Lawsuit
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Lizzo’s Big Grrrls dance crew have officially spoken out in support of the singer amid a sexual harassment lawsuit filed by her former dancers. “We had the time of our lives on The Special Tour. We have been so honored to share the stage with such amazing talent,” reads the statement posted to the Big […]
It didn’t take long for news of a lawsuit against Lizzo to put a dent in her sales and streaming activity. Multiple metrics — such as on-demand audio streams and Instagram followers — reveal a small but noticeable fan backlash in the week following news that the singer was sued in a Los Angeles court by three tour dancers who claimed the “Special” singer subjected them to sexual harassment and a hostile work environment.
From August 1 — the day the lawsuit became public — to August 8, Lizzo’s daily U.S. on-demand audio streams fell 21.7% while her daily U.S. track sales have declined 35%, according to Luminate.
Almost half of the decline in U.S. track sales appears to be the result of a drop-off in sales of “Pink,” Lizzo’s contribution to the Barbie: The Album soundtrack. Excluding “Pink,” Lizzo’s track sales declined 19.3% from August 1 to August 8. The decline in her on-demand audio streams excluding “Pink” was unchanged at 21.7%.
The cumulative loss over the seven-day period is relatively minor: about 6 million on-demand audio streams with a royalty value of roughly $10,000 to her record label, according to Billboard’s estimate. Smaller yet is the cumulative decline in royalties from track sales of roughly $1,000 over the same period.
The financial damage would be far greater if Lizzo’s streams and sales continue to be impacted by the controversy. The lawsuit could remain in the public spotlight for some time: The attorney representing the three plaintiffs claims to have received “at least six other inquiries” from people with similar stories regarding their employment by Lizzo. If her U.S. sales and streams continued at the current rate, the cumulative decline in U.S. royalties from streams and track sales would amount to about $89,000 over the first 30-day period and $320,000 over a 90-day, three-month period.
Although her streaming numbers dropped considerably, Lizzo lost just 0.1% of her Spotify followers, amounting to roughly 6,000 of her 5.6 million followers, in the seven days after news of the lawsuit broke. But the singer took a bigger hit on social media. In the week after the lawsuit, Lizzo’s Instagram followers fell 1.7% to 13.4 million while her TikTok followers declined 0.7% to 26.8 million, according to Chartmetric.
Social media numbers fall when services occasionally remove fake followers, but “it is highly unusual to see these simultaneous declines in follower accounts on multiple services,” says Chaz Jenkins, Chartmetric’s chief commercial officer. Artists’ followers tend to increase steadily over time. In fact, before the lawsuit, Lizzo’s Instagram never declined more than 0.1% over any seven-day period in 2023. .
Seeing some fans’ reaction to Lizzo’s lawsuit recalls how Doja Cat lost about 600,000 Instagram followers in roughly two and a half weeks, according to Chartmetric, after the rapper traded barbs with her fans. She received none of the groundswell of support that Jason Aldean experienced after CMT’s decision to pull the video for his song “Try That in a Small Town” sparked a national conversation. From July 1 to August 10, Aldean’s YouTube subscribers grew by 10.9% to 2.7 million, his Instagram followers increased 5.9% to 4.3 million and the track went to No. 1 on the Hot 100. But, as Kanye West’s rebounding music consumption suggests, listeners may not stay mad for long.
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It seems like Offset is no longer at odds with his recording home. He has dismissed his lawsuit against Quality Control Music.
As spotted on Variety Magazine the Lawrenceville, Georgia native is moving on from his legal woes concerning his solo work. Back in April it was revealed that the Migos member was trying to regain the ownership to his master recordings. TMZ reported that in 2013 he signed a contract with QC to produce solo albums. But in 2015 the record label signed a new distribution deal with Capitol Records that in turn reverted ownership of his solo works back to Quality Control. Naturally, Offset felt that the move violated the original 2013 terms thus he took the record company to court.
On Friday, August 4 Offset’s legal team requested the lawsuit be dismissed with prejudice. Neither Quality Control or representatives for the “Slipper” rapper have yet to publicly comment on the recent news. Back in May Offset spoke to Variety Magazine for their cover story and he discussed the situation. “This is me going full-fledged into my solo career,” he explained. “The objective is to do it fully and smash sh*t and f*** the game up as a solo artist. I’m coming through, bustin’ through the door. It’s all set, my next chapter. It’s my time.”
Most recently Offset released his new single “Jealousy” with his wife Cardi B. You can watch the video below.
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New York City has agreed to pay out over $13 million in a settlement with protesters over their treatment during arrests by police in 2020.
On Wednesday (July 19th), the settlement amount of $13.7 million was agreed to by city officials. The settlement is in response to a civil lawsuit filed on behalf of 1,300 individuals who were arrested and/or beaten by members of the New York Police Department during protests over the killing of George Floyd by former Minneapolis police officer Derek Chauvin. Once approved by a judge, the settlement would rank among the most expensive ever recorded. Other cities are in the process of negotiating their own settlements with those who filled streets across the country in outrage.
“Today’s settlement is historic, and I’m very proud that it will bring some sense of justice to nearly 1,400 people who took to the streets and put their bodies on the line against police brutality,” attorney Wylie Stecklow said with other attorneys from the National Lawyers Guild representing the plaintiffs in a press conference at Foley Square in lower Manhattan afterward. Plaintiffs described their treatment in testimony during the two years of litigation to the press, including “kettling” or forcibly boxing people into a tight space and having zip ties placed on them until their hands turned purple as described by Adam Sow. “It was so disorganized but so intentional,” they said. “They seemed set on traumatizing everyone.”
If approved, each plaintiff in the suit would be slated to receive $9,950. There is another class action settlement that was announced in March which would award over $21,000 to those who were arrested by the NYPD at one protest in the Bronx. Over 600 other people have filed suits against the city, costing over $12 million to date. The city has denied any unconstitutional practices. “There is no history — or present or future — of unconstitutional policing,” Georgia Pestana, an attorney for the city, wrote in a legal filing. “There is no frequent deprivation of constitutional rights.” The Law Department of the city released a statement saying, “The NYPD has improved numerous practices to address the challenges it faced at protests during the pandemic. This settlement was in the best interests of all parties.”
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Selena Quintanilla‘s father, Abraham Quintanilla Jr., is suing Los Angeles-based Catalina Classic Cruises over an “unauthorized” live tribute in honor of the late Tejano star. Explore Explore See latest videos, charts and news See latest videos, charts and news According to the lawsuit, filed Monday (July 10) in the Central District of California, Selena’s father […]
A Los Angeles judge says Lady Gaga is not obligated to pay out on a $500,000 “no questions asked” reward for the return of her stolen French bulldogs — at least not to a woman who was criminally charged over the violent 2021 incident.
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In a ruling Monday (July 10) reported by TMZ, Judge Holly J. Fujie dismissed a breach of contract lawsuit filed by Jennifer McBride, who pleaded no contest in December to receiving stolen property in connection with the gunpoint robbery in which Gaga’s dog walker Ryan Fischer was shot and nearly killed.
McBride had argued that Gaga’s offer of a reward was “unilateral” — meaning she had to pay up no matter the circumstances. But in Monday’s decision, Judge Fujie reportedly agreed with arguments from Gaga’s attorneys: That a criminal like McBridge could not “profit from her participation in a crime.”
Neither side immediately returned requests for comment on Monday.
McBride is one of five people charged over the Feb. 24, 2021, gunpoint dog-napping of Gaga’s bulldogs, Koji and Gustav. Prosecutors say the singer was not specifically targeted, and that the group was merely trying to steal French bulldogs, which can be worth thousands of dollars.
James Howard Jackson, the man who shot Fischer during the robbery, took a plea deal in December and was sentenced to 21 years in prison.
Days after the attack, it was McBride who returned the dogs to police, claiming she’d found the animals tied to a pole and asking about the reward. While police initially told the media that McBride appeared to be “uninvolved and unassociated” with the crime, she was later connected to the robbery and charged with one count of receiving stolen property and one count of being an accessory after the fact. In December, she pleaded no contest to the property charge and was sentenced to two years of probation.
But just two months later, McBride was back in court again — filing a civil lawsuit claiming she deserves the credit for returning the superstar’s bulldogs. The case argued Gaga made a binding “unilateral” offer to pay the reward in return for the safe return of the dogs, and that McBride had taken her up on the proposal by flipping on the men who actually committed the robbery.
