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Bad Bunny is ending the year by giving back to his beloved Puerto Rico.
The superstar helped spread holiday joy on the island on Tuesday (Dec. 27) with the “Bonita Tradición” gift drive, which was held at the Coliseo Roberto Clemente in San Juan, Puerto Rico. The nonprofit organization, founded by Billboard’s Top Artist of 2022, handed out 20,000 gifts (sports equipment, instruments, paint materials and more) to the children who attended the drive.
The event also includes stations serving traditional food and drinks, as well as live music and an opportunity to get a picture with Los Reyes Magos and Bad Bunny himself. “We want to close the year in the best way, bringing a bit of joy, hope, and love to the children with an event that reflects the best of this time with a very special emphasis on the traditions of our island,” José “Che Juan” Torres, director of the Good Bunny Foundation, previously said in a press statement.
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Recently, Bunny — who was Spotify’s most streamed artist globally for a third consecutive year — released his new track, “Gato de Noche,” in collaboration with Ñengo Flow. “This is to close the year,” he said on TikTok just hours before blessing fans with the surprise song on Dec. 22.
“With the real beast,” the Puerto Rican act said of Ñengo when he revealed the collab on his Instagram Stories. The pair has many collaborative efforts, including “Que Malo” and “Safaera” (also featuring Jowell & Randy), with the latter peaking at No. 4 on the Billboard Hot Latin Songs chart dated April 11, 2020. Both tracks come from Bunny’s YHLQMDLG album.
The songs that soundtracked our year were genre-blurring, empowering, hooky and game-changers in their own way. As the year comes to an end, Billboard unveiled the staff picks for the best 25 Latin songs of 2022. Now, it’s time to vote for your favorite song.
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The wide-ranging list includes obvious hits such as Bad Bunny‘s “Titi Me Preguntó,” Manuel Turizo‘s “La Bachata” and Grupo Frontera‘s “No Se Va,” but it also includes songs that weren’t outright hits but are truly great songs deserving of a mention on the year-end round-up.
Such was the case with Alex Anwandter‘s unapologetic disco-pop anthem “Maricoteca.” The Chilean singer-songwriter presented a risky NSFW statement, where spectators witness the singer-producer fortifying his identity politics with a side of mischief — an alluring, provocative queer artist with an unmatched talent for glimmering dance music.
There was also Kany García and Alejandro Sanz‘s poignant “Muero,” which further cements the Puerto Rican singer-songwriter as a master at retelling other people’s love stories and anguish in a way that makes them our own. In “Muero,” she and Sanz give voice to two people whose unspoken love will doom them to never experience it.
There was also Caloncho’s “Post Química,” Babasonicos’ “Bye Bye” and Natanael Cano‘s unapologetic “Que Me Importa” with newcomer Victor Cibrian. To wrap up the year, vote for the track that (in your opinion) was the best Latin song of the year.
Read Billboard’s 25 Best Latin Songs of 2022 list here.
Tainy’s musical contributions to modern-day Latin pop are unparalleled. As a mastermind behind many a reggaetón-pop hit — including producing nine of the 23 tracks found on Bad Bunny’s genre-hopping, record-shattering Un Verano Sin Ti blockbuster — it’s no doubt that he has helped revamp the Latin pop playbook. The Puerto Rican producer is now preparing to drop his solo debut LP, the star-studded DATA, in early 2023.
To date, the 2022 Latin Grammy winner for producer of the year has unveiled the wildly successful “Lo Siento BB:/,” featuring Bunny and Mexican singer-songwriter Julieta Venegas, as well as “Sci-Fi,” co-starring Rauw Alejandro.
“[DATA] is a representation of who I am as a person, and as a fan of music,” Tainy tells Billboard Español. “To be able to have my own album is so special. I’m putting my everything into this, all the knowledge I’ve acquired since I started working with the people I admire.” Some of those famous folks also include established hitmakers like J Balvin, Wisin & Yandel, and Arcángel, but also brilliant upstarts like Young Miko, Ankhal, and Kris Floyd.
For nearly two decades, Tainy (real name: Marcos Efraín Masís Fernández) has been a constant force in the música urbana soundscape. He began churning out beats for reggaetón pioneers like Luny Tunes just before Daddy Yankee’s “Gasolina” (2004) took the world by storm, when he was merely 14 years old. His creative wanderlust led him to co-produce for now-icons like Yankee, Don Omar and Wisin & Yandel.
