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Latin

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Five months after releasing the first single from what will be his next album, Mexican singer-songwriter Alfredo Olivas offers another preview with “Imaginación,” a norteño song with country elements that follows the same line of his “Asignatura Pendiente” released in February.
“That sound that has worked for us and that people like a lot is something that already distinguishes Alfredo Olivas’ music — and this song could not be the exception,” the artist tells Billboard Español. Announced as the focus track of his new LP, due out soon on Fonovisa/Universal Music, “Imaginación” debuts Thursday (July 11) at 8 p.m. ET and will be available here.

A little more than a decade into his career, Olivas has been consolidating himself as one of the most important singer-songwriters of the regional Mexican music scene. The artist from Sonora, Mexico has a resumé full of accomplishments, ranging from pioneering the corridos alterados, which predate the corridos tumbados and bélicos, to a score of Billboard‘s Regional Mexican Airplay chart entries, including three No. 1s: “El Problema,” “Yo Todo Lo Doy” and “No.”

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In 2023, the 30-year-old singer became the highest-grossing artist in Mexico, with 71 sold-out dates in palenques, arenas and, for the first time, stadiums for a solo artist. He recently renewed his contract with Fonovisa Records-Universal Music, the company that has seen him grow professionally.

“Huge legends of Mexican music have been lost in recent years,” says Antonio Silva, managing director of Fonovisa-Disa U.S. & Mexico. “Who among the new phenomena of popularity will go on to establish themselves in far-reaching careers that will generate a legacy? It is clear to me that Alfredo Olivas will achieve that transcendence. In my perception, he has everything it takes: author of all his hits, unique lyrics and a way of performing that has forged his unique style.”

This year, Alfredo Olivas has embarked on a spectacular tour with banda-norteño star Julión Álvarez, Los Prófugos del Anexo, and for the first time in his career he recorded a duet with Alejandro Fernández, “Cobijas Ajenas,” which toppedBillboard‘s Latin Airplay chart, giving Olivas his first overall Latin radio chart leader.

Below, Olivas talks to Billboard Español about this achievement and his big current career moment.

Your lyrics are generally about heartbreak — how do you get inspired if you are in a stable relationship?

It is enough to observe what happens to many people. I express that in my style, and fortunately I have connected with my audience.

In 2023 you were the artist with the most dates in the most important venues in Mexico, including stadiums. What did this mean to you?

It was a great satisfaction, because one dreams of those moments. At the same time, it is a commitment. I have fought hard to get to this point, so I have to take great care of the quality of what I give to the public. I always dreamed of seeing myself on stage like the most important artists. I love to see what’s new in terms of production. Sometimes we have to spend a lot of money — but it doesn’t matter if it’s so that regional Mexican music can be more colorful and of higher quality, and the world can see it that way.

Are you worried about the image of regional Mexican music in the world?

Completely. Sometimes it is annoying that we are wrongly labeled; there is a lot of talent and quality. In my case, I like to have everything in order, the sequences, the setlist — but without losing the essence of our genre, which is the mischievousness and improvisation.

You are a pioneer of a generation that fueled corridos around a decade ago. What do you think of the new stars?

I think it’s very good that there are so many talents. From my point of view, it is a positive thing that they are joining the cause. These new breakthroughs are a positive thing to continue the fight that began many years ago. When Grupo Firme began to break protocols, we could see a new positive era coming for everyone.

You don’t record collaborations often — how did the duet “Cobijas Ajenas” with Alejandro Fernández come about? Did you already know each other?

Of course, there has always been a lot of admiration on my part. Two or three years ago, I had the opportunity to meet him — and although it was my dream that he would record one of my songs, I never told him, I don’t like to force things. Time went by, and now through the record label (Universal Music), they proposed it to me and of course I said yes. The song is by maestro Espinoza Paz.

How did the idea of touring with Julión Álvarez come up if you are both so successful as solo artists?

There is a very special connection, and it shows on stage — we are great friends. He recorded one of my songs, “Sin Memoria,” and made it a big hit. People like us as a duo, the proof is that we have seven sold out shows so far in 2024.

You recently renewed your contract with Universal Music/Fonovisa Records, what makes you continue working with the company after a decade?

