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Choosing a “local path” made Carlos Vives “very international,” reflects the superstar via Zoom from his native Colombia as he prepares to release Escalona Nunca Se Había Grabado Así, a tribute album to the great Rafael Escalona.

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The 12-track set, released on Wednesday (April 19) under WK Records / Gaira Musica Local, includes versions of “La Historia,” “Mala Suerte” and “La Golondrina,” as well as “La Nostalgia de Poncho”, “El Destino de Simón” and “El Testamento,” among others.

The album arrives the same year that Vives celebrates three decades of his worldwide hit Clásicos de la Provincia, where he took the rural musical stylings from Colombia’s Caribbean coast known as vallenato, and injected a modern pop-rock sensibility. It is a revolutionary sound that immortalized the Colombian genre beyond its borders. His main inspiration? Rafael Escalona, a swaggering, prolific troubadour, romantic and a playboy, from the country’s Valledupar region.  

Vives, who started off playing rock before dedicating the rest of his life to rescuing and revitalizing the sounds of his homeland, starred in a successful 1991 biographical telenovela called Escalona, in which he played none other than the Colombian composer himself. It became a transformative experience — in which the spirit of the legendary troubadour remained with him, in a way — but also one where Vives continued building off those musical teachings afterwards. 

“After we did the series, the style that I discovered Colombian kind of pop [rooted in] traditional music from the different rural regions — a different way than how vallenato was recorded before,” says Vives. “The fact being proud of everything we had here, of everything we are as Colombians, I think really made us popular, and it led us to tour around the world. That was really the reason that motivated us to do what we do.”

To support the release of Escalona Nunca Se HabĂ­a Grabado AsĂ­, he will premiere the documentary Regreso a Escalona on May 1 in Colombia on Canal Caracol and arrives four days later in the U.S. at The Colombian Film Festival NY. The musician, who this week will be honored with the Leyenda Award at the Latin American Music Awards, is also preparing for an upcoming international tour.

Below, Vives breaks down five essential songs from his new album that explore Escalona’s compositions as never before recorded, in his own words.

“La Historia”

The first single we released was ‘La Historia’, a very romantic song about a heartbreak by Rafael Escalona. But we recorded it in a pop style, without losing the feeling of traditional music. ‘La Historia’ is a very sad and simple song, but with an incredible strength and soulful intensity, and with a sound that you will enjoy very much.

“Mala Suerte”

This is a song that does not produce bad luck (or mala suerte). It is a song of joy and strength, like El Rock De Mi Pueblo. I wanted to record “Mala Suerte” also at that time [2004], with that instrumental strength, with those electric guitars and without losing the accordion of my compadre Egidio [Cuadrado].

[For this album] we did a new version, inspired fundamentally by a scene we did more than 30 years ago with my compadre Egidio. When we recorded the series and that song, I sang the song live, riding in a pickup truck, moving along a road in the province of Padilla. So, when I wanted to shoot the video 30 years later, I wanted to do it again in a van. The video is a reference of what we did 30 years ago for this celebration. The only thing it gives you is wonderful luck and happiness in the soul.

“El Carro Ford” 

In the film we are releasing, Regreso a Escalona, Escalona’s son, Pachín Francisco Escalona, lent me a truck that belonged to his father. In that truck we traveled around the region again with my compadre Egidio, and it’s a Ford truck. The song goes (sings):Voy a comprar un carro Ford/ Voy a comprar un carro FordQue vuela en la carretera/ Y lo pongo en direcciónY lo pongo en dirección del valle pa’ Villanueva.Como yo no tomo ron, como yo no tomo ron/ Quiero mi trago en monedaPa’ comprarme un carro Ford, pa’ comprarme un carro Ford…

That van would possibly have inspired the composition of this song — in addition to Escalona’s numerous loves, of course. We shot the film riding in the van that my compadre Egidio knew because he had been Escalona’s accordionist, and [also] had been Escalona’s brother-in-law. Egidio’s sister Dina was one of the great muses that inspired Escalona for his songs. Dina appears in many of his songs — and, of course, I managed to have Dina as one of the protagonists of this TV special. Rafa [Escalona] was a lover man.

“Carmen Gómez”

In general, most songs talk about taking women out on a stroll — for the ladies. Escalona talks about proper names — such as ‘La mona del Cañaguate’ or ‘La Maye’ — and he made a song to Carmen Gómez. There is always a woman who inspires his songwriting and she has her own name, her own authentic place — where they were born, where the story happened, where he took her for a walk, what he bought her. “Carmen Gomez” is a song inspired by beauty pageants, and it goes (sings):

De un concurso que se forme buscando la mujer perfectaYo voy a que ganar Fonseca o representando a Carmen Gómez Y tiene porte de un gran dama y una elegancia muy distinguidaDe esa raza noble y grande, esa que ella representaSacó los ojos de Espaùa y la nobleza latina 

In a time when music becomes uniform throughout the world, and everything seems to sound the same, we do not recognize places or people, rivers, mountains, or animals. [As a culture] we don’t dedicate time to preserve what is ours. Escalona’s music, the way we recorded it, I think is something very refreshing.

“Contestación a la Brasilera”

The bonus track on the album is a song that composer Armando Zabaleta, a friend of my father’s, did. When I told my dad, “I am going to record Clásicos de la Provincia. I want you to help me select the repertoire to show people that in addition to Escalona, there are a number of composers that people don’t really know about.” Because the Escalona series already famous, he told me, “Record ‘Contestación a la brasilera’.” Armando Zabaleta was a friend of Escalona. And Rafa had made a song for a Brazilian that goes like this (sings):

Yo la conocí una maùana/ Yo la conocí una maùana Que llegó en avión a mi tierra y cuando me la presentaron Me dijo que era brasilera 

It’s Escalona’s love story with a Brazilian woman, and she ends up leaving, leaving him lovesick. It was one of Escalona’s most famous songs. I recorded it on my Clásicos de la Provincia album, [but] I recorded it incomplete. When I got to the mixing of the album [Clásicos…], the song was missing. The only thing I could think of so as not to lose face with my dad and Armando was to close the song with a little verse. But of course, when the record came out, my dad says, “You didn’t record the whole song. What happened?” In the end I told him, “Give me a chance, sooner or later I’m going to record it. I had promised my dad that I was going to complete it, but [time] passed and I forgot.”

Making this Escalona album, it occurred to me to pay tribute to my dad and the composer. Today they are no longer with us. I recorded the complete composition that speaks of Rafael Escalona, although it is not his song.

More than 30 artists are set to perform at the 2023 Latin American Music Awards, which will take place live on Thursday, April 20, from the MGM Grand Garden Arena in Las Vegas.

Airing for the first time on Univision, the lineup includes sets by Mexican pop star Danna Paola, Becky G — who last weekend made her debut billing at Coachella — and newcomers Grupo Frontera, who on Monday dropped “un x100to,” their collaboration with Bad Bunny.

Anuel AA will perform “Más Rica Que Ayer”; newlyweds Guaynaa and Lele Pons will perform a medley that includes their latest collab, “Abajito”; Myke Towers is set to sing his newest track, “Mi Droga”; and Prince Royce will surprise viewers with an unreleased song. Additionally, Spanish newcomer Bad Gyal and Regional Mexican crooner Eden Muñoz will make their Latin AMAs debut. The former will deliver her single “Chulo,” and the latter will offer his viral solo hit “Chale!” 

Nominations for the 2023 awards — based on streaming, sales, radio airplay, tours and even social media interactions data provided by Billboard and Luminate during the eligibility period (Feb. 12, 2022, through Feb. 4, 2023) — are led by Bad Bunny with 11 nominations. He’s followed by Becky G and Daddy Yankee, each with nine nominations. Carlos Vives and Pepe Aguilar will be recognized as 2023 Latin AMAs Legacy honorees.

Below, vote for the performance you’re most excited to see on Thursday at the Latin AMAs:

Get tickets to the first-ever #BBMujeresLatinas on May 6 in Miami: billboardmujeresenlamusica.com

The 2023 Latin American Music Awards are just hours away, airing for the first time on the Univision Network for the first time since its debut on Oct. 8, 2015, on Telemundo.

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Set to take place live on Thursday, April 20, from the MGM Grand Garden Arena in Las Vegas, the Latin AMAs has confirmed more than 30 performers who will take center stage, including newcomers Grupo Frontera, Peso Pluma, Young Miko and Ryan Castro.

Nominations for the 2023 awards — based on streaming, sales, radio airplay, tours and even social media interactions data provided by Billboard and Luminate during the eligibility period (Feb. 12, 2022, through Feb. 4, 2023) — are led by Bad Bunny with 11 nominations. He’s followed by Becky G and Daddy Yankee, each with nine nominations.

How to Watch

Both the pre-show — “Noche de Estrellas” (starting at 7 p.m. ET)– and the Latin AMAs (8 p.m. ET) will simulcast on Univision, UNIMÁS and Galavisión. Also, only the pre-show will be available to stream on ViX.

Here are all the performers set to take center stage:

Ángela Aguilar

Anuel AA

Becky G

Bad Gyal

Banda El Recodo

Blessd

Carin Leon

Carlos Vives

Chesca

Dalex

Danna Paola

David Bisbal

DJ Luian

Grupo Frontera

Guaynaa

Jesse y Joy

Justin Quiles

Lele Pons

Lenny Tavarez

Lil Jon

Lyanno

Mambo Kingz

Manuel Turizo

Myke Towers

Natti Natasha

Olga Taùón

Omar Courtz

Pepe Aguilar

Peso Pluma

Pitbull

Prince Royce

RubĂŠn Blades

Ryan Castro

Vikina

Wisin

Young Miko

ZacarĂ­as FerreĂ­ra

Marca Registrada unlocks its first top 10 achievement on Billboard’s Latin Airplay chart thanks to “Di Que Sí,” its first collab with Grupo Frontera, which climbs 12-5 on the ranking dated April 22.

“Di Que Sí” enters the top 10 in its fifth week with 8 million in audience impressions, an 18% gain, earned in the U.S. during the April 7-13 tracking week, according to Luminate.

As mentioned, the Culiacán, Sinaloans crack the top 10 barrier for the first time in 2023 and join five other acts who concurrently scored a first top 10 this year. Here’s the rundown: 

Artist, Title, Collaborator, Date Arrived, Position

Baby Rasta, “Punto 40,” with Rauw Alejandro, Jan. 14, No. 9

Leandro Rios, “La Patrona,” with Edwin Luna y La Trakalosa de Monterrey, Jan. 28, No. 9

Fuerza Regida, “Bebe Dame,” with Grupo Frontera, March 25, No. 1

Marshmello, “El Merengue,” with Manuel Turizo, April 1, No. 8

Marca Registrada, “Di Que Si,” with Grupo Frontera, April 22, No. 5

Meanwhile, Mc Allen, Texas-based Grupo Frontera secures its fourth straight top 10 which launched with the No. 10-peaking “No Se Va” last December. The song also granted the five-member ensemble its first entry on the Billboard Hot 100 in October at No. 99, reaching its No. 57 high three weeks later (chart dated Oct. 22). It became then, the fifth regional Mexican song to enter Hot 100 since the list launched in 1958.

Further, “Di Que Sí” nearly misses the top on Regional Mexican Airplay this week, as the song rises to the runner-up slot after two weeks at No. 6.

Elsewhere, “Di” climbs to 19-15 on the multimetric Hot Latin Songs chart. The increase secures the track the week’s Greatest Gainer/Airplay honors, while streaming activity also assists its climb. The song generated 4.4 million U.S. clicks during the same period. The list blends airplay, streaming data, and digital sales.

The first edition of Mujeres Latinas en la Música will feature performances by Thalia, Ana Gabriel, Evaluna, Goyo and Emilia, who will all be honored at the ceremony, Billboard and Telemundo announced Wednesday (April 19).

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Argentine urban pop star Emilia will receive the Rising Star award; Venezuelan singer, actress and video director Evaluna will be recognized with the Tradition and Future award; while Afro-Colombian singer and rapper Goyo will be honored as Agent of Change; and Mexican superstar Thalia as Global Powerhouse. As previously announced, Mexican singer-songwriter Ana Gabriel will be recognized as a Living Legend.

“We are excited to recognize a wide range of exceptional artists who reflect the astounding depth of talent to be found among women in Latin music,” said Leila Cobo, Billboard’s chief content officer for Latin/Español. “All these artists bring something exceptional to the table and we are honored to celebrate them.”

“This year’s renowned group of honorees represents the breadth of our Latino culture, each bringing a taste of their individual heritage to their respective musical genres,” said Ronald Day, President of Entertainment and Content Strategy for Telemundo. “It is a pleasure to recognize their endless talents and contributions to the industry.”

Mujeres Latinas en la Música — celebrating Latin female artists, executives and creatives who are proactively working for positive change, inclusion and gender parity in the music industry — will take place at Watsco Center in Miami on Saturday, May 6, and air on Sunday, May 7, at 9 p.m. ET/8 p.m. CT on Telemundo. Tickets are already on sale and can be purchased here.

In its inaugural edition, the two-hour special will be co-hosted by reggaeton superstar Ivy Queen — who received this year’s Icon Award at Billboard‘s 2023 Women in Music — and television personality Jacky Bracamontes.

Recently reunited Mexican trio Camila are back in the top 10 on Billboard’s Latin Pop Airplay chart as “Fugitivos” rallies 23-9 on the ranking dated April 22. It’s the group’s first top 10 since 2014, and their first top 10 following the return of Samo Parra, who departed in 2013 to launch his solo career. The trio (Mario Domm, Pablo Hurado and Samo Parra) got back together in January.

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“Going into the studio is a roll of the dice,” lead singer Mario Domm tells Billboard. “We are very surprised to be back on the top 10 on Latin Pop Airplay!”

“Fugitivos” was composed by Domm and Mexican singer/songwriter Ale Zéguer, produced by Domm alongside guitarist Pablo Hurtado, and released March 31 via Sony Music Latin. The 23-9 surge arrives in its second week on the chart thanks to its sizable 934% increase in audience impressions, to 2 million, earned in the U.S. in the week ending March 13, according to Luminate — the biggest percentage gain of the week.

“We were inspired by life and the stories that surround us,” Domm recalled of writing the track. “We wrote ‘Fugitivos’ by the sea, during a creative session with Ale Zéguer. We would like for people to listen to the song and feel it like a ray of sunshine on one of those cloudy days.”

“Fugitivos” marks Camila’s highest-charting hit in more than 13 years, when “Perdón,” released when the act was a duo of Domm and Hurtado, peaked at No. 8 in November 2014. One other top 10 without Samo preceded, the No. 2-peaking “Decidiste Dejarme” in June 2014. The then-two-man band scored four other entries on Latin Pop Airplay, none of which reached the top 10 (“Quédate” earned the group a No. 12 high in February 2015).

As the band is back to its original formation, Camila score their highest entry with all founding members since “De Qué Me Sirve La Vida” reached No. 7 in March 2012.

“Flowing with the music matters a lot to us,” Samo adds. “As is knowing that after 10 years, people are still faithful to that essence of Camila in its original set up.”

In total, Camila have amassed 14 top 10s (three out of those hitting No. 1) among their 19 Latin Pop Airplay career entries, dating back to their first, the No. 8 high “Abrázame” in 2006. In retrospect, however, the Mexicans charted their first No. 1 hit with “Mientes,” which held atop the ranking for 10 consecutive weeks during Feb-May 2010.

“Definitely meeting again has been a great process!” guitarist Hurtado mused. “There were tears from the moment we first sang the chorus, goosebumps and lumps in our throats included. Getting together has been something wonderful. We are already looking forward to performing live and singing with our audience. We are fugitives of the ego, time passed, and we made it.”

Eslabon Armado and Peso Pluma are on a hot streak with their collaborative effort “Ella Baila Sola.”

The track hit No. 1 on Billboard‘s Hot Latin Songs chart (on the April 15-dated list) after debuting atop Latin Streaming Songs. Additionally, it earned both acts career-highs on the Billboard Hot 100, becoming the first regional Mexican song to reach the top 10 of the all-genre chart.

Penned by Eslabon’s vocalist Pedro Tovar, “Ella Baila Sola” (she dances alone) tells the story of two friends who are talking about a pretty girl at a party.

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“We didn’t expect for the song to make so much noise!” Tovar previously told Billboard. “I really liked the song when I first wrote it, but I didn’t really expect it to be such a big hit. I previewed it on my stories on Instagram and two days after it went viral on TikTok and that’s when I knew that the song was going to do big numbers.”

Below, read the complete lyrics translated into English:

Buddy, what do you think of that girl?The one who’s dancing alone, I like her for meShe, she knows she’s good lookingAnd everyone is looking at her danceI get close and tell her a verb We take drinks without buts, only temptationI told her “I’m going to conquer your family, and one day you’ll be mine”She said That I’m too crazy but she likes itThat no guy acts like me

I’m not a guy who has moneyBut speaking of the heart, I’ll give you everythingShe grabbed me by the handMy buddy didn’t even believe it, it was me when I passed by

Her bodyI swear to God it was so perfectHer waist as a modelHer eyesI fell in love from the beginningShe likes it and I like it

Bad Bunny‘s team had a simple message for upset Harry Styles fans on Monday: no se pretende faltar al respeto. After Benito appeared to shade Harry during his historic headlining Coachella set on Friday night, the reggaeton superstar’s team said a tweet that appeared behind Bunny during the performance was not what it seemed.
The tweet stated: “goodnight benito could do as it was but harry could never do el apagaon.” The latter is a reference to the song “El Apagón” from Bunny’s acclaimed Un Verano Sin Ti album and the former was just confusing. On Monday (April 17) a rep for Bunny told Rolling Stone that the singer had no comment, adding that Benito did not approve of the message in the tweet.

The visual content company that produced the images for his set, Sturdy.co, also reportedly confirmed that Bunny did not approve the Styles-dissing tweet and said it also did not intend to throw shade at the British singer/actor.

“Our intention is to create light hearted designs that embody Bad Bunny’s personality and amplify the experience he presents as a performer,” Sturdy.co reportedly said in an Instagram Story statement on Monday. “The request from the artist during the visuals for ‘El Apagón’ performance was to use the image only and not text from the tweet, which we take responsibility for and correct it for [this] Friday’s performance. These visuals are a celebration of Bad Bunny and his dedication to empowering his native island, Puerto Rico.”

While Bunny has not reacted to the viral tweetstorm set off by the apparent Harry shade, fans speculated that it suggested he could easily have penned Style’s hit “As It Was,” while there was no way Styles could have written “El Apagón”; Bunny’s Un Verano album was up for record and song of the year at this year’s Grammy Awards and was bested by Styles’ Harry’s House for album of the year.

Bad Bunny became Coachella’s first-ever solo Latino headliner on Friday, during which he shared a poignant message about life in the celebrity bubble. “Humbly speaking, people think they know the lives of famous people, but they don’t,” he told his crowd. “They don’t know what we feel, what we live through,” he continued. “They will never know what a heart can feel. Don’t believe everything you hear. You won’t get to know the real me through a video on Instagram, an interview or a TikTok.”

At press time it did not appear that Styles has reacted to the tweet’s display during Bad Bunny’s action-packed two-hour set, which included special guests Jhayco, Jowell & Randy and Ñengo Flow, Post Malone and a jet ski.

When two ‘perfect worlds’ join forces, a new heartbreak anthem gets delivered. On Monday (April 17), Grupo Frontera and Bad Bunny officially dropped “un x100to” (one percent) after Benito showed off his cumbia-dancing skills on his TikTok account before a surprise announcement posted on Sunday (April 16) afternoon.

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Produced and composed by Latin hitmaker Edgar Barrer, the romantic cumbia-norteño — backed by the captivating percussion and an accordion melody, and Grupo Frontera’s signature tunes — narrates the story of a person who misses their ex and makes a phone call with one percent of battery left on their phone.

Below, read the full lyrics translated into English.

I have 1% leftAnd I’ll use it to tell you how sorry I am.That if they see me with another at a club, I’m just wasting timeBaby, why am I lying to you?That they saw me happy is not true

nothing makes me laugh anymoreOnly when I see the photos and videos I have of youI went out with another to forget you, and she had the perfume that you likeI light it up to go to sleepBecause I sleep better if I dream that you are hereIf you knew that I wrote to youI have not sent the messages, they are all still thereWow, how much it has cost meMaybe I did you a favor when I left your sideDrunk looking at your photos. It hurts to see that you have improvedYou don’t have gray days, and the scars no longer hurtAnd I am thinking whether to tell you that

I have 1% leftAnd I’ll use it to tell you how sorry I am.That if they see me with another at a club, I’m just wasting timeBaby, why am I lying to you?That they saw me happy is not true, (hey)

I haven’t thought about you in a long timeDrunk, your Insta I checkedBaby, I already know that you are doing wellThat you don’t have to know about me, hey, heyLiving in a hell that I set on fire myselfPlaying with you as if it were the tenI feel that I am no longer in your heart, now I am at your feet’Begging you, drowning in tequilaThe boys’ are asking me outI have a good time, but I always end up missing youDrowning in tequila, hey‘Las morritas’ texting me, heyWhere is the peda today, but

I have 1% leftAnd I’ll use it to tell you how sorry I am.That if they see me with another at a club, I’m just wasting timeBaby, why am I lying to you?That they saw me happy is not true, (hey)

And this is Grupo FronteraAnd the ‘compa’ Bad Bunny

More Spanish-language artists were featured last year at Coachella compared to this year. In 2022, over 20 Latin acts were on the lineup — the most ever featured at the festival — while this year’s number just cracked double digit. But those that were featured at the 2023 fest — including headliner Bad Bunny, Becky G, Los Fabulosos Cadillacs, Conexión Divina and DannyLux — performed enthralling, history-making sets during weekend one of the festival, and are set to do it all over again next weekend (April 21-23) in Indio, Calif.

Just days after the RIAA revealed that Latin music revenues in the United States had hit an all-time high last year, exceeding the $1 billion mark, global superstar Bad Bunny, who has massively contributed to the continuous growth of the genre, made history at Coachella on Friday (Apr. 14), becoming the first Latin act to close out the festival’s main stage. “Latinos have been rompiéndola (killing it) for some time now,” the Puerto Rican hitmaker said during his nearly two-hour show. “It’s the first time a Benito closes the festival. It may be the first time, but perhaps not the last time.”

That same day, just hours before Bad Bunny made history, Becky G rocked the main stage and paid tribute to her Mexican roots, spotlighting regional Mexican Music and its new generations of artists, which included special guests Marca MP, JesĂşs Ortiz Paz of Fuerza Regida and Peso Pluma.

Billboard tried to catch as many performances by Latin or Spanish-language artists as possible throughout the weekend. Here are some memorable moments from a few of those sets.

DannyLux

“My family and I are still processing what happened this weekend,” DannyLux tells Billboard after making his Coachella debut on Friday (April 14). His show at the desert festival was a homecoming for the Mexican-American sierreño act, who grew up in the Coachella Valley area. In fact, the entire town, and his family in particular, showed up and expressed their support for the 19-year-old singer-songwriter. For DannyLux’s father, who was a sanitation worker and picked up the trash after the festival year after year, going to the festival this year was special. A billboard in the valley that read a special message from his father to Danny went viral. “My last time at Coachella I was picking up the trash. Now I’m back to see my son perform this Friday. Te amo DannyLux, Tu Papá.”

“Me and my parents pray right before going up, and we just gave thanks for everything,” Danny says. During his set at the Sonora tent, which was fully packed up with people squeezing in to get in and see him play, Danny performed songs like “Jugaste y Sufrí,” “Junto a Ti,” “Mi Otra Mitad” and he covered Feid’s “Ferxxo 100.”

“It was crazy seeing all those people because when you’re behind the stage before the show, you can’t really see how many people are out there,” Danny says. “When I saw all those people, it was a beautiful moment.”

https://www.instagram.com/p/CrBOcpXJJf3

Becky G

Image Credit: Emma McIntyre/GI for Coachella

A native Californian, Becky G stunned with her star-studded, unforgettable show that was packed with hits, surprise guests and Latin pride. “What’s up Coachella?” she asked a sea of festival-goers, who had stationed themselves at the main stage for her 45-minute set after immediately being hooked with her reggaeton banger “Mayores.” “You’re looking mighty beautiful from up here,” she briefly said after performing her first song. “I’m so happy to be here with you guys today.”

Known for being a true team player and someone who wants to empower fellow artists, Becky G came to Coachella with some of her friends. “I couldn’t come to Coachella and not share the stage. Who else did we invite to the carne asada (cookout)?” she asked her DJ. She then went on to explain how she has been working on her first Mexican music album and how beautiful the process has been. To honor her Mexican roots at Coachella, she brought out regional Mexican heavy-hitters Marca MP, Fuerza Regida’s Jesús Ortiz Paz and Peso Pluma. Natti Natasha also made her way to the desert to sing “Sin Pijama” with Becky.

Bad Bunny

A lot went down during Bad Bunny’s nearly two-hour headlining set — even a mid-show marriage proposal in the crowd — where he made history as the first Spanish-language artist to close out the main stage. The set kicked off a with a pre-recorded video of the Puerto Rican hitmaker saying how grateful he felt to be the first Benito to ever headline the fest. “It’s incredible to see the list of all the other artists that have performed on this stage. So many of them, but no one like me,” he said.

He then opened with back-to-back Un Verano Sin Ti hits, “Titi Me Preguntó” and “Moscow Mule.” Supported by eye-popping visuals and his troupe of dancers, it seemed like Bad Bunny could keep performing forever, continuously asking fans, “Le seguimos? (Do we keep going?)”

As for special guests, Bunny had a few surprises in store. He brought out OG reggaetoneros Jowell & Randy and Ñengo Flow for “Safaera” and frequent collaborator Jhayco for “Dákiti.” But perhaps the most unexpected guest was Post Malone, who, with guitar in hand, sat next to Bunny to play “La Canción” and “Yonaguni” from a stage in the middle of the crowd. But what could have been en epic moment was unfortunately plagued by audio issues, and fans never even got to hear Post play. “Something happened to a cabrón cable,” Bunny said as an apology to his fans and, of course, Post. But Bunny was quick to move on from the technical difficulties and just kept going and going, saving “Callaíta,” “Me Porto Bonito” and “Después de la Playa” until the very end to close with a bang as fireworks fittingly lit up the sky. 

RosalĂ­a

Image Credit: Frazer Harrison/GI for Coachella

Rosalía is on a winning streak, and her performance at Coachella was no exception. Perhaps one of the best performances overall during the festival’s first weekend, the Spanish star’s set was hypnotizing, emotional and a literal piece of art. “Buenas noches, Coachella? I feel very happy to see you all here today,” said Rosalía, who was accompanied by a troupe of fierce dancers. “You fill my heart with your presence. I come from Barcelona, that’s why this stage is so special. It’s because of you that I’m here.”

Rosalía brought her Motomami Tour concept to the desert, built upon a minimalistic white canvas with multiple cameras live feeding content from multiple angles. The tracklist spanned her albums El Mal Querer and Motomami, including hits like “Saoko,” “Bizcochito,” and “La Fama.” Then, she brought out a special guest. Her fiancé Rauw Alejandro joined her on stage to perform “Beso” and “Vampiros” off their recently-released joint EP. “How many of you have already listened to RR,” the Spanish star asked the crowd. “Four years ago, I came to Coachella, and I came alone. Not this time around.” A few seconds later, the Puerto Rican hitmaker joined his lover onstage where they sang, kissed and twerked.

Eladio CarriĂłn

Bad Bunny wasn’t the only one repping for Puerto Rico at Coachella. Rapper and singer Eladio Carrión also performed in front of a packed room on Saturday at the Gobi tent, making his debut at the desert. “It’s my first time at Coachella,” the hitmaker told those that had trekked to see him performed, “so it’s a historic day for me.”

He then powered through hard-hitting songs like “Flores En Anónimo,” “Sin Frenos,” “Al Capone” and of course the new fan favorite “Coco Chanel,” off his new set 3MEN2 KBRN. At one point, fans thought Bad Bunny could show up to join Eladio for their new collab but he did not. Either way, Eladio shined at Coachella, and is a must-see if you’re heading out for the second week of the festival.

ConexiĂłn Divina

Image Credit: Edgar Gomez

Regional Mexican trio ConexiĂłn Divina made their Coachella debut on Sunday (Apr. 16), and the all-women sierreĂąo ensemble caught up with Billboard post-performance to talk about a moment that they thought would come much later during in their careers.

“There aren’t a lot of artists that get to say that performed at Coachella less than a year after launching their project,” Liz tells Billboard. The group — who released their debut album, Tres Mundos, on Friday (Apr. 14) — took time before stepping onstage at the Sonora stage to talk about what this meant to each of them, and how they wouldn’t get their hopes up if “no one showed up.” “We were trying to be relaxed,” says Ashlee. “We said that this was just another session in our room and to not even think about how many people showed up. We didn’t want to have expectations.” Adds third member Sandra, “Everyone gets here till later at night and we thought, 1 p.m., there’s going to be no one there.” Safe to say, they packed the room and serenaded fans with music from the recently released set.

Los Fabulosos Cadillacs

It wouldn’t be Coachella without a proper Latin rock moment, and who better to deliver that than the iconic Argentine band Los Fabulosos Cadillacs? Even after a last-minute change on their set — they were moved up on the schedule and to a different stage — a significant crowd gathered to show the band support and rock out to songs like “Matador,” “Mal Bicho” “El León,” “Vacos Vacíos” and “Satanico.”

After their allotted 45 minutes on stage, the band said their goodbyes, but the fans weren’t ready to let them go just yet. After wrapping with “Satánico,” fans began chanting “otra, otra” asking them to sing another song. “We’re asking if it’s possible to sing another song,” frontman Vicentico told the crowd. And so they did: they performed one last song to please the fans that made it to the festival earlier to catch them, only fair after the last-minute shift.

Kali Uchis

Image Credit: Frazer Harrison/GI for Coachella

Kali Uchis delivered an epic performance on Sunday that featured back-to-back surprise guests. The Colombian-American artist started off strong performing her bilingual hit “Telepatía,” which earned the singer-songwriter her first leader on Billboard‘s Hot Latin Songs chart in 2021. Wearing a two-piece denim piece (bustier and shirt) with matching boots, Kali introduced her first guest, none other than Tyler, the Creator, to sing their duet “See You Again.” She then brought out Omar Apollo to perform “Worth the Wait.” For her last guest, Uchis invited rapper (and her significant other) Don Toliver for “Fantasy.”

“Are you guys hot?” she asked the crowd after Toliver left the stage. Things were only about to get hotter when she performed OG reggaeton anthems “Rica y Apretadita” by El General and Don Omar’s “Salvaje.” Recently, Uchis dropped her new album, Red Moon in Venus, which earned her her first top 10 on the R&B/Hip-Hop Albums chart. During her set, she teased that she’s about to drop a Latin album next.