“Shout out to Tainy, the G.O.A.T., the legend … He’s somebody who I’ve looked up to since I was a teenager and my entire career,” said Billboard‘s 2022 top-charting beatmaker MAG, and the lead co-producer of Un Verano Sin Ti.
While keeping his momentum strong in the mid-’10s, Tainy eventually began talking to a then-upcoming rapper by the name of Benito Antonio Martínez Ocasio — the world’s hottest superstar of today, better known as Bad Bunny — and together they would go on to make pop history. Fun fact: Tainy co-produced Bunny’s first No. 1 song on Billboard’s Hot 100, “I Like It,” alongside Balvin and Cardi B.
With a keen eye for identifying rare music gems and emerging talent, Tainy also teamed up with music exec Lex Borrero to co-create NEON16 in 2019, a “multifaceted talent incubator,” as the two describe it. “He has a very broad vision of music,” Julieta Venegas told Billboard in November. “He identifies these pairings and links his teams with artists that come from the pop, folk, and Mexican music world.”
As 2022 comes to an end, the super-producer connected with Billboard Español to reflect on his wildly successful year in music — and share exciting details about his highly-anticipated debut album.
You co-produced the greatest album of 2022, Bad Bunny’s Un Verano Sin Ti. What goes through your mind when you reflect on its extraordinary success?
It’s cool, but it’s not easy to digest when everything is happening. I’m now starting to reflect back and see the gravity of it. These are things that we never felt could be possible for us, coming from Puerto Rico and being Latin. We always felt like there was a higher level [imposed by the] Anglo market, and seeing that that doesn’t exist anymore … a lot of that has to do with Benito. It’s special to see those barriers broken. Dreaming big ends up becoming true.
This is now the new normal. Now everybody is on the same playing field. Great music is just great music in any language, in any part of the world. For [the album] to be able to connect with so many people, [it’s] special to be a part of that.
Walk us through the making of one of the hits you produced on the album, like “Ojitos Lindos.”
The whole idea [for the song] started with my younger brother Masis, who’s a producer too. He brought us an instrumental, but it was in a different style. When Benito heard it, he just heard the trumpets — which you now hear in the beginning of the track. He felt something special from it, but the sounds that came after the original instrumental was not what he had in mind. That’s where I come in. Since we have studio chemistry, I knew what he was looking for, and having this melody that my brother brought was the perfect base.
[Bunny] said it reminded him of the vibe from a song I remixed for Bomba Estéreo, “To My Love,” and he always wanted to work with Bomba. He told me, “Yo, why don’t we send this to them? Maybe they’ll like it.” His only note was, “Quiero hacer una canción bonita.” I already knew Li’s vocals would sound amazing on it. So I sent it over, and asked if she vibed with it. They responded right away that they loved it, and began working on it. Li brought exactly what he envisioned.
From there, he took it to his own world and gave it the right lyrics and vibe. The album’s aesthetic started to come into place, bringing in more beach soundscapes and ambience. That’s where I got the picture of what he was aiming for for the entirety of the project. It was really special to see two people in different places of the world not being in the same studio, but having the same mindset creatively.
Julieta Venegas mentioned in our interview that you scouted her for “Lo Siento BB:/” She praised your knowledge in the Latin indie and alternative realm. How do you discover acts outside of your usual genre?
I’ve always been a student of music. I always try to learn and branch out into different genres to see what I can learn from that and bring into my space. To be a producer, people don’t really get to see much of who I am. What do I listen to? What’s my style? What did I grow up liking? I think nowadays it’s a little bit easier to get to know the producers in their lives. Maybe people from afar think that all I listen to is reggaetón because that’s what I do. But I really listen to a lot of different types of music. Indie, rock and alternative music are styles I get [inspiration] from.
“Lento” by Julieta Venegas is one of my favorite songs of all time. I always wanted to work with her, but I didn’t think it was a possibility, seeing that our genres are so different from one another. Maybe she didn’t like the music we were doing, so that was a concern. When I started working on my personal project, I wanted it to be a reflection of who I am and what I love. I knew this song was going to be perfect for Julieta’s voice. And I wasn’t going to lose anything by reaching out. If she says she hates it, she hates it. But she loved it, and was so open to being a part of it.
This is one of the most special things that I’ve been able to do in my career. It’s something I’ve always wanted to do but didn’t think was possible — combining two of my favorite artists on the same track, and then they sound perfect together.
