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Peso Pluma, Keane, Maná and Fuerza Regida are set to headline the next edition of the Tecate Pa’l Norte festival, which announced on Wednesday (Nov. 1) the extensive list of international stars that will take the stage the weekend of March 29-31.

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As it does every year, the Fundidora Park in Monterrey, Nuevo León, in northern Mexico, will host one of the most highly anticipated musical events, where attendees can enjoy genres such as rock, pop, hip-hop and regional Mexican music.

The first day will feature artists such as Kendrick Lamar, Peso Pluma, Keane, Aleman, Bad Religion, Belanova, Aterciopelados, Bomba Estéreo, Chencho Corleone, Deorro, Los Estrambóticos, Aitana and a large number of emerging groups.

The second day will highlight Blink-182, Louis Tomlinson, Thirty Seconds to Mars, Anitta, Danna Paola, Danny Ocean, Gabito Ballesteros, Latin Mafia, Sum 41, Yng Lvcas, Humbe, Young the Giant, R3hab, Justin Morales and many more.

Apodaca Group

The last day of the festival will feature Maná, Imagine Dragons, Placebo, Fuerza Regida, Los Enanitos Verdes, Enjambre, Kenia Os, Santa Fe Klan, Álvaro Díaz, Jay de la Cueva, Oscar Maydón, Kinky, The Warning and The Blessed Madonna, in addition to a variety of up-and-coming artists.

Before the lineup was announced, on Oct. 27, a so-called “early bird sale” of tickets was held for bank account holders, which sold out in minutes, according to organizers. The pre-sale for the general public is available at ticketmaster.com.mx from Oct. 28 through Nov. 5, and the remaining tickets will be released on Nov. 7. (More information here).

Created in 2012 by the entertainment company Apodaca Group, based in Monterrey, Tecate Pa’l Norte was created with the local public in mind, which had to travel to Mexico City to attend these types of musical events. Music, art, gastronomy and northern traditions come together in Tecate Pa’l Norte, considered one of the most important festivals in the country along with Vive Latino and Corona Capital, held in Mexico City by Ocesa.

See the full lineup below:

J Balvin adds a record-extending 36th No. 1 to his Billboard Latin Airplay account as his latest single “Dientes,” with Usher and DJ Khaled, climbs 9-1 on the Nov. 4-dated ranking. Usher and Khaled add their second leader.
“Dientes” becomes the Greatest Gainer of the week with 11 million audience impressions, up 51%, earned in the U.S. during the Oct. 20-26 tracking week, according to Luminate.

With “Dientes,” J Balvin tastes his first No. 1 on the overall Latin Airplay chart in 2023. His last effort, “Nivel de Perreo” with Ryan Castro, reached a No. 26 high last September. Prior, “Forever My Love” and “Sigue,” both collaborations with Ed Sheeran, took Balvin to the summit for one week each in April 2022.

Balvin first broke the No. 1 barrier with “AM” with Farruko in 2014, for one week in charge, and became a staple at the format with six more No. 1s from his next 10 chart visits. In total, Balvin has collected 36 champs, further distancing from the competition.

Here’s the rundown of artists with the most No. 1s on Latin Airplay since the chart began in 1994:

36, J Balvin

33, Ozuna

32, Enrique Iglesias

28, Daddy Yankee

23, Maluma

22, Bad Bunny

22, Wisin

“Dientes” brings Usher to the lead after more than two decades, after his featured role in Romeo Santos’ ”Promise” ruled for 10 weeks between 2011-12. Between his two chart-topping singles, he landed a No. 35 high through his featured turn in David Guetta’s “Without You” in 2012.

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DJ Khaled, meanwhile, scores his second No. 1 after Jennifer Lopez’s “Dinero” — where he is featured along with Cardi B — led for one week in 2018.

Back to the champ, in addition to securing all artists a new No. 1, “Dientes” gives UMLE its fourth ruler in 2023, after the label dominated with Karol G and Shakira’s TQG” (two weeks between May and July), Alejandro Fernandez’s “No Es Que Me Quiera Ir” and Feid and Sean Paul’s “Nina Bonita” (both for one week in Aug.)

Fuerza Regida burst in at No. 2 on Billboard’s Top Latin Albums chart with Pa Las Baby’s y Belikeada on the Nov. 4-dated list and claims its highest debut among eight career entries.
Previously, the quintet’s eighth studio album Adicto had its best start, bowing at No. 4 in 2020. Further, Pa Las Baby’s matches the group’s chart peak on the list, equaling the No. 2 peak of Sigan: Hablando: II in January.

