury trial must start within 70 days. Defendants often waive that right to give their attorneys more time to prepare a defense, since prosecutors usually have a head start. But Agnifilo declined to do so last week, saying he was “going to do everything I can to move his case as quickly as possible.”
“I’m going to try and minimize the amount of time he spends in very, very difficult and, I believe, inhumane housing conditions,” Agnifilo said at a press conference on Wednesday.
The demand for a speedy trial suggests that Diddy’s legal team believes there is more advantage to be gained from forcing prosecutors to quickly put their case before a jury, rather than spending more time preparing themselves or attacking the charges with pre-trial motions. The move could allow the government less time to find additional witnesses, and less time to sift through huge amounts of digital records and other evidence. “They’re going to have to accommodate me and him and give us a quick trial, and I’m going to be pushing for that,” Agnifilo said.
But prosecutors can, and very likely will, seek to slow down that timetable.
Under speedy trial rules, the judge can “exclude” certain time from the 70-day timer for a wide variety of reasons. Already, Judge Carter has said in court orders that he will exclude several weeks of time — starting with the Sept. 18 bail hearing and running to the next hearing next month — “in the interest of justice.” The next court date is a status conference currently scheduled for Oct. 9.
Another cause for delay would be if prosecutors filed so-called superseding indictments — an updated version of the case against Diddy. Such a filing could simply add new charges against Diddy based on newly-discovered evidence or testimony, or it could add new defendants to the case — not an unlikely outcome in a case that repeatedly references unnamed co-conspirators in Diddy’s alleged criminal enterprise.
At a press conference announcing the charges, U.S. Attorney Damian Williams suggested that could be exactly what prosecutors are planning. “I can’t take anything off the table,” Williams said. “Anything is possible. Our investigation is very active and ongoing.”
Did an upstart rival steal Britney Spears and her lucrative fragrance business from Revlon? Or is the cosmetics behemoth just upset that the star took her business elsewhere?
In a new legal filing last week, Give Back Beauty fired back at Revlon’s recent federal lawsuit, which accused the smaller company of working with four ex-Revlon execs to “sabotage” the company’s decades-old fragrance partnership with the Spears.
Revlon’s case called it a “carefully planned and executed” plot to steal the lucrative relationship. But in its response on Friday, Give Back said Revlon was selling that “false narrative” of espionage and corporate raiding simply because it was angry that it had been beaten by a competitor.
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“Revlon asks the court to accept that tale as the only possible explanation for why Ms. Spears decided to reject Revlon in favor of GBB,” the company’s lawyers write. “Revlon’s motion is more accurately an anticompetitive ruse to damage a competitor because Revlon, weakened in the market by its recent bankruptcy, cannot compete fairly with GBB, and seeks to frustrate GBB’s transition of Britney Brands, at the same time, sending a warning about future competition from an international rival that poses a growing threat to Revlon’s market share.”
In 2004, at the peak of her powers, Spears signed a deal with Revlon’s Elizabeth Arden to develop branded fragrances and other cosmetics. When she released “Curious” later that year, it quickly became the top selling perfume of the year and reportedly pulled in more than $100 million in sales. By 2013, “Curious” had reportedly sold more than 500 million bottles and the overall Spears-Arden partnership, featuring many other scents, was earning $30 million a year in sales.
Revlon sued last month, claiming its own staffers had destroyed that business by jumping ship to Give Back and taking the Britney account with them. Accusing them of stealing trade secrets and breaching their contracts, the case even claimed that one exec had “acted as a double-agent” – working with Give Back while ostensibly negotiating with Britney’s team to renew her Revlon deal.
“Revlon and Elizabeth Arden were completely unaware that Revlon’s own team was actively sabotaging one of their most valuable licensing relationships,” the company’s lawyers claimed at the time.
Though the case centers on the Spears account, she is not named as a defendant nor accused of any wrongdoing; at the time, a Revlon spokesman said the company wished her “all the best.”A spokesperson for Britney did not return a request for comment on the dispute.
Earlier this month, Revlon asked for an immediate injunction that would sharply restrict Give Back and the ex-employees while the case plays out. It claimed the defendants were “continuing to misuse Revlon’s trade secrets” and that “this wrongful conduct must stop.”
With Friday’s filing, Give Back responded to that motion — arguing there was no need for any kind of restraining order over Revlon’s “baseless” accusations and that the rival can’t show it will suffer the kind of “irreparable” harm required for such a drastic order.
“The court should not countenance plaintiffs’ thinly-veiled attempt to prevent GBB from safeguarding Ms. Spears’ valuable fragrance brand,” the company’s lawyers write. “Revlon’s Motion should be denied in its entirety.”
In making that argument, Give Back sharply denied many of the lawsuit’s allegations. On the “double agent” claim, it said the ex-employee had been “unaware that GBB was negotiating a deal with Britney Brands and had no involvement in negotiating the agreement.” It also denied that the staffers had stolen any proprietary information or that Give Back had used any such data.
The real purpose of Revlon’s request for the injunction? Attorneys for the defendants says it’s “entirely vindictive” – aimed at “thwarting Ms. Spears’ decision to hire GBB” and “keeping the option for the public to buy Britney Spears-branded fragrances off of the market so long as Revlon is not the distributor.”
A spokesperson for Revlon did not immediately return a request for comment.
In addition to Give Back itself, the lawsuit names the four employees — Vanessa Kidd, Dominick Romeo, Reid Mulvihill and Ashley Fass. They are all represented by the same legal team that filed Friday’s motion.
Less than a week after he was indicted on sex trafficking and racketeering charges, Sean “Diddy” Combs is facing yet another civil sexual abuse case, this time claiming that he and another man “viciously raped” a woman at his New York City studio in 2001.
In a complaint filed Tuesday in Manhattan federal court, attorneys for Thalia Graves say that Combs and his head of security, Joseph Sherman, isolated her, drugged her and sexually assaulted her at his studio. The lawsuit says the rapper also filmed the attack and later showed it to others.
“For decades, she remained silent and did not report the crime out of fear that defendants would use their power to ruin her life, as they had repeatedly, explicitly threatened to do,” writes Graves’ lawyers, who include well-known attorney Gloria Allred. “To this day, plaintiff suffers from severe depression, anxiety, and panic attacks, and still lives in fear of defendants.”
The case is the latest of at least nine similar civil suits filed against Combs over the past year, each of which accuses him of sexual abuse and other wrongdoing. And it comes just a week after he was arrested and indicted by federal prosecutors on sweeping accusations of sex trafficking and racketeering – charges that, if proven, could see him sent to prison for life.
In the new case, Graves claims she was 25 years old at the time of the attack. She says she was dating one of Combs’ employees, and that he exploited the relationship to “lure” her into meeting him and Sherman alone at the studio.
Once alone, Graves alleges they gave her a drink that was “likely laced with a drug that eventually caused her briefly to lose consciousness.” She says she later “awoke to find herself bound and restrained,” at which time the pair “proceeded to brutally sexually abuse” her. Her attorneys say that “both men were undeterred by plaintiff’s cries for help throughout the attack.”
A representative for Combs did not immediately return a request for comment. Sherman could not immediately be located for comment.
Following the attack, Graves says she “never recovered,” suffering suicidal thoughts and other severe emotional damage. And she says any progress in healing was “dramatically reversed” when she learned last year that Combs had filmed the alleged attack and had “shown the video to multiple men.”
“Plaintiff could not believe that Defendants would record themselves committing such a gruesome crime and then proceed proudly and widely to disseminate the recording of it,” her attorneys write. “This action seeks redress for defendants’ brutalizing, misogynistic, and violent attacks.”
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Nelly faces a copyright lawsuit over his decades-old album Country Grammar; T.I. and his wife Tiny win a shocking $71 million jury verdict against a toymaker; the Michael Jackson estate takes legal action against a sexual abuse accuser; and much more.
THE BIG STORY: A Legal Blast From The Past
Nearly a quarter century after Nelly’s breakout album, he’s now getting sued over it – and by his childhood friends, no less. The case, filed by members of his early-career St. Lunatics group, claims that Nelly (Cornell Haynes) “manipulated” them into thinking they’d be paid for their work on the 2000 album Country Grammar, but that he ultimately cut them out of the credits and the royalty payments. “Every time plaintiffs confronted defendant Haynes [he] would assure them as ‘friends’ he would never prevent them from receiving the financial success they were entitled to,” the lawsuit reads. “Unfortunately, plaintiffs, reasonably believing that their friend and former band member would never steal credit for writing the original compositions, did not initially pursue any legal remedies.” Copyright lawsuits over years-old songs have become a common sight in the music industry over the past decade, thanks largely to a Supreme Court ruling that said such cases were mostly fair game. But the plaintiffs in the current case – which is styled as an infringement lawsuit but appears to really be more of a dispute over ownership – could still face hurdles over their long delay. To understand why, go read our full story on the lawsuit, with access to the actual lawsuit filed against Nelly.
Other top stories this week…
NOT A TINY VERDICT – T.I. and his wife Tameka “Tiny” Harris won a stunning $71 million jury verdict in their lawsuit claiming that toymaker MGA stole the design of a line of “O.M.G.” toy dolls from their real-life teen pop group OMG Girlz. Following a three-week trial, a jury found that MGA infringed both the trade dress and the likeness rights of the OMG Girlz — a defunct trio created by Tiny featuring her daughter Zonnique “Star” Pullins. JACKSON ESTATE ACTION – Michael Jackson’s estate filed an arbitration case against a man who it claims has threatened to resurface ugly abuse allegations ahead of the upcoming release of Michael, a biopic about the King of Pop. According to the estate, the accuser signed a never-before-reported settlement in 2020 that saw him paid $3.3 million in return for signing a non-disclosure agreement, but now he’s threatening to breach the deal if he’s not paid another $213 million. DIDDY STAYS IN JAIL – Sean “Diddy” Combs was once again refused bail in his sex abuse case, after a federal judge ruled that the indicted rapper and music executive would pose a flight risk and might intimidate witnesses if released. His lawyers renewed their request to let him await trial on sex trafficking and racketeering charges under house arrest at his Miami mansion, but Judge Andrew L. Carter ruled Diddy must instead wait for the trial in a Brooklyn federal prison. REASONABLE DOUBT? Raise your hand if you had “Jay-Z argues with New York City over arcane issues of intellectual property law” on your 2024 bingo card. With a court-ordered auction of Damon Dash’s stake in Roc-A-Fella Records looming, lawyers for the superstar and the city are somehow now wrangling over whether he can use copyright termination to retake control of his debut album Reasonable Doubt. That’s a crucial question for anyone who wants to buy Dash’s stake in Roc-A-Fella – and for a municipal government that’s trying to use the auction to recoup hundreds of thousands of dollars in unpaid child support. DOLAN CASE TOSSED – A federal judge dismissed a lawsuit accusing Madison Square Garden executive James Dolan of pressuring a masseuse into unwanted sex while his band toured with the Eagles, ruling that his accuser had failed to meet the requirements of a federal sex trafficking law. But the case, which also includes simpler, state-law allegations of sexual battery and aiding and abetting of sexual assault, will likely be refiled in state court. SPICE SETTLEMENT – Ice Spice reached an agreement to end a copyright lawsuit over allegations that her recent hit “In Ha Mood” was copied from an earlier track called “In That Mood” by a Brooklyn rapper named D.Chamberz (Duval Chamberlain). Terms of the apparent settlement were not disclosed in court filings. MANILOW BATTLE – Hipgnosis Songs Fund, one of the most influential players in the catalog acquisition market run-up of recent years, is locked in litigation with Barry Manilow – a two-way, trans-Atlantic legal battle that sheds light on the company’s 2020 deal to buy the singer’s royalty income. Billboard’s Elizabeth Dilts Marshall dove deep into the court filings and breaks it all down here.
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