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The third and last day of the Corona Capital 2024 festival on Sunday (Nov. 17) turned into an old friends reunion, fulfilling the teenage dream of guitarist Jack White who, along with singer-songwriter St. Vincent, was invited by the legendary Paul McCartney to join him on stage in what was the ex-Beatle’s debut at a Latin American music festival and the grand finale of his tour in the region.
In his fourth performance on Mexican stages — and his first time at the famous festival in Mexico City — McCartney achieved the feat of gathering the largest number of attendees the Corona Capital has seen in its 14-year history, according to promoter Ocesa, with nearly 82,000 people.
On the Vans stage, iconic rocker Iggy Pop starred in one of the most anticipated moments, giving a masterclass of what a rock lion does at 77 years old alongside special guests including Yeah Yeah Yeahs guitarist Nick Zinner.
Beck, the “güero” cherished by Mexicans, reaffirmed his connection with the country, where he reunited with dear friends and colleagues at the festival, and practiced his Spanish.
For her part, former Sonic Youth bassist Kim Gordon raised the bar for women and delivered an experimental show that captivated the audience. Jack White, one of the stars on the third day of the festival, also led one of the most anticipated performances and, at the start of his set, performed a cover of Iggy Pop’s classic “I Wanna Be Your Dog.”
In total, Corona Capital 2024 brought together about 225,000 people over its three days, counting 74,000 on Friday, 69,000 on Saturday, and Sunday’s 82,000.
Below are five of our favorite moments from Day 3 of the Corona Capital 2024 festival. (Here are the recaps for Day 1 and Day 2).
McCartney’s masterful closing with St. Vincent and Jack White
Brazilian superstar Alok is gearing up to launch the official one-year countdown to COP30 on Saturday (Nov. 23). Located in the fringes of the Amazon jungle in Belém, Pará, Brazil, at the 55,000-capacity Mangueirão Olympic Stadium, the free event is a celebration of the forthcoming international climate summit and also part of Alok’s Áurea Tour.
During the event, the Brazilian bass DJ will host six indigenous ethnic groups that are part of his United Nations-supported Future Is Ancestral project. The stage itself will be a technological marvel, featuring a pyramid-like structure with over 100 tons of equipment, a 360-degree rotating platform rising as high as a ten-story building, and more than 2,000 LED panels.
Alok was recently nominated twice at the Latin Grammys in the new category of best Latin electronic music performance for two tracks: “Drum Machine” with Pickle and “Pedju Kunumigwe” with Guarani Nhandewa. On Friday (Nov. 15), he released his latest track, “Looking For Love” with Anitta.
As Alok continues to foster cultural celebration through his music and influence, his commitment to ensuring justice has also been noteworthy.
In a legal dispute in June, São Paulo’s civil court system ruled in favor of Alok against Kevin Daniel Brauer de Oliveira, affirming the DJ as the creator and holder of adaptive rights to the song “nananana Un Ratito,” which subsequently extends to “Un Ratito” with Luis Fonsi, Lunay, Lenny Tavárez, and Juliette, according to court documents. The judgment obliges Brauer de Oliveira to pay Alok $20,000 Brazilian reals ($3,475.78) in compensation for “moral damages.”
The legal outcome is the culmination of several conflicts between Alok and the Brauer brothers — Kevin and Sean — who formerly collaborated with Alok as part of the duo Sevenn. Over the years, their partnership helped escalate Brazilian bass music onto the world stage, but that partnership eventually soured. As articulated in a 2022 Billboard article, the Brauer brothers had accused Alok of exploiting their work — including their contributions to at least 14 tracks — without appropriate credit or compensation.
“I have always had full confidence in the justice system. My work is transparent and everything is clarified and proven,” Alok said in a statement regarding the court ruling. “I will take this opportunity to donate the compensation from this case to the victims in Rio Grande do Sul. This is the best way to respond to the wrong they tried to do, by doing good for those who need it most at this moment. I hope the compensation also serves as a lesson to deter malicious people from defaming others’ honor with the simple sense of impunity.”
Christian Nodal has officially wrapped his 2024 U.S. Pa’l Cora Tour, during which he visited fans in Los Angeles, Chicago, Miami and Atlanta. In the midst of his 25-date arena trek, Billboard caught up with the mariacheño superstar at the Barclays Center in New York for an exclusive behind-the-scenes look of his tour.
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Nodal — a forward-thinking Música Mexican artist in his music and style — showed off his wardrobe that included shirts, jackets, vest and sunglasses. He wears the latter of the four only when he’s undergoing laser removal of his face tattoos.
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“I’d love to have a clothing brand one day, and what better than to try it on yourself?” he said of his tour outfits. “I’m checking fabrics, textures, and leathers. I love playing a bit with cowboy, mariachi and ranchero looks.”
One of Nodal’s favorite spots to perform at is in New York City because “it’s very special” for the musician. “In general, all the places are special, but New York has magic,” he noted. “It’s very nice because people come from different Latin American countries, not just Mexicans […] People come to the show from all over the world, and that makes the energy much bigger.”
Part of the trek also included a meet-and-greet with his fans, which he says are “euphoric!” “It’s always nice because sometimes they tell anecdotes,” he explained. “There’s not much time [to greet fans] because there are a lot of people.”
A production manager, a monitor engineer, 25 musicians between mariachi and an orchestra, and even a special appearance by his wife and artist, Angela Aguilar, are some of the team players that backed up Nodal’s tour. Watch the Tour Stop with Billboard above.
Paul McCartney made his Latin American music festival debut an epic moment. On Sunday (Nov. 17), the former Beatle invited St. Vincent and Jack White to join him on the main stage of Corona Capital in Mexico for a masterful performance of “The End” in front of nearly 82,000 attendees, according to concert promoter Ocesa.
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Living legend McCartney captivated generations with his performance at the Mexican music festival, marking the closing of the Latin American leg of his Got Back Tour.
“¡Hola México! ¿Quiúbole, banda? Tonight I’m going to try to speak a little Spanish. It’s awesome to be here again,” McCartney said as he greeted an ecstatic audience using Mexican slang. Parents and children gathered around the main stage, some of them dressed in colorful outfits that emulated the iconic cover of the Beatles’ 1967 album, Sgt. Pepper’s Lonely Hearts Club Band.
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The British icon performed a repertoire that spanned his extensive career, from the classics of the Liverpool quartet to his solo hits. The setlist included songs such as “A Hard Day’s Night,” “Letting Go,” “Got to Get You Into My Life,” “Come On to Me,” “Let Me Roll It,” “Let ‘Em In,” “Ob-La-Di, Ob-La-Da,” “Band On The Run,” and “Let It Be.”
The first guest of the night was St. Vincent, who took the stage to accompany him on guitar on “Get Back.” The artist had had a celebrated performance the day before, and with this number, she closed a masterful pass through Mexico and the Corona Capital.
McCartney appeared happy during his performance at the marathon rock event. On several occasions, he paused briefly to explain some things to the audience. “This is the first song the Beatles ever recorded,” he said in Spanish before singing “Love Me Do.”
The excitement was at its peak when Jack White, who had performed on the Vans stage a couple of hours earlier, took the stage, showcasing his talent and guitar skills. Alongside McCartney and St. Vincent, he created an unforgettable moment and one of the most spectacular closings that Corona Capital has seen in its 14-year history.
The show ran until around 2 a.m. on Monday (Nov. 18), about 40 minutes longer than scheduled. This is something McCartney has done at other festivals when the moment calls for it, just as it happened at the 2009 Coachella festival in Indio, Calif.
With his participation in Corona Capital, McCartney concluded a busy week in Mexico with a series of concerts as part of his Got Back Tour. The tour began on Nov. 8 in the northern city of Monterrey and continued on Nov. 12 and 14 at the GNP Seguros Stadium in Mexico City.
The legendary musician began the Latin American leg of his tour on Oct. 1 in Uruguay, then visited Argentina, Brazil, Chile, Peru, Costa Rica and Colombia. The tour will continue in December to France, Spain and the United Kingdom.
After visiting countries such as Germany, Italy, France, Spain and the United Kingdom with his Que Bueno Volver a Verte international tour this year, J Balvin will hit the road in 2025 with the North American leg of his Back to the Rayo tour.
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In support of his latest studio album, Rayo, the Colombian artist will kick off his U.S. tour on March 20 at the State Farm Arena in Atlanta, and wrap at the Moda Center in Portland, Ore., on May 17. The 27-date trek will run across key cities including Miami, Atlanta, Chicago and Las Vegas, as well as dates in Montreal and Toronto in Canada.
“After that storm that fell on me, that earthquake, well here we are, stronger and more mature than before,” Balvin recently said during the Superstar Q&A at the 2024 Billboard Latin Music Week. “We have had so many No. 1s non-stop, for a long time. I felt like, I was laughing, ‘Why does all this happen to them, and nothing happens to me?’ And then, when it happened to me, I said: ‘Ah! OK, I wasn’t the exception, it happens to me too.’ And that learning served me a lot, it helped me to know who my friends are and who are not, to give myself more to my family, to my wife, to my closest friends, accompanying me at the time of darkness.”
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Pre-sale tickets go on sale at 9 a.m. local time on Nov. 20 for J Balvin’s Familia members, who can sign up at the musician’s website. General sales will go begin at 9 a.m. local time on Nov. 21 via Ticketmaster.
“Thank God that I can make music, not out of necessity, as we did before, but being able to do it from another point of view and from another situation,” Balvin continued of his new album, which is nominated for best música urbana album at the 2025 Grammys. “It allowed me to connect with that inner child and enjoy the music without caring if it sells or not, but what makes me happy.”
See the full Back to the Rayo tour dates below:
J Balvin
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The 64th annual Viña del Mar International Song Festival, scheduled for Feb. 23-28, has been announced. During a special broadcast by Mega on Sunday night (Nov. 17), the eclectic lineup for the upcoming festival was revealed, and will feature Marc Anthony, Ha*Ash, Carlos Vives, Miryam Hernández, Duki, Sebastián Yatra and Bacilos. More performers are expected to be added to the Chilean festival’s roster.
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Marc Anthony returns to Viña del Mar as part of his Historia Tour. With a career spanning more than three decades, the salsa superstar has achieved eight No. 1s on Billboard‘s Hot Latin Songs chart, multiple Grammy and Latin Grammy awards and numerous RIAA certifications. His discography includes hits such as “Contra La Corriente,” “El Cantante,” and “Vivir Mi Vida.” This will be his fourth appearance at Viña, having previously performed in 2009, 2012 and 2019.
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Joining the event is Myriam Hernández, one of the most admired female voices in Latin America. Known for her romantic essence, the Chilean singer has charted 13 singles on Hot Latin Songs and six times on Latin Pop Albums. In 2024, she was recognized as a Fundamental figure of Chilean music by the Sociedad Chilena de Autores e Intérpretes Musicales.
Carlos Vives returns to Quinta Vergara after performances in 1996, 1998, 2014 and 2018. This year, he has been touring Europe and Mexico with his latest tour, El Rock de Mi Pueblo Vive. The vallenato revivalist was recently honored as the 2024 Person of the Year by the Latin Recording Academy in Miami. In 2020, he was inducted into the Billboard Latin Music Hall of Fame.
Ha*Ash, composed of sisters Hannah and Ashley, will bring their country pop-rock to Quinta Vergara. Known for songs such as “Ex De Verdad” and “Perdón, Perdón,” the Mexican-American duo have gained recognition across Latin America, the U.S. and Europe. Currently, they are touring the U.S. and Mexico with their latest album, Haashville.
Led by Jorge Villamizar and André Lopes, Bacilos gained fame in the early 2000s with a series of hits including “Tabaco y Chanel,” and “Caraluna.” With a discography that includes six studio albums, two compilations and two EPs, the Miami-based band has earned a Grammy and five Latin Grammys. This year, they released their newest album, Pequeños Romances.
Sebastián Yatra will also be joining the 64th annual event. Prior to that, the Colombian singer will debut as Billy Flynn in the Broadway musical Chicago kicking off Nov. 25. A Latin Grammy winner and Grammy nominee, the Colombian singer is celebrated for his mix of romantic ballads, Latin pop and reggaeton rhythms.
Duki will make his first appearance at Quinta Vergara as a pioneer of Argentine trap. A Latin Grammy-nominated performer, he boasts over 10 billion streams across all platforms. Duki has collaborated with artists including Bad Bunny, Wiz Khalifa, Arcángel, Bizarrap, Eladio Carrión and Mike Towers. Among his top hits are “She Don’t Give a Fo,” “Rockstar,” “Givenchi” and “No Vendo Trap.”
Dubbed the world’s largest Latin music festival, the event showcases a blend of superstars, up-and-coming artists and local talent over six days vying for the Silver, Gold and Platinum “Gaviotas,” the event’s coveted awards. These awards are determined by a jury, with input from viewers at home.
Launched in 1960, Viña del Mar is held annually at Quinta Vergara, a 15,000-capacity amphitheater located in the Chilean city of Viña del Mar, in the central coast region of Valparaíso.
This year marks the inaugural collaboration between Megamedia and Bizarro Live Entertainment. Additionally, Disney+ will broadcast the event across Latin America, while Billboard will offer exclusive content and specials globally via the website.
The second day of the 2024 Corona Capital Festival on Saturday (Nov. 16) turned into a multi-generational party that pleased the younger crowd with the high energy of Shawn Mendes, and the contemporary adult audience with the post-punk and Britpop of New Order and Travis. Amidst this, American singer-songwriter St. Vincent settled an old debt […]
The Global Citizen Festival is heading to Latin America.
During Global Citizen NOW: Rio de Janeiro on Sunday (Nov. 17), the international advocacy organization launched its new Power Our Planet: Take Action Now campaign, which will culminate in Global Citizen Festival: Amazonia — the movement’s first large-scale music event in Latin America.
Set for November 2025, Global Citizen Festival: Amazonia will take place at the Estádio Olímpico do Pará in Belém, Brazil. While the exact date is yet to be confirmed, the festival will be timed to coincide with the 30th United Nations Climate Change Conference (COP30), which will take place from November 10-21, 2025.
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In a statement on Sunday, Brazilian President Luiz Inácio Lula Da Silva said, “One year from now, Brazil will proudly host COP30 in the Amazon rainforest — a defining moment in our collective fight to protect our planet and ensure a sustainable future for all. We are proud of Global Citizen’s Power Our Planet campaign, and to host Global Citizen Festival: Amazonia in Belém next November — the first ever impact concert in the rainforest — with the ambitious goal of raising $1 billion dollars and driving forward the climate justice agenda. Together, we will mark 10 years since the Paris Agreement with a landmark event that sets the world on a transformative path toward a more sustainable and just future.”
Global Citizen co-founder and CEO Hugh Evans stressed the urgent need for action: “The issues of climate change and extreme poverty are two sides of the same coin. The climate crisis could push 100 million more people into poverty in the next five years, and 10 years on from the Paris Agreement, we are not seeing the bold ambition needed from political leaders to stop rising temperatures leading to that decline. The only solution is action now — the next 12 months will be vital for securing new funding and radical policy change, and we’ll campaign to ensure it happens.”
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As with previous editions, Global Citizen Festival: Amazonia will feature top global and Brazilian musical artists, including Indigenous performers. Fans who wish to attend can earn free tickets by taking action in support of the Power Our Planet campaign. More details will be available in the coming months.
Global Citizen Festival: Amazonia will be presented by Banco do Brasil, with organizing partner Re:wild, and policy partners Open Society Foundations and the Bezos Earth Fund.
During Sunday’s summit, Latin Grammy-nominated musician and philanthropist ALOK was announced as an official Global Citizen Advocate for Power Our Planet. The campaign calls on world leaders to take urgent action to protect the Amazon rainforest, scale up renewable energy in Africa, phase out fossil fuels, and demand justice for communities most impacted by climate change.
The first day of the 2024 Corona Capital festival on Friday (Nov. 15) celebrated the grand return of Green Day to Mexico after a seven-year absence with a performance that marked the American rock band’s last show of the year. As part of this exciting day, multiple sounds — from punk rock and progressive rock to indie, blues, funk, soul, pop and jazz — were heard in the voices of some of its most representative acts.
On its first day, the festival brought together over 74,000 attendees — according to the promoter Ocesa — who enjoyed shows by The Mars Volta, Warpaint, Cage The Elephant, The Vaccines, BadBadNotGood, Twin Shadow, David Kushner, Clairo, Zedd, French 79, Honne and others, who pleased even the most demanding music lovers gathered at the Curva 4, former headquarters of F1, in Mexico City.
One of the surprises that the festival brought this year was veteran rock band Toto, which attracted thousands of attendees from various generations to one of the main stages to sing at the top of their lungs classics such as “Africa,” “Hold The Line,” “Rossana” and “I’ll Be Over You.” Another of the highlights was the debut of the British singer Raye, whose charisma made her one of the most applauded acts.
The festival continues on Saturday (Nov. 16) with performances by Shawn Mendes, Travis, New Order, Melanie Martinez, Primal Scream, Explosions In The Sky, Black Pumas, Jessie Reyez, Del Water Gap, Michelle, and St. Vincent, who the day before released the Spanish version of her four-time Grammy-nominated album All Born Screaming — Todos Nacen Gritando — as a tribute to her Hispanic followers.
Below, five of our favorite moments from day one of the 2024 Corona Capital festival in Mexico City.
Green Day Rescues Fan in Epic Show
11/15/2024
All 16 performances shined, but there were standouts. Here, we rank them from 16 to 1.
11/15/2024