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Latin

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La Maquinaria Norteña starts off 2023 strong, as the quintet’s “Eres Ese Algo” advances 3-1 to lead Billboard’s Regional Mexican Airplay chart dated Feb. 25.

“Eres Ese Algo” arrives just six months after La Maquinaria claimed its first radio No. 1 during its 10-year-plus charting career on Regional Mexican Airplay, which launched with the No. 40 debut and peak of “Ayer y Hoy” in 2011. Before “Eres Ese Algo,” “50 y Cincuenta” earned the norteño ensemble its maiden champ on any airplay chart last August. In between the band scored a No. 38 high through “Mejor Ni Me La Nombren,” with Neto Bernal (Aug. 27).

“Eres” shoots to No. 1 on Regional Mexican Airplay in its 14th week on the chart. It takes the lead boosted by 28% gain in audience impressions, to 10 million, earned in the U.S. in the week ending Feb. 16, according to Luminate. The increase secures the track the Greatest Gainer honors of the week.

The song is the second single of Al Derecho y Al Reverso, the seven-track set released Oct. 14 via Azteca/Fonovisa/UMLE, which reached No. 10 high on Regional Mexican Albums on the Jan. 21-dated ranking.

In addition to bringing La Maquinaria its second airplay No. 1, “Eres” also secures the Azteca label its third ruler on Regional Mexican Airplay, among its 72 chart entries spanning 12 years. Prior to “50 y Cincuenta” and “Eres” by La Maquinaria, Azteca scored its first leader, also last August, through La Fiera de Ojinaga’s “Luna de Miel.”

Beyond its Regional Mexican Airplay coronation, “Eres” ascends the all-genre Latin Airplay list, rallying 10-4, besting La Maquinaria Norteña’s previous peak of No. 9 with “50 y Cincuenta.”

“Eres” was written by Keith Nieto, founding member of the Chihuahua-based band.

“We know what you’ve all been waiting for and here we are,” Karol G and Shakira jointly posted on social media on Tuesday (Feb. 21) announcing their highly anticipated collaboration.

The pair will join forces for “TQG,” which will be part of Karol’s upcoming new album, Mañana Será Bonito, set to drop Feb. 24. It’s the first time the Colombian superstars unite for a track. The photo of them side-by-side kneeling on a dirt-like surface doesn’t reveal much about the actual song, but fans are already predicting it will be a hit. Fellow artists such as Anitta and Becky G reacted by writing “wow” or commenting two crown emojis.

Shakira is just one of a handful of collaborations featured on Karol’s album. Mañana Será Bonito will also include collabs with  Quevedo, Carla Morrison, Sean Paul, Sech, Bad Gyal, Justin Quiles and Angel Dior. It also includes previously released hit singles “Provenza,” “Cairo” with Ovy on the Drums, “Gatubela” featuring Maldy, and the Romeo Santos-assisted “X Si Volvemos.”

Mañana Será Bonito will be her fourth studio album. It will follow her 2021 Grammy-nominated KG0516, which scored Karol her first No. 1 on Billboard‘s Top Latin Albums. The set earned the biggest week for a Latin album by a woman since Shakira‘s 2017 El Dorado.

Meanwhile, Shakira is currently making the rounds with her Bizarrap Music Session, “Bzrp Music Sessions, Vol. 53.” The diss track, released in January, peaked at No. 1 on Billboard‘s Hot Latin Songs chart. With her music session, Shakira ties with Bad Bunny for the fourth-most No. 1s overall, both with 12.

See the collaboration announcement below:

Alejandro Fernández took the stage Tuesday (Feb. 21) at the Quinta Vergara for his highly anticipated performance at Chile’s Viña del Mar International Song Festival.
Accompanied by a live band that included mariachi and norteño musicians, the ranchera superstar — who wore an elegant black and gold charro suit — delivered an impressive performance where he belted out anthems such as “Tantita Pena,” “Estuve,” “Hoy Tengo Ganas De Ti” and “Mátalas.” Fernández received silver and gold gaviota trophies for his riveting 90-minute set. “Let’s celebrate, campeones (champs),” he said.

Here are some highlights from his Feb. 21 headlining set at Viña del Mar:

EL POTRILLO RETURNS TO VIÑA

“Chile, Viña,” he said at the beginning, vividly emotional as he made his return to Viña del Mar after last performing there in 2015. “Ahí te va charrito (here you go, charrito),” he added as he walked toward one side of a stage to give a little fan in the audience — who wore a charro outfit — a part of his very own suit. “I always feel great excitement to be on this stage, from the very first time I had the opportunity to be part of this important festival to this day. I promise to leave my soul and heart here. Let music always unite us. Viva Chile! Viva México!”

A SWOON-WORTHY PERFORMANCE

After more urban-leaning sets by Karol G and Tini on the first two days of Viña, Fernández brought romanticism to the festival. Occasionally blowing kisses to his fans — who would scream at the top of their lungs after one of his many charming gestures toward them — the charro sang the classics, or as he called them “viejitas pero bonitas,” that made it seem like the entire Quinta Vergara was either in love or going through a heartbreak that night. The crowd sang along in unison to “Hoy Tengo Ganas De Ti,” “Si Tu Supieras,” “Te Voy a Perder,” “Qué Voy a Hacer Con Mi Amor,” “Como Quien Pierde Una Estrella,” “Me Dediqué a Perderte” and “Canta Corazón.”

NEW MATERIAL

The last time Fernández performed at Viña del Mar was eight years ago. “Every single time, the response from the Chile audience only gets bigger,” he said mid-set when he received the silver gaviota. Since he last performed there, he’s released new albums and new singles and he took this opportunity to play his new material, which included “Hecho En México,” “Caballero,” “Decepciones” and “Inexperto En Olvidarte.”

A TRIBUTE TO VICENTE FERNÁNDEZ

One of the most special moments of the night, and definitely a highlight, was when El Potrillo paid tribute to his father, the Mexican icon Vicente Fernández, who died in December 2021. “My father would be so happy to see the response I’ve gotten at Viña this year,” he said. “But, you know, I think he’s here with me. I feel him, he’s probably here on my shoulder.” He went on to perform a medley of Chente’s greatest hits, including “Por Tu Maldito Amor,” “Mujeres Divinas,” “Las Llaves de Mi Alma,” “De Qué Manera Te Olvido” and “El Rey.”

For the first time in its more than six-decade history, the Viña del Mar International Song Festival is being livestreamed in the United States, exclusively on Billboard.com, Billboard’s YouTube channel, and via Twitter @Billboard. The six-day festival continues with Fito Páez on Feb. 22; Christina Aguilera on Feb. 23; and ending with Camilo on Feb. 24. All headliners will perform at 8 p.m. ET.

Find the rest of the week’s schedule below.

Wednesday, Feb. 22: Fito Páez

Thursday, Feb. 23: Christina Aguilera

Friday, Feb. 24: Camilo

Following the inaugural edition of Bésame Mucho in Los Angeles last December, the music festival announced on Tuesday (Feb. 21) the lineup for its second edition.

With headliners Maná, Los Bukis and Gloria Trevi, Bésame will return to Dodger Stadium as a one-day event on Dec. 2. Like last year, it will consist of stages representing different genres. Rock, classics and pop will get their own stage again.

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The “Rockero Stage” will feature sets by artists such as Natalia Lafourcade, La Ley, Ska-P, Aterciopelados and Maldita Vecindad. The “Las Clásicas Stage” roster includes Alejandro Fernández, Pepe Aguilar, Los Tucanes de Tijuana and Conjunto Primavera. Meanwhile, the “Te Gusta El Pop?” stage’s lineup includes Reik, Camila, Belinda, Emmanuel and Jesse & Joy. Returning artists from last year include Café Tacvba, Hombres G, Enanitos Verdes, Ramon Ayala and Banda El Recodo.

Last year, the inaugural Bésame Mucho festival edition sold out in 12 minutes, according to sources, when the 2000s-inspired lineup was announced. At the actual event, thousands of fans had to sprint across the stadium’s parking lot to catch whichever act was on their must-see list. The literal back-to-back sets were 35-50 minutes in length, which fans weren’t too crazy about, especially with technical difficulties that impacted the sound leaving artists to deal with the situation onstage and, ultimately, left them with a shorter set. This year’s lineup isn’t as packed as last year, which could lead to more efficient set transitions and overall production quality.

Tickets for Bésame Mucho 2023 will go on sale Friday, Feb. 24 at 10am PT.

Veteran executive Yvette Medina has been appointed head of Latin music at YMU, the global management company tells Billboard.

Medina joins YMU’s Los Angeles office after launching her own artist management company, Creative Management Firm (CMF), in 2018 with clients such as Paloma Mami and Ecko. According to an announcement, she will continue to manage her current roster (Ecko, De La Cruz and Latenightjiggy) alongside the global YMU team, across all divisions, while overseeing the company’s activities for Latin America and with the wider Latin music community.

“YMU’s global resources and commitment to continue driving Latin music forward on a global scale aligned with my vision and passion, making them a perfect partner,” Medina said in a statement.

With over 18 years of experience in the music industry, Medina has held senior level positions at companies such as CAA, WME and Sony Music Latin. Before launching her own management firm, she was appointed general manager of Roc Nation Latin in 2016.

“Yvette’s experience and reputation speaks for itself. We have been looking for the right partner to establish our presence in the Latin music space for some time as it has exploded in popularity and mainstream visibility,” added Matt Colon, global president at YMU, which represents clients in music, entertainment, sports, publishing and business management. “Yvette’s combination of experience at a talent agency, and as a manager and label executive, has given her a unique skill set perfectly suited to the YMU Music management approach, offering marquee clients a full set of services from a global perspective.”

02/21/2023

The Argentine star was all energy for 90 minutes.

02/21/2023

After a two-year hiatus due to the COVID-19 pandemic, the popular Viña del Mar International Song Festival kicked off Sunday night (Feb. 19) with Karol G as its headliner. 

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Wearing a baby pink, sweetheart dress, ankle-high socks, white sneakers, and her bright red locks, the Colombian artist delivered a “Bichota”-packed one-hour and 30-minute set in front of 15,000 people. 

“Hey Chile, what’s up?” she asked the audience after kicking off the set with “Gatubela” and “El Poblado (Remix).” “What energy so chimba (cool). I was very nervous and excited for this day to come.”

Singing completely live, accompanied by a group of 12 co-ed dancers, and her all-female girl band, Karol performed hits such as “Bichota,” “200 Copas,” “Ocean,” “Tusa,” and “MAMII,” before wrapping with the EDM version of “Provenza.” 

But this was far more than just another Karol G concert—it had special guests, meaningful fan moments, and more. See the highlights below: 

SPECIAL GUESTS

Though Karol G performed many of her collaborations alone, such as “Gato Malo” with Nathy Peluso, she invited two special guests to her Viña set. First, she called Chilean newcomer Criss MJ, with whom she performed the unreleased “Noche de Medellin (Remix)” for the first time. “Unfortunately, this song never came out,” she said before the two acts sang it together. She was later joined by renowned Chilean singer-songwriter Myriam Hernandez to sing a potent duet of Hernandez’s 1988 hit “El Hombre Que Yo Amo.” “It’s been 17 years since I’ve been here [Viña]. Thank you for inviting me,” Hernandez said after the song.

DEBUTS NEW SINGLE

During her set, Karol G also surprised fans by singing the opening track of her upcoming album Mañana Sera Bonito called “Mientras Me Curo del Cora.” She dedicated the Hawaiian-inspired song to her older sister who just had a baby.

GIFTS GAVIOTA TO FAN

Karol G made history as the first female urban artist to headline Viña del Mar and along the way, received the coveted silver and gold gaviotas, the seagull-shaped trophies that are the festival’s signature and are decided upon by fans. Toward the end of her set, Karol invited a “mini Bichota” (young fan) on stage, who flaunted her amazing dance moves, to which Karol and the rest of the audience agreed she deserved the gold trophy. It an only-Karol G moment. The hosts then noted they will be sending Karol another Gaviota to her home.

GIRL-POWER SHOUT OUTS

Not only did Karol interact with her fans but at one point she shouted-out Argentine artists Nicki Nicole and Emilia Mernes, who were enjoying the show. She also expressed how proud she is of forming part of this generation of empowered female voices, which includes Paloma Mami, Tini, and more.

For the first time in its more than six-decade history, the Viña del Mar International Song Festival will be live-streamed in the United States, exclusively on Billboard.com, Billboard’s YouTube channel, and via Twitter @Billboard. The six-day festival then continues with Tini on Feb. 20; Alejandro Fernández on Feb. 21; Fito Páez on Feb. 22; Christina Aguilera on Feb. 23; and ending with Camilo on Feb. 24. All headliners will perform at 8 p.m. ET.

Find the rest of the week’s schedule below.

Feb. 20 — Tini Stoessel

Feb. 21 — Alejandro Fernández

Feb. 22 — Fito Páez

Thursday, Feb. 23: Christina Aguilera

Friday, Feb. 24: Camilo

From career milestones and new music releases to major announcements and more, Billboard editors highlight the latest news buzz in Latin music every week. Here’s what happened in the Latin music world this week.

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Baby on the Way

Two weeks after tying the knot, newlyweds Marc Anthony and Nadia Ferreira announce they are having a baby. The couple shared the exciting news on Valentine’s Day, sharing a photo of Ferreira’s baby bump. “Best Valentine’s Gift Ever!!! Thank you, God, for this big blessing in our lives,” they captioned the joint post. This will be the Puerto Rican salsa singer’s 7th child and the Paraguan model’s first. See the sweet photo below.

A Grand Piano in Times Square

What happens when you take a grand piano to Times Square? A little bit of magic. Pianist Arthur Hanlon took his Yamaha grand to New York City’s Times Square on Valentine’s Day for a special edition of the Univision morning show Despierta America and performed romantic classics for the swelling crowd in attendance. The moment became an impromptu sing-along, with the crowd chorusing classics like “Besame Mucho.”

A Celebration of Life

Laura Pausini, the Italian songstress whose biggest hits are Spanish-language tracks such as “En Cambio No,” “Viveme” and “Amores Extraños,” is celebrating her 30-year trajectory with a concert marathon. Called #Laura30, the ambitious event will take place “in 2 continents, in 3 cities, in 5 languages, in 24 hours,” she expressed on Instagram. The first recital will begin at 6 p.m. ET on Feb. 26 at the Apollo Theater in New York, the second in Madrid at The Music Station, and will close at Teatro Cercano in Milan. The event is open to the with free admission, based on prior registration, and subject to availability.

Angela Aguilar: The Businesswoman

Mexican singer Angela Aguilar presented her new line of perfumes this week which includes three scents: Caricia (green bottle), Joy (white bottle), and Mexican in Love (red bottle) — the colors of the bottle represent the Mexican flag. The perfumes will be sold at her virtual store and at her concerts, and a large part of the profits will go to the Gilberto AC Association, which “is made up of Mexican women who help, support and make a big difference in housing, education and in areas affected by natural disasters,” according to a press statement.

Billboard Español’s First Cover of 2023

This week, Billboard Español unveiled its first digital cover of the year featuring Latin power couple Lele Pons and Guaynaa. Published on Valentine’s Day, the Venezuelan influencer-turned-singer and Puerto Rican artist revealed new details about their wedding day, set to take place on March 4 in Miami and also a 10-track collaborative album, tentatively titled Capitulations. Spanning a variety of genres from urban pop (“Abajito”) to reggaetón (“Natural”) to reggae (“A Que No”) and bachata (“Todo Sabe Más Rico”), the couple assures us the set will be very relatable to couples.

Another Friday, another round of new releases in Latin music.

This week, Carlos Rivera released his seventh studio album Sincerándome — a 10-track set packed with deep self-reflection, intimacy, and vulnerability. “Songwriting has always been my most effective form of expression,” he expressed in a press statement. “It is where I am most honest and dare to say everything that I would never dare with words alone. These are the songs of my greatest loves, the biggest release of burdens and my great passions.” 

On Valentine’s Day, Danny Felix released an eight-track album amorlove — a title that, on its own, sets the tone for the set. It starts off with his ever-dreamy requintos and dulcet but potent vocals found in the captivating sierreño “déjame vivir,” a song that details life after a breakup. Other standout songs on it are “maria juana y la cubana” and “continuar o terminar.”

Additional new releases include Estevie’s “Santee,” Sebastián Yatra’s “Una Noche Sin Pensar,” Christian Nodal’s “Un Cumbión Dolido,” TINI’s new album Cupido and Fuerza Regida and Becky G’s “Te Quiero Besar.”

Another notable collaboration this week is Ana Bárbara and Vicente Fernández’s “La Jugada,” a gorgeous mariachi ballad that was recorded five years but was released today in honor of what would have been Fernández’s 83rd birthday. “These things take time, you know, and I din’t want to rush anything,” Bárbara told Billboard. “When we finally recorded the song, it was magical. He was able to hear our recording before he passed and he was really happy with it. I can now say that I have a song with Don Vicente Fernández. It’s a dream come true.”

Which release is your favorite? Cast your vote — or enter in your favorite selection — in the poll below.

First Stream Latin is a compilation of the best new Latin songs, albums and videos recommended by the Billboard Latin editors. Check out this week’s picks below.

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Carlos Rivera, Sincerándome (Sony Music México)

Carlos Rivera is more honest than ever on his seventh studio album Sincerándome. With songs such as “La Carta,” “Digan lo que Digan,” and “Siempre Estaré Aquí,” all powerful ballads, Rivera delivers a 10-track set packed with deep self-reflection, intimacy and vulnerability. He also penned each of the songs, including the title track, where he opens up about facing his doubts and insecurities, and the Melissa Robles-assisted “Un Viaje a Todas Partes,” where the two powerful vocalists exchange heartfelt verses about hoping that life lasts many years, so they can keep dedicating love songs to each other.

“Songwriting has always been my most effective form of expression,” Rivera expresses in a statement. “It is where I am most honest and dare to say everything that I would never dare with words alone. I am very excited that the new album will be completely written by me with songs that are 100% mine. These are the songs of my greatest loves, the biggest release of burdens and my great passions.” Other featured collaborators on Sincerándome include Carlos Vives, Carin Leon, Eden Muñoz and Nahuel Pennisi. — JESSICA ROIZ

Sebastián Yatra, “Una Noche Sin Pensar” (Universal Music Latino)

The Colombian star starts off his new song with the chorus of his 2022 love anthem “Tacones Rojos,” which makes anyone assume that this will follow in the footsteps of the breezy pop ballad. But you’ll be pleasantly surprised when “Una Noche Sin Pensar” picks up speed and transitions into an almost clubby alt-pop song. The head-bobbing electric tune finds Yatra getting over an ex: “What you and I had, no one else has,” he sings. “Although out in the real world, I’ll have to forget about you/ But in my fantasies, you’ll always have a place.” — GRISELDA FLORES

Duki, “Si Me Sobrara El Tiempo” (DALE PLAY Records)

After months without releasing solo music and leaving his fans wondering what his next move might be — particularly after he posted a message saying “I disappear from the face of the earth” — Duki is back. “Si Me Sobrara El Tiempo” is the first single from his new album under the same name. Showcasing his lyrical ability, the Argentinian rapper reflects on the value of time and the fleeting nature of life. “If I had time to spare, you know, I know, I’ll steal you tomorrow/ I disappear from the face of the earth, and I won’t come back for a weekend,” he sings in the chorus. Since its release, the song has already accumulated 1.2 million views on YouTube, and has generally received rave reviews from fans. — LUISA CALLE

Fuerza Regida x Becky G, “Te Quiero Besar” (Rancho Humilde/Sony Music Latin)

In their first collaborative effort, Fuerza Regida and Becky G drop “Te Quiero Besar” (I want to kiss you), a melodious corrido backed by requintos, a tololoche and an accordion. Produced by Regida’s frontman Jesus Ortiz Paz, Jimmy Humilde and Edgar Barrera, the track details a conversation between two people who like each other but have their indifferences. “You’re not sweet/ I send you flowers and you respond another way/ If we fight, you’re always the prideful one/ Between the two, I’m the one who tolerates,” chants JOP. Becky replies: “You’re different/ And you wear cologne to go out with your friends/ The night comes and you freeze me with your coldness/ You want to fix everything with your money.” In the chorus, the two meet eye-to-eye and admit they want to kiss each other. The simple-yet-vibrant music video shows the two acts performing the track live, surrounded by neon lights and luxurious cars. — J.R.

Christian Nodal, “Un Cumbión Dolido” (Sony Music México)

Christian Nodal is drowning his sorrows at a bar next to strangers who, he supposes, are also going through a breakup. “Because that’s how it is and that’s how it goes,” he sings evocatively. “My Nana would tell me, love can kill you/ It almost killed me but it didn’t/ That’s why I’m now hurt but dancing a cumbión.” The Mexican singer-songwriter mashes his signature mariacheño with cumbia for the ultimate heartbreak track. — G.F.

Danny Felix, amorlove (Fonovisa/UMG Recordings)

On Valentine’s Day, Danny Felix unleashed his eight-track album amorlove — a title that, on its own, sets the tone for the set. It starts off with his ever-dreamy requintos and dulcet-but-potent vocals, found in the captivating sierreño “déjame vivir,” a song that details life after a breakup. In “maria juana y la cubana,” his witty lyricism shines; in the title track, he belts honest verses in Spanglish, accepting he did wrong in a relationship; and in “paula,” he delivers an acoustic, almost-reggaetón-like beat, fused with alternative guitars. And to top it all off, there’s “continuar o terminar,” which is an innovative country-funk mashup about deciding the fate of a relationship. Rather than releasing romantic love songs, the Mexican-American singer-songwriter opens up about heartbreak — hence why all the titles are in lowercase, and don’t give amorlove the power it merits. — J.R.

Estevie, “Santee” (Nice Life Recording Company)

Although she still could be considered a new artist, Estevie has become an expert in fusing genres in a way that seems organic — not something many artists of any experienc level can pull off. The Mexican-American artist’s “Santee” is no exception. What starts off as a bouncy reggaetón track subtly transitions into a hypnotizing cumbia and then back to reggaetón. “Santee” is an ode to Estevie’s favorite place to shop, the Santee Alley fashion district in downtown Los Angeles. To this day, she still gets all her performance outfits from the Santee market. — G.F.