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Grupo Firme made La Última Peda Tour’s Austin concert especially unforgettable with surprise guest Demi Lovato, whom they welcomed on stage for the live debut of “Chula.” Lovato joined Grupo Firme on stage Friday night (Aug. 2) at their arena show at the Texas capital’s Moody Center, arriving to cheers and screams from the crowd. […]
From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
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The Rosalía Scholarship
Rosalía is fully backing a new scholarship at the Catalonia College of Music in Barcelona, Catalonia, Spain (where she studied herself) to support aspiring flamenco singers and artists. The scholarship, valued at 15,000 Euros (about $16,000 dollars), will fully cover the student’s tuition and provide financial relieve during the 2024-2025 academic year. “With this financial support, we want to ensure that the student can focus as much as possible on their studies, developing their full artistic potential in an environment of stability and support,” notes an official statement. Deadline for registration is until August 27, and students who pass the entrance exam qualify. For more information, click here.
Latin Artists Show Love for Venezuela
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As tension continues in Venezuela following the presidential elections on Sunday (July 28)—when the Venezuelan electoral authority declared Nicolás Maduro the winner and the opposition denounced irregularities in the count and claimed that their candidate Edmundo González had won with almost 70% of the votes—a wave of Latin artists have shown solidarity with the Venezuelan people amid the violent protests in the South American country.
“I love you Venezuela. You hurt me too much. You don’t deserve this anymore! You deserve to be free,” Karol G wrote earlier this week and a since-deleted Instagram story. “Venezuela you are in our prayers we ask for your freedom,” wrote Mexican rock star Gloria Trevi on her Instagram feed.
Don Omar also showed support on social media, writing: “The moment is coming when the good ones overcome fear and in Venezuela, we have no fear anymore. My Venezuelan brothers and sisters, I’m with you.” Meanwhile, Dominican star Juan Luis Guerra posted a bible verse from Santiago 5:16, in solidarity with the Venezuelan community.
Sunday’s elections in Venezuela had generated expectations of change in many people, since after 25 years of the socialist government initiated by the late Hugo Chávez, President Nicolás Maduro faced “the biggest electoral challenge since he came to power 11 years ago,” as reported by The Associated Press.
Camilo & Evaluna Welcome Second Child
In other news, Latin power couple Camilo and Evaluna announced the arrival of their second daughter, Amaranto in a sweet Instagram post on Thursday (Aug. 1). “Amaranto. All the frogs came out to sing your welcome. Girl of golden velvet. Dad caught you and you painted his hands forever. Sovereign of midnight. Welcome,” reads the shared post, along with a carousel of photos that shows the couple resting on a bed: Evaluna holding Amaranto, Camilo holding their two-year-old first born, Índigo. Camilo and Evaluna married in February 2020 after five years together, and became parents in April 2022.
Billboard Announces Latin Music Week 2024
Billboard unveiled its first lineup for the 2024 Billboard Latin Music Week, returning to Miami Beach from Oct. 14 to 18. Forming part of Latin music’s biggest week, Peso Pluma, Gloria Estefan, Maria Becerra, Danny Ocean, Domelipa, Fuerza Regida’s JOP, Mon Laferte, and many more have been confirmed. Taking place at The Fillmore Miami Beach at the Jackie Gleason Theater, the 35th-anniversary event celebrates Latin music, culture and entertainment, featuring exclusive panels, conversations and performances by Latin music’s biggest stars.
This year, Billboard is introducing new GA day passes providing attendees with the opportunity to join the event on specific days when their favorite stars and industry experts command the stage with thought-provoking discussions, performances, interactive workshops and other engaging events. For ticketing and more information, visit BillboardLatinMusicWeek.com.
Billboard Latin Music Week 2024
Billboard
After 14 years of making a name for himself as Carnage and helping define the EDM, trap and bass music genres during the U.S. dance music boom of the early 2010s — while bridging it with hip-hop — the artist born Diamanté Blackmon rebranded as GORDO.
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In 2022, he announced his retirement from the Carnage project — one that landed him on various Billboard charts, including Hot R&B/Hip-Hop Songs, Hot Dance/Electronic Songs and the Billboard 200 — and introduced his new full-time house and techno project.
“What I want people to understand is that this isn’t me having a new hobby and being like, ‘Oh I want to do this too because it’s fun,’” Blackmon previously said to Billboard. “Honestly, I can’t do the Carnage stuff anymore. I wasn’t happy.”
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Now, the Nicaraguan-American artist and producer has launched his debut album as GORDO named after his real name, DIAMANTE. The album that took four years to create, and is home to 16 bilingual tracks — including notable collaborators such as Drake, T-Pain, Feid, Maluma, and Fuerza Regida.
“I wouldn’t change a thing. I guess that’s why it took me four years, to make sure that I can review it and know it’s perfect,” he said in a press statement. “This album is dedicated to my grandma, my family, friends, and loved ones. I hope everyone enjoys what I believe is the best music I’ve created.”
Below, read Billboard‘s discussion with GORDO about his new album, his collaborators and more.
Congrats on your debut album as GORDO! Can you take us back to the creative process of DIAMANTE?
It was four years of coming up with these songs and trying to get to where I’m at with it. I’m really happy, and it’s been one hell of a ride to get to where I’m at musically, and also mentally. It’s been amazing. I’m super happy with the album, super happy with the turnout, and ready for the next one.
It’s been a ride mentally. Can you describe the state of mind you were in when you would hit the studio?
You know what? I wasn’t in a certain state — because for me, really, I was just making songs whenever I had time or felt creative. Finally when I made the songs, to get to the other song it would take me about a month or two. I wasn’t in a certain state, I think. I was just trying to make the best music possible.
The starpower in the track list is crazy. Two songs with Drake, but also Maluma, Feid, Nicki Nicole, Fuerza Regida, Sech… you recruited some big Latin names.
The album is the album. I’m so happy that I was able to make a dance album that has people like Drake, T-Pain — and at the same time, you have Feid and Maluma. You’re not going to see that type of track listing [anywhere else]. Even if you do something with a Latin producer, it’s going to be way more Latin, but my Latin collabs add a little spice to it [the album].
As for Drake, he’s a great guy. He really cares about me and I care about him. He looked out for me for this album, and knew how important it was for me. He’s a big fan of this album — and yeah, I mean, that’s my boy.
Is there any other Latin artist you had your eye on for this project but the opportunity didn’t happen?
I have a crazy song with Jhayco that’s really good, but he just went ghost on me. So, Jhay, you missed out bud! There are so many artists that didn’t happen, and that’s just how it is, but everything happens for a reason.
In addition to the Fuerza track, you also had the chance to produce some of the songs on their new album Pero No Te Enamores. How did you establish that connection with the group?
JOP is like my brother. We’re mad cool. Any person that I work with, I know them personally and we have that connection that’s like friends making music with friends. It happened so smoothly. Those guys are crazy, they’re so much fun. They’re the sweetest guys, but they’re also very focused on music, work, marketing, and how we’re going to roll out the project. Everything works out in itself.
What came first: Fuerza’s collab on your album or Gordo’s collab on Fuerza’s album?
The song I have with them on the album was actually finished the day before my album came out. When I finished the album, JOP asked me “how come I’m not on your album?” and I said, “Well, because we’re working on yours.” But he sent me his vocals and I created the song literally on the plane the night before.
Now that we’re on the topic, what’s your take on the electro-corrido movement?
I mean, it’s dope. I don’t really care about what you can or can’t do, and the politics of that. Just do it. A lot of people do care about that stuff, and how things are perceived of certain collaborations and certain mixes of genres, but I think as an artist, just do whatever the fuck you want!
What do you think Latin music — whether its regional, urban, tropical, pop — brings into the EDM space?
Spanish vocals. I think that’s the most prominent thing. Right now there’s an influx of Latin vocals on dance records. Obviously, we’re getting to the point where for the longest time all you heard were English words on dance records. Now that there are superstars in different regions and countries, people want to hear that type of artist. In Argentina, you want to hear Emilia, Nicki or TINI, they don’t have to wait and listen to someone like Katy Perry or Taylor Swift. They can listen to their own hometown girls, and the music will be just as impactful or even bigger. It’s great.
To finalize, is there anything — perhaps a certain business strategy or career advice — that you took from your Carnage era into your Gordo era?
Don’t listen to what other people say. Work hard. Save your money. Never let go of the gas, meaning, don’t ever stop. Keep going! I think the number one trait that Hispanic people have is that we’re the hardest working human beings on this planet. A lot of people get comfortable with music. Imagine you come out with an album like mine, someone else would drop the album and then go on vacation… but, this is when the real work starts. That’s what I mean with “don’t let go of the gas.” It depends how bad you want it. I’m addicted to this.
This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music from artists such as Edén Muñoz, La Doña, Justin Quiles, and more. Camila — comprised of Mario Domm, Pablo Hurtado and Samo — released Regresa, a 10-track set that marks a comeback of sorts. The last time the Mexican trio, who […]
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard’s Latin and Billboard Español editors. Check out this week’s picks below.
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Justin Quiles, Permanente (Warner Music Latina)
Justin Quiles has dropped his new studio album, Permanente, three years after La Última Promesa. The opening title intro, which sets the tone for the 11-track production, finds Quiles opening up about his place in the music industry for the past decade, admitting that he’s in love with his process, that he’s still in the game, and he will always bet on himself. Following the heartfelt intro is the focus track “Tu Ropa,” backed by a melodious reaggetón beat that best characterizes Quiles’ flow. The previously-released single “Boom Boom” in collaboration with Rawayana (and the only feat on the set) continues with its feel-good, reggae vibe.
On the set, the Puerto Rican singer-songwriter navigates electronic music and trap, in addition to reggaeton and perreo. “The idea is to return to something simpler but still disruptive, different, and attention-grabbing,” he expressed of his album in a press statement. “That’s how I want to move in my career, without fear of playing with new sounds and showing my fans my versatility. Like a vandal, I am a rebel with my writing, as you will hear in some of my songs on this album. The music is raw, bold, but fun!” — JESSICA ROIZ
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Camila, Regresa (Sony Music México)
Mexican band Camila is back with its first studio album in five years, Regresa, renewing its pop sound by playing with other rhythms while maintaining its original essence. The 10-track set includes everything from romantic ballads to rock progressions, shades of blues and even mariachi — in songs like “Diamantes y Amaranto” and the powerful “Corazón en Coma” with Eden Muñoz — and emotional lyrics in the best style of the trio. An anthem to second chances, “Por Si Me Vuelves a Querer” arrives as the focus track. “We have worked hard to create something truly special,” Pablo Hurtado, who integrates Camila with Mario Domm and Samuel “Samo” Parra, said in a press release. “This album is not only a return to our roots, but also a leap forward to the future.” — SIGAL RATNER-ARIAS
Eden Múñoz, “NTP” (Sony Music México/EMC Music, Inc.)
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Edén Muñoz is the type of artist that likes to keep you on the edge of your seat not knowing what route he’ll take for his next project. Just last month, Muñoz had released a cumbia-norteña (“No Sabes La Que Te Espera” with Luck Ra). With his new single, titled “NTP,” he does a 180 delivering a signature norteña fused with elements of banda and tumbado, a pompous production that’s very much who Muñoz is as a producer, with a mindset that always seems to be go big or go home. “NTP (don’t worry), I’m going to be well, worse things already happened, I’d be a fool if I fall for again, she’ll really get to know me,” he sings in the chorus. “NTP” is a preview from his upcoming new album, Edén, due Aug. 15. — GRISELDA FLORES
La Doña, “Confesiones” (Empire/La Doña)
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Backed by a full banda ensemble, La Doña challenges conventional gender norms and delves into the intimate details of an infidelity fueled by mezcal in “Confesiones.” The song combines the honesty of traditional corridos with her poetic flair, while also showcasing her genre versatility — an artist who has long dabbled with reggaetón and experimental Latin pop. “I spent the first 20 years of my life singing rancheras and corridos so it feels empowering to be able to finally integrate that part of my life with my identity as La Doña,” she says in a press release. This second single follows “Mejor Que Amarte,” both of which will be part of her upcoming debut, Los Altos de la Soledad, due September 6, an album that will feature boleros, cumbia rebajada, banda, and reggaetón and cover themes of “forced migration, of falling in and out of love, of standing up against genocide, of fighting to maintain space in a as a brown girl in an inhospitable homeland,” she adds. — ISABELA RAYGOZA
JAZE, “Mil Procedimientos” (Sony Music Entertainment)
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Peruvian freestyle rapper JAZE shows his singer-songwriter side with his new single “Mil Procedimientos.” JAZE fuses rap lyricism with indie and pop elements to create an eclectic mix full of soul and funk. Musically, a strong bass line stands out that marks the song’s melody along with the piano, while the lyrics navigate between thoughts and existential uncertainties. “‘Mil Procedimientos’ lands and with it an immense liberation. “This track previews my third album, which I have been preparing for you for so long,” he shared on his social media. The song was produced by Nicolás Btesh and Diego Mema, and the video, recorded in Mar del Plata, Argentina, tells the story of a sailor who that cleverly connects with the message of the song. — LUISA CALLE
Listen to more editors’ Latin recommendations in the playlist below:
As tension continues in Venezuela following the presidential elections on Sunday (July 28), when the Venezuelan electoral authority declared Nicolás Maduro the winner and the opposition denounced irregularities in the count and claimed that their candidate Edmundo González had won with almost 70% of the votes, Venezuelan and foreign artists have spoken out about the difficult situation in the South American country.
Whether expressing solidarity with the Venezuelan people or sharing images of the demonstrations that have turned violent in the face of repression by the Armed Forces and the police, Venezuelan stars like Nacho, Lele Pons and Elena Rose, as well as foreigners like Juan Luis Guerra, Gloria Trevi and Don Omar, have shared messages of support with their millions of followers.
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One of those who has been most vocal from exile is Danny Ocean, who in recent days posted an emotional video on his Instagram account calling on the family members of the National Bolivarian Armed Forces (FANB) and police forces to make them see reason to prevent further bloodshed.
The demonstrations in Venezuela have left “at least 20 dead, dozens injured, and hundreds detained,” reports Univision Noticias. While the government has refused to make public the voting records that would show Maduro has won, opposition leader María Corina Machado and her team published theirs on the internet, with election witnesses also showing them on social media. The U.S. government has recognized Edmundo González as the winner of the elections.
Danny Ocean, who left Venezuela in 2015, feels that the only way for this to end is with the support of the militia, and that is why he insists on his call. In this “as told to” narrative, the Venezuelan musician reflects on the situation in his country and invites his colleagues to unite in a single message.
I don’t even know where to start. What is happening in Venezuela hurts me a lot. It hurts to see the number of kids who are dying right now in the streets, and I feel that the only ones who can ease this and reduce this are the National Armed Forces and the police.
I know that they must not be having an easy time either, honestly. But, I don’t know, that’s how I feel. Everything I have been talking about from my side has been from the heart, trying to be as sensible as possible. And I also don’t want to interfere with the communication that is happening right now with Venezuela; I am trying to support all the people who are trying to talk to their children, helping to pass information about the people who are inside Venezuela.
From my side, I don’t want to be putting out information like this arbitrarily; I think it’s necessary to give space to digital media so they can communicate what they want to communicate. I just want to call on the relatives of the military to please talk to them, tell them that we are really tired. They know what is happening and what is really going on and what is right and what is wrong. They are the only ones who can help the people so that there is no massacre in the streets.
If we want to get out of this mess, because this is no longer a political issue of left, right, blue, red, yellow, none of that crap. No. This is now a situation of good against evil. And about people being tired. People are really tired.
And beyond that, there are almost 8 million Venezuelans who are abroad, as I said in my post, and the region is not prepared for another massive wave [of emigrants]. And we don’t want more broken families. Enough is enough! If that number is so high, it’s for a reason. If there’s smoke, there’s fire. This is something very important for the international community to understand, because we are really tired, and the military knows it.
The game right now is on their side. It really depends on them. And I, as a spokesperson, as an artist, am trying to simply carry my message on that side.
[I would like to see Venezuela] prosperous, with chances to grow, where people don’t have to worry about their future, don’t have to worry about having to leave to seek a better future. A place where there is room for everything. Venezuela has everything for everyone to do something incredible. That’s what I hope happens at the end of all this.
But now I’m trying to focus on the present, on what is happening. Right now I think we need to all get together, guys. People are dying in the streets.
I see artists throwing crap at each other [on social media]. That doesn’t work. The messages have to be positive. I know there is a lot of pain, I know there are many things stored inside, but it’s not the time to be throwing crap at each other. It’s very important that at least the community of artists among us Venezuelans are aligned with the messages we are giving.
If all the artists got on a wave of pleading with our militia and our police to help and collaborate — because they are the only ones who can reduce that number [of victims] — that would be great. I think it would be a spectacular movement if we all united with that message.
The Echeverri-Reglero family is officially a family of four. Camilo and Evaluna announced on social media on Thursday (Aug. 1) the arrival of their second daughter, Amaranto, who joins her 2-year-old sister Índigo.
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“Amaranto. All the frogs came out to sing your welcome. Girl of golden velvet. Dad caught you and you painted his hands forever. Sovereign of midnight. Welcome,” reads a shared post on the couple’s Instagram accounts, along with a carousel of photos that starts with a tender image of the four resting on a bed, Amaranto on Evaluna, Índigo on Camilo.
There’s also a photo of a white sheet with a pair of hands imprinted on it in red, something that the poem in the caption refers to.
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It is not specified where and when Amaranto was born. Camilo’s publicist told Billboard Español that no further information will be provided at this time.
Camilo and Evaluna married in February 2020 after five years together, and became parents in April 2022. Índigo was born months after they announced the pregnancy in the music video of a song named after their daughter.
Earlier this year, in February, they announced that they were expecting baby No. 2 with a beautiful poem by Camilo dedicated to his wife, who wrote in the description: “Officially the Echeverri-Reglero are FOUR.”
“Evaluna, fertile, a mother never ready, a walker discovered in the journey, a new daughter of calmness and killer of haste,” narrated the Colombian singer-songwriter in a video. “Owner of all Sundays, a caller of downpours and heavy rains, a tester of bathtubs and a volcanic diver. A baker by accident, excellent for intentional lack of trade. A springtime crossed. Violator of calendars, anticipator of Christmases, and mother of Amaranto and Indigo.”
Check out Camilo and Evaluna’s new baby announcement here.
A timeless Andy & Lucas song has resurfaced 20 years after its release thanks to a new version by Pabllo Vittar.
The heartfelt “Son de Amores,” released by the Spanish duo in 2004, has been picked up by the Brazilian artist for an uptempo, samba version that has gone viral on social media.
Thanks to its easy-to-learn dance challenge — where you make a heart shape with your hands, lift your arms, move your finger across your neck, and do a four-count pelvic thrust — Vittar’s “São Amores” version has nabbed over 167K video creations on TikTok, and another 330K reels on Instagram at the time of publishing. A Peruvian woman demonstrating how to do the dance has also powered its success (her video alone has garnered nearly 80K video creations on TikTok).
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Although Vittar is currently going viral with her track, the song has yet to enter the Billboard charts. The original version, however, hit No. 1 on the Tropical Airplay, Latin Airplay, and Hot Latin Songs charts dated Sept. 18, 2004 — all for one week.
In addition to Vittar’s 2024 version, other artists have covered the popular early 2000s tune, including Puerto Rican newcomer Luis Vázquez, who delivered his own salsa version last year.
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Now, Billboard compares Andy & Lucas’ and Pabllo Vittar’s version. See what’s different, below:
Title: “Son De Amores”
Artist: Andy & Lucas
Release Year: 2004
Song: Marking the second single off of the duo’s self-titled debut album, “Son De Amores” is a romantic pop ballad backed by weeping Flamenco guitar riffs. Produced by Alejo Stivel and penned by member Lucas Gonzalez Gomez, the sweet song finds the duo encouraging a girl to stop crying and to remember her worth following a bad breakup. “Stop crying/and think that one day a boy will give you/the whole fantasy and much more/because you are not crazy,” says part of the chorus.
Video: In the official music video, the Spanish duo is performing the track in different rooms of a house as a model is first seen going through a rollercoaster of emotions in her bedroom. She’s upset, she’s sad, she’s mad, but towards the end of the clip, she blossoms into a happier version of herself.
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Title: “São Amores”
Artist: Pabllo Vittar
Release Year: 2024
Song: Sung completely in Portuguese, Vittar did not change any of the song’s lyrics, but she did give it an uptempo beat. Part of her album Batidão Tropical Vol. 2, “São Amores” is an infectious samba interlaced with batucada produced by Gorky, Maffalda, and Zebu. Its repetitive, fast pace melody powered by hard-hitting drums and sultry saxophone melodies, has become a 2024 party anthem.
Video: No official video has been released, but there is an all-pink visualizer showcasing a radiant Vittar in a fantasy desert, surrounded by flamingos, as she’s brushing her hair and getting ready to go out.
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Telling her story in a documentary was not difficult for Mon Laferte. On the contrary, the Chilean-Mexican singer-songwriter tells Billboard Español, narrating part of her past in front of a camera provoked “a certain nostalgia,” mainly when remembering her pregnancy and the birth of her son.
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“I think how crazy I was, going singing when I was three months pregnant, with my belly all over the place — and then with my baby, three months after birth, and I was on stage!” the artist explains from Mexico City, with a chuckle.
Mon Laferte, Te Amo, which arrived on Netflix on Thursday (August 1), is an intimate portrait in which the singer of “El Beso” and “Tu Falta de Querer” reveals details of her professional and personal life, from her crude childhood and her start as a singer in her native Viña del Mar, to her arrival in Mexico in 2007, and how she managed to become a Latin music star. But it is, above all, “a story of strength, of resilience,” she says.
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Directed by Camila Grandi and Joanna Reposi Garibaldi, the documentary finds Laferte in the middle of an international tour, just weeks away from becoming a mother. In the back and forth between stages, dressing rooms and her home, Norma Monserrat Bustamante Laferte (her real name) recalls a complex childhood, marked by the abandonment of her father and economic struggles, as well as the differences that distanced her from her mother at a young age.
Then, a painful event caused an even greater estrangement with her mother, who was involved in a relationship with an alcoholic man who used domestic violence and abused Laferte sexually, the artist narrates in her biographical chronicle.
“Talking about my mother in a documentary was very healing,” she says. “I’ve had a difficult relationship with her, at times of much love, and at times of friction, of disagreements with her since I was a child. But over the years, I understand her much more, and today there is greater empathy.”
Motherhood is undoubtedly the common thread in Mon Laferte, Te Amo — where the figures of her grandmother, her mother and herself as a new mom are the protagonists.
The artist compares her experience to that of Beyoncé, whose documentary Homecoming (2019) records the days leading up to her highly anticipated performance at the 2018 Coachella Festival and the emotional path the American superstar and also mother went through, from creative concept to the concert’s moment.
“I remember in the documentary, she was rehearsing all day, she was with her baby, and in my ignorance I thought, ‘She should go home to rest, and then come back,’” Laferte says. “But when I became a mom, I understood her a lot because there is something about needing to feel again like yourself before pregnancy and giving birth.”
Other passages in Mon Laferte, Te Amo talk about her life after leaving school, her beginnings as a singer in local bars in Chile and her relationship with a man 21 years older than her who soon became her first manager, and she the victim of emotional and economic abuse.
It also tells of her time on Rojo, the Chilean National Television show that made her known, and her arrival in Mexico, where she had to start over again years later to conquer the most important music market in the Hispanic world.
“Many women can see themselves reflected in this documentary, we go through the same things,” says the four-time Latin Grammy winner. “Not all of them are singers, but it is like the daily life of a woman — facing the challenges that society demands of us, and that we demand of ourselves.
“I demand a lot from myself to be a great artist, but also to be the best mother in the world,” she adds with a smile.
Mon Laferte’s documentary arrives as the Chilean star — and naturalized Mexican, as of November 2022 — continues her Autopoiética Tour in support of her 2023 album of the same name.
Mon Laferte was also just confirmed to participate at the 2024 Billboard Latin Music Week, which will be held Oct. 14-18 at The Fillmore Miami Beach at Jackie Gleason in Miami Beach, Florida.
Yng Lvcas, Lupita Infante, De La Ghetto and Venesti are all set to perform at RUMBAZO 2024, Billboard announced Thursday (Aug. 1). The third edition of the event, taking place Sept. 13-14 in Las Vegas, is being headlined by Nicky Jam, Luis R Conriquez, Arcángel and Codiciado, as previously confirmed.
In partnership with Billboard and presented by Estrella Jalisco, RUMBAZO is set to take place at the Downtown Las Vegas Events Center, where music fans will not only be in for some showstopping performances, but will also get to enjoy food stands, art displays and many other activities. RUMBAZO coincides with the traditional El Grito and Mexican Independence Day weekend, celebrated Sept. 15-16.
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Nicky Jam, Arcángel, De La Ghetto and Venesti are set to perform Sept. 13, while Luis R Conriquez, Codiciado, Lupita Infante and Yng Lvcas will take the stage Sept. 14.
“We listened to the fans, and are excited to bring even more top talent from across the Latin world to the heart of downtown Las Vegas,” said a RUMBAZO Organizer. “No matter if you attend both days or just Friday or Saturday, you’ll discover an incredible up-and-coming artist while also celebrating with your favorite headliner. It’s going to be an unforgettable Mexican Independence Day Weekend.”
General Admission tickets include access to multiple bars, local Latin cuisine, live performances and additional experiences, with GA Weekend tickets starting at $99. GA Single Day tickets will be available for purchase starting Aug. 2 at 10a.m. PT, with prices starting at $59.
VIP tickets include upfront viewing, a dedicated entrance, exclusive bathrooms and all GA ticket inclusions, with VIP Weekend prices starting at $149. VIP Single Day tickets will be accessible starting Aug. 2 at 10a.m. PT, with tickets starting at $99. The event is open to guests ages 18+ and tickets can be purchased at rumbazofest.com/tickets.
This year’s RUMBAZO lineup reflects the stronghold both regional Mexican and urbano have on Latin music and culture. For more information, visit rumbazofest.com or follow the event on social media at @rumbazofestival.
See the lineup below: