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Music fans made sure to make their vote count in Billboard‘s monthly polls, where they could choose their favorite Latin collaboration of each month.
The last twelve months have been packed with huge collabs between stars such as Becky G and Karol G, who delivered the anthem “MAMIII” early in the year, marking the first time they worked together on a song. It won best Latin collaboration in our February poll.
“You sing that song at the top of your lungs and it feels good,” Becky G previously told Billboard. “And us two together is something the industry and fans were waiting for a long time. I was waiting for it. I don’t know how many songs I had invited Karol to be a part of. But like my grandma says, cuando Dios quiere [when God wants].”
In the spirit of the World Cup — which kicked off its 2022 tournament on Nov. 20 and wrapped on Dec. 18, with Argentina emerging as the champions — the euphoric “Tukoh Taka,” by Nicki Minaj, Maluma and Myriam Fares won best collaboration of November. The track is part of the event’s official FIFA soundtrack.
“I am so happy to be part of this FIFA World Cup anthem! I always dreamt of an opportunity like this,” Maluma said in a statement. “Representing Latin music on this global track, alongside amazing artists that sing in English and Arabic, takes our culture to another level.”
Other team-ups that ruled the polls include Christina Aguilera and Ozuna‘s “Santo,” Kany García and Christian Nodal‘s “La Siguiente” and Bizarrap and Paulo Londra‘s “BZRP Music Sessions #23.”
Below, see all 12 titles that were voted by fans as best collaborations throughout the year.
In a way, “Callaíta” by Bad Bunny and Tainy helped set the tone for Un Verano Sin Ti, even though the song was released on May 31, 2019, three years prior to the Billboard staff’s favorite album of 2022. With its serene intro and seagull squawking from afar, the banger encapsulates the essence of the record’s eternal summer energy — it is the outro track of Benito’s latest groundbreaking LP, after all.
With the Bunny’s continued momentum of viral milestones, his number of billion-view music videos on YouTube also keeps growing, and “Callaíta” recently made the cut.
The visual already feels like a classic, with the Puerto Rican rapper rocking his famous buzzed triangular hairstyle from the late ‘10s. The video follows a woman who loves taking shots at the bar, but she’s low-key otherwise. Then, a group of beach- and partygoers hit the shores where there’s a merry-go-round spinning on the sand, and Benito gets his chance with the quiet gal.
A few weeks apart from Un Verano Sin Ti dropping, “Callaíta” reached one billion streams on Spotify this year. “Seeing that ‘Callaita’ became what it became is insane. It’s humbling that people still connect with the song after so many years,” Tainy recently told Billboard Español of the song reaching the milestone on Spotify. “You get a sense of those classic songs that you grew up listening to and still hear today, and can’t comprehend how they still connect with people after so many years. I’m happy that we were able to create a song that has stood the test of time.”
The producer continued: “We always had dreams about things we wanted to do, but they had a limit. Because we didn’t think it was possible for people like me — where I come from, who I am, our position in the world — and to see that I’ve been able to exceed that by a billion from what I initially thought could be possible, it just makes you feel like this is all blessings. [I’m] just here to have a responsibility of inspiring more people that could do twice as much as what [I’ve] done. That’s the most special part for me.”
Revisit the song and its video above.
Bad Bunny isn’t done blessing fans in 2022.
The “Titi Me Preguntó” singer surprised his followers on Tuesday (Dec. 27) giving an impromptu concert on top of a gas station in Puerto Rico. The hitmaker simply tweeted, “‘La Jumpa’ live tonight at 10:00 pm.” The cryptic message didn’t reveal much but his zealous fans managed to find his location anyway, which was a gas station where he went on to perform his new track with Arcangel and a few hits from his Billboard 200 chart-topping album Un Verano Sin Ti.
On social media, people suggested he was recording the music video for “La Jumpa” as they were later spotted in Condado Beach. “La Jumpa” was released on Nov. 30 and is included in Arcangel’s latest album, Señor Santos. The track joins a list of collaborations between Arcángel and Bad Bunny, including hits “Me Acostumbré” (2017), “Original” (2018) and “Por Ti” (2021), as well as 2016’s “Diles” with Ozuna, Farruko and Ñengo Flow and 2017’s “Soy Peor Remix” with J Balvin and Ozuna.
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For whatever reason him and Arcangel were on top of a gas station, fans were just excited to catch Bad Bunny’s free last-minute show.