Pa Las Baby’s debuts at No. 2 with 38,000 equivalent album units earned in the U.S. in the week ending Oct. 26, according to Luminate. The expansive 30-track set boasts 14 collaborations, including tracks with Maria Becerra, Marshmello, Manuel Turizo, El Fantasma and Gabito Ballesteros. The album was released Oct. 20 via StreetMob/Rancho Humilde/Sony Music Latin.

Most of the Pa Las Baby’s opening sum derives from streaming-equivalent album units; that sum equals 51.7 million official on-demand streams of the set’s songs. The San Bernardino, Calif.-quintet scores the second-largest opening sum for a regional Mexican album, after Eslabon Armado’s Desvelado, which launched at No. 1 (May 13) with 63.51 million official U.S. streams. While Peso Pluma’s Génesis debuted with fewer streams from only one day of activity (July 1), it claimed the biggest week among regional Mexican albums ever, with 101.2 million streams after its first week of chart activity (dated July 8).

With Pa Las Baby’s debut, Fuerza Regida collect their fifth top 10 entry overall, tying with Junior H for the second-most for a regional Mexican act in 2023 after Eslabon Armado, who have grabbed six top 10s. Among all acts, Bad Bunny leads with eight top 10 albums.

Here’s a recap of Fuerza Regida’s collection of top 10s on Top Latin Albums:

Peak, Title, Peak DateNo. 8, Del Barrio Hasta Aquí, July 20, 2019No. 4, Adicto, April 25, 2020No. 3, Pa Que Hablen.: I., April 15, 2023No. 2, Sigan Hablando.: II, Jan. 28, 2023No. 2, Pa Las Baby’s Y Belikeada, Nov. 4, 2023

Pa Las Baby’s joins three other Regida albums on Top Latin Albums: Pa Que Hablen.: I. at No. 15, Sigan Hablando.: II at No. 33 and Del Barrio Hasta Aquí, Vol. 2 at No. 40.

Elsewhere, Pa Las Baby’s likewise becomes Regida’s highest-charting debut on the Regional Mexican Albums chart and the all-genre Billboard 200. On the former, it arrives at No. 1 for the group’s fifth chart-topper there, while it starts at No. 14 on the latter.

The album was preceded by two tracks on the multimetric Hot Latin Songs chart: the No. 5-peaking “TQM” (June 6) and lead single “Sabor Fresa,” which reached its No. 3 high on the July 8-dated list. Meanwhile, the album yields two newcomers: “Sobras y Mujeres” and “Excesos” open at No. 40 and No. 42, respectively.

Netflix is currently airing the reggaetón-inspired series Neon, a joint creation of Shea Serrano and Max Searle that stars Tyler Dean Flores as Santi, an aspiring reggaetón artist who moves to Miami to chase his dreams. 

A series about ambitions, the music industry, loyalty and overcoming fears, among other life lessons, the eight-episode comedy series follows Santi; his sister, who’s also his personal manager; and his best friend, who’s also his creative and marketing director, on their clueless journey to landing a record deal — all while they take advantage of the momentum Santi built with his viral hit “Exagerao.” 

The track was produced in the real world by Latin hitmaker Tainy, who also serves as one of the executive music producers on the show, along with Lex Borrero and Ivan Rodriguez from Ntertain and Neon16.

Created for the U.S.-born Latin artist (like Santi), the Puerto Rican producer said in a statement that “the production bangs and feels like a club song, but it also connects with the character culturally. The slang, the delivery, his lover-boy persona, even the choices on his pronunciation being more like a second-generation Latino in the U.S. In subtle ways every line tells you about Santi.”

Additionally, a wave of Latin music stars, such as Daddy Yankee and Jhayco, have had acting cameos in the series. (See the full list below.)

Neon’s executive production team consists of Serrano and Searle, along with an outstanding list of collaborators, including Scooter Braun, James Shin and Scott Manson of SB Projects, Anne Clements and Daddy Yankee. Kyle Vinuya and Demi Adejuyigbe serve as co-executive producers, and Jordan Mendoza serves as consulting producer.

The first episode of Neon was previewed at the 2023 Billboard Latin Music Week ahead of its Oct. 19 premiere to a select group of viewers. 

Brray

Image Credit: Francisco Roman/Netflix © 2023

You could understand why Chayanne was a little nervous. The Puerto Rican superstar was about to formally release the aptly-titled Bailemos otra vez (Let’s Dance Again, out Oct. 27 on Sony U.S. Latin), his first studio album in nine years. In anticipation, he was going to sit for a live Q&A in Miami before an audience of press from the U.S. and Latin America.

