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For the second consecutive year, Karol G was the night’s big winner at the 2024 Heat Latin Music Awards on Thursday (July 11). The Colombian superstar nabbed seven awards, including best female artist, song of the year, and album of the year.
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Other top winners of the night included Feid, Anitta, Morat, Silvestre Dangond, and Los Esquivel.
Traditionally known as Premios Heat, the fan-voted awards ceremony celebrated its 10th anniversary live from the beach at the Hard Rock Punta Cana, the Dominican Republic. Manuel Medrano, Lenny Tavarez, Tito el Bambino, Corina Smith, and viral newcomer Lomiiel, among others, were present at the star-studded gala.
“It’s a very special year because it’s our 10-year anniversary,” founder Diana Montes previously told Billboard. “We’ve expanded our categories, and this year, we’ll name winners in 29 categories, including a video-game streaming song. We’re also going to give out song of the year for the first time, and we’re launching a salsa category. We’re also excited about our app, Heat.TV. We launched it in 2021, and we have 647,000 unique monthly users. Last year, we had 5.2 million people watch the show in its entirety on the app.”
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Heat Latin Music Awards recognizes artists who are making a buzz in the Caribbean and Latin American regions.
Anitta
Premios Heat/Carlos Zambrano*
Below, check out the complete 2024 Heat Latin Music Awards winners list:
Best Male Artist
Feid — WINNERBad BunnyPeso PlumaCarin LeónArcangelJ BalvinEladio CarrionChayanneCarlos Rivera
Best Female Artist
Karol G — WINNERShakiraYoung MikoMaria BecerraNicki NicoleAnittaGreeicyKany GarcíaKali UchisKenia OSNatti Natasha
Best Group or Band
Morat — WINNEREslabón ArmadoPiso 21Grupo FronteraLos Ángeles AzulesGrupo FirmeRBDWisin & YandelFuerza RegidaReikMonsieur PerinéCultura ProféticaRawayana
Best Rock Artist
JuanesMoratMolotovManáBelanovaJorge DrexlerAterciopeladosMar Rendón — WINNER
Best Pop Artist
Luis FonsiGreeicySebastián YatraManuel Turizo — WINNERCamiloCarlos RiveraAna MenaAitanaLassoMalumaFonsecaChris LebronManuel Medrano
Best Urban Artist
FeidKarol G — WINNERWisinOzunaYoung MikoBlessdEladio CarrionDukiAnuel AAArcangelJ BalvinMoraMyke TowersRels BJustin QuilesYandelNicky Jam
Best Tropical Artist (Bachata, Merengue, Vallenato, Cumbia)
Romeo SantosCarlos VivesSilvestre Dangond — WINNERPrince RoyceJuan Luis GuerraGrupo 5Eddy HerreraFelipe PeláezKe PersonajesCharlie ZaaOlga TañonJorge CeledónJandy VenturaServando y Florentino
Best Salsa Artist
Víctor ManuelleGilberto Santa RosaWilly GarcíaGrupo NicheAlvaro RodChristian AliceaYiyo Sarante — WINNERLa India
Best Artist South Region
Nicki NicoleLudmillaEmiliaAnitta — WINNERDukiKHEACris MjTruenoLa JoaquiAmy GutiérrezCielo TorresTiniMilo JTiago PZKLit Killah
Best Artist Andean Region
Mike BahíaManuel TurizoCamiloGreeicyDanny Ocean — WINNEROvy On The DrumsRyan CastroDayanaraAndreina BravoElena RoseLassoFarinaJerry DiNachoFanny Lu
Best Artist North Region
Lenny Tavárez — WINNERDarellJay WheelerYoung MikoLola ÍndigoRauw AlejandroQuevedoEladio CarrionJhaycoSt. PedroKim LoaizaLunayÁlvaro Díaz
Best New Artist
XaviKenia OSHumbeJoaquinaSaikoGabito BallesterosJunior HYng LvcasElena Rose — WINNEROmar CourtzSanta Fe KlanBad Gyal
Musical Promise
NathZhamira ZambranoLos Esquivel — WINNERDannyLuxVenestiAna Del CastilloJ NoaMarlon ArenasDamianLucia De La PuertaAnais CastroSarodj BertinEsteban RojasJuan Duque
Influencer of the Year
DomelipaYeri MuaWendy GuevaraYuleria (Yurielkys Ojeda y Valeria Ramírez)Gemelas OrtegaLele PonsCarlos MontesquieuLa DivazaLa Segura — WINNERCalle y PochéLos MontañerosLa Granja del BorregoEl Mindo
Best Popular Regional Artist
Peso PlumaChristian NodalGrupo FronteraCarin LeónPipe BuenoAlejandro FernándezÁngela AguilarXaviGabito BallesterosJessi UribeLuis Alfonso — WINNERYuridia
Best Dominican Artist