Earlier that day, El Conejo Malo was out handing out toys to children in Puerto Rico as part of his “Bonita Tradición” event held by the singer-songwriter’s Good Bunny Foundation. The superstar helped spread holiday joy on the island at the Coliseo Roberto Clemente where he handed out 20,000 gifts (sports equipment, instruments, paint materials and more) to the kids who attended the drive.
Among the most prominent Latin stars of the 21st century, Daddy Yankee has played the final shows of his farewell tour, ending at Miami’s FTX Arena on Thursday night (Dec. 22). According to figures reported to Billboard Boxscore, La Ultima Vuelta World Tour wrapped with $197.8 million and 1.9 million tickets sold over 83 shows in 2022. That makes it the biggest tour of his career, by a long shot.
The tour kicked off at Denver’s Ball Arena on July 25, and played 33 shows until finishing its first leg at Madison Square Garden. The U.S. and Canada run earned $61.6 million and sold 376,000 tickets before venturing to Latin America.
There, Yankee hit 22 Spanish-speaking markets and earned $112.7 million and sold 1.383 million tickets. He then closed the tour with 12 additional American shows, adding $23.4 million and 143,000 tickets to the final count.
With something of a home-field (or language) advantage, Latin American shows averaged $3 million and 36,000 tickets in mostly stadiums, compared to $1.9 million and 12,000 tickets in mostly domestic arenas.
Yankee’s geographical divide is in contrast with that of the year’s other major Latin tour from Bad Bunny. With more significant crossover success in recent years, Bad Bunny paced a similar 40,000-plus attendance in both territories but earned nearly three times more per show in the U.S. and Canada because of more elastic ticket scaling.
Bad Bunny and Daddy Yankee played a major role in lifting promoter Cardenas Marketing Network to No. 3 on the year-end Top Promoters ranking. After the final show in Miami, Henry Cardenas reflected to Billboard via email on the impact of Yankee’s final tour and touring career that started on day one.
“It was an unforgettable tour for me and for the entire CMN team. Having produced the farewell tour of the icon and influencer of an entire generation is one of the greatest accomplishments that our company has achieved. In 2005 we were the producers of his first tour, Barrio Fino, and today we say goodbye to him in La Ultima Vuelta. I thank Raymond and Mireddys for giving us the opportunity to be part of this dream that is now a reality and for allowing us to be direct witnesses of their great legacy.”
The La Ultima Vuelta World Tour was 2022’s second-biggest tour in Latin America, besting Bad Bunny’s $80 million-plus total, but falling short of Coldplay’s $127.9 million from two separate legs of Music of the Spheres Tour.
Still, Yankee’s nearly $2 million average in the states on a robust 45-date routing made for a gargantuan global total. Excluding Latin American dates, La Ultima Vuelta World Tour represents a leap of more than 100% from his previous nightly best. All shows considered, he’s up by 162%.
Regardless of geography or genre, Daddy Yankee finished at No. 13 on the year-end Top Tours chart, ranking artists on their concert business between Nov. 1, 2021-Oct. 31, 2022. On Billboard’s monthly Top Tours chart, he’s climbed from No. 22 in July to No. 9 to No. 5 and, for October and November, to No. 3 (December’s ranking will publish next month).
Further, in the calendar year of 2022, Daddy Yankee has the sixth-highest grossing tour worldwide, behind Bad Bunny, Elton John, Coldplay, Ed Sheeran and Harry Styles.
And even beyond his year-end achievements, La Ultima Vuelta World Tour finishes as the second-highest grossing Latin tour in Boxscore history, sandwiched between Bad Bunny’s World’s Hottest Tour ($314.1 million) and El Ultimo Tour Del Mundo ($116.8 million).
In 2022, Billboard‘s Latin Artists on the Rise series featured throughout a select group of artists who had a breakthrough inside or outside of their genre, scored a significant chart feat and/or created a buzz that was impossible to ignore.
This year, the series went from featuring two artists a month to only having one Artist on the Rise per month, which leaves us with a total of 12 up-and-coming acts who were spotlit — including 25-year-old Silvana Estrada, who was the first Artist on the Rise of 2022 and went on to win best new artist at the Latin Grammys in November (in a tie with 95-year-old musician Ángela Álvarez).
April’s Artist on the Rise was Mexican-American teenage trio Yahritza Y Su Esencia, who made history with their first-ever single “Soy El Único.” Siblings Yahritza, Armando, and Jairo Martinez first created a fan base on TikTok and then made history on the Billboard charts after their debut single (released March 25 via Lumbre Music) debuted at No. 1 on Hot Latin Songs, and hit No. 20 on the Hot 100 chart, making the then 15-year-old Yahritza the youngest Latin performer to enter the all-genre tally.
Another artist that was part of the exclusive list was Spanish artist Quevedo who, alongside Bizarrap, scored his first No. 1 on the Billboard Global 200 and Billboard Global Excl. U.S. thanks to their summer smash hit “Bzrp Music Sessions, Vol. 52.”
Below, we highlight all the artists who formed part of the coveted Billboard Latin Artist on the Rise series throughout 2022.
For many Latin indie melomaniacs in the late 2000s to early ‘10s across Ibero-America searching the blogosphere, Club Fonograma was the Latin indie-music bible. Its founder, Arizona-based Chicano recluse and self-proclaimed cinephile Carlos Reyes, created an unlikely community of “Fonogramáticos” that outsized any expectations for what was supposed to be a tiny blog. He previously said that he simply wanted to show his friends the cool music he listened to. But on Tuesday night (Dec. 27), Club Fonograma’s official Twitter account shared the news that the website’s founder had died in 2021. He was 34 years old.
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“With deep sadness, the Club Fonograma family announces the passing of our site’s founder, Carlos Reyes. His spirit of discovery and kindness was the soul of Club Fonograma, which in turn changed the lives of so many people around the world,” the site’s account shared.
With deep sadness, the Club Fonograma family announces the passing of our site’s founder, Carlos Reyes. His spirit of discovery and kindness was the soul of Club Fonograma, which in turn changed the lives of so many people around the world. pic.twitter.com/HnCFNGf0wc— Club Fonograma (@ClubFonograma) December 28, 2022
Billboard Español reached out to his family, but they declined to share further details. However, Ricardo Reyes, his twin brother, offered a statement to us:
“Dear Club Fonograma, with my heart in my hands, I want to inform you that my brother Carlos Reyes passed away last year. It has taken me time and emotional courage to write this message but I am writing to say, thank you. Thank you for sharing so much love, joy, knowledge, inspiration, growth, and creativity with my brother. Without a doubt, the work and family he found when creating Club Fonograma was one of the things that brought him the greatest happiness.”
With Club Fonograma, Reyes helped break underground music scenes, such as Chilean indie pop led by Javiera Mena, Dënver, and Alex Anwandter; Tijuana’s ruidosón movement, consisting of María y José and Los Macuanos; Spain’s indie rock explosion with Triángulo de Amor Bizarro and Los Planetas, and beyond. He, along with his camp of about a dozen writers, helped position Ibero-American singer-songwriters, electronic producers and indie rockers alike in a poetic light with gripping album and song reviews, back when Spanish-language indie-music criticism in English was nearly non-existent.
“When Carlos Reyes created Club Fonograma, he did something that critics do not usually do: Think of the Latin American music scene as a whole, each country with its own color, but united. Hopefully someday we will be able to recover that spirit of unity,” one follower tweeted in Spanish.
Cuando Carlos Reyes creó Club Fonograma, hizo algo que la crítica no suele hacer: pensar la escena musical latinoamericana como un todo, cada país con su color, pero unidos. Ojalá algún día podamos recuperar ese espírutu— Juana (@juanagiaimo) December 28, 2022
The news of his death resulted in an outpouring of reactions on social media. Mexican singer-composer Julieta Venegas tweeted in Spanish on Wednesday (Dec. 28), “I am very sad to hear about this. Club Fonograma was a wonderful space for criticism and promotion of Latin and alternative music, I always remember it with great affection. May you rest in peace dear Carlos. A hug and love to his family and friends.”
Ecuadorian singer-producer Helado Negro tweeted, “I’m heartbroken. I want to share more but I’m brain is in shock. Carlos’ work passion and love through Club Fonograma meant so much to all of us.” Monterrey indie rock band Quiero Club added: “Rest in power, dear and admired Carlos. You have all our gratitude, admiration and affection. A big hug for your family and the family of the friends of Club Fonograma.”
USC professor Josh Kun tweeted, “Absolutely heartbroken to read the news of Carlos Reyes’ passing. With Club Fonograma, he created the first digital space for Latin indie, in many ways the site created Latin indie itself. He shaped a generation of tastes and built a community of fans, friends, & musicians.”
Former Club Fonograma writer and journalist Andrew Casillas also shared his thoughts: “It’s unfathomable how important Carlos is to the current state of Spanish language pop music,” Casillas tweeted. “He considered himself a cinephile first, but he had an ear that was 20 years ahead of its time. The world is lesser without him in it, but the art that he championed will live forever.”
Los Macuanos member and freelancer writer Reuben Torres also wrote on Twitter: “Reyes was a pioneer in every sense of the word. The amount of music journalists, artists and listeners that he influenced cannot be measured. Simply put, Latin music would not be what it is today without that tiny little blog he started over a decade ago. QEDP King.”
NPR podcaster Jasmine Garsd claimed on Twitter that “AltLatino would not exist without Carlos Reyes and Club Fonograma. His curiosity and respect for Latin music were a constant inspiration, and it was such a pleasure to collaborate with him. What a loss.”
As a tribute to Reyes’ legacy, the former writers of the blog created Old Fonograma, an archive with content from of the original website.
Bad Bunny is ending the year by giving back to his beloved Puerto Rico.
The superstar helped spread holiday joy on the island on Tuesday (Dec. 27) with the “Bonita Tradición” gift drive, which was held at the Coliseo Roberto Clemente in San Juan, Puerto Rico. The nonprofit organization, founded by Billboard’s Top Artist of 2022, handed out 20,000 gifts (sports equipment, instruments, paint materials and more) to the children who attended the drive.
The event also includes stations serving traditional food and drinks, as well as live music and an opportunity to get a picture with Los Reyes Magos and Bad Bunny himself. “We want to close the year in the best way, bringing a bit of joy, hope, and love to the children with an event that reflects the best of this time with a very special emphasis on the traditions of our island,” José “Che Juan” Torres, director of the Good Bunny Foundation, previously said in a press statement.
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Recently, Bunny — who was Spotify’s most streamed artist globally for a third consecutive year — released his new track, “Gato de Noche,” in collaboration with Ñengo Flow. “This is to close the year,” he said on TikTok just hours before blessing fans with the surprise song on Dec. 22.
“With the real beast,” the Puerto Rican act said of Ñengo when he revealed the collab on his Instagram Stories. The pair has many collaborative efforts, including “Que Malo” and “Safaera” (also featuring Jowell & Randy), with the latter peaking at No. 4 on the Billboard Hot Latin Songs chart dated April 11, 2020. Both tracks come from Bunny’s YHLQMDLG album.
The songs that soundtracked our year were genre-blurring, empowering, hooky and game-changers in their own way. As the year comes to an end, Billboard unveiled the staff picks for the best 25 Latin songs of 2022. Now, it’s time to vote for your favorite song.
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The wide-ranging list includes obvious hits such as Bad Bunny‘s “Titi Me Preguntó,” Manuel Turizo‘s “La Bachata” and Grupo Frontera‘s “No Se Va,” but it also includes songs that weren’t outright hits but are truly great songs deserving of a mention on the year-end round-up.
Such was the case with Alex Anwandter‘s unapologetic disco-pop anthem “Maricoteca.” The Chilean singer-songwriter presented a risky NSFW statement, where spectators witness the singer-producer fortifying his identity politics with a side of mischief — an alluring, provocative queer artist with an unmatched talent for glimmering dance music.
There was also Kany García and Alejandro Sanz‘s poignant “Muero,” which further cements the Puerto Rican singer-songwriter as a master at retelling other people’s love stories and anguish in a way that makes them our own. In “Muero,” she and Sanz give voice to two people whose unspoken love will doom them to never experience it.
There was also Caloncho’s “Post Química,” Babasonicos’ “Bye Bye” and Natanael Cano‘s unapologetic “Que Me Importa” with newcomer Victor Cibrian. To wrap up the year, vote for the track that (in your opinion) was the best Latin song of the year.
Read Billboard’s 25 Best Latin Songs of 2022 list here.
Tainy’s musical contributions to modern-day Latin pop are unparalleled. As a mastermind behind many a reggaetón-pop hit — including producing nine of the 23 tracks found on Bad Bunny’s genre-hopping, record-shattering Un Verano Sin Ti blockbuster — it’s no doubt that he has helped revamp the Latin pop playbook. The Puerto Rican producer is now preparing to drop his solo debut LP, the star-studded DATA, in early 2023.
To date, the 2022 Latin Grammy winner for producer of the year has unveiled the wildly successful “Lo Siento BB:/,” featuring Bunny and Mexican singer-songwriter Julieta Venegas, as well as “Sci-Fi,” co-starring Rauw Alejandro.
“[DATA] is a representation of who I am as a person, and as a fan of music,” Tainy tells Billboard Español. “To be able to have my own album is so special. I’m putting my everything into this, all the knowledge I’ve acquired since I started working with the people I admire.” Some of those famous folks also include established hitmakers like J Balvin, Wisin & Yandel, and Arcángel, but also brilliant upstarts like Young Miko, Ankhal, and Kris Floyd.
For nearly two decades, Tainy (real name: Marcos Efraín Masís Fernández) has been a constant force in the música urbana soundscape. He began churning out beats for reggaetón pioneers like Luny Tunes just before Daddy Yankee’s “Gasolina” (2004) took the world by storm, when he was merely 14 years old. His creative wanderlust led him to co-produce for now-icons like Yankee, Don Omar and Wisin & Yandel.
“Shout out to Tainy, the G.O.A.T., the legend … He’s somebody who I’ve looked up to since I was a teenager and my entire career,” said Billboard‘s 2022 top-charting beatmaker MAG, and the lead co-producer of Un Verano Sin Ti.
While keeping his momentum strong in the mid-’10s, Tainy eventually began talking to a then-upcoming rapper by the name of Benito Antonio Martínez Ocasio — the world’s hottest superstar of today, better known as Bad Bunny — and together they would go on to make pop history. Fun fact: Tainy co-produced Bunny’s first No. 1 song on Billboard’s Hot 100, “I Like It,” alongside Balvin and Cardi B.
With a keen eye for identifying rare music gems and emerging talent, Tainy also teamed up with music exec Lex Borrero to co-create NEON16 in 2019, a “multifaceted talent incubator,” as the two describe it. “He has a very broad vision of music,” Julieta Venegas told Billboard in November. “He identifies these pairings and links his teams with artists that come from the pop, folk, and Mexican music world.”
As 2022 comes to an end, the super-producer connected with Billboard Español to reflect on his wildly successful year in music — and share exciting details about his highly-anticipated debut album.
You co-produced the greatest album of 2022, Bad Bunny’s Un Verano Sin Ti. What goes through your mind when you reflect on its extraordinary success?
It’s cool, but it’s not easy to digest when everything is happening. I’m now starting to reflect back and see the gravity of it. These are things that we never felt could be possible for us, coming from Puerto Rico and being Latin. We always felt like there was a higher level [imposed by the] Anglo market, and seeing that that doesn’t exist anymore … a lot of that has to do with Benito. It’s special to see those barriers broken. Dreaming big ends up becoming true.
This is now the new normal. Now everybody is on the same playing field. Great music is just great music in any language, in any part of the world. For [the album] to be able to connect with so many people, [it’s] special to be a part of that.
Walk us through the making of one of the hits you produced on the album, like “Ojitos Lindos.”
The whole idea [for the song] started with my younger brother Masis, who’s a producer too. He brought us an instrumental, but it was in a different style. When Benito heard it, he just heard the trumpets — which you now hear in the beginning of the track. He felt something special from it, but the sounds that came after the original instrumental was not what he had in mind. That’s where I come in. Since we have studio chemistry, I knew what he was looking for, and having this melody that my brother brought was the perfect base.
[Bunny] said it reminded him of the vibe from a song I remixed for Bomba Estéreo, “To My Love,” and he always wanted to work with Bomba. He told me, “Yo, why don’t we send this to them? Maybe they’ll like it.” His only note was, “Quiero hacer una canción bonita.” I already knew Li’s vocals would sound amazing on it. So I sent it over, and asked if she vibed with it. They responded right away that they loved it, and began working on it. Li brought exactly what he envisioned.
From there, he took it to his own world and gave it the right lyrics and vibe. The album’s aesthetic started to come into place, bringing in more beach soundscapes and ambience. That’s where I got the picture of what he was aiming for for the entirety of the project. It was really special to see two people in different places of the world not being in the same studio, but having the same mindset creatively.
Julieta Venegas mentioned in our interview that you scouted her for “Lo Siento BB:/” She praised your knowledge in the Latin indie and alternative realm. How do you discover acts outside of your usual genre?
I’ve always been a student of music. I always try to learn and branch out into different genres to see what I can learn from that and bring into my space. To be a producer, people don’t really get to see much of who I am. What do I listen to? What’s my style? What did I grow up liking? I think nowadays it’s a little bit easier to get to know the producers in their lives. Maybe people from afar think that all I listen to is reggaetón because that’s what I do. But I really listen to a lot of different types of music. Indie, rock and alternative music are styles I get [inspiration] from.
“Lento” by Julieta Venegas is one of my favorite songs of all time. I always wanted to work with her, but I didn’t think it was a possibility, seeing that our genres are so different from one another. Maybe she didn’t like the music we were doing, so that was a concern. When I started working on my personal project, I wanted it to be a reflection of who I am and what I love. I knew this song was going to be perfect for Julieta’s voice. And I wasn’t going to lose anything by reaching out. If she says she hates it, she hates it. But she loved it, and was so open to being a part of it.
This is one of the most special things that I’ve been able to do in my career. It’s something I’ve always wanted to do but didn’t think was possible — combining two of my favorite artists on the same track, and then they sound perfect together.
This year, Bad Bunny’s “Callaíta,” which you produced, surpassed one billion streams on Spotify. That’s quite an achievement…
It’s difficult to explain how it happened. I’ve always been grateful to be in the position that I am. I never thought I would get to this point at all. As I mentioned, we always had dreams about things we wanted to do, but they had a limit. Because we didn’t think it was possible for people like me — where I come from, who I am, our position in the world — and to see that I’ve been able to exceed that by a billion from what I initially thought could be possible, it just makes you feel like, this is all blessings. [I’m] just here to have a responsibility of inspiring more people that could do twice as much as what [I’ve] done. That’s the most special part for me.
Seeing that “Callaita” became what it became is insane. It’s humbling that people still connect with the song after so many years [since 2019]. You get a sense of those classic songs that you grew up listening to and still hear today, and can’t comprehend how they still connect with people after so many years. I’m happy that we were able to create a song that has stood the test of time.
So you’re dropping your debut album in early 2023!
I’ve been 100% focused on my project, and “Lo Siento BB:/” is the first single. We will be releasing the final product at the top of the year. I’m so excited for it. I’ve been dreaming of doing this album before I even got into music, because these types of projects are what inspired me to get into music.
As you might imagine, I’m working with most of the people that I’ve already worked with for a long time, and who I have a great relationship with: Benito, Jhayco, Rauw, Feid, Balvin, Wisin & Yandel, Arcángel…They have been a huge part of my career, so I wanted them to be a part of this, because they were a part of my journey. At the same time, I wanted to combine two worlds and merge this with the up-and-coming artists that I’m a fan of: Young Miko, Ankhal, Kris Floyd … all these guys, and how I brought in Julieta Venegas. [The album] shows more of who I am, and who my musical influences are.
It’s a representation of who I am as a person, and as a fan of music. To be able to have my own album is so special. I’m putting my everything into this, all the knowledge I’ve acquired since I started working with the people I admire. I can’t wait for you to listen to it, for everybody to vibe with it and get to know me a little bit more.
Every month, the Billboard Latin team asks readers to vote for the best Latin collaboration released. The December fan poll is officially out now, highlighting 11 collaborative efforts that were featured on Billboard.com and our weekly First Stream Latin throughout the month.
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December’s list includes Paloma Mami’s infectious reggaetón “Síntomas de Soltera” with Chilean rappers Pailita and El Jordan 23, Carin León’s “Que Vuelvas” with norteño newcomers Grupo Frontera, and “Si Te Pillo,” where Jowell y Randy and Wisin y Yandel, two of reggaeton’s most coveted duos, joined forces, to name a few.
Last month, more than 80 percent of the votes crowned the 2022 World Cup anthem “Tukoh Taka” by Nicki Minaj, Maluma and Myriam Fares the winner. In October, Juan Gabriel and Anahí’s “Dejame Vivir” won the fan poll with a whopping 94 percent of the votes. The reimagined version of the 1984 track, which originally featured Rocío Dúrcal, comes six years after Juanga’s passing.
Up to now, the top Latin collaborations as voted by fans include Christina Aguilera and Ozuna’s “Santo” (January); Becky G and Karol G’s “Mamiii” (February); Sebastian Yatra and John Legend’s “Tacones Rojos (Remix)” (March); Bizarrap and Paulo Londra’s “BZRP Music Sessions #23” (April); Morat and Duki’s “Paris” (May); Blessd and Rels B’s “Energia” (June); Sebastian Yatra and Pablo Alboran’s “Contigo (July); R3ymon and Anonimus, “Santa Diabla” (August); and Kany Garcia and Christian Nodal’s “La Siguiente” (September).
Which collaboration should take the crown in December? Check out the candidates and vote below!
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