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Latin

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It’s a new era for Rauw Alejandro. Fresh off the release of his first solo single since August, the disco-tinged “Touching the Sky,” and announcing an upcoming album, the Puerto Rican artist has taken center stage across the international festival circuit.
The announcement of his headlining slot at the upcoming Coca-Cola Music Fest and Baja Beach Fest highlights his escalating prominence, following a top billing at Chicago’s Sueños last month. Yet his ascension feels most pronounced at New York’s Governor’s Ball Music Festival, the genre-spanning festival that ties his roots and personal narrative within the bustling energy of the Big Apple.

On Friday (June 7) at 7:30 p.m., the superstar lit up Gov Ball’s GoPuff stage. Dressed in a striped suit that harked back to the late 1960s, a tribute to West Side Story, Rauw unleashed a performance charged with boundless energy and impeccable dance moves. Over the course of an hour, he rolled out hits like “Al Callao’,” “Panties y Brasieres,” “Party,” “Desesperados,” “Desenfocao,’” and “Todo de Ti,” blending hard-hitting reggaetĂłn with riveting dance-pop anthems.

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His connection to the crowd was palpable: “I’ve always had a special connection to this city. My dad was born in Brooklyn. It’s a meeting point for many cultures,” he said to the audience. “Many of us left our country in search of opportunities and dreams. And I feel that here you can fulfill all the dreams that you want to do in life. In my case, a dream is being fulfilled by sharing it here with all of you, a dream that I am living today, thanks to all of you who have supported me since day one.”

Marco Perretta

Gov Ball, with its iconic New York-inspired elements like a tattooed Statue of Liberty and city memorabilia, saw Rauw honor NYC in his own unique way. A subway train replica served as his stage backdrop, setting the scene for a powerhouse dance performance that pulled from his admiration of Michael Jackson’s “Smooth Criminal” and Chris Brown moves, assuring all of his superstar caliber. In a standout highlight, the performer got off the stage to sing among the tens of thousands of fest-goers.

Moments before his dynamic act, Billboard Español caught up with the Puerto Rican artist to discuss his upcoming album, and the personal stories that shape his public persona and electrifying performances.

It’s exciting to have you here in New York headlining at Gov Ball. How are you feeling about today’s performance?

I’m really excited. It’s my first time. It’s a big deal. In the last few years, there have been a lot of Latinos headlining U.S. festivals. We are here. 

Do you prepare differently to perform a headlining festival set in comparison to your own concerts or while on tour? How does the experience differ to you?

It’s different. In festivals, you share a stage with other artists, so you don’t have two or three hours to do a show. My shows are normally two and a half hours long, arena and stadium shows. But festivals, it’s like we’re united as artists. We’re sharing energy with the public. The festival starts midday until 10 p.m., so it’s like a quick teaser. Festivals are more fun, more energetic. I focus more on what people like. I just want to have a good time. My concert, I just go into my album concept, and then I try to tell a whole story about it, and promote your new album. With festivals, we use it more for promoting singles. It’s the taste before the tour. I remember my first festival, when I didn’t have an album yet six years ago. It was just promoting me as a new artist. Festivals are that opportunity. I’m headlining this festival, and I have a special surprise for the people here. My dad is from Brooklyn; I have a lot of family in New York, so there’s that special connection. And this weekend is the Puerto Rican Day parade. Puerto Rico is here.

Dance is such a significant element of your performances. Can you share some insights into how you develop your choreography? Who are your choreographers? 

I’ve been working with FeFe Burgos. He’s also Puerto Rican. He’s been in New York for a long time. He’s been dancing with many artists. I’ve been with him for around six years. Also, we collaborated with all the choreographers. It’s how you mix this Latin flavor with all these other types of dancing around the world, with hip-hop, jazz and contemporary. I even have a small foundation of ballet. I have always danced my whole life, just for fun.

In my opinion, you are the best dancer, taking the genre’s performances to the next level.

I realized that this is where I want to be, so I started studying a little bit more. I try to get better and better with time, [incorporating] the salsa flavor. There’s been so many artists through past generations that have inspired me. I remember seeing Michael Jackson when I was a boy.

My dad has been a huge fan of Elvis Presley and James Brown. So it’s like you grew up with that style. Since I was young, all [dance] performers caught my attention. I was like, watching them [thinking], “Oh my God, I want to be like them.” I’m hyper. I cannot be on the stage [sitting still]. I need to move. 

You recently released “Touching the Sky,” your first solo single since August (“Hayami Hana”). 

Yes, new single, new era. I tried to divide my projects by eras and characters. It’s just a starting flavor. I got an album that’s almost ready. I try not to repeat albums, soundwise. In all my albums, you will always find reggaetón. Your essence will always be there. It’s different touch, perspective and musical colors. I did “Touching the Sky” a few months ago, and it feels like summer is coming. It’s that vibe. I don’t plan exactly what song is going to be [the first single]. It’s just how you feel at that moment. We’re going with a New York vibe. And I filmed in New York. It was really fun.

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You channel an old dapper New York era. What were your influences?

It’s a little bit more like late ’60s and ’70s, West Side Story, Broadway, it’s theatrical. Before I started [making] music, I was doing theater at 16, 17 years. So I like to mix theater with music. On Saturno, I started doing short films for my albums. For this one we’re preparing, you’re going to see the contrast between my albums and what I did in Saturno last year. It’s going to be the opposite.  

I loved freestyle, too. On a different subject, Billboard reported in December that you left Eric Duars and that you have a new management. How has this change influenced your career direction?

I think everything is for the better. I always try to grow as an artist. I’ve been in this game for almost nine years now. I started in the music business by myself, officially in 2015. Then in 2017, I signed with them [Duars]. And now, 2024. It has been long time. You grow up, you learn. What we did together was great. Now it’s just a different vision, a different perspective. But that doesn’t have to be
 it’s just business. I have a great team right now. I’m 31 years old, a grown ass man. I feel really happy at this moment of my life. I feel in control of my whole career. I know what I want to do. I have my notes. I learned. It’s just part of growing. 

Many of your oldest fans, including myself, first discovered your music on SoundCloud over five years ago. How do you think starting on such a platform influenced your music career?

SoundCloud was a huge tool for me when I started my career. I really support SoundCloud artists, and YouTube. Back in the day, it was just SoundCloud and YouTube before big platforms. I remember in the Island, everybody was down with SoundCloud, listening to this s— in SoundCloud. It was a small group. Myke Towers, Alvarito Díaz. Even Bad Bunny. All the artists back in the days, like in 2017.

Now you’re headlining so many festivals: a Coca-Cola Festival, you did Sueños [last month], you’re going to be a Baja Beach Fest headliner. That’s a big growth. 

I was seeing the old festival flyers the other day. My name was little, and now we’re headliners!

With fame your personal life becomes public too, such as your breakup with your ex [RosalĂ­a]. How have you faced those experiences in the public eye and how have you found strength or inspiration to grow personally?

I think that’s part of life, growing and learning. We are here, and I’m just focused right now on the present and my future. All these [past] life experiences, I just use it for being a better person.

How was going to the Met Gala?

The Met Gala was fun. It was my first time. I felt like this kid in a new school. I was like, “What’s up? My name is Rauw. Hi, I’m Puerto Rican.” It was fun. We had the after parties and everything. I’ve been around fashion for the last few years. I think music and fashion always [go well] together.

Speaking of fashion, what are you wearing tonight on stage?

I work with my stylist. Shout out to Chloe and Chanel. We worked with them also for a few years. They are amazing. But you are going to see some classic Rauw, like an old salsa generation. It’s going to be really fun.

Marco Perretta

Any new tattoos?

I’m working on it. I haven’t had the time, but I want to tat my legs, my back, everything. The only thing I’m not going to do in my life, because [I promised] my grandma, was my face.

Last words? 

It’s a new Rauw, new era, new music. The album is something amazing. I always like to do my final touches in Puerto Rico. I think it’s just good luck. Puerto Rico has this magic touch that no other place has, in my opinion. The biggest artists in the Latin world, most of them are in the Island. It has something magical. If you guys want to find out, you need to go and have a visit to the Island.

2024’s Billboard Latin Women in Music celebrated its powerful honorees and music executives at an intimate get together at the Cardozo Hotel in Miami Beach on Friday night (June 7).

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Hosted by Billboard, Loud And Live, and Only in Dade, the private celebration included star-studded guests such as Gloria Estefan, Ana Bårbara and La India, who will receive the Legend Award, Lifetime Achievement Award and Pioneer Award, respectively, at the second annual Billboard Latin Women in Music awards on Sunday (June 9). Award-winning hitmaker Emilio Estefan and breakthrough salsa artist Luis Figueroa were also in attendance.

“It’s a pleasure to be here, honoring a room of extraordinary women in an extraordinary year for Latin music,” Leila Cobo, chief content officer of Billboard Latin and Billboard Español, said during her welcome speech. 

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“When I started at Billboard, a bit over 20 years ago, I never saw myself as an executive. I saw myself as a journalist because I was a journalist,” she continued. “It took me a long time to see myself as an executive despite the fact that I began constructing a business that didn’t exist. I realized that I didn’t see myself as an executive because there wasn’t a role model that was doing the same thing that I was trying to do, and that made me aware of the importance of having role models in this business.” 

Cobo then congratulated all of the powerful women in the room, expressing that “Billboard takes great pride in shining a light on those [women] who have been ahead and giving a platform to those who are coming.” 

Following Cobo’s speech, 2024 honorees La India and Estefan shared a few words, and even flaunted their beautiful friendship that has endured over the years. “You deserve this so much, you’ve been such a good, beautiful woman [
] I don’t get a chance to tell her, and I want you to know that you’ve always been very supportive towards me,” the salsa singer told Estefan.

In addition to Estefan, La India and Ana Bårbara, Billboard will honor the following artists: Kany García (spirit of change award), Kali Uchis (rising star award), Ángela Aguilar (musical dynasty award), Camila Cabello (global impact award) and the woman of the year, Karol G.

The Colombian superstar, who is currently on the European leg of her Mañana Serå Bonito Tour, was not in town for the event but did send colorful preserved roses by Lovely Roses to gift to all of the honorees in the room.

The 2024 Billboard Latin Women in Music is set to air exclusively at 9 p.m. ET on June 9 on Telemundo. 

From career milestones to new music releases to major announcements, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
Ivan Cornejo sets date for new album

Mexican American singer-songwriter Ivan Cornejo has announced his new album, titled Mirada, set to be released July 18 via Zaragoza Records/Interscope. The set will follow his 2022 Dañado album, which was No. 1 on Billboard’s Regional Mexican Albums chart for 37 nonconsecutive weeks, the fourth-most since the chart launched in 1985. The new set was announced on Wednesday (June 5) with a trailer that previews what fans can expect in the new album. “Ivan, do you think you’ll fall in love again?” A voice asks the 20-year-old, who sits in front of a bonfire. “I don’t want to,” Cornejo quickly responds. Mirada will be home to his latest single “Baby Please.”

Carin León’s Boca Chueca Party

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This week, Carín León celebrated his newly-released album, Boca Chueca, Vol. 1, at an intimate industry event held in Miami Beach’s Faena Theater. The album release party, that took place from 8 p.m. to midnight, included elite attendees such as Latin music executives, social media personalities, and singer-songwriter Ana Bárbara, who will be honored with the Lifetime Achievement Award at Billboard Latin Women in Music 2024 on Sunday (June 9).

At around 9:30 p.m., LeĂłn took the stage with an accompanying band to perform songs from Boca Chueca live. The Mexican singer-songwriter, who is fully embracing his experimental roots on the new set, also crooned fans with some classics such as the Kany GarcĂ­a-assisted “Te Lo Agradezco” and “SegĂșn QuiĂ©n,” his viral bop with Maluma. At the end of the showcase, LeĂłn greeted all of his friends and colleagues, and gifted everyone with cool merch. 

Con Cora Foundation’s “Women Ink Spain”

Karol G’s Con Cora Foundation will hold a second edition of its professional tattoo workshop titled “Women Ink Spain,” which is aimed at women who are passionate about tattooing. Following its first edition in Medellín in 2023, this year’s workshop is set to take place in Madrid from July 15 to 19, according to a press release issued by the foundation.

The program is for women residing in Madrid, aged 22 to 40, who “wish to acquire professional skills in the art of tattooing,” per the press release. The training will be provided by Javi Cinco Ángeles Tattoo and Juan Ramón RC Tattoo. “The artists will share their vast experience and knowledge with all attendees,” the release continues. For more information on how to register, click here.

Ryan Castro for Copa América

Ryan Castro is set to release the official song for Colombia’s national soccer team for Copa AmĂ©rica 2024. Serving as an anthem for the country’s national team is Castro’s “El Ritmo Que Nos Une” in collab with producer SOG. It also features the voices of Juan Fernando Quintero and Luis Diaz, two players from the team. The catchy reggaetĂłn, cumbia infused song will make its official debut today (June 8) at the U.S.A. vs Colombia friendly match at the Commander’s Field in Maryland, along with a music video that was shot in Barranquilla, Colombia.

“I feel very proud to be able to dedicate a song to our Colombian national team,” the hitmaker said in a statement. “I think we all grew up watching our idols and being able to unite soccer and music is something I will never forget. I hope we can celebrate many triumphs with this song. This is my invitation to sing along to the rhythm of the Colombian national team’s goals!”

The Copa América tournament officially kicks off June 20.

Billboard Latin Women in Music 2024

The second annual Billboard Latin Women in Music is taking place this weekend, with a two-hour music special set to air on Telemundo on Sunday at 9 p.m. ET/ 8 p.m. CT.

This year, Karol G will be celebrated as Woman of the Year; Gloria Estefan will receive the Legend award; Camila Cabello the Global Impact award; Ana Bårbara the Lifetime Achievement award; Ángela Aguilar the Musical Dynasty award; Kali Uchis the Rising Star award; Kany García the Spirit of Change award; and La India the Pioneer award.

Billboard’s Latin Women in Music franchise recognizes the importance of Latin women in the music industry and honors those who have positively impacted Latin music and the industry the previous year.

For everything you need to know about Sunday’s show, click here.

This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music from artists such as J Balvin, Christian Nodal, and FARIANA (also known as Farina), to name a few.

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In an effort to continue showcasing her versatility, Farina has dropped a new single called “El Caballito” under her alter ego, FARIANA. The first–time collaboration with Oro Solido is an eclectic merengue that best captures the Colombian rapper’s fierce bars and rhymes and the merengue group’s signature mambo-merengue sound. The summer-ready track is the second single off of FARIANA’s upcoming music production.

Additionally, Maluma and Blessd have also teamed up to drop their joint EP, 1 Of 1. The six-track production, co-produced by MadMuscik and The RudeBoyz, includes the title track and focus single “Call Me,” and best represents Medallo’s reggaetón, swagger, and vibrant culture.

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“This work will have a very positive impact,” both acts affirmed in a press statement. “We’ve had dreams since we were kids and seeing that they can come true is a source of pride for those who see us as role models.”

Last week, music fans voted for Jhayco’s “Torii,” generating nearly 25% of the votes and beating out other releases that dropped, including Grupo Firme’s “El Beneficio de la Duda,” Manu Chao’s “Viva Tu” and Junior H and Oscar Maydon’s “Volver al Futuro.” Plus, new albums by CarĂ­n LeĂłn (Boca Chueca, Vol. 1), Manuel Medrano (Perfecto) and Olga Tañón (AsĂ­ Soy Yo).

Who should win this week? Vote among new releases by Christian Nodal, J Balvin, and more, below:

What’s your new favorite Latin music release?/ÂżCuĂĄl es tu nuevo lanzamiento favorito de mĂșsica latina?

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard‘s Latin and Billboard Español editors. Check out this week’s picks below.

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Christian Nodal, “Kbron y Medio” (Sony Music MĂ©xico)

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With his new single, Nodal perfectly captures a bad boy attitude, almost villain-like, which leads to a toxic lifestyle that only those who’ve gotten their hearts broken can understand. In “Kbron y Medio,” which loosely translates to “a jerk and a half,” he embraces a new identity to help heal his wounds. Powered by a country blues melody fused with his signature mariachi elements, the single-as-of-recently artist sings emotively, “My kisses are no longer for just one, my bed is open to receive bad girls, my agenda is open for everyone,” while quickly adding, “just don’t get stuck and talk to me about feelings.” His second single of the year, “Kbron y Medio” is a preview of his upcoming album, Pa’l Cora, slated for mid August. – GRISELDA FLORES

FARIANA, Oro Solido, “El Caballito” (La Commission, LLC)

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Farina (now, under her new alter ego Fariana) has teamed up with Oro Solido for what could possibly, most probably, become the song of the summer. After dipping her toes in the dembow genre, the Colombian rapper continues to tap Dominican culture, this time with “El Caballito,” a catchy merengue produced by Gangsta and Oro Solido’s frontman Raul Acosta. In her new career chapter, where she goes under the artistic name of Fariana, the rapper explores her versatility that goes beyond rap and freestyling. “El Caballito” — the second single off of her upcoming musical project — is a perfect example of her new era, best fusing her effortless and saucy rhymes with the merengue group’s signature mambo sound that has had generations after generations dancing “hasta las 15 de la mañana” (until 3 in the morning). — JESSICA ROIZ

J Balvin & Chencho Corleone, “Polvo de tu Vida” (Capitol Records)

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Kicking off with eerie, dissonant strings, J Balvin dives deep into his fascination for sci-fi-inspired melodies juxtaposed a vigorous old-school reggaetón thump in “Polvo de tu Vida.” The Colombian superstar enlists genre OG Chencho Corleone who provides the ideal high-pitched harmonic counterpart to J Balvin’s sensual flow. Together, they deliver the catchy and impassioned hook: “Soy el polvo de tu vida, esta noche no se olvida,” proclaiming it with fervor ensuring it resonates with the listener. The song and its accompanying video immediately seizes attention, with its eccentric tones and the futuristic visuals that allude to a dystopian theme. — ISABELA RAYGOZA

Natti Natasha, “QuiĂ©reme Menos” (Sony Music Latin)

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With the romantic bachata “QuiĂ©reme Menos,” Natti Natasha celebrates her love story. Written by Romeo Santos and dedicated to his partner, producer Raphy Pina, the song talks about an unconditional love that overcomes all adversities. “Romeo managed to capture the essence of what I feel for Raphy and everything he has given me, while making the lyrics universal. It is a privilege to be able to perform this beautiful song, which emerges from his pen and musical talent,” Natasha said in a statement about the release. The emotional music video shows various clips of intimate moments from her life as a couple, including Pina’s recent release from prison. — LUISA CALLE

Joaquina, “Pesimista” (Universal Music Latino)

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Joaquina continues expanding her collection of profound, relatable works with this new song about missing someone you love from a distance. Written by the Venezuelan artist during a Spring she spent in Madrid, and co-produced by Julio Reyes Copello and Larry Coll, “Pesimista” shows an evolution in the singer-songwriter — who in November became the youngest artist to win the Latin Grammy for best new artist — with more mature lyrics and an evocative sound. “I’m not a pessimist, but if I were to lose you, it would break me to pieces,” she sings in part of the lyrics.

“This song is essentially a love song that speaks to having something so special to the point in which you’re scared to lose it,” Joaquina explained in a press release. “It’s about being far from the person you love and wishing that they were living all of these new experiences and things with you and seeing them everywhere you go.” — SIGAL RATNER-ARIAS

Listen to more editors’ Latin recommendations in the playlist below:

Just ahead of Billboard Latin Women in Music 2024 — where Kany García will be honored with the Spirit of Change Award on Sunday (June 9) — the Puerto Rican star sat down with Billboard to talk about her new album, García, her friendship with Young Miko and what it means to receive this special honor for her activism.
Her new album, released May 2, includes collabs with EdĂ©n Muñoz, Christian Nodal, Carla Morrison and Young Miko, someone who she says is “on an incredible path.” Says Garcia: “I feel it is important in the albums to make room for the new generations who are doing important things like her.”

The two artists met last year at Billboard Latin Music Week, where Young Miko expressed admiration for García. “When we met, it was beautiful,” García adds.

Throughout her career, García has placed 30 songs on Billboard‘s Latin Pop Airplay chart and eight albums — including five in the top 10 and one No. 1, 2019’s Limonada — on Top Latin Albums. Her latest, García, follows her 2022 El Amor Que Merecemos.

“There are two or three key people in my life who have been like anchors and people whose opinions have been important to me who don’t call me Kany and [instead] call me García,” the singer-songwriter says, explaining the meaning behind the album’s name. “These are people who care for me. In the song ‘García,’ I speak to myself and I want to give importance to what I am saying to myself, so I named it that. I love it because it was a way of giving it a certain place to the people who care about me and call me that.”

On receiving the Spirit of Change Award, García says, “On the one hand, it’s like a hug within the effort and the struggle. It’s an opportunity I have to continue inspiring new women who are coming up, and with women who are speaking up.”

Watch Kany García’s interview above.

Billboard’s 2024 Latin Women In Music airs Sunday, June 9, on the Telemundo network (9 p.m. ET/8 p.m. Central), and will stream live on the Telemundo app and on Peacock.

Nicki Nicole crosses off a new milestone thanks to her latest single, “Ojos Verdes,” released April 24 via Sony Music Latin. The song rises from No. 2 to lead the Billboard Argentina Hot 100 chart (dated June 8). Her second ruler of the year arrives seven weeks after “Una Foto” — with Mesita, Tiago PZK and Emilia — culminated its 10-week domination (chart dated April 20), the longest leading song of 2024.

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As “Ojos Verdes” lands at the summit it ejects “BĂ©same (Remix)” by Bhavi, Seven Kayne, Milo J, Tiago PZK, Khea and Neo Pistea from the summit: falls 1-4.

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While Maria Becerra’s “Iman (Two Of Us)” dips 5-2, Los Ángeles Azules secure their first entry of the year as “Perdonarte Para QuĂ©?,” with Emilia, debuts at No. 3. The Hot Shot Debut of The week earns the Mexican group its third top 10, while the Argentinian singer collects her 16th.

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Fifteen-year-old Argentinian Valentino Merlo and Chilean band The La Planta join in the upper region thanks to “Hoy,” their first team-up which climbs 32 places, from No. 37 to No. 5. While The La Planta picks up its second top 10, Merlo’s “Tu Foto,” with Q’ Lokura, advances 13-6, for his second top 10 hit.

Above the top 30, Chilean Lewis Somes makes his first chart visit thanks to “Apaga El Cel,” his first collab with compatriot FloyyMenor, which joins at No. 29. Meanwhile ECKO, Los Turros and Doble P’s “Loquita (Remix)” rallies up 58 places, from No. 99 to No. 41 with the week’s Greatest Gainer honors.

Further, four more songs debut this week, starting with Tiago PZK who adds a 34th career entry with “Corazón” at No. 60. Cris MJ’s “Si No Es Contigo” bows at No. 77. The song earns the Chilean his second top 10 on Billboard’s Hot Latin Songs chart this week, following the eight-week domination of “Gata Only,” with FloyyMenor. Plus, NewJeans’ “How Sweet” opens at No. 79.

Lastly Trueno scores three simultaneous entries on the current chart: “The Roof Is on Fire” at No. 94, “Pull Up!” at No. 97, and “Real Gangsta Love” at No. 100, all stemming from his album El Último Baile released May 23 via Sony Music Latin.

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Karol G ended 2023 on the highest possible note: She became the first woman (and second artist ever) to top the Billboard 200 with an all-Spanish-language album (Mañana SerĂĄ Bonito, the year’s fifth-most-streamed album on Spotify); the top female Latin artist on Billboard’s year-end charts (behind only Bad Bunny and Peso Pluma); and the winner of both urban album and album of the year at the Latin Grammy Awards in November — the first woman to win urban album of the year. 

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As a touring artist, she sold a staggering 925,000 tickets and grossed $155.3 million, making her the 11th-highest-grossing touring act of 2023, among all genres, according to Billboard Boxscore. 

Then came the encore. 

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During the first six months of 2024, Karol G was named Billboard’s Woman of the Year, her Mañana SerĂĄ Bonito tour has grossed over $100 million and sold nearly 1 million tickets throughout Latin America — and on June 8, she will be recognized as Billboard’s Latin Woman of the Year at the Billboard Latin Women In Music gala taking place on the same date as the kickoff to her European arena tour. 

One could think that the numbers alone are the driver behind the award, and yes, they would be enough. But that’s not at the heart of Karol G’s selection. 

When, 18 months ago, the Colombian singer hit the road that took her to over 35 sold-out stadiums, she did so by taking a big risk and a huge leap of faith. She launched her own label, Bichota Records; launched her Con Cora Foundation; and opened offices for her company, Girl Power, in MedellĂ­n. She also made a point of inviting up-and-coming artists, mostly women, to perform on her tour. In February, she released a new single, “Contigo,” with TiĂ«sto, an exploration into dance music that reached No. 3 on the Hot Latin Songs chart. 

Through it all, Karol is acutely aware that it doesn’t end here.  

“I feel very thankful and honored to receive this recognition that I accept with great responsibility and commitment,” she tells Billboard. “I thank all the women who have been part of this journey and I celebrate –in the most genuine way—women: their discipline, their commitment, their making this movement something so big, special and inspiring. Remember, we can’t allow anyone to destroy our extraordinary outlook on life and the opportunities it gives us. Nor can anyone else decide our value as a woman, as a person, as a professional. That value is yours to determine; it’s something you work for, it’s something you earn.”  

“No one else can decide our value as a woman, as a person, as a professional. That value is yours to determine; it’s something you work for, it’s something you earn.”  Karol G

Billboard has spoken with Karol G many times over the past several years, closely documenting her career’s rise. This time, as we honor her as Latin Woman of the Year, we asked others in the industry to speak about her impact. 

ROMEO SANTOS, on having Karol G as a guest on “Obsesión” during Aventura’s 2021 Dodger Stadium show. “Despite Karol’s fame status, she’s down to earth, and her energy is always positive. She has expressed that it was an honor to participate onstage that night, but sincerely she made that occasion an unexpected epic experience for the fans. I’m proud of her success, and her name will go down in history as one of the very few Latin artists that can sell out stadiums. There ain’t too many of us.” 

BECKY G, on working with Karol G on their hit song “MAMII” and its aftermath. “What impacted me most about working with Karol was her willingness to give advice and lend a helping hand. There’s a preconceived notion that success comes overnight, but Karol and I have been hustling in this industry for over 10 years. It’s rare to find someone so open to sharing insights and discussing the obstacles she faced so others don’t have to, helping us continue breaking down barriers 
 Karol inviting me to perform in both our hometowns will forever be performances held in my heart so dearly. The rumble in the stadiums of Los Angeles and Medellín [Colombia] at our feet reminded me of the power we hold when we come together. Every soundcheck Karol held me by the hand and showed me the ropes, walking me through step by step of what to be prepared for and present for during our performances. Her and her amazing team are like family to me, and I love seeing them win.” 

“What impacted me most about working with Karol was her willingness to give advice and lend a helping hand.”Becky G

OVY ON THE DRUMS, on producing Karol G and their longstanding friendship. “I’ve had the fortune of being her producer from the very beginning, and being able to connect musically and achieve everything we have, goes beyond music. We’re already family 
 Her discipline and consistency [continue to impact me]. She’s truly an unstoppable woman. For me, she has a superpower. When we create music together, she already knows what’s going to be her next single. She has an incredible vision when it comes to her project and knows exactly how she’s going to execute it. I think she’s a genius in that sense.” 

“She has an incredible vision when it comes to her project and knows exactly how she’s going to execute it. I think she’s a genius in that sense.” Ovy On The Drums

RYAN CASTRO, on collaborating with Karol G on “Una Noche En Medellín (Remix).” “[The track] is a very special song for me because it is a hit that was global and talks about the city where Karol and I grew up. I am very grateful to Karol, because when she took the opportunity to do the remix, she wanted me to participate because of the representation I give to ‘Medallo.’ What strikes me most about working with Karol G is the control she has of the stage and the fans when doing her shows. She is also a very organized person and everything she does has some meaning. [I remember] the first time I sang at her concert at the Medellín stadium. Not only did she invite me to her show, but she also called me onstage to sing my hit ‘Jordan’ with me. It was one of the most memorable moments, because she knew the words to my song.” 

MYRIAM HERNANDEZ, on sharing the stage with Karol G at the Viña del Mar Festival in 2023. “It’s one of the most beautiful experiences I had almost two years ago. It was very relevant and exciting. Two women, different musical genres and united in a single love song. [A] magical moment. Plus, we wanted to fulfill that dream. Karol impresses me because not only does she have this overflowing talent, but she is also very disciplined and doesn’t stop. She has endless energy and I love that she maintains her humility. Seven years ago, she herself sent me a video declaring that one day we would sing together, and it was achieved.” 

BAD GYAL, on recording and performing “Kármika” with Karol G. “Sharing the stage with Karol always makes me feel very comfortable; her team and her always treat me the best. An experience like that could put a lot of pressure on me – like being onstage with one of the biggest artists today – but they make me feel very calm and everything goes very easy. What has surprised me the most is that she’s very humble, she treats everyone so well and she has a very beautiful energy.” 

NATHY PELUSO, on performing and recording with Karol G. “She is very generous. She invited me to play in Buenos Aires, which means a lot to me. [It was] the first time we sang ‘Gato Malo,’ which is the song we’ve had together for years. She has a very gigantic show, very beautiful, very spectacular, and I also love her very much as a friend.” 

KALI UCHIS, on filming the video for “Labios Mordidos.” “I was pregnant and showing, but I wasn’t ready to announce my pregnancy. So I had to hide my stomach in the whole video. I was really shy about so many strangers seeing my belly, because I was still keeping that private, and it was making me uncomfortable 
 Then we did the music video. It was so sweet. Everybody, [Karol] and all the girls on site were so supportive and protective of me [about] any little thing that [could] happen. They were looking out for me. I felt very safe with all of them. It was probably the funnest music video I’ve ever shot because of that.” 

ELENA ROSE, on opening Karol G’s show in Venezuela. “There is a before and after, absolutely. More than for my career, it’s what it meant for my life. I was honored to be there and my heart was full to feel my beautiful country hug me and to feel supported and appreciated by such an amazing woman and artist as is Karol. Karol is a huge inspiration, personally more so for her humanity. She is a giver, a lover and a strong warrior. Our conversations are always meaningful, and the work we do together is very intentional. I admire her so much, and I feel unstoppable when I’m around her. I think that is what women should always do to each other — make each other stronger and more powerful. 

“Karol is a huge inspiration, personally more so for her humanity. She is a giver, a lover and a strong warrior.”Elena Rose

“The second show in Venezuela was on my birthday. Karol and her team had my backstage room filled with balloons and flowers. She sang ‘Happy Birthday’ to me before going onstage with her family and mine. I felt so full and loved. I hugged her mom and told her, ‘Thank you for giving birth and raising this amazing human being.’” 

“I was surprised by her simplicity, her humility, how hardworking she is, the love for her family and her fans. There are many things I identify with her, and I see her as a great role model to follow.” Dei V

DEI V, on working with Karol G on “Gatita Gangsta.” “Working with someone like ‘La Bichota’ is something that many artists dream of, and thank God, I had that privilege. Our collaboration changed my life. It marked a before and after in my career, and I will always be grateful to Karol for that. Singing with her onstage was epic. It was the first time that I performed in front of thousands and thousands of people. I was surprised by her simplicity, her humility, how hardworking she is, the love for her family and her fans. There are many things I identify with her, and I see her as a great role model to follow. 

NOAH ASSAD, Karol G’s manager, on her current success. “She was ready to build her own label, her own structure, her own team. She was already betting on herself without getting the gain. I’m very proud of the independence we were able to accomplish, but I’m very proud of how hard she worked during the pandemic, and being an artist that went from the pandemic to theaters to arenas to stadiums, all from 2020 to 2023, that’s just amazing. [Her global success] was overdue. It’s overdue for a woman to lead a genre. A lot of people identify with her in different ways. Being a human in her position is hard to come by. There are very few people that can do a stadium tour. I think people love her because she’s a genuine human being and she inspires people to be better every day.” 

SERVANDO Y FLORENTINO, on singing the hit “De Sol a Sol” with Karol G in Venezuela. “I would describe this moment as Epic and unprecedented. [We admire] her discipline, her disposition, her center, how well-focused she is. She understands the moment she is living in because she also built it herself with a wonderful team, and she does not leave the work that falls to her in the hands of others. She received us with a beautiful disposition; she sang with us, laughed, rehearsed everything, even though she had played a huge show the night before 
 We love that she returned to her roots and used that as a resource to revisit a song from her childhood and invite us [the creators] to sing it with her. We admire her; we know how hard she has worked with music and for it, and the love and emotion were reciprocal that night.” 

JULIA PERICAS ANTON, Karol G’s choreographer. “At the beginning of the tour, we prepared about 12 new choreographies in which both the dancers and Karol had to participate. We had several weeks of rehearsals and Karol was very clear about the concept with which she wanted to show herself to the public. As the tour has progressed, we have been adding new choreographies, always trying to improve it and raising the level of the production of the show, which is spectacular. 

“I really believe that Karol G is a unique artist, not only because of the natural talent that she has when getting onstage but because of the amount of preparation and work she does every day so that you can see her on that stage as confident as you see her. Working alongside her makes you realize that perfection does not exist, but she is going to be very close to that and she will do whatever it takes.” 

JESSICA GIRALDO, Karol G’s sister and co-manager. “These past 12 months have been a window of transformation and growth for Karol’s musical and professional project. What we’ve achieved is the sum of the efforts of a great team headed by Karol and which I’ve had the opportunity to structure and lead. 2023 and 2024 have been full of successes that contributed to the expansion of the project and have taken it to another level.” 

EDGAR BARRERA, on writing and producing for Karol G. “She is an artist that knows exactly what she wants and isn’t afraid to experiment in the studio with different genres and styles. Working with Karol G is always a pleasure and a delight. She takes care of every detail and is just as passionate about music as I am, so I feel like that makes our time in the studio so much more enjoyable.” 

MIA NYGREN, GM, Latin America, Spotify. “When Karol made history by being the first Latina woman to be chosen as Woman of the Year by Billboard, she invited several women in the industry who had been part of making this a reality to accompany her at the ceremony. I was fortunate and honored to be one of them, and this also coincided with my own nomination, which made the experience very special.”

Billboard’s Latin Women In Music 2024 gala airs Sunday, June 9, on the Telemundo network (8 p.m. ET and can also be streamed on Peacock and the Telemundo app.

Jessica Roiz, Griselda Flores, Ingrid Fajardo, Isabela Raygoza and Sigal Ratner-Arias contributed to this article.

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