El AlfaRochy RDChimbalaAngel DiorAmenazzyJey OneDonatyYailin La Más ViralShadow BlowLa InsuperableLa Perversa — WINNERYaisel LM
Best Music Video
“Triple S” – J Balvin, De La Ghetto, Jowell & Randy“S91” – Karol G — WINNER“Mamasota” – Manuel Turizo, Yandel“Mónaco” – Bad Bunny“Isla Desierta” – Ozuna“Contigo” – Karol, G, Tiësto“Primera Cita” – Carin Leon“Puntería” – Shakira Cardi B“Así es la vida” – Enrique Iglesias, Maria Becerra“Privilegios” – Feid, Cupido
Best Collaboration
“Perro Negro” – Bad Bunny, Feid“Contigo” – Karol G, Tiësto — WINNER“ALV” – Arcangel, Grupo Frontera“Los del Espacio” – LIT killah, Duki, Emilia, Tiago, PZK, FMK, Rusherking, Maria Becerra, Big One“Según Quien” – Maluma, Carin León“Luna” – Feid, ATL Jacob“BZRP Sessions 58” – Bizarrap, Young Miko“Trofeo” – Maluma, Yandel“Harley Quinn” – Fuerza Regida, Marshmello“Bellakeo” – Peso Pluma, Anitta“No Es Normal” – Venesti, Nacho, Maffio“Calor” – Nicky Jam & Beéle
Best Content Platform
MoluscoTVAlofoke MediaPanel Urbano (Enrique santos, Dímelo King, Maiky Backstage)Dímelo KingLa Nave Podcast (Marko) — WINNERChente YdrachIbai llanosEscorpión DoradoEl ChomboJuanpis González
DJ of the Year
Steve AokiMarshmelloTiëstoDJ Adoni — WINNERMarcela ReyesAgudelo 888GordoAlex Sensation
Song of the Year
“Luna” -Feid, ATL Jacob“La Diabla” – Xavi“Que Chimba de Vida” – Karol G“Mi Ex Tenía Razón” – Karol G — WINNER“Harley Quinn “- Fuerza Regida & Marshmello“Lala” – Myke Towers“La Víctima” – Xavi“El Amor De Su Vida” – Grupo Frontera, Grupo Firme
Producer of the Year
TainyOvy On The Drums — WINNERBig OneMaster ChrisThe RUDEBOYZ – Kevin y ChaNBizarrapSOGSky RompiendoIcon Music – Jowan y RoloSergio GeorgeAndrés CastroEdgar Barrera
Director of the Year
Simon BrandFernando LugoRodrigo FilmsJessy TerreroPedro ArtolaNuno GomesKacho López MariPatricia AlfonsoStillzAda OdremanHannah LuxSebas Sánchez — WINNER
Album of the Year
Mañana será Bonito Bichota Season – Karol G — WINNERFerxxocalipsis – FeidGénesis – Peso PlumaColmillo de Leche – Carin LeónNadie Sabe Lo Que Va a Pasar Mañana – Bad BunnyEl Comienzo – Grupo FronteraLas Mujeres Ya No Lloran – ShakiraOrquídeas – Kali UchisUn Sueño Llamado Ranchera – Felipe Peláez
Best Viral Song
“Luna” – Feid, ATL Jacob — WINNER“La Diabla” – Xavi“Según Quién” – Maluma, Carin León“Lollipop” – Darell“Dora” – Farina, El Alfa“Línea del Perreo” – Uzielito Mix, Yeri Mua, El Jordan 23, DJ Kiire“Harley Quinn” – Fuerza Regida, Marshmello
Composer of the Year
Edgar BarreraMauricio Rengifo y Andrés TorresMaster ChrisElena RoseKeitynMoraFeid — WINNERManny CruzJustin QuilesBullnene
Best Videogame, Series or Movie Song
Luis Fonsi, Adriel Favela – “La Paz” (Banda sonora serie “Zorro”)Karol G, feat Aldo Ranks – “Watati”- (Barbie) — WINNERPeso Pluma, Grupo Frontera “TULUM” – (FIFA 24)Myke Towers – “LALA” – (FIFA 24)Peso Pluma – “Peligro” – Call of Duty: Modern Warfare IIBanda MS –“141”- Call of Duty: Modern Warfare II
Fandom of the Year
Fandom Karol GKeninis – Kenia OSTeamAndreina – Andreina BravoTurbias – Yeri MuaFandom DomelipaMarcianos – Mar RendónTeamLu – Lucia De La PuertaFandom YuleriaFandom FeidYahalovers – Yahaira PlasenciaTeam Chivirikas – Yailin La Más ViralLa Tribu – CamiloFandom Wendy GuevaraFandom Lele PonsFandom La Segura — WINNERFandom La DivazaFandom Calle y Poché
Best Religious Song
“Me Encontraste”- Christian Ponce & Alex Zurdo“Pan Duro” – Alex Campos — WINNER“Pasa_je_ro” – Farruko“Guarda tu Corazón” – Alex Zurdo“Mambo 23” – Juan Luis Guerra“Donante de Sangre” – Daddy Yankee“El Cielo Aun Espera” – Adriel favela & Jesús Adrián Romero“Parabellum”- Redimi2
The Latin Alternative Music Conference (LAMC) continues to highlight pivotal voices in the Latin music industry, as shown in its panel 25 Years of LAMC: Latin Music’s Past, Present & Future. In this discussion on Thursday (July 11) at New York’s InterContinental Hotel — which featured prominent music industry executives — the panel focused on the evolution of Latin music over the past quarter-century, capturing key trends and projecting future developments.
