Latin
Page: 281
Los40 Music Awards are a wrap.
The 2022 edition of the ceremony took place Friday (Nov. 4) live from the WiZink Center in Madrid. The fan-voted awards, produced by the Los40 radio station, were broken into three categories: Spain, International and Global Latin.
The artists among the top nominees of the night were Rosalía, who was up for best album (Motomami) in the Spain category and Bad Bunny, who was nominated in the Global Latin category for best album (Un Verano Sin Ti) and best song (“Titi Me Preguntó”). The international category was ruled by David Guetta thanks to “Crazy What Love Can Do,” his collaboration with Becky Hill and Ella Henderson, and Adele who was up for best album (30), best song (“Easy On Me”) and best music video (“Oh My God”).
Explore
See latest videos, charts and news
See latest videos, charts and news
Below, see Los40 Music Awards complete list of winners.
CATEGORY: SPAIN
Best artist or group: Dani Fernández
Best new artist or group: Leo Rizzi
Best album: Motomami by Rosalía
Best song: “Música Ligera” by Ana Mena
Best music video: “360” by Marc Seguí
Best artist or group in concert: Lola Índigo
Best collaboration: “Formentera” by Aitana & Nicki Nicole
Best urban artist or group: Maikel de la Calle
Best festival, tour or concert: Motomami World Tour by Rosalía
Artist ‘Del 40 al 1’: Chanel
CATEGORY: INTERNATIONAL
Best artist or group: Ava Max
Best new artist or group: Yungblud
Best album: Harry’s House by Harry Styles
Best song: “Enemy” by Imagine Dragons
Best music video: “Maybe You’re the Problem” by Ava Max
Best artist or group in concert: Dua Lipa
Best collaboration: “Crazy What Love Can Do” by David Guetta, Becky Hill & Ella Henderson
Best dance artist or producer: David Guetta
CATEGORY: GLOBAL LATIN
Best artist or group: Anitta
Best new artist or group: Tiago PZK
Best album: Dharma by Sebastián Yatra
Best song: “La Bachata” by Manuel Turizo
Best music video: “Te Felicito” by Shakira & Rauw Alejandro
Best artist or group in concert: María Becerra
Best collaboration: “París” by Morat & Duki
Best urban artist or producer: Bizarrap
Best festival, tour or concert: De Adentro Pa Afuera Tour by Camilo
GOLDEN MUSIC AWARDS
Manuel Carrasco
Pedro Almodóvar
Leiva
Juanes
Rosalía
With riveting performances by artists such as Rosalía, Maria Becerra, Manuel Turizo, Lola Índigo, Marc Seguí, Tiago PZK and many more, Los40 Music Awards was the place to be on a cold Friday night in Madrid.
Explore
See latest videos, charts and news
See latest videos, charts and news
The 2022 edition of the award’s ceremony took place Nov. 4 at the WiZink Center near the city’s downtown area. While performances were among the show’s highlights, there were also red carpet interviews and a speech by the legend Pedro Almodóvar that are worth an entry in the best moments of the night.
Below, highlights from this year’s Los40 Music Awards.
Morat on “No Se Va” Going viral
The Colombian band’s 2019 single “No Se Va” is currently having a moment — thanks to a cover by emerging regional Mexican ensemble Grupo Frontera. Their norteño rendition of the their norteño the track “No Se Va” became only the fifth regional Mexican song in Hot 100 history, reaching a No. 57 high after entering the all-genre songs chart in early October. About Frontera breathing fresh air into their single, Morat told Billboard this on the red carpet: “When we heard about it, it wasn’t that surprising. This has happened to us with many of our songs. We’re happy for them, and we’re happy for the song. It’s great that the song is transcending.”
Rosalía fangirls over a soccer player
When Rosalía picked up her award for best album for Motomami in the Spain category, she expressed her admiration for Alexia Putellas, who plays for Barcelona’s women’s fútbol team and won a Balón de Oro this year. “Wow this is crazy,” she said as she giggled her way to the stage. “I am such a big fan of Alexia and I had no idea that she would be the one handing this award to me. I’m a huge fan!”