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“It’s like coming to see a girlfriend, that’s how nervous I am!” he said with a shy smile as he took his seat onstage. “It always feels like the first time. It’s not bad nerves, but it’s about wanting to do a good job.”

At 55 years old, dressed in a sharp blue suit and starched white shirt that clung to his athletic frame, Chayanne looked youthful and handsome, still the definition of a heartthrob with his gleaming smile and self-effacing, confident charm.

“We all wanted to have your children, Chayanne,” one reporter said loudly, to collective laughter.  t’s the kind of reaction Chayanne still elicits when he shows up somewhere or performs: Grandmothers, mothers, daughters and granddaughters all melt at his feet.  

“I see four generations in my shows. I’m full of gratitude,” he said. Now that his album is finally out, he’s ready to give back with a region-wide tour of North and South America.

“We are planning for next year,” he said, adding quickly that a launch month wasn’t set yet. But a set list is already in the works. “For me a show is in the present; it’s not the past or the future. So it will have a lot of the new album: “Bailemos otra vez,” “Necesito un Segundo,” maybe “Bailando bachata.” I’ve been thinking about it, but I haven’t told anyone yet.”

Chayanne’s last studio album, 2014’s En todo estaré, debuted at No. 1 on Billboard’s Top Latin Albums chart at a time when pop albums dominated the chart. But the release of Bailemos has coincided with the start of a resurgence for pop (and romance).

The album is signature Chayanne in its inclusion of up-tempo, Latin dance fare like the title track and the single “Bailando Bachata,” which topped Billboard’s Latin Airplay chart, as well as romantic cut-your-veins ballads like “De tanto,” with special attention paid to beautifully-crafted lyrics and tasteful arrangements with a contemporary edge (listen to the free-form slow intro of “Bailemos”). Chayanne has also managed to dabble into other genres; aside from “Bailando bachata,” his new single is the poignant ranchera-tinged  “Necesito un Segundo,” written with a stellar cast of songwriters: Edgar Barrera, Andrés Torres and Mauricio Rengifo.

“Romantic songs will always exist and that’s what I’ve devoted my career to,” he said. “I think it’s fantastic to release it as a body of work.”

Do you believe in signs? I was told you saw something different this morning while you had breakfast before coming here…

You touched my sentimental vein. There was an eagle poised by the pool at home. They represent messages from people who maybe aren’t with you anymore, so I remembered my mother, who died 14 years ago. When I talk about her, it’s not to get melancholy, but as a reflection of all the happiness with what I’ve done all this time with my life; how blessed I am and all the beautiful things that have happened.

The focus track is “Necesito un Segundo.” Tell us about it?

It’s a medium tempo track. I’ve gone my entire life to Mexico, a country that embraced me from my first time there. And I’ve always sung ranchera, mariachi, I’ve performed mariachi in shows, even if I hadn’t recorded it in an album. But the liberty that pop gives to do fusions with other genres allowed us to flirt this time with Mexican music. It’s a tough song about a split. That line, “Tu no eres pa’ tanto y yo no soy tan poco” (You’re not that much and I’m not that little), it’s tough!  It’s the kind of song I haven’t lived but I love to sing.

I feel like in this album you got more involved with the writing and the production than in the past. Is that correct?

I was involved in the entire process. I had the opportunity and the time. It’s the first time I’ve ever stopped in my life. The pandemic allowed me to do something I hand’t done before: Be at home. I joke that the dog finally got to know me! I was always or recording an album, or touring, or doing a film or a series. I had never actually stopped working.

And team Sony has always been by my side. I’m a label artist. Afo [Verde, chairan of Sony] has always been with me. Rafa [Arcaute]. I want to mention all of them. I was able to be with the producers and the arrangers and explain where I found myself, and how happy I am with everything I’ve received. You get up every morning, and as my father says, the sun comes out, no matter what happens.

You talk a lot about the pandemic. During that stay at home time, did you think about retiring?

No. But I did think carefully about the next step. It was like starting again. Baby steps. That’s where my team came in and the many conversations I had with Afo.

In two sentences, describe this album.

Organic. From the heart. It’s been done with a lot of emotion and excitement. It’s a thank you to everyone for all they’ve given me, because you can’t buy what you receive, and I’ve received so much. It’s a responsibility.

You’ve told me before that when you record songs, you’re already thinking how they’ll work on stage. Are you kicking off your tour with “Bailemos otra vez?”

We’re planning the tour for next year. We don’t know the month yet, but we’re building the stage, the concept, preparing. A show for me is the present. You’re not thinking of the past or the future, so it will have a lot of the album in it.

You recently played sets in two different shows. What had you missed about being onstage?

Being onstage and receiving all that love, is something you can’t describe. It’s like your life flashing before your eyes, because it has been my life. I’m a professional, but that person is the human being who’s dedicated his life to music, with hope. Being onstage and receiving that from people is beautiful.

As an artist and a family man, you appear to be exceptionally balanced. What do you do for your mental health? What has helped you?

We have a family chat with my siblings and my dad. And even though I always talk about my immediate family, I can also mention the pyramid [of people] we’ve created based on core values and beliefs; on being as healthy as possible, realizing no one is perfect, that you learn from your mistakes. All of that is in the conversation more than in the volume of the conversation. That’s it. Talking to each other, being thankful and being in harmony and peace. I think that’s what’s helped me live my day to day both personally and professionally.

Day of the Dead, celebrated Nov. 1-2, is one of the oldest traditions in Mexico and a beloved holiday where the community commemorates the deceased with offerings, altars, and more. Explore See latest videos, charts and news See latest videos, charts and news Often associated with sugar skulls, visits to the graveyards, and colorful altars, […]

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Unlike Un Verano Sin Ti, which was an album about being in love and the best summers in Puerto Rico, the lyrical content in Bad Bunny’s Nadie Sabe Que Va A Pasar Mañana is about the downfalls, the wins, the life lessons.

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A true testament is the focus track “Monaco.”

Backed by elegant violin and piano melodies (as heard in Charles Aznavour’s 1964 song “Hier Encore”), the classy trap song is about being the best in the game and having no comparison. He chants about his luxurious lifestyle and having famous friends like Leonardo DiCaprio while sending a clear message to the haters.

“Monaco” is currently No. 1 on the Billboard Hot Latin Songs chart.

Below, check out the complete lyrics translated into English.

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Tell me, ey, tell me, this is what you wanted?I’m classy, this is gallery trapYou’re joke, Rocky “The Kid”, a piece of crapI am a champion, Rocky Marciano, Rocky Balboa, Rocky MaiviaI have the route, I have the lane, yes, I have the laneI spend at nighttime, make money all daySo much money that I spend thatI like to be used, that’s why I do it with all these harpiesYou don’t know what it’s like to be on the high seas with two hundred womenThat the stewardess suck your **** in the skyWhat it’s like to throw five hundred’ thousand in the stripclubThat’s why your opinion matters zero to meThat’s why you are 101 in the top 100 and I am firstThey are no longer a rapper, now they are a podcasterMy barber is charging more than youF***ing and traveling around the world

Drinking lots of champagne, we’re never dryFirst Verstappen arrived, then Checo arrivedIf Pablo saw me, he would say I’m a badassYou’re talking crap and me and my people are in MonacoDrinking lots of champagne, we’re never dryYou’re talking alone, talking with their echoThe money sign is my new zodiac signLight up a cigar, the family is in Monaco

Believe me, the F1 cars are faster in personSofia Vergara is beautiful but she’s more beautiful in personWhat you do doesn’t impress meIt’s like making a goal after Messi and MaradonaThey don’t even know you in your neighborhoodI was with LeBron and DiCaprio yesterdayThey asked me about my stadium tourWe talked about the family and topics of millionairesI mean, multimillionaire, I mean, billionaireIt’s been a while since I’ve cared about the radioA while ago I stepped out of trap, and left it to Eladio [Carrion]

Dear Diary,Today I got deposited, was nominated to the GrammysThey criticized me again, and I didn’t careI’m relaxed doing my thingDon Vito, Don Beno, of The Beatles John LennonWhen I die, I’m going to leave 100 land to my grandkidsTo all my girls, their butts and boobs doneAnd to my hater, a F40 without the breaks

For what? So they crash and dieRed, white, or matte black, which do you want?For what? So they crash and dieR.I.P., I continue in the yacht

Drinking lots of champagne, we’re never dryFirst Verstappen arrived, then Checo arrivedIf Pablo saw me, he would say I’m a badassYou’re talking crap and me and my people are in MonacoDrinking lots of champagne, we’re never dryYou’re talking alone, talking with their echoThe money sign is my new zodiac signLight up a blunt, the family is in Monaco

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