“Plaintiff accepted defendants’ unilateral offer by contacting defendants, and delivering Lady Gaga’s bulldogs to defendants at the Los Angeles Police Department,” McBride’s lawyer, K.T. Tran, wrote in the lawsuit. “Plaintiff has fully performed her obligation under the unilateral contract.”
But Gaga’s attorneys quickly moved to end the case, arguing last month that it would be absurd to allow McBride to “profit from her participation in a crime” and “rewarded for her role in the conspiracy.”
“The law does not allow a person to commit a crime and then profit from it,” Gaga’s lawyers at the firm Gibson Dunn wrote in their filings. “This principle applies with extra force in this case because the theft of Defendant’s dogs was facilitated by a violent gun crime that left one man nearly dead.”
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A judge has ordered previously confidential details of Diddy’s lawsuit against Diageo to be unsealed, revealing startling allegations.
On Wednesday (July 5th), Judge Joel Cohen ordered the confidential elements of the mogul’s lawsuit filed in May to be unsealed for public viewing, declaring that Diageo can only keep specific parts off-limits. This followed a ruling last Friday (June 30th). The lawsuit by Diddy demands that the global brand, which oversees over 200 beer and liquor companies including Guinness, treat his DeLeon tequila brand “at least as favorably” as others under its umbrella per their 2013 agreement.
The details that have been revealed show some startling allegations. These details included Diageo apparently presenting Diddy with a watermelon-flavored version of his tequila despite his objections and attempts to educate the company on the ills of such a move. Another complaint made by Diddy, aka Sean Combs, says that Diageo informed him that all of their agave plant production would be directed towards the company’s other tequila brands in 2021, forcing DeLeon to hurriedly hunt for suppliers in a tight market.
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Combs has also stated that since Diageo’s purchase of competing tequila brands Don Julio and Casamigos in 2014 and 2017, the company insisted on positioning the DeLeon brand as an “urban” brand and paid little attention to its marketing. The suit points to a statistic that as of last year, DeLeon was marketed in 3% of potential areas as opposed to Don Julio being marketed in 36% of potential areas. In addition, the brand has been listed as “out of stock” in major markets at least ten times over the last year.
In response, Diageo released a statement. “His attempt to recast follow-up discussions regarding innovations for DeLeon is, as is his entire suit, disingenuous and self-serving,” it said. They also claimed that Diddy was highly supportive of their actions in the past, pointing to his backing of the production of Ciroc Summer Watermelon. Diageo is now in the process of terminating its partnership with Ciroc Vodka and Combs, which first began in 2007.
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A man who unsuccessfully sued Cardi B after his giant back tattoo was unwittingly photoshopped into one of her album covers has agreed to repay a whopping $350,000 in legal bills that the superstar spent defeating his lawsuit.
Months after a jury rejected Kevin Brophy’s case against Cardi, his lawyers told a federal judge Monday (June 12) that he would not only reimburse the money that the rapper had dropped on her attorneys but also voluntarily end his efforts to revive the case and waive any chance at a future appeal.
Why would he do all that? Possibly because Cardi’s lawyers were gearing up to formally demand that he repay her attorneys’ fees — a prize to which she was potentially eligible after beating his accusations in court. Under that process, Cardi and her pricey team of lawyers could have won even more than $350,000.
“The parties now have reached an agreement avoiding the necessity of defendants’ motion for attorney’s fees and application to tax costs,” the two sides wrote in Monday’s filing, hinting at the looming threat of such a fee motion from Cardi’s team.
Attorneys for both sides declined to comment on the agreement when reached by Billboard on Monday.
Brophy sued Cardi in 2017 for millions in damages, claiming he was “devastated, humiliated and embarrassed” by the cover of Cardi’s Gangsta Bitch. The image featured the then-rising star taking a swig of a large beer, staring directly into the camera with her legs spread wide and holding a man’s head while he appears to perform oral sex on her.
The actual man in the image was a model who had consented to the shoot, but a giant tattoo on the man’s back belonged to Brophy. Unbeknownst to Cardi, a freelance graphic designer had typed “back tattoos” into Google Image Search, found one that fit (Brophy’s) and superimposed it onto the model’s body.
Brophy’s lawsuit claimed Cardi and others involved in the cover had used his likeness without his consent and also violated his right to privacy by casting him in a “false light” that was “highly offensive.” Cardi’s lawyers called the allegations “sheer fantasy” and “vastly overblown,” arguing that nobody would have recognized a relatively unknown man based merely on his back.
During a four-day trial in October, Cardi took the stand to defend herself. When examined by Brophy’s attorney, A. Barry Cappello, things repeatedly got heated between the two — so much so that at one point the judge cleared the jury, told Cappello he had “totally crossed the line” and threatened to declare a mistrial.
At the end of the trial, the jury agreed with the superstar’s defenses, clearing Cardi of all Brophy’s claims. Brophy later asked the judge to throw out the verdict for a lack of evidence, but the judge denied that motion in December. Brophy then filed a motion in January seeking a new trial, arguing that the star “engaged in theatrics” on the witness stand and deprived him of a fair trial.
Under Monday’s agreement, that motion will be withdrawn, and Brophy will “waive and irrevocably relinquish” any chance to challenge the verdict on appeal. In return, Cardi’s attorneys will similarly waive their right to file a motion formally seeking an award of attorneys’ fees.
Seven months after Migos rapper Takeoff was shot to death in a Texas bowling alley, his mother, Titania Davenport, has filed a wrongful death suit against the venue.
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Davenport filed the lawsuit on Wednesday (June 7) against the bowling alley’s property owners as well as several LLCs connected to the business. The complaint alleges that despite being notified of the private party where Takeoff (born Kirsnick Khari Tiquon Ball) was shot prior to it taking place on Oct. 31, 2022, the defendants “failed to provide proper and adequate security for the event.”
“Defendants breached their duty owed to Kirsnick Khari Tiquon Ball by failing to exercise ordinary care to keep the premises safe,” the lawsuit states. It continues that the venue was rented by the family of music executive J. Prince for an “after hours” event “with potentially many artists, popular athletes and public figures [in attendance].”
Takeoff died at the downtown Houston venue around 2:50 a.m. on Nov. 1, when investigators said someone started shooting, causing guests to flee the area. During the melee, Takeoff was shot in the head or neck by a “stray bullet,” according to his record label Quality Control Music. Takeoff’s uncle Quavo, also a member of Migos, was with his nephew when the tragedy took place and was heard in video footage pleading for help. Takeoff was pronounced dead at the scene.
The suit points to alleged negligence on the part of the defendants, claiming they “provided no screening mechanisms, no after-hour controls or security measures, and no enforcement of rules or industry standards to deter crime against their invitees.”
“As a proximate and foreseeable result of Defendants’ negligence, Kirsnick Khari TiquonBall sustained catastrophic personal injuries, endured conscious pain and suffering, experienced mental anguish, became aware of his impending death, wrongfully died, and suffered other damages as will be proven at trial,” the complaint continues.
In total, the lawsuit refers to 18 separate instances of alleged negligence, including not providing “adequate and appropriate security personnel” and “negligently misrepresenting to invitees that the property was safe.”
Davenport, who is listed on the complaint as the administrator of Takeoff’s estate, is seeking at least $1 million.
Representatives for defendants 810 Billiards & Bowling, LVA4Houston Greenstreet, Lionstone Partners, Midway Companies and Cushman & Wakefield of Texas did not immediately respond to Billboard‘s requests for comment.
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While their legal fight against Sabrina Peterson isn’t over, T.I. and Tiny Harris have scored a minor victory. A judge has thrown out some of her claims.
As per AllHipHop the Atlanta trapper turned rapper was sued by Sabrina Peterson back in 2021. The entrepreneur accused T.I. of threatening her life with a firearm. “The first victim allegedly had the same gun that was pulled on me, her three children were forced in the closet at gunpoint. She described the same gun [from T.I.]. She described the same exact gun. There’s no way that this woman would be able to vividly describe this gun unless she actually seen this very gun,” Peterson said on an interview with Hollywood Unlocked at the time.
But Law 360 reports that this week, California’s Second District Court of Appeal tossed out some of her claims specifically her allegations of trade libel, suffering emotional distress and negligent interference with prospective economic advantage. Therefore she will have to pay “fees and costs incurred both in the trial court and on appeal in moving to strike the claims on which they prevailed.” The court is allowing her to move forward with her claims of defamation and false light invasion of privacy.
Neither T.I. nor Tiny have commented on the rulings, but their lawyer handling the case said he was “generally pleased with the decision.”
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