Ricky Montaner on “Llorar, Llorar” being a gift that keeps on giving
“It’s one of my favorite songs that we’ve done in our entire career,” Ricky, of duo Mau Y Ricky, said about their collaboration with Carin Leon. “It’s a song that’s given us joy and has evolved organically with time. We released it a few months ago and just new we’re seeing it go up on the charts. It’s a blessing and I’m so proud of it.” The singer-songwriter also said he and his brother wrote the song while living in Mexico when they were recording the show La Voz México. “I needed a Mexican singer who would give it the seal of approval of someone from Mexico and we had so much chemistry with Carin. I love him and I’m so grateful.” Ricky also teased the the duo’s next album is due next year.
Tiago PZK takes a moment to reflect
The Argentine’s debut album, Portales, was a game-changer for him. “I learned so much about myself and how it is to have a more clear vision. It gave me identity,” he told Billboard. “I learned to work under pressure. Now, that I’ve released my first I have to start thinking about the next album. There’s no break in between.”
Pedro Almodóvar urges fans to watch movies … in a theater
The legendary film director, screenwriter and producer, Pedro Almodóvar, took the stage at Los40 to accept one of the Golden Music Awards that night. During his speech, he asked fans to go watch movies in theaters. “I know that you all don’t go out to the movies often,” he said confidently. “I’m not sure if you all know that movie theaters are going through an enormous crisis. My advice to you is go back and experience what it is to go watch a movie in a screen that’s way bigger than the one in your home. If you haven’t experience that yet, it will change your life. It’s hypnotizing. And for that hypnosis to happen, you have to become small and be surrounded by strangers in a dark place.
Sebastián Yatra danced the night away
If there’s anyone who hands down had the most fun on Friday, it was Sebastián Yatra. The Colombian star danced the night away as he cheered on his colleagues who took the stage such as María Becerra and Manuel Carrasco. He was the ultimate fan who also took the stage to accept the award for best album (Dharma) in the Global Latin category.
Another red carpet in the books. This time, in Madrid for Los40 Music Awards, which took place Friday (Nov. 4) at the WiZink Center.
Before heading into the awards show ceremony, artists such as Rosalía, Manuel Turizo and Pol Granch, among others, strutted the alfombra roja with their stunning and high-fashion looks that were captured on camera.
Spain’s very own Rosalía turned heads with a classy long black dress with a twist: a cutout on the top part of the outfit that semi-exposed her left side (including arm and stomach) that was covered with mesh-like fabric. Meanwhile, Turizo was dressed in a modern-vintage three-piece that was composed of oversized burgundy slacks, a bicolor vest that was paired with a sweater-like blazer. To add another layer of coolness, he accessorized his outfit with black platform shoes and a silver chain with a pendant.
Los40 Music Awards, produced by the Los40 radio station, are fan-voted awards. They were launched in 2006 in celebration of the station’s 40th anniversary. This year, the awards were broken into three categories: Spain, International and Global Latin.
The artists among the top nominees of the night were Rosalía, who was up for best album (Motomami) in the Spain category and Bad Bunny, who was nominated in the Global Latin category for best album (Un Verano Sin Ti) and best song (“Titi Me Preguntó”). The international category was ruled by David Guetta thanks to “Crazy What Love Can Do,” his collaboration with Becky Hill and Ella Henderson, and Adele who was up for best album (30), best song (“Easy On Me”) and best music video (“Oh My God”).
First Stream Latin is a compilation of the best new Latin songs, albums, and videos recommended by the Billboard Latin editors. Check out this week’s picks below.
Jenni Rivera, “Misión Cumplida” (Jenni Rivera Enterprises/Sony Music Latin)
Explore
See latest videos, charts and news
See latest videos, charts and news
The song was written in 2008 by Jenni Rivera but it isn’t until now that fans can listen to “Misión Cumplida,” one of the last songs penned by Rivera before her untimely death in 2012. Produced by Sergio Lizárraga, the track is a quintessential Jenni Rivera song. A Sinaloan banda at its core, “Misión” finds an emotional Jenni who sings about falling head over heels for someone who she had rejected in the past. “My mom was very picky with musical arrangements,” Johnny Rivera, said of why Lizárraga was the perfect hitmaker to helm his mother’s project. “She loved la banda sinolasense and Sergio’s a master of that. He was able to maintain her essence not only in her voice but also in the music.” The song is part of Rivera’s forthcoming album, set to be released before end of the year. — GRISELDA FLORES
Paulo Londra feat. Feid, “A Veces” (Warner Music Latina)
Paulo Londra has been releasing new music left and right since his comeback earlier this year. Following eight singles, including collaborations with Ed Sheeran and Duki, the Argentine artist presents “A Veces,” for which he reels in Colombian artist Feid. A surprising yet much-needed collaboration, the single meshes Londra’s dulcet, raspy vocals with Feid’s Medallo swagger, bringing to life lyrics about a man who’s unsure of his relationship status with the girl he’s dating. “Sometimes you ask me to stay until the morning/ Other times I call and you disappear,” says the chorus. A music video shot by Ballve oozes the bromance between Londra and Ferxxo in the studio. — JESSICA ROIZ
Mora, PARAISO (Rimas Entertainment)
If paradise was indulging our forbidden dreams and setting off into nights of revelry and excess, then we’ve come to the right place. Welcome to the unabashed EDM-laden euphoria of PARAISO, Mora’s third full-length album, where the Puerto Rican provocateur explores the different facets of pleasure. Mora unleashes his wanderlust and steers further away from reggaetón reliance, while never quite abandoning the formidable rhythm. Instead, he invites spectators to enter a world of ecstasy against hard-hitting electronic music galore.
Although Mora mostly shines on his own, he invites a few peers. He teams up with Spanish rapper Quevedo on “Apa’,’ where they turn on their location for their debaucherous encounters; gets lusty with upcoming singer paopao; and journeys to Ibiza with Danny Ocean on “Eivissa,” over minimal techno beats. Hypnotic synthwave (“Malafama”) and chill Afro beats (“Como Has Estau?”) make delightful appearances. As if releasing two full-length albums this year (coupled with a Bad Bunny cosign) wasn’t enough, the rising and flirtatious star is sure set on amplifying the demanding and dominating sounds of música urbana, while reimagining the promised land where temptations are embraced. — ISABELA RAYGOZA
Thalía, “Psycho B**ch” (Sony Music Latin)
Thalía shows her playful and irreverent side in her new pop single, “Psycho B**ch” (Sony Music Entertainment.) With a catchy beat, a short rap segment, and a chorus that goes “Oops I warned you / I’m a bit hit or miss / Half psycho bitch / Psy Psyco Bitch / Oops what’s up here? / How do you control me when you have me like this / I’m crazy, I’m crazy”, the English-sprinkled Spanish song will surely make you dance. Its music video shows the Mexican star in a disco club setting, complete with mirror balls and neon lights, accompanied by a group of dancers. — SIGAL RATNER-ARIAS
Paola Jara, “Ve y Dile” (YT Rocket)
In Sin Ti (Without You), a three-track EP, Paola Jara narrates the emotions after a heartbreak. The set opens with the original single “Ve y Dile,” produced by Ricardo Torres, where the Colombian artist has a deep conversation with the moon. “With tearyed-eyes and looking at the sky, I asked the moon about your whereabouts,” she sings backed by a live mariachi. “Tell him that he took my soul/ Tell him that he took my peace/ Tell him that he took my desire to love again,” she continues in the chorus. In the other two tracks, Jara performs a pair covers: a Caribbean-cumbia fusion for “Después de Ti” by Alejandro Lerner, and a ranchera version of Vanessa Martí’s “No Te Puedo Retener.” — J.R.
After being the lead vocalist of norteño act Grupo Arranke for four years, Carin León is certain that going solo in 2018 was the best thing to happen in his career. “There’s a time to make those kinds of decisions,” he says. “I made it when I felt capable. I felt that I could dominate a stage. I felt that I could compose, produce [and] make my product by myself … And I didn’t have to deal with people who didn’t have the same vision as me.”
To help launch his solo career, the regional Mexican artist born Óscar Armando Díaz de León Huez signed to Tamarindo Rekordsz, the independent label owned by his manager, Javier “El Tamarindo” González. He found quick success, scoring his first entry on Billboard‘s Regional Mexican Airplay chart in 2019 with “Me La Aventé” and since collecting eight top 10 hits, two of which reached No. 1 (“El Tóxico” with Grupo Firme in 2021 and “Ojos Cerrados” featuring Banda MS in March).
Starting next year, León will expand his independence with the launch of his own label, through which he will sign and develop new talent — primarily from his hometown of Hermosillo, Mexico. He also plans to release a new studio album (his first under his own label), where he will experiment with other genres such as vallenato, bachata and bluegrass, but with, as he says, “a lot of soul.”
“The moment you have the freedom to make the music that you like, it gives you a very strong power called ‘sincerity,’ ” adds León. “When your essence is really there and you are not satisfying the needs of the industry and you are the owner of your image, people feel it and connect with it.”
Most of your Billboard hits are collaborations. As an independent regional Mexican artist, why is this beneficial?
I’ve always noticed it in the urban market, but in our genre, a lot of artists are territorial with their work. After I began collaborating, I realized that I can progress a lot and I could solidify my audience. It’s not so much that collaborations have benefited me, but it’s simply the model of the music that is being used now.
As you’ve gained momentum, why did you remain independent?
I was never open or closed to the possibility [of signing a major-label deal]. I think things began to happen in my solo career, and I don’t know why, but no record company paid attention to what I was doing at the time. Then I began to see that the path could be achieved independently. I personally think that being independent is the best thing that can happen to any artist because it means developing your art in the freest way possible and not depending on many things.
What is key for indie artists when building a team?
It’s letting the artist develop, taking care of them to a certain point and always trying to polish and exploit the best things about them. In the end, there are many people who can influence the final product but might not really trust or love it the way that you do. Make sure that the interests are not only for business or numbers but that there is also chemistry for making art. Everyone on your team has to like how the music and the product are being made and feel proud of it.
What’s your advice for emerging indie artists?
Learn from the opportunities that life gives you, and pay attention to what the music industry is lacking. I feel that looking within, you’ll realize what type of music fans want to listen to. But truthfully, be sincere with your music. Learn how to express yourself and discover what makes you different. Regardless, after any good deal or promo plan, I believe that when you make good music, there is no human power that can prevent something from working.
This story will appear in the Nov. 5, 2022, issue of Billboard.
Managers Federico Lauria and Pepo Ferradas, whose client list includes Nicki Nicole, Duki and Bizarrap (Lauria) and Camilo, Evaluna Montaner and Lali Esposito (Ferradas), have teamed up to co-manage rising Spanish artist Rels B.
Longtime friends, Lauria (CEO of DalePlay) and Ferradas (CEO of FPM Entertainment) have collaborated in multiple tours and projects, but this marks the first time the two executives team up to jointly work in developing an artist’s career.
Rels B, also known as Skinny Flakk, began recording as a rapper but has evolved into more R&B and urban/pop territory with highly relatable lyrics and memorable melodies. To date, he has amassed 4.5 million subscribers on his YouTube channel and has 15.6 million monthly listeners on Spotify.
After scoring multiple hits in his native Spain, Lauria and Ferradas are making a concerted effort to focus on the U.S. Latin and Latin American markets. This summer, Rels B finished playing a 27-date tour of the U.S. and Latin America, and in August, he put out his first single, “Cómo dormiste?,” under Lauria and Ferradas’ management. The track garnered Rels B his first top 10 on the Billboard Argentina charts and the music video has over 38 million Youtube views. Today (Nov. 4) he released the alt/pop-leaning “pa quererte.”
Lauria and Ferradas have long worked together in different projects, most recently in Esposito’s sold-out Argentina tour, which Lauria promoted, and includes a grand finale at Velez stadium, with 45,000 tickets sold. Both men have also scored big management wins in the past 12 months, Lauria with Duki and Bizarrap, and Ferradas with Camilo and, prior to that, Nathy Peluso.
But this is the first time they formalize a management alliance. Rels B releases music under his own Flakk Records and Dale Play, Lauria’s label. He is signed for publishing with Sony Music Publishing.
Manuel Turizo’s “La Bachata” spends an eighth week at No. 1 on the Billboard Argentina Hot 100 chart (dated Oct. 29). The song enters a tie with Bizarrap and Quevedo’s “Bzrp Music Sessions, Vol. 52” for the second-most weeks at No. 1 in 2022, trailing only Tiago PZK’s “Entre Nosotros,” with LIT Killah, Nicki Nicole and Maria Becerra, which ruled for nine weeks this year (16 weeks overall).
Shakira and Ozuna earn the highest debut of the week as their first partnership, “Monotonía,” debuts at No. 7. While the former earns her second top 10, the latter collects his ninth. Meanwhile, Wisin & Yandel clock their first top 10 as a duo with their latest single “Besos Moja2” with Rosalía, which lifts 11-8. The Spaniard adds a sixth top 10 to her career board.
Argentinians DJ Tao and Callejero Fino earn their highest debut since both scored their first entry in 2021 as “DJ Tao Sessions #723” bows at No. 21.
Taylor Swift scores six debuts on the current chart, all stemming from her latest No. 1 album, Midnights. It’s the most simultaneous entries for a non-Spanish-speaking artist since the chart launched in 2018 (among all acts Bad Bunny continues to lead with a mammoth 17 entries on the same week). Swift’s “Anti-Hero” leads the pack at No. 40. Meanwhile, “Lavender Haze” starts at No. 70, “Snow on The Beach,” with Lana Del Rey, follows at No. 84, “Midnight Rain” at No. 94, “You’re on Your Own, Kid” at No. 98, while “Maroon” arrives at No. 100.
Back up the tally, Negro Dub claims his first entry as “El Último Romántico,” with L-Gante and Dt.Bilardo, opens ta No. 43.
Further, Maluma takes the Greatest Gainer honor of the week as “Junio” rallies 67-49.
Elsewhere, two South Korean groups score their first entry: (G)i-Dle’s “Nxde” bows at No. 52, while girl group Le Sserafim arrives at No. 74 with “Antifragile.” Plus, Estelares notch its second chart entry as “Encantan, featuring Enjambre,” opens at No. 79.
Meanwhile, Coldplay benefits from its Buenos Aires tour dates with a debut and a re-entry: “Yellow” arrives at No. 81, while “My Universe”, with BTS, rebounds at No. 86, after its No. 36 high in Oct. 2021.
The week’s other debuts include Coral’s “Mejor Que Tu Amor,” featuring Jorge Serrano, at No. 91, and Ozuna’s “Hey Mor,” featuring Feid, at No. 96.
For nearly four years, the deadly shooting of trap artist Kevin Fret has remained an unsolved and salacious mystery that cast a pall over the Latin music scene in Puerto Rico.
After Fret, 24, was shot twice on Jan. 10, 2019, while riding a scooter in the Santurce neighborhood of San Juan, his mother Hilda Rodriguez publicly accused reggaeton star Ozuna and his manager of ordering the death of her son, charges they have denied and that have not been proven.
Now the prosecutor who was assigned to the investigation, Betzaida Quiñones, says that unbeknownst to Fret’s family and the public, only three months after she began her probe, she was told by superiors to shut it down. In April of 2019, she was interviewing a witness, whom she did not name, when she received a phone call from a superior with a message: “From that point on I was not going to continue interviewing that person,” she said Tuesday on WAPA-TV’s Cuarto Poder. The investigation was at its “peak,” she said, “and I was never given an explanation.”
Quiñones’ public statements over the past week, made in a series of television interviews in Puerto Rico, have called the murder investigation into question, raised concerns about undue influence from the rich and powerful and added to questions about Wanda Vázquez, the former attorney general and ex-governor, who was Quiñones’ ultimate boss.
In statements to the media, Quiñones has said that Vázquez and Olga Castellón, the head of the criminal unit in 2019, were involved in the alleged freezing of the investigation.
Public officials, including the island territory’s governor and its current attorney general, Domingo Emanuelli, have promised to investigate the claims. On Thursday (Nov. 3), Emanuelli said that after reviewing “reports and documents related to the case” that he was referring the matter to the division of Public Integrity and Comptroller Affairs for further review.
“These are serious allegations that should be examined in greater detail in accordance with laws and regulations,” the attorney general said in a statement on Thursday.
On Tuesday, Emanuelli said “there should be no doubt that if evidence of any improper intervention arises it will be investigated, no matter who the person is. We are not going to put the integrity of the Department of Justice and its officials at risk for anything or anyone.”
Ignacio Fernández, an attorney for Vázquez, defended the former governor. “It’s an absolute lie,” Fernández tells Billboard. “Why did [Quiñones] wait three years? She had an obligation to come forward at that time. If she doesn’t have the moral rectitude to not bend to powerful people, then that is on her.”
Fernández also defended Castellón, saying “there is no way that Olga would agree to anything like that. She would investigate her own mom if she had to.” (A spokesperson for the U.S. Justice Department in San Juan, where Castellón is an assistant U.S. Attorney, had no comment.)
Quiñones’ claims that higher-ups influenced the investigation have also renewed concerns about the San Juan police department’s handling of the murder probe. A police spokesperson tells Billboard that the case was transferred this September from the homicide division to its Major Crimes division that deals with cases of “high complexity.”
One of the homicide officers originally involved in questioning witnesses, Tito Rivera Hernández, took a selfie with Ozuna at the police station in February of 2019 following a police interview with the Latin star, which Rivera Hernández later posted on his social media accounts.
Col. Roberto Rivera, the head of the investigative branch of the Police Bureau, said this week that his office had filed an administrative complaint against the officer related to his handling of the probe and had put him on leave pending results of the review. Rivera Hernández, who is currently working with a team of federal agents, would be reassigned to another police division if the federal team does not keep him on, according to El Nuevo Día, a Puerto Rican news outlet.
The colonel said that until this October no other agent had investigated the Fret case and that the time Rivera Hernández dedicated to the murder probe “was not extensive” and “not what one expects from such an investigation.” (Rivera Hernández could not be reached for comment.)
Quiñones’ allegations also add to the scrutiny on Vázquez, who was Puerto Rico’s attorney general from 2017 to 2019 and then governor of the island in 2019 to 2021. In August, the Department of Justice arrested her and charged her with bribery and conspiracy in an alleged scheme to finance her 2020 campaign. (She has plead not guilty and expects to go to trial.)
Persons of Interest
In April of 2019, police officials told Billboard that investigators were searching for “two male persons of interest” and were “using every resource at [their] disposal to find these persons,” as well as following up on anonymous tips.
That April, Quiñones interviewed Vicente Saavedra, who is president of promotion and marketing agency Dímelo Vi, as well as Ozuna’s manager, for more than three hours. She also had planned to interview reggaeton and trap singer Arcángel.
But just days later, she said this week, she received a phone call from a superior telling her to shut down the probe. “I had a list of possible suspects, which was communicated at one point to the chief prosecutor [Castellón],” Quiñones said on Cuarto Poder. “It was a list of the possible people who could have participated in Kevin’s murder.” She added that, “obviously, [Fret] was active at that time in the musical world, which was what he wanted to pursue.”
After his meeting with the prosecutor, Saavedra said the prosecutor’s questions focused only on allegations that Fret had extorted money from Ozuna over a pornographic video that Ozuna had appeared in when he was a minor. Saavedra said he was not asked about Fret’s murder and that Quiñones told him he was not a person of interest in the case. (Quiñones said publicly in January of 2019 that she was not investigating Ozuna for the slaying. A police spokesperson this week would not tell Billboard if Ozuna was a person of interest in the case because the probe is ongoing.)
Nevertheless, Rodriguez, Fret’s mother, who lives in Massachusetts, has been insistent that Ozuna and Saavedra were somehow involved. “I know that it was [Ozuna] who ordered my son to be killed, together with Vicente Saavedra,” Rodriguez said in a TV interview in April of 2019. She alleged that Ozuna and Fret, who billed himself as the first gay trap Latin singer, had engaged in an “intimate relationship.” She said she had turned over text messages of conversations between the two artists to law-enforcement officials.
Ozuna’s attorney, Antonio Sagardía, told Billboard this week that Ozuna was only questioned about an alleged extortion scheme by Fret — not about the murder itself. He was not asked back for a second interview, the lawyer said. The controversy involving the alleged freezing of the investigation “has nothing to do with Ozuna,” Sagardía said. “That’s an internal matter with the Department of Justice.” (Sagardía has said his client had “nothing to do” with Fret’s murder.)
Rodriguez has denied that her son had engaged in extortion. After Fret found a link to Ozuna’s pornographic video, “the only thing Kevin asked of him was to help him sing as a featured artist on a song,” she said. According to Rodriguez, “Ozuna said, ‘No, I’m going to give you money and I want you to send me the link so that I can erase the video.” But she added that her son wasn’t the only person that had the video. Rodriguez claimed that her son did not want Ozuna’s money and that he would never have mad the video public.
Fret’s mother said that Ozuna gave her son almost $400,000. Both Ozuna and Sagardía have said that at least one payment was made to Fret, but the lawyer put the amount at “close to $50,000.”
Almost two weeks after Fret’s death, a portion of the video in question, which depicted a teenaged Ozuna masturbating, was leaked to the internet and quickly went viral. That same day, Jan. 23, 2019, the artist apologized to his family and fans via a prepared statement, which also said he had been the victim of an alleged extortion plot hatched by Fret.
After she was told to stop questioning witnesses in early April of 2019, Quiñones says she asked for both verbal and written explanations, writing a memo to the Department of Justice asking why it was being held up. “None of my memos that I sent to the Department of Justice were ever answered,” she said on Cuarto Poder.
The recent move by the police to move the case to the Major Crimes unit, the prosecutor says, “opens another window for a full investigation.” And while significant time has passed since the slaying occurred and the evidence was fresh, she says she hasn’t “lost faith” that “eventually we will know the truth of what happened.”
Taylor Swift is out here breaking records with her 10th studio album Midnights, released Oct. 21 via Republic Records, including becoming the first artist in Billboard history to dominate the entire top 10 on the Hot 100 songs chart in a single frame. Additionally, Midnights debuted at No. 1 on the Billboard 200 albums chart, marking the biggest week for any release in seven years.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
In celebration of her historic streak, Billboard Latin has compiled a fan poll, asking readers to vote for which Latin artist she should collaborate with.
Though Swift has shared the stage with artists such as bestie Selena Gomez, Jennifer Lopez and Camila Cabello, who opened her Reputation Tour and would come out to help sing “Shake it Off,” she’s yet to collaborate with a Latin artist.
The poll includes everyone from Bad Bunny (who has teamed up with Drake and Dua Lipa), to Natti Natasha (who has collabs with the Jonas Brothers and Meghan Trainor) to Ozuna (who has dropped tracks with Doja Cat and Swift’s very own BFF Selena Gomez), plus more. We also highlight some of Latin pop’s biggest names, who we think would have great musical chemistry with Swift, such as Camilo, Sebastian Yatra and Pablo Alboran.
Below, vote for which Latin artist Swift should collaborate with.
Following his debut album Hecho en Medellin, Blessd (real name: Stiven Mesa Londoño) presents his sophomore set Siempre Blessd out Thursday (Nov. 3) via Warner Music Latina and JM World Music – Cigol.
Home to 13 tracks, including the previously-released “Instagram (Remix)” with De La Ghetto and Darell, and “Tendendia Global” with Myke Towers and Ovy on the Drums, Siempre Blessd continues to consolidate the artist’s status as Colombia’s breakthrough performer.
The set navigates from songs that will inspire aspiring artists from the barrios to dream big (such as “Barrio Antioquia”), to songs about embracing solitude after a failed relationship (such as the Ñengo Flow-assisted “Solitario”) to songs inspired by him discovering the world (such as “Europa”).
But beyond all, it’s fully charged with certified club bangers — including edgy reggaetón songs, raw trap bangers, and infectious collaborations with other renowned acts and newcomers, including Dalex, Rvssian, Amaro, Pirlo, and Philip Ariaz. It also demonstrates Blessd’s ability to freestyle, sing, and pen his own music.
“This album fills me with great pride because it is an album that I can call mine,” the Colombian artist, who appeared as a panelist at 2022’s Billboard Latin Music Week, says in a statement. “With this album, I want to connect with all my fans and take my career to another level.”
Siempre Blessd drops with the focus single “Que Duro,” which the artist produced himself and further demonstrates the album’s connectivity with its audience. Below, he elaborates on the focus track, and also breaks down other essential tracks.