It’s just like a marriage relationship — like keeping promises to each other, setting goals and reaching them, loving and respecting each other. I think it is very healthy to leave certain things in the hands of experts, as in this case, the record label. In this way, the artist is dedicated to focus on making music.

Los Tigres del Norte have said that you are one of the young artists they respect because you preserve the traditional style of regional Mexican music. Would you also collaborate with them?

It would blow my mind — I am the first to raise my hand. If they would consider me it would be a tremendous achievement. And now that you mention it, of course we are going to look for that opportunity.

Last year you recorded for the first time a song that you didn’t write, “Ni Con Labios Prestados,” and it was a big hit on streaming platforms. Why did you decide to do it?

The songwriter Aarón “El Pantera” Martínez is one of those who I admire the most — and the truth is that we didn’t know each other personally, only on Instagram. But he knew, as a good poet, to write me with the right words. I listened to it, and from the first moment I liked it. To this day it is one of the most requested songs in my show.

Have you thought about recording more songs by other composers?

It happened with “Ni Con Labios Prestados,” and now with Alejandro Fernández. But I’m not going to lie to you, I have set goals for myself, and one of them is to have my own catalog. I deeply admire Joan Sebastian, Juan Gabriel and Marco Antonio Solís, they are my example to follow as singer-songwriters.

J Balvin’s upcoming new album, titled Rayo, is set to be released Aug. 9, Billboard has learned. The 15-track LP includes collaborations with Feid, Chencho Corleone, Bad Gyal and Carín León, among others.
The set will follow the Colombian hitmaker’s Grammy-nominated Jose released three years ago, which peaked at No. 1 on Billboard’s Top Latin Albums chart for three weeks. Overall, Balvin has placed four No. 1 sets on the tally since 2016 – also including Energía, Vibras and Oasis, his 2019 joint album with Bad Bunny.

As with all his previous albums, this one also started with a name before even recording any of the songs included. “My albums have always started with their names,” he previously told Billboard. “That way, we let ourselves be guided by the vibe.” The singer-songwriter also shared that London was a major source of inspiration for the set, specifically its nightclub scene, where he and his team would play demos sometimes. “We wanted to see fan reaction, and it was amazing,” he teased.

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According to a press release, Rayo is an expression of “earnest need for human connection that drove Balvin to create an album that feels more like a house party than a collection of songs.” In this new album, he blends elements of reggeatón with electronic pop and dembow, the statement further adds.

In April, J Balvin performed a riveting sci-fi-inspired headlining set at Coachella, where he sang his biggest anthems to date, including hits recent hits such as the Tainy-produced “Colmillo” and “Dientes.” Some of his surprise guests included Jowell & Randy, De La Ghetto and Will Smith.

The new album announcement coincides with Balvin’s new single “Gaga” in collaboration with Saiko. The Keityn and L.e.x.v.z.-produced track is set to drop on Thursday (July 11).

Below, see Balvin’s Rayo tracklist:

“Cosa de Locos”

“Polvo de tu Vida” featuring Chencho Corleone

“Swat” featuring Luar La L

“Bajo y Batería”

“Doblexxó” featuring Feid

“3 Noches”

“Gaga” featuring Saiko

“Gato” featuring Bad Gyal

“Lobo” featuring Zion

“La Noche” featuring Dei V

“Origami” featuring Ryan Castro and Blessd

“Sólido”

“Stoker” featuring Carin León

“Ganster”

“En Alta” featuring Omar Courtz, Yovngchimi, Quevedo, Mambo Kingz, DJ Luian

About 40 minutes into Fonseca‘s concert at Summerstage in New York on Wednesday night (July 10), a fan near the stage signaled him wildly, waving his phone enough to catch the Colombian star’s attention. “Colombia scored!” the person shouted.

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Fonseca, the consummate professional, didn’t miss a beat of his hit “Envuélveme.” But as soon as there was a break in his vocals, Fonseca tossed his head back and shouted, “Gol, hijueputa! [Goal, son of a b–ch!]

The goal was Colombia’s against Uruguay in the first half of the semi-final of Copa América, the men’s soccer tournament that includes teams from North, South and Central America and the Caribbean.

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“This is the first time in my life that I’ve been singing at the same time la selección [my team] is playing,” Fonseca told the crowd when the song was over. “Thanks to my friend who showed me his phone,” he gestured to the crowd. “Apologies for the bad words, but for those of you who aren’t from Colombia, we’re used to celebrating goals together with that word,” he said with a laugh.