This year, Bad Bunny’s “Callaíta,” which you produced, surpassed one billion streams on Spotify. That’s quite an achievement…
It’s difficult to explain how it happened. I’ve always been grateful to be in the position that I am. I never thought I would get to this point at all. As I mentioned, we always had dreams about things we wanted to do, but they had a limit. Because we didn’t think it was possible for people like me — where I come from, who I am, our position in the world — and to see that I’ve been able to exceed that by a billion from what I initially thought could be possible, it just makes you feel like, this is all blessings. [I’m] just here to have a responsibility of inspiring more people that could do twice as much as what [I’ve] done. That’s the most special part for me.
Seeing that “Callaita” became what it became is insane. It’s humbling that people still connect with the song after so many years [since 2019]. You get a sense of those classic songs that you grew up listening to and still hear today, and can’t comprehend how they still connect with people after so many years. I’m happy that we were able to create a song that has stood the test of time.
So you’re dropping your debut album in early 2023!
I’ve been 100% focused on my project, and “Lo Siento BB:/” is the first single. We will be releasing the final product at the top of the year. I’m so excited for it. I’ve been dreaming of doing this album before I even got into music, because these types of projects are what inspired me to get into music.
As you might imagine, I’m working with most of the people that I’ve already worked with for a long time, and who I have a great relationship with: Benito, Jhayco, Rauw, Feid, Balvin, Wisin & Yandel, Arcángel…They have been a huge part of my career, so I wanted them to be a part of this, because they were a part of my journey. At the same time, I wanted to combine two worlds and merge this with the up-and-coming artists that I’m a fan of: Young Miko, Ankhal, Kris Floyd … all these guys, and how I brought in Julieta Venegas. [The album] shows more of who I am, and who my musical influences are.
It’s a representation of who I am as a person, and as a fan of music. To be able to have my own album is so special. I’m putting my everything into this, all the knowledge I’ve acquired since I started working with the people I admire. I can’t wait for you to listen to it, for everybody to vibe with it and get to know me a little bit more.
Every month, the Billboard Latin team asks readers to vote for the best Latin collaboration released. The December fan poll is officially out now, highlighting 11 collaborative efforts that were featured on Billboard.com and our weekly First Stream Latin throughout the month.
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December’s list includes Paloma Mami’s infectious reggaetón “Síntomas de Soltera” with Chilean rappers Pailita and El Jordan 23, Carin León’s “Que Vuelvas” with norteño newcomers Grupo Frontera, and “Si Te Pillo,” where Jowell y Randy and Wisin y Yandel, two of reggaeton’s most coveted duos, joined forces, to name a few.
Last month, more than 80 percent of the votes crowned the 2022 World Cup anthem “Tukoh Taka” by Nicki Minaj, Maluma and Myriam Fares the winner. In October, Juan Gabriel and Anahí’s “Dejame Vivir” won the fan poll with a whopping 94 percent of the votes. The reimagined version of the 1984 track, which originally featured Rocío Dúrcal, comes six years after Juanga’s passing.
Up to now, the top Latin collaborations as voted by fans include Christina Aguilera and Ozuna’s “Santo” (January); Becky G and Karol G’s “Mamiii” (February); Sebastian Yatra and John Legend’s “Tacones Rojos (Remix)” (March); Bizarrap and Paulo Londra’s “BZRP Music Sessions #23” (April); Morat and Duki’s “Paris” (May); Blessd and Rels B’s “Energia” (June); Sebastian Yatra and Pablo Alboran’s “Contigo (July); R3ymon and Anonimus, “Santa Diabla” (August); and Kany Garcia and Christian Nodal’s “La Siguiente” (September).
Which collaboration should take the crown in December? Check out the candidates and vote below!
Just two days after teasing fans with new music, Bad Bunny officially unleashed the track called “Gato de Noche” in collaboration with Ñengo Flow, out today (Dec. 22). “This is to close the year,” he said on TikTok just hours before blessing fans with the surprise song.
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Urbano veteran Ñengo recruited Bunny for “Gato de Noche,” a hard-hitting reggaeton track from the point of view of the “chico malo” (bad boy) who’s after a taken lady. “He loves you and gives you everything/ But you’re the devil and you’re crazy for me/ You like the bad boys and are playing fire with me […] although you’re a sin, I’m going to hell following that big a–/ I’m on my way/ Today I’m picking you up after midnight,” Bunny chants in the sultry lyrics.
“With the real beast,” the Puerto Rican act said of Ñengo when he revealed the collab on his Instagram stories. The pair have many collaborative efforts, including “Que Malo” and “Safaera,” which peaked at No. 4 on the Billboard Hot Latin Songs chart dated April 11, 2020. Both tracks form part of Bunny’s YHLQMDLG album.
“Gato de Noche” follows the Arcangel and Bad Bunny track “La Jumpa,” which debuted at No. 3 on the Hot Latin Songs chart dated Dec. 10, 2022 and wraps up Bunny’s fruitful year.
In 2022, Bunny ruled Billboard’s year-end Top Artists chart for the first time, while his Un Verano Sin Ti made history as the first all-Spanish album to hit No. 1 on the Billboard 200 year-end albums chart. He also closed out the year with a record-breaking $435 million in tour grosses that combine more than 80 concerts from two separate tours (El Último Tour del Mundo and The World’s Hottest Tour).
Watch the “Gato de Noche” video below.
Earlier this month, Grupo Frontera landed a major collaboration with Carin León, resulting in their latest single, “Que Vuelvas.” Composed and produced by Edgar Barrera, the heartfelt track debuts at No. 15 on Billboard‘s Hot Latin Songs chart this week — and in less than two weeks since its release, its video has amassed nearly 10 million views on YouTube, and is quickly becoming a popular sound on TikTok.
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The group is also simultaneously making the rounds with two Fuerza Regida collabs, called “911” and “Bebe Dame,” proving that they are Música Mexicana’s “it” boys right now.
But this time last year, Frontera — a six-man ensemble comprised of Adelaido “Payo” Solis III (vocalist and bajo quinto player), Juan Javier Cantú (vocalist and accordionist), Julian Peña Jr. (percussionist and animator), Alberto “Beto” Acosta (bajo quinto), Carlos Guerrero (drums), and Carlos Zamora (bass) — was merely a local band from the Texas border town McAllen, creating music as a hobby and performing at family gatherings.
“We all had our own jobs and didn’t really do things as a group,” Cantú tells Billboard, expressing that once they took the project seriously at the beginning of 2022, great things began to happen.
The indie Mexican group officially launched this March with an independently-released debut EP that contained four cover versions of timeless pop songs, such as Diego Verdaguer’s “La Ladrona.” But it was a one-off released just a month later — their norteño rendition of “No Se Va,” a 2019 single by Colombian folk-pop group Morat — that catapulted them to fame.
To date, the music video has nearly 170 million views on YouTube, and the sound has hundreds of thousands of creations on TikTok, where it first gained momentum. “No Se Va” debuted on Hot Latin Songs in September, and scored the group their first top 10 hit on the chart, peaking at No. 3. The track also became only the fifth regional Mexican song to hit the Billboard Hot 100 in the chart’s history, and topped Latin Digital Song Sales for one week in October.
“Honestly, I think it was the seasoning that we put with the congas,” Cantú says of the cover’s runaway success. “It doesn’t sound like your typical norteño song; in fact, it sounds like something fresh with that reggaetón vibe.”
And it’s precisely that — the group’s “fresh Norteño sound” — that’s making big waves in the music industry.
“The group’s appeal is very easy,” assures Peña Jr. “We’re trending, we’re moving up, and we’re doing great music that everyone likes. We’re creating music for people of all ages. We’re making romantic songs that you can dedicate. I feel that a lot of artists right now want to release love songs as opposed to party songs, and that’s why they want to work with us.”
Since their popularity skyrocketed earlier this year, Frontera has sold out shows in Texas, Georgia, North Carolina, California, and Mexico, to name a few. They also closed the year with over 125 million streams on Spotify, and established a relationship with the McAllen-based hitmaker (and Latin Grammy winner) Barrera, who’s working on the group’s upcoming music. Frontera is managed by Victor Ruiz (founder of indie record label VHR Music), who also serves as its booking agent.
“You’d think we’ve been playing together for 10 years, but we’ve only been out for a couple of months,” Cantú notes. “I still can’t believe everything that’s happening to us.”
Below, learn more about this month’s Billboard Latin Artist on the Rise.
Names: Adelaido Solis III, Alberto Acosta, Carlos Guerrero, Carlos Zamora, Juan Javier Cantú and Julian Peña Jr.
Ages: 19 to 32
Recommended Song: “Que Vuelvas” (with Carin León)
Biggest Achievement: “Up to now, it’s been two [different career achievements],” Peña Jr. says. “A very important one for us was our concert at the Auditorio Citibanamex in Monterrey. This is where artists such as Luis Miguel and Juan Gabriel have performed, and it was a dream come true for us. The other big accomplishment is that we’re managing to break away from being just a ‘one-hit wonder’ group.”
What’s Next: “We plan to go international in 2023, and already have two very big and important collaborations lined up,” he adds. “We’re also going to announce the tour. Hopefully the first week of January, everyone will already know about Grupo Frontera’s first-ever tour.”
Puerto Rican artist Jay Wheeler and Venezuelan newcomer Zhamira Zambrano tied the knot in an intimate civil ceremony on Wednesday.
Wheeler shared the exciting news on his social media with a video of his wife dressed in a baby blue gown and singing “Dicelo,” the collaborative heartfelt track they released in August. “I got married! I got married to the best woman on earth,” he’s heard saying in the background.
The newlywed couple met at the East Hotel in Miami and made their relationship Instagram official in February. Zambrano, who competed in the sophomore season of Univision’s La Banda, later made a cameo on Wheeler’s official music video for “EaZt.” “I imagine you already know to whom I dedicate this song. Zhamira, I’m so fortunate to have you,” he wrote in the caption.
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The lovebirds have since shared tons of sweet moments on social media, including when La Voz Romantica proposed to Zambrano at the Coliseo de Puerto Rico in October. “She said yes,” he captioned the post on social media. Waiting for the Venezuelan artist onstage was a towering cake decorated with photos of them together, red roses and sunflowers, a big sign that said “Marry Me” and Wheeler dressed in a dinosaur costume.
Wheeler’s big day comes nearly four months after he earned his first top 10 on Billboard’s Top Latin Albums chart with Emociones (Linked/Dynamic/EMPIRE), on the Sept. 3-dated ranking. The album marked his fourth chart visit, three of which he achieved in 2022. His previous high came with El Amor y Yo when it debuted and peaked at No. 13 on the Feb. 26-dated survey.
See Wheeler’s adorable wedding announcement below:
Barely a week ago, Carin León was announcing the release of his conceptual live album Cura Local (En Vivo) as a “treat” he wanted to give himself for Christmas. On Thursday (Dec. 22), three of its videos are trending on YouTube, including the one for “Dame Un Beso Y Dime Adiós” featuring Grupo Yndio, at No. 1.
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Released on Dec. 15 under his own record label, CL Music, Cura Local (En Vivo) includes 33 covers of songs that Carin León grew up listening to, like “Línea Telefónica,” also by Yndio; Roy Rosas’ “Cuando Toque Mi Piel,” and Los Apsons’ “Triste Luna.”
“I wanted to bring together the great artists from Hermosillo, those that I listened to in my childhood and my teens, and have the world see them,” the singer explained in a press conference in his native Hermosillo, Sonora, in northwestern Mexico, the day before the release. “We have a unique flavor and I want people to understand much more about Carin and my connection with these people, who are part of my DNA.”
“In Sonora, from the 70s to the 2000s, we had our own sound; we had our own way of sounding like a band, like a norteño. With all due respect to my Regional Mexican colleagues, we have always been different here, we have never wanted to look like anyone else, not even in the way we dress,” he added, surrounded by some of the acts featured in the album, such as Los Honorables, Manuel “El Indio” Ortega, Oscar Toscano, Roy Rosas, Alex Ramírez and Grupo Yndio.
Of the 33 songs in the set, 28 have music videos, three of which were trending on YouTube Thursday morning: “Dame Un Beso y Dime Adiós” featuring Grupo Yndio, at No. 1 with more than 3.8 million views; “Línea Telefónica” also with Yndio, at No. 12 with over 950,000 views; and “Déjenme Llorar” featuring Martín Ramos, at No. 20 with 600,000 views. The total views for the album’s videos already surpass 10 million.
According to a detailed report by Oplaai, a company that distributes León’s music, from Dec. 15-19 Cura Local (En Vivo) exceeded 4.5 million streams, with Spotify being the main platform, followed by Apple Music.
Prior to these stats, the singer assured at the press conference that more volumes will be released “because there’s still a lot of music to rescue,” and pointed out that “although singles prevail these days, I still think of making albums and concepts.”
Here are the 10 most-viewed videos for Cura Local in its first week:
1. “Dame un Beso y Dime Adiós”, Carin León Ft. Grupo Yndio
2. “Línea Telefónica”, Carin León Ft. Grupo Yndio
3. “Déjenme Llorar”, Carin León Ft. Martín Ramos
4. “Cuando Toque mi Piel”, Carin León Ft. Roy Rosas
5. “Abrígame”, Carin León Ft. Alex Ramírez
6. “Celos”, Carin León Ft. El Boca Aguada
7. “Triste Luna”, Carin León Ft. Los Apson
8. “Presa de tu Amor”, Carin León Ft. Manuel “El Indio” Ortega
9. “Las Higueras”, Carin León Ft. Fabián Gómez
10. “Tal Vez Sea Mejor”, Carin León Ft. Fabián Gómez
Exactly three months ago, on Sept. 22, we officially launched Billboard Español with Colombian star Camilo on our first digital cover. We started literally from zero.
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Today, after only 90 days, we publish over 40 original stories per week to the site, boast over a quarter of a million monthly visits to billboardespanol.com and are growing our number of visits and users by 20% month to month.
Thanks to music fans who speak Spanish in every corner of the world, Billboard Español is a hit.
Given what we’ve attained in terms of numbers, it’d be logical to say that launching Billboard Español was a business decision. But this is, first and foremost, an initiative that comes from the heart.
When I came to work at Billboard, 20 years ago (yes, unreal), I felt my mission was to “translate” our music, our culture and our artists to the mainstream, English-speaking world. I looked around me and I couldn’t understand why major media companies ignored what happened musically in Spanish. The lack of interest extended to other areas, like film and television. We were virtually invisible. It felt like language was an unbreachable barrier.
But in Billboard I found a powerful tool: a media brand that was recognized as the “Bible” of the music industry. And within it, a platform where I could constantly generate content about Latin music and its artists. We devoted the last two decades to growing this platform and opening the eyes and ears of our readers to the sounds of our artists.
From one a column a week, we went to a page, several pages, a Latin department and a wide array of coverage that includes a vast menu of videos, social media and reporters in the Latin world, in addition to the Billboard Latin Music Awards and, of course, our unparalleled Billboard Latin Music Week.
We’ve had more than 40 Latin artists on the cover of Billboard and we’ve made history. We were the first English-language media brand to have a reggaeton star on its cover (Daddy Yankee in 2005), the first and only to have J Balvin and Nicky Jam together on a cover, and the first to join Jennifer Lopez with Maluma. The list goes on and on. This year alone, Romeo Santos, Maluma, Grupo Firme and Sebastian Yatra — four artists representing four different Latin music genres — were on our cover, in addition to Camilo.
The final flourish, of course, was Bad Bunny on the cover of our No. 1s issue. Not only was he the first Latin artist to ever grace our No. 1 cover issue, but he was also the first artist to be featured on simultaneous Billboard covers in English and Spanish.
Billboard Español is the latest link in this long chain of achievements, and it’s perhaps the most significant, for we are covering Latin music in two languages. In addition to our extraordinary Latin music team, we’ve built an excellent editorial team for Billboard Español, with Sigal Ratner-Arias, a respected veteran of entertainment and music reporting, as deputy editor.
We are literally creating a new way of covering music, in our language.
Today, Spanish is the second most-spoken language in the United States; according to the U.S. Census, more than 41 million people speak it at home. And music in Spanish is the second most listened to music in the world, only after music in English.
That means that for 2023, there is only room for us to grow, expanding our coverage of Latin music on all our Billboard platforms, including Billboard Español.
The best is yet to come!
Leila Cobo
Chief Content Officer, Billboard Latin/Español
After the pandemic quarantine lifted, the Billboard Latin team continued its tradition of hosting interviews via Instagram Live, resulting in our social media franchise “Live with Billboard Latin.” Moderated biweekly on Thursdays, the Billboard Latin editors invited some of today’s hottest music acts for a 15- to 30-minute interview about their current projects, as well as to answer fan questions.
The series kicked off with CNCO, who spoke to us about their exciting plans for 2022, and later on in the year, we caught up with the Latin boy band at the Latin American Music Awards. Throughout the year, fans connected on Instagram with artists such as Mexican sisters Ha*Ash, who talked about their comeback tour; Latin pop crooner Mario Bautista, who celebrated his first-ever Billboard hit; Puerto Rican perreo duo Jowell & Randy, who premiered their single “Toro”; and most recently, Argentine rapper Trueno, who shared his excitement with Argentina headed to the World Cup finals.
With many exciting “Live with Billboard Latin” episodes, we have compiled the most-viewed interviews this year, which include our chat with Argentine singer Emilia Mernes, a laid-back conversation with Tokischa and Ozuna, and of course, CNCO. Below, see the top episodes from our 2022 live interviews: