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Choosing a âlocal pathâ made Carlos Vives âvery international,â reflects the superstar via Zoom from his native Colombia as he prepares to release Escalona Nunca Se HabĂa Grabado AsĂ, a tribute album to the great Rafael Escalona.
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The 12-track set, released on Wednesday (April 19) under WK Records / Gaira Musica Local, includes versions of âLa Historia,â âMala Suerteâ and âLa Golondrina,â as well as âLa Nostalgia de Ponchoâ, âEl Destino de SimĂłnâ and âEl Testamento,â among others.
The album arrives the same year that Vives celebrates three decades of his worldwide hit ClĂĄsicos de la Provincia, where he took the rural musical stylings from Colombiaâs Caribbean coast known as vallenato, and injected a modern pop-rock sensibility. It is a revolutionary sound that immortalized the Colombian genre beyond its borders. His main inspiration? Rafael Escalona, a swaggering, prolific troubadour, romantic and a playboy, from the countryâs Valledupar region. Â
Vives, who started off playing rock before dedicating the rest of his life to rescuing and revitalizing the sounds of his homeland, starred in a successful 1991 biographical telenovela called Escalona, in which he played none other than the Colombian composer himself. It became a transformative experience â in which the spirit of the legendary troubadour remained with him, in a way â but also one where Vives continued building off those musical teachings afterwards.Â
âAfter we did the series, the style that I discovered Colombian kind of pop [rooted in] traditional music from the different rural regions â a different way than how vallenato was recorded before,â says Vives. âThe fact being proud of everything we had here, of everything we are as Colombians, I think really made us popular, and it led us to tour around the world. That was really the reason that motivated us to do what we do.â
To support the release of Escalona Nunca Se HabĂa Grabado AsĂ, he will premiere the documentary Regreso a Escalona on May 1 in Colombia on Canal Caracol and arrives four days later in the U.S. at The Colombian Film Festival NY. The musician, who this week will be honored with the Leyenda Award at the Latin American Music Awards, is also preparing for an upcoming international tour.
Below, Vives breaks down five essential songs from his new album that explore Escalonaâs compositions as never before recorded, in his own words.
âLa Historiaâ
The first single we released was âLa Historiaâ, a very romantic song about a heartbreak by Rafael Escalona. But we recorded it in a pop style, without losing the feeling of traditional music. âLa Historiaâ is a very sad and simple song, but with an incredible strength and soulful intensity, and with a sound that you will enjoy very much.
âMala Suerteâ
This is a song that does not produce bad luck (or mala suerte). It is a song of joy and strength, like El Rock De Mi Pueblo. I wanted to record âMala Suerteâ also at that time [2004], with that instrumental strength, with those electric guitars and without losing the accordion of my compadre Egidio [Cuadrado].
[For this album] we did a new version, inspired fundamentally by a scene we did more than 30 years ago with my compadre Egidio. When we recorded the series and that song, I sang the song live, riding in a pickup truck, moving along a road in the province of Padilla. So, when I wanted to shoot the video 30 years later, I wanted to do it again in a van. The video is a reference of what we did 30 years ago for this celebration. The only thing it gives you is wonderful luck and happiness in the soul.
âEl Carro FordâÂ
In the film we are releasing, Regreso a Escalona, Escalonaâs son, PachĂn Francisco Escalona, lent me a truck that belonged to his father. In that truck we traveled around the region again with my compadre Egidio, and itâs a Ford truck. The song goes (sings):Voy a comprar un carro Ford/ Voy a comprar un carro FordQue vuela en la carretera/ Y lo pongo en direcciĂłnY lo pongo en direcciĂłn del valle paâ Villanueva.Como yo no tomo ron, como yo no tomo ron/ Quiero mi trago en monedaPaâ comprarme un carro Ford, paâ comprarme un carro FordâŚ
That van would possibly have inspired the composition of this song â in addition to Escalonaâs numerous loves, of course. We shot the film riding in the van that my compadre Egidio knew because he had been Escalonaâs accordionist, and [also] had been Escalonaâs brother-in-law. Egidioâs sister Dina was one of the great muses that inspired Escalona for his songs. Dina appears in many of his songs â and, of course, I managed to have Dina as one of the protagonists of this TV special. Rafa [Escalona] was a lover man.
âCarmen GĂłmezâ
In general, most songs talk about taking women out on a stroll â for the ladies. Escalona talks about proper names â such as âLa mona del CaĂąaguateâ or âLa Mayeâ â and he made a song to Carmen GĂłmez. There is always a woman who inspires his songwriting and she has her own name, her own authentic place â where they were born, where the story happened, where he took her for a walk, what he bought her. âCarmen Gomezâ is a song inspired by beauty pageants, and it goes (sings):
De un concurso que se forme buscando la mujer perfectaYo voy a que ganar Fonseca o representando a Carmen GĂłmez Y tiene porte de un gran dama y una elegancia muy distinguidaDe esa raza noble y grande, esa que ella representaSacĂł los ojos de EspaĂąa y la nobleza latinaÂ
In a time when music becomes uniform throughout the world, and everything seems to sound the same, we do not recognize places or people, rivers, mountains, or animals. [As a culture] we donât dedicate time to preserve what is ours. Escalonaâs music, the way we recorded it, I think is something very refreshing.
âContestaciĂłn a la Brasileraâ
The bonus track on the album is a song that composer Armando Zabaleta, a friend of my fatherâs, did. When I told my dad, âI am going to record ClĂĄsicos de la Provincia. I want you to help me select the repertoire to show people that in addition to Escalona, there are a number of composers that people donât really know about.â Because the Escalona series already famous, he told me, âRecord âContestaciĂłn a la brasileraâ.â Armando Zabaleta was a friend of Escalona. And Rafa had made a song for a Brazilian that goes like this (sings):
Yo la conocĂ una maĂąana/ Yo la conocĂ una maĂąana Que llegĂł en aviĂłn a mi tierra y cuando me la presentaron Me dijo que era brasileraÂ
Itâs Escalonaâs love story with a Brazilian woman, and she ends up leaving, leaving him lovesick. It was one of Escalonaâs most famous songs. I recorded it on my ClĂĄsicos de la Provincia album, [but] I recorded it incomplete. When I got to the mixing of the album [ClĂĄsicosâŚ], the song was missing. The only thing I could think of so as not to lose face with my dad and Armando was to close the song with a little verse. But of course, when the record came out, my dad says, âYou didnât record the whole song. What happened?â In the end I told him, âGive me a chance, sooner or later Iâm going to record it. I had promised my dad that I was going to complete it, but [time] passed and I forgot.â
Making this Escalona album, it occurred to me to pay tribute to my dad and the composer. Today they are no longer with us. I recorded the complete composition that speaks of Rafael Escalona, although it is not his song.
More than 30 artists are set to perform at the 2023 Latin American Music Awards, which will take place live on Thursday, April 20, from the MGM Grand Garden Arena in Las Vegas.
Airing for the first time on Univision, the lineup includes sets by Mexican pop star Danna Paola, Becky G â who last weekend made her debut billing at Coachella â and newcomers Grupo Frontera, who on Monday dropped âun x100to,â their collaboration with Bad Bunny.
Anuel AA will perform âMĂĄs Rica Que Ayerâ; newlyweds Guaynaa and Lele Pons will perform a medley that includes their latest collab, âAbajitoâ; Myke Towers is set to sing his newest track, âMi Drogaâ; and Prince Royce will surprise viewers with an unreleased song. Additionally, Spanish newcomer Bad Gyal and Regional Mexican crooner Eden MuĂąoz will make their Latin AMAs debut. The former will deliver her single âChulo,â and the latter will offer his viral solo hit âChale!âÂ
Nominations for the 2023 awards â based on streaming, sales, radio airplay, tours and even social media interactions data provided by Billboard and Luminate during the eligibility period (Feb. 12, 2022, through Feb. 4, 2023) â are led by Bad Bunny with 11 nominations. Heâs followed by Becky G and Daddy Yankee, each with nine nominations. Carlos Vives and Pepe Aguilar will be recognized as 2023 Latin AMAs Legacy honorees.
Below, vote for the performance youâre most excited to see on Thursday at the Latin AMAs:
Get tickets to the first-ever #BBMujeresLatinas on May 6 in Miami: billboardmujeresenlamusica.com
The 2023 Latin American Music Awards are just hours away, airing for the first time on the Univision Network for the first time since its debut on Oct. 8, 2015, on Telemundo.
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Set to take place live on Thursday, April 20, from the MGM Grand Garden Arena in Las Vegas, the Latin AMAs has confirmed more than 30 performers who will take center stage, including newcomers Grupo Frontera, Peso Pluma, Young Miko and Ryan Castro.
Nominations for the 2023 awards â based on streaming, sales, radio airplay, tours and even social media interactions data provided by Billboard and Luminate during the eligibility period (Feb. 12, 2022, through Feb. 4, 2023) â are led by Bad Bunny with 11 nominations. Heâs followed by Becky G and Daddy Yankee, each with nine nominations.
How to Watch
Both the pre-show â âNoche de Estrellasâ (starting at 7 p.m. ET)â and the Latin AMAs (8 p.m. ET) will simulcast on Univision, UNIMĂS and GalavisiĂłn. Also, only the pre-show will be available to stream on ViX.
Here are all the performers set to take center stage:
Ăngela Aguilar
Anuel AA
Becky G
Bad Gyal
Banda El Recodo
Blessd
Carin Leon
Carlos Vives
Chesca
Dalex
Danna Paola
David Bisbal
DJ Luian
Grupo Frontera
Guaynaa
Jesse y Joy
Justin Quiles
Lele Pons
Lenny Tavarez
Lil Jon
Lyanno
Mambo Kingz
Manuel Turizo
Myke Towers
Natti Natasha
Olga Taùón
Omar Courtz
Pepe Aguilar
Peso Pluma
Pitbull
Prince Royce
RubĂŠn Blades
Ryan Castro
Vikina
Wisin
Young Miko
ZacarĂas FerreĂra

Marca Registrada unlocks its first top 10 achievement on Billboardâs Latin Airplay chart thanks to âDi Que SĂ,â its first collab with Grupo Frontera, which climbs 12-5 on the ranking dated April 22.
âDi Que SĂâ enters the top 10 in its fifth week with 8 million in audience impressions, an 18% gain, earned in the U.S. during the April 7-13 tracking week, according to Luminate.
As mentioned, the CuliacĂĄn, Sinaloans crack the top 10 barrier for the first time in 2023 and join five other acts who concurrently scored a first top 10 this year. Hereâs the rundown:Â
Artist, Title, Collaborator, Date Arrived, Position
Baby Rasta, âPunto 40,â with Rauw Alejandro, Jan. 14, No. 9
Leandro Rios, âLa Patrona,â with Edwin Luna y La Trakalosa de Monterrey, Jan. 28, No. 9
Fuerza Regida, âBebe Dame,â with Grupo Frontera, March 25, No. 1
Marshmello, âEl Merengue,â with Manuel Turizo, April 1, No. 8
Marca Registrada, âDi Que Si,â with Grupo Frontera, April 22, No. 5
Meanwhile, Mc Allen, Texas-based Grupo Frontera secures its fourth straight top 10 which launched with the No. 10-peaking âNo Se Vaâ last December. The song also granted the five-member ensemble its first entry on the Billboard Hot 100 in October at No. 99, reaching its No. 57 high three weeks later (chart dated Oct. 22). It became then, the fifth regional Mexican song to enter Hot 100 since the list launched in 1958.
Further, âDi Que SĂâ nearly misses the top on Regional Mexican Airplay this week, as the song rises to the runner-up slot after two weeks at No. 6.
Elsewhere, âDiâ climbs to 19-15 on the multimetric Hot Latin Songs chart. The increase secures the track the weekâs Greatest Gainer/Airplay honors, while streaming activity also assists its climb. The song generated 4.4 million U.S. clicks during the same period. The list blends airplay, streaming data, and digital sales.

The first edition of Mujeres Latinas en la Música will feature performances by Thalia, Ana Gabriel, Evaluna, Goyo and Emilia, who will all be honored at the ceremony, Billboard and Telemundo announced Wednesday (April 19).
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Argentine urban pop star Emilia will receive the Rising Star award; Venezuelan singer, actress and video director Evaluna will be recognized with the Tradition and Future award; while Afro-Colombian singer and rapper Goyo will be honored as Agent of Change; and Mexican superstar Thalia as Global Powerhouse. As previously announced, Mexican singer-songwriter Ana Gabriel will be recognized as a Living Legend.
âWe are excited to recognize a wide range of exceptional artists who reflect the astounding depth of talent to be found among women in Latin music,â said Leila Cobo, Billboardâs chief content officer for Latin/EspaĂąol. âAll these artists bring something exceptional to the table and we are honored to celebrate them.â
âThis yearâs renowned group of honorees represents the breadth of our Latino culture, each bringing a taste of their individual heritage to their respective musical genres,â said Ronald Day, President of Entertainment and Content Strategy for Telemundo. âIt is a pleasure to recognize their endless talents and contributions to the industry.â
Mujeres Latinas en la MĂşsica â celebrating Latin female artists, executives and creatives who are proactively working for positive change, inclusion and gender parity in the music industry â will take place at Watsco Center in Miami on Saturday, May 6, and air on Sunday, May 7, at 9 p.m. ET/8 p.m. CT on Telemundo. Tickets are already on sale and can be purchased here.
In its inaugural edition, the two-hour special will be co-hosted by reggaeton superstar Ivy Queen â who received this yearâs Icon Award at Billboardâs 2023 Women in Music â and television personality Jacky Bracamontes.
Recently reunited Mexican trio Camila are back in the top 10 on Billboardâs Latin Pop Airplay chart as âFugitivosâ rallies 23-9 on the ranking dated April 22. Itâs the groupâs first top 10 since 2014, and their first top 10 following the return of Samo Parra, who departed in 2013 to launch his solo career. The trio (Mario Domm, Pablo Hurado and Samo Parra) got back together in January.
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âGoing into the studio is a roll of the dice,â lead singer Mario Domm tells Billboard. âWe are very surprised to be back on the top 10 on Latin Pop Airplay!â
âFugitivosâ was composed by Domm and Mexican singer/songwriter Ale ZĂŠguer, produced by Domm alongside guitarist Pablo Hurtado, and released March 31 via Sony Music Latin. The 23-9 surge arrives in its second week on the chart thanks to its sizable 934% increase in audience impressions, to 2 million, earned in the U.S. in the week ending March 13, according to Luminate â the biggest percentage gain of the week.
âWe were inspired by life and the stories that surround us,â Domm recalled of writing the track. âWe wrote âFugitivosâ by the sea, during a creative session with Ale ZĂŠguer. We would like for people to listen to the song and feel it like a ray of sunshine on one of those cloudy days.â
âFugitivosâ marks Camilaâs highest-charting hit in more than 13 years, when âPerdĂłn,â released when the act was a duo of Domm and Hurtado, peaked at No. 8 in November 2014. One other top 10 without Samo preceded, the No. 2-peaking âDecidiste Dejarmeâ in June 2014. The then-two-man band scored four other entries on Latin Pop Airplay, none of which reached the top 10 (âQuĂŠdateâ earned the group a No. 12 high in February 2015).
As the band is back to its original formation, Camila score their highest entry with all founding members since âDe QuĂŠ Me Sirve La Vidaâ reached No. 7 in March 2012.
âFlowing with the music matters a lot to us,â Samo adds. âAs is knowing that after 10 years, people are still faithful to that essence of Camila in its original set up.â
In total, Camila have amassed 14 top 10s (three out of those hitting No. 1) among their 19 Latin Pop Airplay career entries, dating back to their first, the No. 8 high âAbrĂĄzameâ in 2006. In retrospect, however, the Mexicans charted their first No. 1 hit with âMientes,â which held atop the ranking for 10 consecutive weeks during Feb-May 2010.
âDefinitely meeting again has been a great process!â guitarist Hurtado mused. âThere were tears from the moment we first sang the chorus, goosebumps and lumps in our throats included. Getting together has been something wonderful. We are already looking forward to performing live and singing with our audience. We are fugitives of the ego, time passed, and we made it.â

Eslabon Armado and Peso Pluma are on a hot streak with their collaborative effort âElla Baila Sola.â
The track hit No. 1 on Billboardâs Hot Latin Songs chart (on the April 15-dated list) after debuting atop Latin Streaming Songs. Additionally, it earned both acts career-highs on the Billboard Hot 100, becoming the first regional Mexican song to reach the top 10 of the all-genre chart.
Penned by Eslabonâs vocalist Pedro Tovar, âElla Baila Solaâ (she dances alone) tells the story of two friends who are talking about a pretty girl at a party.
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âWe didnât expect for the song to make so much noise!â Tovar previously told Billboard. âI really liked the song when I first wrote it, but I didnât really expect it to be such a big hit. I previewed it on my stories on Instagram and two days after it went viral on TikTok and thatâs when I knew that the song was going to do big numbers.â
Below, read the complete lyrics translated into English:
Buddy, what do you think of that girl?The one whoâs dancing alone, I like her for meShe, she knows sheâs good lookingAnd everyone is looking at her danceI get close and tell her a verb We take drinks without buts, only temptationI told her âIâm going to conquer your family, and one day youâll be mineâShe said That Iâm too crazy but she likes itThat no guy acts like me
Iâm not a guy who has moneyBut speaking of the heart, Iâll give you everythingShe grabbed me by the handMy buddy didnât even believe it, it was me when I passed by
Her bodyI swear to God it was so perfectHer waist as a modelHer eyesI fell in love from the beginningShe likes it and I like it
Bad Bunnyâs team had a simple message for upset Harry Styles fans on Monday: no se pretende faltar al respeto. After Benito appeared to shade Harry during his historic headlining Coachella set on Friday night, the reggaeton superstarâs team said a tweet that appeared behind Bunny during the performance was not what it seemed.
The tweet stated: âgoodnight benito could do as it was but harry could never do el apagaon.â The latter is a reference to the song âEl ApagĂłnâ from Bunnyâs acclaimed Un Verano Sin Ti album and the former was just confusing. On Monday (April 17) a rep for Bunny told Rolling Stone that the singer had no comment, adding that Benito did not approve of the message in the tweet.
The visual content company that produced the images for his set, Sturdy.co, also reportedly confirmed that Bunny did not approve the Styles-dissing tweet and said it also did not intend to throw shade at the British singer/actor.
âOur intention is to create light hearted designs that embody Bad Bunnyâs personality and amplify the experience he presents as a performer,â Sturdy.co reportedly said in an Instagram Story statement on Monday. âThe request from the artist during the visuals for âEl ApagĂłnâ performance was to use the image only and not text from the tweet, which we take responsibility for and correct it for [this] Fridayâs performance. These visuals are a celebration of Bad Bunny and his dedication to empowering his native island, Puerto Rico.â
While Bunny has not reacted to the viral tweetstorm set off by the apparent Harry shade, fans speculated that it suggested he could easily have penned Styleâs hit âAs It Was,â while there was no way Styles could have written âEl ApagĂłnâ; Bunnyâs Un Verano album was up for record and song of the year at this yearâs Grammy Awards and was bested by Stylesâ Harryâs House for album of the year.
Bad Bunny became Coachellaâs first-ever solo Latino headliner on Friday, during which he shared a poignant message about life in the celebrity bubble. âHumbly speaking, people think they know the lives of famous people, but they donât,â he told his crowd. âThey donât know what we feel, what we live through,â he continued. âThey will never know what a heart can feel. Donât believe everything you hear. You wonât get to know the real me through a video on Instagram, an interview or a TikTok.â
At press time it did not appear that Styles has reacted to the tweetâs display during Bad Bunnyâs action-packed two-hour set, which included special guests Jhayco, Jowell & Randy and Ăengo Flow, Post Malone and a jet ski.
When two âperfect worldsâ join forces, a new heartbreak anthem gets delivered. On Monday (April 17), Grupo Frontera and Bad Bunny officially dropped âun x100toâ (one percent) after Benito showed off his cumbia-dancing skills on his TikTok account before a surprise announcement posted on Sunday (April 16) afternoon.
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Produced and composed by Latin hitmaker Edgar Barrer, the romantic cumbia-norteĂąo â backed by the captivating percussion and an accordion melody, and Grupo Fronteraâs signature tunes â narrates the story of a person who misses their ex and makes a phone call with one percent of battery left on their phone.
Below, read the full lyrics translated into English.
I have 1% leftAnd Iâll use it to tell you how sorry I am.That if they see me with another at a club, Iâm just wasting timeBaby, why am I lying to you?That they saw me happy is not true
nothing makes me laugh anymoreOnly when I see the photos and videos I have of youI went out with another to forget you, and she had the perfume that you likeI light it up to go to sleepBecause I sleep better if I dream that you are hereIf you knew that I wrote to youI have not sent the messages, they are all still thereWow, how much it has cost meMaybe I did you a favor when I left your sideDrunk looking at your photos. It hurts to see that you have improvedYou donât have gray days, and the scars no longer hurtAnd I am thinking whether to tell you that
I have 1% leftAnd Iâll use it to tell you how sorry I am.That if they see me with another at a club, Iâm just wasting timeBaby, why am I lying to you?That they saw me happy is not true, (hey)
I havenât thought about you in a long timeDrunk, your Insta I checkedBaby, I already know that you are doing wellThat you donât have to know about me, hey, heyLiving in a hell that I set on fire myselfPlaying with you as if it were the tenI feel that I am no longer in your heart, now I am at your feetâBegging you, drowning in tequilaThe boysâ are asking me outI have a good time, but I always end up missing youDrowning in tequila, heyâLas morritasâ texting me, heyWhere is the peda today, but
I have 1% leftAnd Iâll use it to tell you how sorry I am.That if they see me with another at a club, Iâm just wasting timeBaby, why am I lying to you?That they saw me happy is not true, (hey)
And this is Grupo FronteraAnd the âcompaâ Bad Bunny

More Spanish-language artists were featured last year at Coachella compared to this year. In 2022, over 20 Latin acts were on the lineup â the most ever featured at the festival â while this yearâs number just cracked double digit. But those that were featured at the 2023 fest â including headliner Bad Bunny, Becky G, Los Fabulosos Cadillacs, ConexiĂłn Divina and DannyLux â performed enthralling, history-making sets during weekend one of the festival, and are set to do it all over again next weekend (April 21-23) in Indio, Calif.
Just days after the RIAA revealed that Latin music revenues in the United States had hit an all-time high last year, exceeding the $1 billion mark, global superstar Bad Bunny, who has massively contributed to the continuous growth of the genre, made history at Coachella on Friday (Apr. 14), becoming the first Latin act to close out the festivalâs main stage. âLatinos have been rompiĂŠndola (killing it) for some time now,â the Puerto Rican hitmaker said during his nearly two-hour show. âItâs the first time a Benito closes the festival. It may be the first time, but perhaps not the last time.â
That same day, just hours before Bad Bunny made history, Becky G rocked the main stage and paid tribute to her Mexican roots, spotlighting regional Mexican Music and its new generations of artists, which included special guests Marca MP, JesĂşs Ortiz Paz of Fuerza Regida and Peso Pluma.
Billboard tried to catch as many performances by Latin or Spanish-language artists as possible throughout the weekend. Here are some memorable moments from a few of those sets.
DannyLux
âMy family and I are still processing what happened this weekend,â DannyLux tells Billboard after making his Coachella debut on Friday (April 14). His show at the desert festival was a homecoming for the Mexican-American sierreĂąo act, who grew up in the Coachella Valley area. In fact, the entire town, and his family in particular, showed up and expressed their support for the 19-year-old singer-songwriter. For DannyLuxâs father, who was a sanitation worker and picked up the trash after the festival year after year, going to the festival this year was special. A billboard in the valley that read a special message from his father to Danny went viral. âMy last time at Coachella I was picking up the trash. Now Iâm back to see my son perform this Friday. Te amo DannyLux, Tu PapĂĄ.â
âMe and my parents pray right before going up, and we just gave thanks for everything,â Danny says. During his set at the Sonora tent, which was fully packed up with people squeezing in to get in and see him play, Danny performed songs like âJugaste y SufrĂ,â âJunto a Ti,â âMi Otra Mitadâ and he covered Feidâs âFerxxo 100.â
âIt was crazy seeing all those people because when youâre behind the stage before the show, you canât really see how many people are out there,â Danny says. âWhen I saw all those people, it was a beautiful moment.â
https://www.instagram.com/p/CrBOcpXJJf3
Becky G
Image Credit: Emma McIntyre/GI for Coachella
A native Californian, Becky G stunned with her star-studded, unforgettable show that was packed with hits, surprise guests and Latin pride. âWhatâs up Coachella?â she asked a sea of festival-goers, who had stationed themselves at the main stage for her 45-minute set after immediately being hooked with her reggaeton banger âMayores.â âYouâre looking mighty beautiful from up here,â she briefly said after performing her first song. âIâm so happy to be here with you guys today.â
Known for being a true team player and someone who wants to empower fellow artists, Becky G came to Coachella with some of her friends. âI couldnât come to Coachella and not share the stage. Who else did we invite to the carne asada (cookout)?â she asked her DJ. She then went on to explain how she has been working on her first Mexican music album and how beautiful the process has been. To honor her Mexican roots at Coachella, she brought out regional Mexican heavy-hitters Marca MP, Fuerza Regidaâs JesĂşs Ortiz Paz and Peso Pluma. Natti Natasha also made her way to the desert to sing âSin Pijamaâ with Becky.
Bad Bunny
A lot went down during Bad Bunnyâs nearly two-hour headlining set â even a mid-show marriage proposal in the crowd â where he made history as the first Spanish-language artist to close out the main stage. The set kicked off a with a pre-recorded video of the Puerto Rican hitmaker saying how grateful he felt to be the first Benito to ever headline the fest. âItâs incredible to see the list of all the other artists that have performed on this stage. So many of them, but no one like me,â he said.
He then opened with back-to-back Un Verano Sin Ti hits, âTiti Me PreguntĂłâ and âMoscow Mule.â Supported by eye-popping visuals and his troupe of dancers, it seemed like Bad Bunny could keep performing forever, continuously asking fans, âLe seguimos? (Do we keep going?)â
As for special guests, Bunny had a few surprises in store. He brought out OG reggaetoneros Jowell & Randy and Ăengo Flow for âSafaeraâ and frequent collaborator Jhayco for âDĂĄkiti.â But perhaps the most unexpected guest was Post Malone, who, with guitar in hand, sat next to Bunny to play âLa CanciĂłnâ and âYonaguniâ from a stage in the middle of the crowd. But what could have been en epic moment was unfortunately plagued by audio issues, and fans never even got to hear Post play. âSomething happened to a cabrĂłn cable,â Bunny said as an apology to his fans and, of course, Post. But Bunny was quick to move on from the technical difficulties and just kept going and going, saving âCallaĂta,â âMe Porto Bonitoâ and âDespuĂŠs de la Playaâ until the very end to close with a bang as fireworks fittingly lit up the sky.Â
RosalĂa
Image Credit: Frazer Harrison/GI for Coachella
RosalĂa is on a winning streak, and her performance at Coachella was no exception. Perhaps one of the best performances overall during the festivalâs first weekend, the Spanish starâs set was hypnotizing, emotional and a literal piece of art. âBuenas noches, Coachella? I feel very happy to see you all here today,â said RosalĂa, who was accompanied by a troupe of fierce dancers. âYou fill my heart with your presence. I come from Barcelona, thatâs why this stage is so special. Itâs because of you that Iâm here.â
RosalĂa brought her Motomami Tour concept to the desert, built upon a minimalistic white canvas with multiple cameras live feeding content from multiple angles. The tracklist spanned her albums El Mal Querer and Motomami, including hits like âSaoko,â âBizcochito,â and âLa Fama.â Then, she brought out a special guest. Her fiancĂŠÂ Rauw Alejandro joined her on stage to perform âBesoâ and âVampirosâ off their recently-released joint EP. âHow many of you have already listened to RR,â the Spanish star asked the crowd. âFour years ago, I came to Coachella, and I came alone. Not this time around.â A few seconds later, the Puerto Rican hitmaker joined his lover onstage where they sang, kissed and twerked.
Eladio CarriĂłn
Bad Bunny wasnât the only one repping for Puerto Rico at Coachella. Rapper and singer Eladio CarriĂłn also performed in front of a packed room on Saturday at the Gobi tent, making his debut at the desert. âItâs my first time at Coachella,â the hitmaker told those that had trekked to see him performed, âso itâs a historic day for me.â
He then powered through hard-hitting songs like âFlores En AnĂłnimo,â âSin Frenos,â âAl Caponeâ and of course the new fan favorite âCoco Chanel,â off his new set 3MEN2 KBRN. At one point, fans thought Bad Bunny could show up to join Eladio for their new collab but he did not. Either way, Eladio shined at Coachella, and is a must-see if youâre heading out for the second week of the festival.
ConexiĂłn Divina
Image Credit: Edgar Gomez
Regional Mexican trio ConexiĂłn Divina made their Coachella debut on Sunday (Apr. 16), and the all-women sierreĂąo ensemble caught up with Billboard post-performance to talk about a moment that they thought would come much later during in their careers.
âThere arenât a lot of artists that get to say that performed at Coachella less than a year after launching their project,â Liz tells Billboard. The group â who released their debut album, Tres Mundos, on Friday (Apr. 14) â took time before stepping onstage at the Sonora stage to talk about what this meant to each of them, and how they wouldnât get their hopes up if âno one showed up.â âWe were trying to be relaxed,â says Ashlee. âWe said that this was just another session in our room and to not even think about how many people showed up. We didnât want to have expectations.â Adds third member Sandra, âEveryone gets here till later at night and we thought, 1 p.m., thereâs going to be no one there.â Safe to say, they packed the room and serenaded fans with music from the recently released set.
Los Fabulosos Cadillacs
It wouldnât be Coachella without a proper Latin rock moment, and who better to deliver that than the iconic Argentine band Los Fabulosos Cadillacs? Even after a last-minute change on their set â they were moved up on the schedule and to a different stage â a significant crowd gathered to show the band support and rock out to songs like âMatador,â âMal Bichoâ âEl LeĂłn,â âVacos VacĂosâ and âSatanico.â
After their allotted 45 minutes on stage, the band said their goodbyes, but the fans werenât ready to let them go just yet. After wrapping with âSatĂĄnico,â fans began chanting âotra, otraâ asking them to sing another song. âWeâre asking if itâs possible to sing another song,â frontman Vicentico told the crowd. And so they did: they performed one last song to please the fans that made it to the festival earlier to catch them, only fair after the last-minute shift.
Kali Uchis
Image Credit: Frazer Harrison/GI for Coachella
Kali Uchis delivered an epic performance on Sunday that featured back-to-back surprise guests. The Colombian-American artist started off strong performing her bilingual hit âTelepatĂa,â which earned the singer-songwriter her first leader on Billboardâs Hot Latin Songs chart in 2021. Wearing a two-piece denim piece (bustier and shirt) with matching boots, Kali introduced her first guest, none other than Tyler, the Creator, to sing their duet âSee You Again.â She then brought out Omar Apollo to perform âWorth the Wait.â For her last guest, Uchis invited rapper (and her significant other) Don Toliver for âFantasy.â
âAre you guys hot?â she asked the crowd after Toliver left the stage. Things were only about to get hotter when she performed OG reggaeton anthems âRica y Apretaditaâ by El General and Don Omarâs âSalvaje.â Recently, Uchis dropped her new album, Red Moon in Venus, which earned her her first top 10 on the R&B/Hip-Hop Albums chart. During her set, she teased that sheâs about to drop a Latin album next.