The fact that the Colombian national team was playing its most important match of the year so far was no deterrent for the nearly 6,000 fans who showed up for Fonseca’s show, part of the LAMC (Latin Alternative Music Conference) schedule and with Israel Fernández and Bruses serving as opening acts.

Fonseca’s set spanned his career, including his recent “Si Tu Me Quieres” — originally recorded with Juan Luis Guerra — and ending with his now iconic hit, “Te Mando Flores,” which he began a capella –showcasing one of the most beautiful voices in Latin pop — and ended in an impromptu party after the clock ran out on the 1-0 victory.

As for the Colombian team, it was a seminal moment. They won the match, their 28th win in a row. On Sunday (July 14), they’ll play in the final against Argentina.

The 2024 Heat Latin Music Awards (popularly known as Premios Heat) — which place on Thursday (July 11) in Punta Cana in the Dominican Republic — are led by 10-times nominees Karol G and Feid.  Explore Explore See latest videos, charts and news See latest videos, charts and news They are followed by top nominees […]

New York Mets’ infielder Jose Iglesias – recording under the moniker Candelita – is just getting started on a chart winning streak as he debuts at No. 1 on Billboard’s Latin Digital Song Sales survey (dated July 20) with his debut single, “OMG.”

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The Cuban-American baseball player, and now also Latin pop artist, sang “OMG” live for the first time after a 7-2 Mets’ win over the Houston Astros at Citi Field in Flushing, N.Y., on June 28. According to Luminate, the single sold a little over 1,000 downloads in the United States during the June 29-July 4-tracking week.

The high-spirited song, adopted as a Mets anthem, about overcoming hard times, and penned by Iglesias in 2023, has translated into a fastball of positive energy for the Mets (who are now up to 45-45 on the season following a win on July 9), and Iglesias, who captures his first Billboard No. 1 entry on a first try.

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Notably, Iglesias’ new No. 1 matches the uniform number that’s he’s worn over the years; he now sports No. 11 for the Mets. The 34-year-old broke through to the majors in 2011 with the Boston Red Sox and has played for seven Major League Baseball teams. He’s currently hitting .313, having compiled a .279 average in over 1,000 big league games.

Iglesias/Candelita, meanwhile, joins other baseball players-turned artists who have scored hits in the musical field, and on Billboard rankings. Here’s a team of five such notable stars:

Deion Sanders: The former baseball and football player – aka, “Prime Time” – played 14 years in the NFL and nine in MLB. He made his Billboard chart debut in 1995 with Prime Time, his debut album released in 1994 through MC Hammer’s Bust It Records. The 16-track effort hit No. 14 on Heatseekers Albums and No. 70 on Top R&B/Hip-Hop Albums. Also, an actor and football coach, Sanders won Super Bowls XXIX and XXX and earned eight NFL Pro Bowl selections between 1991 and 1999.

Bernie Williams: The Puerto Rican-born former all-star baseball player and four-time World Series winner for the New York Yankees, secured his first entry on the Billboard 200 as The Journey Within debuted in 2003 and reached No. 57. The 13-track set concurrently took Williams to No. 3 on Jazz Albums. In 2009, he topped Smooth Jazz Airplay with “Go for It” after his LP Moving Forward gave him another No. 3 peak on Jazz Albums. “Ritmo De Otoño,” featuring Dave Koz, marked Williams’ second Smooth Jazz Airplay No. 1, holding strong at the summit for seven weeks in 2010.

Bronson Arroyo: In 2005, the Cuban-American baseball player, a veteran of the Pittsburgh Pirates, Red Sox, Cincinnati Reds and Arizona Diamondbacks, achieved his first entry on Billboard 200 with the No. 123 debut and peak of his collection Covering the Bases, which also reached No. 2 on Heatseekers Albums. The set capitalized on the pitcher/musician’s popularity after the Red Sox, for whom he won 10 games in 2004, won the World Series that year, ending a famed 86-year title drought.

Barry Zito: The former American baseball player, who pitched for the Oakland Athletics and San Francisco Giants, reached No. 18 on Heatseekers Albums with his EP No Secrets in 2017. He now focuses on producing and writing music. “My dream in music was always to be a writer-producer, even in my early baseball days, when I was able to hang out with some amazing producers in L.A.,” the 2002 American League Cy Young Award winner and 2012 World Series champ told Billboard earlier this year. “After I came to Nashville in 2015, [I] was a little more into the songwriting, which I view now as so necessary. Writing with a lot of great writers and published writers helped me so much in my role now as a producer.”

Yoán Moncada: In 2021, the Cuban-American, and Chicago White Sox infielder since 2017, reached a No. 16 high on the Tropical Airplay chart with “Desastre Personal.” This week, he began a rehab assignment following an injury that has limited him to 11 major league games this year, although he hit .282 when playing. He scored single-year bests of 25 home runs and 79 runs batted in and a .315 average in 2019.

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Grupo Firme took over Miami with its La Última Peda Tour, making a stop at the Kaseya Center on June 1. But before the regional Mexican band even took the stage, Billboard hung out with its members a few days before for exclusive behind-the-scenes footage and a one-on-one interview. “It’s not our last tour,” Firme’s […]

The Latin music landscape is undergoing a bigger transformation where women are not only stepping into the spotlight, but also reshaping the industry through leadership, innovation and a commitment to diversity and inclusion. This was demonstrated by top female executives and industry members at the Wonder Women of Latin Music panel, which kicked off the Latin Alternative Music Conference (LAMC) on Wednesday (July 10) morning in New York.

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Moderated by Billboard‘s Griselda Flores, the panel featured Kemelly Figueroa-Mouriz of Loud And Live, Yasmin Muller of Spotify, Fabi Kulick of Live Nation, Rocio Guerrero of Amazon Music, Isabel Paz of the Latin Recording Academy, Gabriela Urquiza of GlamRock Agency and Celia Saez of The Orchard, all female Latin music wonders who took to the microphones at the InterContinental Hotel for a candid conversation about why female solidarity and representation is critical in the music industry.

“Having female leadership has been crucial for my professional development, because we understand each other and know the challenges we face, such as the glass ceiling,” said Saez of The Orchard, for example.

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Here are some of the best and most memorable quotes from the Wonder Women of Latin Music panel at LAMC 2024:

Kemelly Figueroa-Mouriz of Loud And Live on diversity initiatives: “I have a lot of experience in mentorship. I think that has forced me to go outside of my circle and find the solution to allocating voices. Going outside and seeking them has been so amazing — seeing that support, and receiving that support. I think it’s important to see that not only are we all here together to have the conversation but also to celebrate. This generation coming in, it’s important to seek and establish relationships, nurture these student-mentor connections.”

Yasmin Muller of Spotify on artist development: “I’ve been involved in curation and programming, and a big part of our job is to discover new artists and help them gain exposure. We’re always asking, ‘Why are we passionate about this artist, and why should you give them a chance?’ However, I often consider the [flip] side: finding an artist with talent and working with them in a meaningful way, utilizing my experience. Working with artists is incredibly challenging; it’s a job that never stops and requires constant thought. But it would be fascinating to apply all my experience to support a talent I truly believe in, particularly women in challenging industries.”

Fabi Kulick of Live Nation on career resilience: “You should never be afraid to lift yourself up and start from scratch. This industry might look glamorous and indeed, it is fun. You get to support artists, work with talented people, and meet incredible professionals who often become friends. However, I’ve experienced my share of downturns where I’ve had to start over, even with 12 years of experience. At that time, I made an entry-level decision to join a major label. I knew that once I demonstrated my work ethic and experience, I would grow. And here I am today, eight years later.”

Griselda Flores of Billboard on supporting the next generation: “The process is crucial because it teaches you what you want and don’t want in your career, including what’s non-negotiable and what you’re willing to accept. I always advise taking whatever job you can get, because you gain so much experience from it. It’s all part of the process of reaching your goals. An important piece of advice I received, and always think about, is not just to push the door open but to hold it open. Don’t let it shut behind you; hold it for those who are coming next.”

Rocío Guerrero of Amazon Music on the influence of mentorship: “I feel like I have learned from so many people — peers, managers, mentors, team members — and honestly, from every conversation I have, there’s always something to learn. I do want to especially acknowledge my mom. She’s a music professor who not only introduced me to the magic of music but also taught me from a very early age that it is indeed possible to be a good mother while having a rewarding career. This has made me confident in the possibility of achieving both.”

Isabel Paz of The Latin Recording Academy on gender collaboration: “The most beautiful thing is that men and women can work together. When it comes to working with women, instead of competing, let’s add up!”

Gabriela Urquiza of GlamRock Agency reflects on gender challenges in the past: “In 1993, there were not many women working in the industry. I started working in a company, which was up to date for its time, and I was lucky to have bosses who did not make gender distinctions. Even though it was quite a macho industry at the time, these bosses always gave me a place and support, standing out regardless of the prevailing machismo.”

Celia Saez of The Orchard on female leadership: “I was fortunate enough to start my career in a company led by women in 1996 who encouraged female leadership, and where the top management positions were held by women. Fortunately, I had female colleagues who shared the same vision — and, although I have now been here for 12 years, I have always found myself in female-dominated environments. This has been crucial for my professional development, because we understand each other and know the challenges we face, such as the glass ceiling. For me, always being surrounded by women has been a great help. While there have been very influential men in my career, I want to emphasize the impact of this female dynamic.”

Celebrating its 25th anniversary, the 2024 edition of the Latin Alternative Music Conference includes a Q&A with Fonseca, moderated by Billboard‘s Leila Cobo; a Q&A with Residente, moderated by Rolling Stone‘s Julyssa Lopez, panels on the Business of Songwriting, Publicity and Social Media, New Releases and Catalogs, Bridging Music and Money, and a talk on 25 Years of LAMC: Latin Music’s Past, Present & Future. To see the full LAMC guide, click here.

Just two weeks after its unveiling by the Hollywood Chamber of Commerce, the Hollywood Walk of Fame star dedicated to the late Jenni Rivera was vandalized with black paint.
Famously known as La Diva de La Banda, the Mexican-American singer was honored with a star on the illustrious walkway in front of Capitol Records on June 27. By Monday afternoon (July 8), Rivera’s daughter Jacquelin Marin Rivera — who serves as CEO of Jenni Rivera Enterprises — reported to her Instagram followers via a series of Instagram Stories that the star had been smeared with black paint, alongside another star dedicated to the late legend Selena Quintanilla.

“Through a fan from Texas, I found out they vandalized my mom’s star in Hollywood,” Rivera said in Spanish via her stories. “They went to visit and when they got there, it was completely covered in black paint. Obviously I was angry, I was pissed off. But they sent me pictures and videos, and the fans started cleaning up the stars. It was not only my mom’s star that was vandalized, but also Selena’s, and they cleaned both stars as best they could. The Hollywood Chamber of Commerce who are in charge of taking care of the stars are already cleaning them professionally.”

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Both artists proudly showcased their Mexican-American heritage through their music, and largely contributed to the global reach of Latin music. Selena Quintanilla was murdered in 1995, and Jenni Rivera died in a plane crash in 2012.

The Hollywood Walk of Fame Instagram account stated that they have dispatched Terrazzo star maker Vince to conduct repairs. They expressed gratitude towards fans who attempted to clean the star and reported the incident. They also noted that the area is under surveillance with numerous cameras and that a police report has been filed.

“I cannot with this. Smh,” commented Chiquis Rivera, Jenni Rivera’s other daughter, on the Hollywood Walk of Fame Instagram post. “Thank you for my momma’s fans that took the time to help clean it up. Shame on the person/people who did this.”

Jenni Rivera entered more than 30 songs on the Regional Mexican Airplay, 15 of those hit the top 10. On the Hot Latin Songs chart, she placed a total of 25 songs, two hit the top 10: “Ahora Que Estuviste Lejos” and “La Misma Gran Señora.”

See the Hollywood Walk of Fame’s post below:

Premios Juventud 2024 has revealed its first round of performers set to take the stage on July 25. Confirmed artists include Camila, Darell, DJ Adoni, Emilia, Los Ángeles Azules, Luar La L, Lunay, Prince Royce, Wisin and Yovngchimi. The awards show will take place at the Coliseo de Puerto Rico José Miguel Agrelot, under the theme […]

Adrian Olivares, an ex-member of famed Latin boy band Menudo, died at the age of 48 on Monday (July 8). The news was confirmed by fellow bandmate Robert Avellanet, who shared a photo carousel on Instagram of the time they were both part of the group. “I’m still in shock! Strength for your family,” he […]