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Moderated by Billboard‘s Leila Cobo and presented by MTA, the panelists included Alex Gallardo of Sony Music Latin, Polo Montalvo of La Buena Fortuna, Luis Dousdebés of The Latin Recording Academy, Bruno del Granado of CAA, and Jason Pascal of The Orchard. Cobo posed hard-hitting questions about the evolving landscape of the Latin music industry, and whether the expansion of Latin music is more influenced by streaming technology, cultural shifts or demographic changes. She also delved into the nature of music contracts and artist development priorities in the current digital age.
Here are some of the best quotes from the 25 Years of LAMC: Latin Music’s Past, Present & Future panel at LAMC 2024:
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Polo Montalvo of La Buena Fortuna, on the opportunities and challenges in the industry: “Not everyone has the same success in streaming, live or on social networks, to capitalize on each one and see how it helps us reach other places. A lot of times when we talk about and see success, we think of big artists — but there are a lot of people here who are just starting out and don’t have the access that those big artists have.
For example, with [more established artists], I have some tools with them that have developed over time, because of different relationships, agreements and situations in their career. But when you start, you don’t have that availability. So, for me, it’s crucial to see how we can help all the producers and artists that are here — that if they come to this panel or to the event like LAMC, to look at how we can support them, considering that more than 90% are starting out.”
Jason Pascal of The Orchard, on adapting global strategies: “The changes and transformations are clearly seen in the growth of the business as a whole and the explosion of Latin music. At The Orchard, this was our plan from the start; we were global 20 years ago, when there wasn’t any money being made. There are people who are still with us now who were with us back then, like Laura in Argentina and Albert in Spain. They believed in this model and worked for us, and maybe made $3,000 in an entire year from their work at The Orchard.
The plan was to have people on the ground all over the world, to be ready when streaming exploded. So, the fact that streaming and music exploded is the transformation. We’re very fortunate to have had the leadership prepared for this, starting to put all these elements in place early on.”
Alex Gallardo of Sony Music Latin, on success in the music industry: “The artistry, that in which there really is an artist capable of moving, is definitely a key point — and something that I am detecting today is that even the biggest artists find it hard to keep putting out hits. And the ones that I see doing the best are the most focused, the most disciplined, the ones that every day go to the studio, the ones that every day call colleagues to collaborate, and those whose impulse comes from an internal will of ‘I want more, I want to do it well.’
On the other hand, there are those who sit back, waiting for opportunities to come on their own. And I feel that, right now, with so much competition and so much volume, those who are more passive and wait for things to come to them are screwed.”
Luis Dousdebés of the Latin Recording Academy, on the importance of music creation: “It all starts with the creation of a song. When you’re competing with 100 or 1,000 songs a day that are uploading on Spotify alone, I definitely believe that creating good music is the key to everything. The message, the beat and what you’re conveying. Once the listener gets that vibe, that emotion of the art, it naturally starts to go viral — logically, with the help of label promotions and streaming. But if it’s not good music and it doesn’t transmit anything, it’s not going to happen.
What happens is that many people either like it or don’t like it. That’s the art; it’s the subjective part of grading. I think that if the numbers are there and there is a following [on social networks], it means that someone is liking it — and that’s what’s important on the track, knowing who is liking it and how it’s going to reach these people.”
Bruno del Granado of CAA, on the economic impact of the Latino community: “There are over sixty-five million Latinos here. We keep growing. The other thing I always say is about undocumented immigrants. They consume. They don’t come to take from this country. They go to concerts, buy sneakers, and buy iPhones […] Twenty-five years ago this summer, we were celebrating a Latin explosion with Enrique [Iglesias], Ricky [Martin], Shakira, Marc [Anthony] and Chayanne. That was a period where there was a clear before and after.”
Celebrating its 25th anniversary, the 2024 edition of the Latin Alternative Music Conference includes a Q&A with Fonseca, moderated by Billboard‘s Leila Cobo; a Q&A with Residente, moderated by Rolling Stone‘s Julyssa Lopez, panels on the Business of Songwriting, Publicity and Social Media, New Releases and Catalogs, Bridging Music and Money, Tours and More. To see the full LAMC guide, click here.
Chyno y Nacho has become one of Latin music’s most emblematic duos, achieving various No. 1 Billboard hits, four Billboard Latin Music Awards and a Latin Grammy win, while releasing six studio albums.
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Now, after parting ways in 2017 and a serious health condition that affected the mobility of one of the members, the duo composed of Jesus “Chyno” Miranda and Miguel Ignacio “Nacho” Mendoza is making a comeback, with a five-date U.S. tour called Eternos. The duo officially launch its new era with new single “Tu Nombre,” which they will perform at the 2024 Heat Latin Music Awards taking place on Thursday (July 11) in Punta Cana, the Dominican Republic.
“We are happy with the opportunities that life gives us to start over, and to appreciate the second chances,” Mendoza tells Billboard. “Today, we feel stronger than ever, and we feel that there are no challenges that we cannot measure ourselves against.”
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The highly awaited return comes in the midst of Miranda’s arduous health recovery.
In 2020, the Venezuelan singer was diagnosed with COVID-19, and as a result suffered peripheral neuropathy, encephalitis, and other long-term COVID symptoms that affected his nervous system. Miranda had to learn to walk again and battled depression, among other collateral health complications.
The “Niña Bonita” singer was moved to Venezuela for his recovery, where for almost all of 2022 he was admitted to the Tía Panchita rehabilitation center. Since entering the rehab facility, all of Miranda’s loved ones, including Nacho, lost touch with the artist. Nacho describes not having access to his bandmate as a mystery, because for many months they were unsure of Miranda’s health condition.
“Many people in Venezuela who had the resources went behind the case and made it possible to remove him from the center he was in,” he recalls. “From that point on, we [Chyno y Nacho] have not been separated.”
Nacho admits that Miranda is still recovering — but thanks to music, he’s been able to heal and improve, and is capable of going on tour. Chyno y Nacho is set to make a comeback with its Eternos Tour set to kick off September 28 at the Seminole Hard Rock Hotel & Casino in Hollywood, Fla. The duo will also visit Puerto Rico, Houston, New York, and Orlando.
Below, read Nacho’s Q&A with Billboard.
What does the Chyno y Nacho comeback at Heat Latin Music Awards signify?
My heart feels like taking advantage of the time — because time goes by very quickly. You don’t realize how the years go by, how what you do affects the lives of others. Only time tells you, and today we realize that we have left a beautiful legacy and touched the hearts of millions of people around the world, and that there are many young people who were inspired by our careers and efforts. Thanks to that, they have an example of being able to develop their own careers, and that makes us feel very good.
You guys will be performing your new single at the awards show. What can you share about “Tu Nombre”?
This song is like a warm-up for the return. It came out as a soft release, but we trust our fan base and we know that people are always looking for new things from Chyno and Nacho, and that the discovery of new things begins. It has a fairly fresh sound, and it defines a lot of the essence of Chyno and Nacho but in 2024. We feel the energy when we are on stage, we see the people’s reaction to the song. Seriously, the feedback has been great — and we hope that this performance [at Premios Heat] serves as a window, so that people not only find out about the union and the tour, but also that they know that we are here to make new content.
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Chyno y Nacho made a brief return in 2021 with the album Chino & Nacho Is Back, but then stopped making music. Why is 2024 the adequate time for the tour and comeback?
In 2021, just when we released the album, my partner’s health complications began to worsen and [music plans] was something that we had to abandon. There were people who connected with songs from the album, but in reality, all the attention was focused on the development of my partner’s illness. We abandoned the musical theme a little, and it was as if we couldn’t do anything because the intention was to unite and show our new projects.
I think the issue of the pandemic also crossed our intentions. But hey, God knows what his plans are, and at work we simply accepted what the result was. Those three years were years of personal struggle for each one. But you know that kings are made in the desert, and after having that resistance and walking through those personal deserts, today we feel more strengthened than ever — and we feel that there are no challenges that we cannot measure ourselves against.
It’s been a very challenging road for Chyno, but I can imagine that as his duo partner, it’s been difficult for you as well. How has this entire process been for you?
[We see] the opportunity that God gave us to recognize and value a friendship that is still valid. We had our downfalls as friends, our disagreements, but I believe that the courage of human beings is not in maintaining the best attitude all the time, but in recognizing how you can get back into the best vibes and tunes, and also recognize your blessings.
I believe that those 10 years that we lasted as a duo, plus the previous years that we were in other groups, are worth a lot. I have shared more with Chyno than with my own blood brothers. Having entered into those discussions, it was simply a process for us to be able to understand how strong our friendship was, and how much we should value the gift that God gave us both of being able to have a prosperous career and being able to gather experiences together that are unforgettable .
I see it as the opportunity for both of us to see how we can improve everything we have … Each one [of us] had their personal process, but I think his was much more difficult, because he went through certain situations that I went through — such as divorce, for example — but he also has a health issue. I feel that his strength has been more noticeable, and the battles he has had to fight have been stronger. If I have the opportunity to be able to accompany him in those battles and carry on my shoulder some of those weights that he has to carry, with all my pleasure, at this moment I have all the disposition in the world to do it.
When did you realize that Chyno was ready to continue with his music career and go on tour?
I think it was circumstantial, because I was one of those friends and family who couldn’t find his whereabouts. We didn’t know where he was, where they had him hidden. It was difficult. It is a process that today I can tell you, we are together and living a new reality, but our fans don’t know the entire trajectory of us being able to be with him again, and being able to tell him, “Look, we are going to continue doing what is really going to bring you back — which is music, and what you are really passionate about.”
From that point on, we have not been separated. Music is the best medicine, because the evolution that he has [gone through] has been demonstrated in the last months. Now, he’s ready to go on tour, for example. A couple of years ago it didn’t even cross our minds, based on his condition.
In addition to Eternos Tour, what does the future look like for Chyno y Nacho, in terms of new projects?
The new album is a possibility — it is very feasible to do it in the future. For now, we are releasing “Tu Nombre,” because he still has certain current commitments with his recording label that he has to fulfill individually. When we decided to go our separate ways, we approached new contracts as individuals, and he is still going through that process of being able to deliver what he has as part of his musical debt.
We have to see what the permit issue is like — I don’t think his record company will disagree with us continuing to do things together. I think it is the best alternative at this moment for his musical career, his development, and his improvement.
Five months after releasing the first single from what will be his next album, Mexican singer-songwriter Alfredo Olivas offers another preview with “Imaginación,” a norteño song with country elements that follows the same line of his “Asignatura Pendiente” released in February.
“That sound that has worked for us and that people like a lot is something that already distinguishes Alfredo Olivas’ music — and this song could not be the exception,” the artist tells Billboard Español. Announced as the focus track of his new LP, due out soon on Fonovisa/Universal Music, “Imaginación” debuts Thursday (July 11) at 8 p.m. ET and will be available here.
A little more than a decade into his career, Olivas has been consolidating himself as one of the most important singer-songwriters of the regional Mexican music scene. The artist from Sonora, Mexico has a resumé full of accomplishments, ranging from pioneering the corridos alterados, which predate the corridos tumbados and bélicos, to a score of Billboard‘s Regional Mexican Airplay chart entries, including three No. 1s: “El Problema,” “Yo Todo Lo Doy” and “No.”
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In 2023, the 30-year-old singer became the highest-grossing artist in Mexico, with 71 sold-out dates in palenques, arenas and, for the first time, stadiums for a solo artist. He recently renewed his contract with Fonovisa Records-Universal Music, the company that has seen him grow professionally.
“Huge legends of Mexican music have been lost in recent years,” says Antonio Silva, managing director of Fonovisa-Disa U.S. & Mexico. “Who among the new phenomena of popularity will go on to establish themselves in far-reaching careers that will generate a legacy? It is clear to me that Alfredo Olivas will achieve that transcendence. In my perception, he has everything it takes: author of all his hits, unique lyrics and a way of performing that has forged his unique style.”
This year, Alfredo Olivas has embarked on a spectacular tour with banda-norteño star Julión Álvarez, Los Prófugos del Anexo, and for the first time in his career he recorded a duet with Alejandro Fernández, “Cobijas Ajenas,” which toppedBillboard‘s Latin Airplay chart, giving Olivas his first overall Latin radio chart leader.
Below, Olivas talks to Billboard Español about this achievement and his big current career moment.
Your lyrics are generally about heartbreak — how do you get inspired if you are in a stable relationship?
It is enough to observe what happens to many people. I express that in my style, and fortunately I have connected with my audience.
In 2023 you were the artist with the most dates in the most important venues in Mexico, including stadiums. What did this mean to you?
It was a great satisfaction, because one dreams of those moments. At the same time, it is a commitment. I have fought hard to get to this point, so I have to take great care of the quality of what I give to the public. I always dreamed of seeing myself on stage like the most important artists. I love to see what’s new in terms of production. Sometimes we have to spend a lot of money — but it doesn’t matter if it’s so that regional Mexican music can be more colorful and of higher quality, and the world can see it that way.
Are you worried about the image of regional Mexican music in the world?
Completely. Sometimes it is annoying that we are wrongly labeled; there is a lot of talent and quality. In my case, I like to have everything in order, the sequences, the setlist — but without losing the essence of our genre, which is the mischievousness and improvisation.
You are a pioneer of a generation that fueled corridos around a decade ago. What do you think of the new stars?
I think it’s very good that there are so many talents. From my point of view, it is a positive thing that they are joining the cause. These new breakthroughs are a positive thing to continue the fight that began many years ago. When Grupo Firme began to break protocols, we could see a new positive era coming for everyone.
You don’t record collaborations often — how did the duet “Cobijas Ajenas” with Alejandro Fernández come about? Did you already know each other?
Of course, there has always been a lot of admiration on my part. Two or three years ago, I had the opportunity to meet him — and although it was my dream that he would record one of my songs, I never told him, I don’t like to force things. Time went by, and now through the record label (Universal Music), they proposed it to me and of course I said yes. The song is by maestro Espinoza Paz.
How did the idea of touring with Julión Álvarez come up if you are both so successful as solo artists?
There is a very special connection, and it shows on stage — we are great friends. He recorded one of my songs, “Sin Memoria,” and made it a big hit. People like us as a duo, the proof is that we have seven sold out shows so far in 2024.
You recently renewed your contract with Universal Music/Fonovisa Records, what makes you continue working with the company after a decade?
It’s just like a marriage relationship — like keeping promises to each other, setting goals and reaching them, loving and respecting each other. I think it is very healthy to leave certain things in the hands of experts, as in this case, the record label. In this way, the artist is dedicated to focus on making music.
Los Tigres del Norte have said that you are one of the young artists they respect because you preserve the traditional style of regional Mexican music. Would you also collaborate with them?
It would blow my mind — I am the first to raise my hand. If they would consider me it would be a tremendous achievement. And now that you mention it, of course we are going to look for that opportunity.
Last year you recorded for the first time a song that you didn’t write, “Ni Con Labios Prestados,” and it was a big hit on streaming platforms. Why did you decide to do it?
The songwriter Aarón “El Pantera” Martínez is one of those who I admire the most — and the truth is that we didn’t know each other personally, only on Instagram. But he knew, as a good poet, to write me with the right words. I listened to it, and from the first moment I liked it. To this day it is one of the most requested songs in my show.
Have you thought about recording more songs by other composers?
It happened with “Ni Con Labios Prestados,” and now with Alejandro Fernández. But I’m not going to lie to you, I have set goals for myself, and one of them is to have my own catalog. I deeply admire Joan Sebastian, Juan Gabriel and Marco Antonio Solís, they are my example to follow as singer-songwriters.
J Balvin’s upcoming new album, titled Rayo, is set to be released Aug. 9, Billboard has learned. The 15-track LP includes collaborations with Feid, Chencho Corleone, Bad Gyal and Carín León, among others.
The set will follow the Colombian hitmaker’s Grammy-nominated Jose released three years ago, which peaked at No. 1 on Billboard’s Top Latin Albums chart for three weeks. Overall, Balvin has placed four No. 1 sets on the tally since 2016 – also including Energía, Vibras and Oasis, his 2019 joint album with Bad Bunny.
As with all his previous albums, this one also started with a name before even recording any of the songs included. “My albums have always started with their names,” he previously told Billboard. “That way, we let ourselves be guided by the vibe.” The singer-songwriter also shared that London was a major source of inspiration for the set, specifically its nightclub scene, where he and his team would play demos sometimes. “We wanted to see fan reaction, and it was amazing,” he teased.
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According to a press release, Rayo is an expression of “earnest need for human connection that drove Balvin to create an album that feels more like a house party than a collection of songs.” In this new album, he blends elements of reggeatón with electronic pop and dembow, the statement further adds.
In April, J Balvin performed a riveting sci-fi-inspired headlining set at Coachella, where he sang his biggest anthems to date, including hits recent hits such as the Tainy-produced “Colmillo” and “Dientes.” Some of his surprise guests included Jowell & Randy, De La Ghetto and Will Smith.
The new album announcement coincides with Balvin’s new single “Gaga” in collaboration with Saiko. The Keityn and L.e.x.v.z.-produced track is set to drop on Thursday (July 11).
Below, see Balvin’s Rayo tracklist:
“Cosa de Locos”
“Polvo de tu Vida” featuring Chencho Corleone
“Swat” featuring Luar La L
“Bajo y Batería”
“Doblexxó” featuring Feid
“3 Noches”
“Gaga” featuring Saiko
“Gato” featuring Bad Gyal
“Lobo” featuring Zion
“La Noche” featuring Dei V
“Origami” featuring Ryan Castro and Blessd
“Sólido”
“Stoker” featuring Carin León
“Ganster”
“En Alta” featuring Omar Courtz, Yovngchimi, Quevedo, Mambo Kingz, DJ Luian
About 40 minutes into Fonseca‘s concert at Summerstage in New York on Wednesday night (July 10), a fan near the stage signaled him wildly, waving his phone enough to catch the Colombian star’s attention. “Colombia scored!” the person shouted.
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Fonseca, the consummate professional, didn’t miss a beat of his hit “Envuélveme.” But as soon as there was a break in his vocals, Fonseca tossed his head back and shouted, “Gol, hijueputa! [Goal, son of a b–ch!]
The goal was Colombia’s against Uruguay in the first half of the semi-final of Copa América, the men’s soccer tournament that includes teams from North, South and Central America and the Caribbean.
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“This is the first time in my life that I’ve been singing at the same time la selección [my team] is playing,” Fonseca told the crowd when the song was over. “Thanks to my friend who showed me his phone,” he gestured to the crowd. “Apologies for the bad words, but for those of you who aren’t from Colombia, we’re used to celebrating goals together with that word,” he said with a laugh.
The fact that the Colombian national team was playing its most important match of the year so far was no deterrent for the nearly 6,000 fans who showed up for Fonseca’s show, part of the LAMC (Latin Alternative Music Conference) schedule and with Israel Fernández and Bruses serving as opening acts.
Fonseca’s set spanned his career, including his recent “Si Tu Me Quieres” — originally recorded with Juan Luis Guerra — and ending with his now iconic hit, “Te Mando Flores,” which he began a capella –showcasing one of the most beautiful voices in Latin pop — and ended in an impromptu party after the clock ran out on the 1-0 victory.
As for the Colombian team, it was a seminal moment. They won the match, their 28th win in a row. On Sunday (July 14), they’ll play in the final against Argentina.
The 2024 Heat Latin Music Awards (popularly known as Premios Heat) — which place on Thursday (July 11) in Punta Cana in the Dominican Republic — are led by 10-times nominees Karol G and Feid. Explore Explore See latest videos, charts and news See latest videos, charts and news They are followed by top nominees […]
New York Mets’ infielder Jose Iglesias – recording under the moniker Candelita – is just getting started on a chart winning streak as he debuts at No. 1 on Billboard’s Latin Digital Song Sales survey (dated July 20) with his debut single, “OMG.”
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The Cuban-American baseball player, and now also Latin pop artist, sang “OMG” live for the first time after a 7-2 Mets’ win over the Houston Astros at Citi Field in Flushing, N.Y., on June 28. According to Luminate, the single sold a little over 1,000 downloads in the United States during the June 29-July 4-tracking week.
The high-spirited song, adopted as a Mets anthem, about overcoming hard times, and penned by Iglesias in 2023, has translated into a fastball of positive energy for the Mets (who are now up to 45-45 on the season following a win on July 9), and Iglesias, who captures his first Billboard No. 1 entry on a first try.
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Notably, Iglesias’ new No. 1 matches the uniform number that’s he’s worn over the years; he now sports No. 11 for the Mets. The 34-year-old broke through to the majors in 2011 with the Boston Red Sox and has played for seven Major League Baseball teams. He’s currently hitting .313, having compiled a .279 average in over 1,000 big league games.
Iglesias/Candelita, meanwhile, joins other baseball players-turned artists who have scored hits in the musical field, and on Billboard rankings. Here’s a team of five such notable stars:
Deion Sanders: The former baseball and football player – aka, “Prime Time” – played 14 years in the NFL and nine in MLB. He made his Billboard chart debut in 1995 with Prime Time, his debut album released in 1994 through MC Hammer’s Bust It Records. The 16-track effort hit No. 14 on Heatseekers Albums and No. 70 on Top R&B/Hip-Hop Albums. Also, an actor and football coach, Sanders won Super Bowls XXIX and XXX and earned eight NFL Pro Bowl selections between 1991 and 1999.
Bernie Williams: The Puerto Rican-born former all-star baseball player and four-time World Series winner for the New York Yankees, secured his first entry on the Billboard 200 as The Journey Within debuted in 2003 and reached No. 57. The 13-track set concurrently took Williams to No. 3 on Jazz Albums. In 2009, he topped Smooth Jazz Airplay with “Go for It” after his LP Moving Forward gave him another No. 3 peak on Jazz Albums. “Ritmo De Otoño,” featuring Dave Koz, marked Williams’ second Smooth Jazz Airplay No. 1, holding strong at the summit for seven weeks in 2010.
Bronson Arroyo: In 2005, the Cuban-American baseball player, a veteran of the Pittsburgh Pirates, Red Sox, Cincinnati Reds and Arizona Diamondbacks, achieved his first entry on Billboard 200 with the No. 123 debut and peak of his collection Covering the Bases, which also reached No. 2 on Heatseekers Albums. The set capitalized on the pitcher/musician’s popularity after the Red Sox, for whom he won 10 games in 2004, won the World Series that year, ending a famed 86-year title drought.
Barry Zito: The former American baseball player, who pitched for the Oakland Athletics and San Francisco Giants, reached No. 18 on Heatseekers Albums with his EP No Secrets in 2017. He now focuses on producing and writing music. “My dream in music was always to be a writer-producer, even in my early baseball days, when I was able to hang out with some amazing producers in L.A.,” the 2002 American League Cy Young Award winner and 2012 World Series champ told Billboard earlier this year. “After I came to Nashville in 2015, [I] was a little more into the songwriting, which I view now as so necessary. Writing with a lot of great writers and published writers helped me so much in my role now as a producer.”
Yoán Moncada: In 2021, the Cuban-American, and Chicago White Sox infielder since 2017, reached a No. 16 high on the Tropical Airplay chart with “Desastre Personal.” This week, he began a rehab assignment following an injury that has limited him to 11 major league games this year, although he hit .282 when playing. He scored single-year bests of 25 home runs and 79 runs batted in and a .315 average in 2019.
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Grupo Firme took over Miami with its La Última Peda Tour, making a stop at the Kaseya Center on June 1. But before the regional Mexican band even took the stage, Billboard hung out with its members a few days before for exclusive behind-the-scenes footage and a one-on-one interview. “It’s not our last tour,” Firme’s […]
The Latin music landscape is undergoing a bigger transformation where women are not only stepping into the spotlight, but also reshaping the industry through leadership, innovation and a commitment to diversity and inclusion. This was demonstrated by top female executives and industry members at the Wonder Women of Latin Music panel, which kicked off the Latin Alternative Music Conference (LAMC) on Wednesday (July 10) morning in New York.
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Moderated by Billboard‘s Griselda Flores, the panel featured Kemelly Figueroa-Mouriz of Loud And Live, Yasmin Muller of Spotify, Fabi Kulick of Live Nation, Rocio Guerrero of Amazon Music, Isabel Paz of the Latin Recording Academy, Gabriela Urquiza of GlamRock Agency and Celia Saez of The Orchard, all female Latin music wonders who took to the microphones at the InterContinental Hotel for a candid conversation about why female solidarity and representation is critical in the music industry.
“Having female leadership has been crucial for my professional development, because we understand each other and know the challenges we face, such as the glass ceiling,” said Saez of The Orchard, for example.
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Here are some of the best and most memorable quotes from the Wonder Women of Latin Music panel at LAMC 2024:
Kemelly Figueroa-Mouriz of Loud And Live on diversity initiatives: “I have a lot of experience in mentorship. I think that has forced me to go outside of my circle and find the solution to allocating voices. Going outside and seeking them has been so amazing — seeing that support, and receiving that support. I think it’s important to see that not only are we all here together to have the conversation but also to celebrate. This generation coming in, it’s important to seek and establish relationships, nurture these student-mentor connections.”
Yasmin Muller of Spotify on artist development: “I’ve been involved in curation and programming, and a big part of our job is to discover new artists and help them gain exposure. We’re always asking, ‘Why are we passionate about this artist, and why should you give them a chance?’ However, I often consider the [flip] side: finding an artist with talent and working with them in a meaningful way, utilizing my experience. Working with artists is incredibly challenging; it’s a job that never stops and requires constant thought. But it would be fascinating to apply all my experience to support a talent I truly believe in, particularly women in challenging industries.”
Fabi Kulick of Live Nation on career resilience: “You should never be afraid to lift yourself up and start from scratch. This industry might look glamorous and indeed, it is fun. You get to support artists, work with talented people, and meet incredible professionals who often become friends. However, I’ve experienced my share of downturns where I’ve had to start over, even with 12 years of experience. At that time, I made an entry-level decision to join a major label. I knew that once I demonstrated my work ethic and experience, I would grow. And here I am today, eight years later.”
Griselda Flores of Billboard on supporting the next generation: “The process is crucial because it teaches you what you want and don’t want in your career, including what’s non-negotiable and what you’re willing to accept. I always advise taking whatever job you can get, because you gain so much experience from it. It’s all part of the process of reaching your goals. An important piece of advice I received, and always think about, is not just to push the door open but to hold it open. Don’t let it shut behind you; hold it for those who are coming next.”
Rocío Guerrero of Amazon Music on the influence of mentorship: “I feel like I have learned from so many people — peers, managers, mentors, team members — and honestly, from every conversation I have, there’s always something to learn. I do want to especially acknowledge my mom. She’s a music professor who not only introduced me to the magic of music but also taught me from a very early age that it is indeed possible to be a good mother while having a rewarding career. This has made me confident in the possibility of achieving both.”
Isabel Paz of The Latin Recording Academy on gender collaboration: “The most beautiful thing is that men and women can work together. When it comes to working with women, instead of competing, let’s add up!”
Gabriela Urquiza of GlamRock Agency reflects on gender challenges in the past: “In 1993, there were not many women working in the industry. I started working in a company, which was up to date for its time, and I was lucky to have bosses who did not make gender distinctions. Even though it was quite a macho industry at the time, these bosses always gave me a place and support, standing out regardless of the prevailing machismo.”
Celia Saez of The Orchard on female leadership: “I was fortunate enough to start my career in a company led by women in 1996 who encouraged female leadership, and where the top management positions were held by women. Fortunately, I had female colleagues who shared the same vision — and, although I have now been here for 12 years, I have always found myself in female-dominated environments. This has been crucial for my professional development, because we understand each other and know the challenges we face, such as the glass ceiling. For me, always being surrounded by women has been a great help. While there have been very influential men in my career, I want to emphasize the impact of this female dynamic.”
Celebrating its 25th anniversary, the 2024 edition of the Latin Alternative Music Conference includes a Q&A with Fonseca, moderated by Billboard‘s Leila Cobo; a Q&A with Residente, moderated by Rolling Stone‘s Julyssa Lopez, panels on the Business of Songwriting, Publicity and Social Media, New Releases and Catalogs, Bridging Music and Money, and a talk on 25 Years of LAMC: Latin Music’s Past, Present & Future. To see the full LAMC guide, click here.