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Regional Mexican star Carin León signed an exclusive global publishing agreement with Universal Music Publishing Group (UMPG), Billboard has learned. A leading force in the música mexicana genre, the Sonora-born singer-songwriter has established himself as one of Mexican music’s most versatile and eclectic artists today recording in norteño, banda, R&B and pop. “There is no […]
Mexican star Peso Pluma is set to perform at the 2023 Billboard Music Awards, taking place Sunday, Nov. 19. The música Mexicana singer-songwriter will perform “Rubicón,” a corrido — powered by prickly guitars — from his chart-topping album Génesis. The performance will include a special guest appearance by boxing legend Mike Tyson, who is a […]
After seven years working for regional Mexican indie labels — including DEL Records and most recently AfinArte Music — and helping grow the música mexicana genre, industry veteran Maria Inés Sánchez has been appointed Sony Music Latin’s new vp of West Coast operations.
Based out of Los Angeles, Sánchez, who began her career over two decades ago with stints at Sony and Universal, will report directly to Esteban Geller, general manager of Sony Music U.S. Latin, and oversee a team that includes other new hires such as Gonzalo Herrerias, senior director A&R and label manager Juan Tapia.
With Sánchez’s appointment, the label doubles down on its dedication to support the genre, which has seen extraordinary global growth this past year alone. “Sony Music Latin is really committed on continuing this explosion,” Sánchez tells Billboard. “The commitment being that we have to support a new generations of artists and help develop them because these young artists will only continue to fuse and evolve the sound, which has helped the genre grow.”
With indie labels mainly driving the the genre’s surge, Sánchez says the key to keep pushing the genre forward will be creating key alliances between major labels and indies. Sony Music Latin has already entered partnerships with labels such as Lumbre Music (Yahritza y Su Esencia) and Rancho Humilde (Fuerza Regida).
“We saw Mexican music grow because artists started to collaborate,” explains Sánchez. “It’s the same thing if companies start joining forces. Major labels like Sony, we can reach a broader spectrum of the business in general. We have eyes where indie’s perhaps don’t with offices internationally, which help export the music and work in other key markets such as Latin America and Spain.”
It aligns with how Sony U.S. Latin president Alex Gallardo visualizes the label’s role in regional Mexican music today. “We want to be the best possible partner for any artist, label, manager, or any Mexican music project, for this we have reinforced the West Coast team, and we have a clear vision to take Mexican music as far as possible,” says Gallardo.
Sony U.S. Latin also has an alliance with Sony Music Mexico to work both countries, Mexico and the United States, as a “single market,” Gallardo explains.
Adding that, ultimately, the plan is to break regional Mexican music beyond those two countries and enter new markets throughout Latin America and Spain. “We have already taken steps like getting Christian Nodal to sell out a WiZink Center in Madrid for 15,000 people … In countries like Colombia, Chile or Spain [the genre] is entering little by little and I believe that the strength of Sony in all these markets should be focused on bringing this wonderful music that is coming out of this new wave of artists.”
Naming Sánchez as vp of West Coast operations, a role previously served by Manny Prado (now at Interscope), means having someone who has a “very complete vision of both the business and Mexican music” having experience in both indie and major labels. Plus, having a woman in charge is something that “makes us very happy,” adds Gallardo.
“As a woman, I bring passion and conviction to a genre that I respect and love,” says Sánchez. “I’m committed to keep fueling this música mexicana explosion and impacting on a bigger level.”
From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
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RBD’s songs get the regional Mexican treatment
RBD’s “Nuestro Amor” in banda? Yes, please. A number of regional Mexican artists, including Calibre 50, Chiquis, Banda Carnaval, Banda Los Sebastianes de Saúl Plata, Los Socios del Ritmo, among others, have teamed up for Somos Rebeldes, a 15 songs-set, via Universal Music Group México, that pays tribute to the Latin pop band, which recently wrapped their epic reunion tour in the U.S. The LP drops ahead of RBD’s upcoming tour in Latin America, including shows in Mexico, Colombia and Brazil. Below, steam Somos Rebeldes, which includes reimagined versions of “Sólo Quédate en Silencio,” “Qué Hay Detrás” and “Sálvame.”
University of Miami’s new Knight Center for Music Innovation
Gloria and Emilio Estefan, Ben Folds and Jon Secada were among the stars in attendance for the opening of the Knight Center for Music Innovation at the University of Miami’s Frost School of Music Nov. 2. The cutting-edge, $36.5 million, 25,000 square foot music and technology center includes two performance spaces: the 200-seat Robert and Judi Prokop Newman Recital Hall, and the Thomas D. Hormel Music Innovation Stage, a versatile innovation space equipped with advanced recording, lighting, and broadcast technology. Performances in both spaces can also be seen via a state-of-the-art technology Windowcast system that broadcasts live in the surrounding plaza. Thursday night’s gala featured performances by Frost School alumni Jon Secada, Dawnn Lewis, and Lee Levin, among others. The gala was hosted by University of Miami Board of Trustees Chair Laurie Silvers, University of Miami President Julio Frenk, and Frost School of Music Dean Shelton G. Berg.
Gloria Estefan and Emilio Estefan arrive at the Frost School of Music’s Knight Center for Music Innovation Inauguration Gala at the University of Miami on November 2, 2023 in Coral Gables, Florida.
Alexander Tamargo/Getty Images for Frost School of Music at The University of Miami
Bésame Mucho in Texas
After launching the first edition of Bésame Mucho in Los Angeles last year, the festival is expanding and holding its first Bésame Mucho festival in Austin, Texas on March 2. Following the concept showcased in Los Angeles in December, the one-day event will feature an array of artists different genres, including rock, pop and música mexicana. The lineup includes headliners Los Tigres del Norte, Grupo Frontera, Caifanes, Cafe Tacvba, Gloria Trevi and Alejandra Guzmán. Others set to perform include Banda MS, El Tri and Belinda. The second Bésame Mucho festival in Los Angeles is still set to take place Dec. 2 at Dodger Stadium with headliners Maná, Los Bukis and Reik.
Alejandro Sanz to donate to those impacted by Hurricane Otis
Spanish superstar Alejandro Sanz announced donations to benefit the victims of the devastating hurricane Otis in the beach resort of Acapulco and the Costa Grande region of Guerrero, in southern Mexico. Sanz said he will donate 800,000 Mexican pesos (about $45,540) to those affected by the powerful category 5 hurricane that hit Mexico’s Pacific coast on Oct. 25, his representative agency in Mexico, Ocesa Seitrack, said Wednesday (Nov. 1). The money will come from tickets sold at his recent concerts in the Mexican cities of Tijuana, Hermosillo, Culiacán and León, part of his Sanz En Vivo tour.
Laura Pausini talks Person of the Year
In a candid interview with Billboard Español, Italian singer-songwriter Laura Pausini shared how she’s feeling just a few days out from being honored as the Latin Recording Academy’s 2023 Person of the Year. She will become the first artist born outside of Latin America or Spain to receive the accolade. On Nov. 15, on the eve of the 24th edition of the Latin Grammys — which for the first time leave the United States to take place in Seville, Spain — Pausini will be celebrated at a gala. “For 30 years I always say that I am the most Mexican, most Argentinian, most Spanish Italian… because I have grown up spending many days of my life with you,” Pausini said. “Maybe not my blood, but my soul, my ideas, my ideals, I have made them grow with yours, and I feel Latin.”
Read her interview here.
This week, our New Music Latin roundup — a compilation of the best new Latin songs, albums and videos recommended by Billboard Latin and Billboard Español editors — is powered by new music from Don Omar — in collaboration with Luny Tunes and Wisin y Yandel — Silvestre Dangond and Sofía Reyes, who both released new albums, respectively. Marking a reunion between Don […]
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.
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Sofía Reyes, MILAMORES (Warner Music Latina)
From Mal de Amores (bad heartbreaks) to Milamores (a thousand loves), Sofia Reyes embraces her growth and life lessons on her third studio album. Home to 14 tracks, the set kicks off with the 20-second “Florecer,” where, over the sound of birds chirping in a garden, Reyes says: “Joy where are you? Come help me wake up. Heal me with your song, heal me with your joy.”
The first official song is “La Batidora,” in collaboration with El Gran Silencio, where they lace Mexican cumbia sonidera with the Monterrey band’s fiery rap verses. “I put the bad vibes in a blender, pure happiness is trending now,” Reyes chants. On “Delirio,” a dreamy indie-pop track backed by synth melodies, Reyes takes listeners to a galaxy far away to remind us that we are bright as a star. Along those lines, MILAMORES is a feel-good album packed with inspirational lyrics about self-love and enjoying the simplicity of life.
Musically, the album delivers all sorts of rhythms meshed with Reyes’ pop essence: “Cobarde” is a romantic bachata featuring Beéle; “Altitud” is a futuristic reggaeton track with Ingratax; the title track is a heartfelt mariachi-meets-hip-hop song with Gera MX; “Gaia” is a chill reggae song featuring Delian; and “Noche de Sirenas” is a hard-hitting perreo, in collab with Mariah Angeliq. Other collaborators on the set include Danna Paola and Caloncho. MILAMORES follows Reyes’ albums Louder (2017) and Mal de Amores (2022). — JESSICA ROIZ
Juan Luis Guerra y 4.40, Radio Güira (Rimas Entertainment)
Juan Luis Guerra y 4.40 light up the party this week with Radio Güira, an EP of six songs presented, as its title indicates, in radio station style. “You are listening to Radio Güira, 4.40 FM,” Guerra narrates over a techno-beat at the beginning of “Mambo 23,” the first single and opener. “This EP has a different concept. Our purpose was to do something innovative,” Guerra explained in a press release. “We imagine a radio station playing 4.40 music in different parts of the world. We include calls, recipes, and IDs and the genres of mambo, bachata, and merengue. This was our dream for many months, and today we make it known!”
With six songs written and produced by the Dominican maestro, it is impossible not to move and smile to the rhythm of mambo, bachata (“DJ Bachata”), merengue (“La Noviecita” and “Como Me Enamora”), pambiche blues (“Te Invito a un Blues”) and even pop reggaeton (“Cositas de Amor”), all with elegant touches of genres such as jazz and rock, and the sweet, poetic lyrics for which the artist is known. It is, in short, a work that overflows with joy, humor and love. — SIGAL RATNER-ARIAS
Don Omar, Wisin & Yandel, “SANDUNGA” (Sugar Cream Music)
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“Dale, dale, Don dale.” Don Omar is back with an irresistible reggaeton, which is a reunion of sorts: After over a decade, “SANDUNGA” brings together Don Omar with Wisin y Yandel and OG production duo Luny Tunes. Taking Don Omar back to his old-school reggaeton roots, reminiscent of the early 2000s, the song successfully blends the adrenaline-fueled formula that is rooted in reggaeton, resulting in an explosive sound that preserves the essence of música urbana. As for the meaning of the word, “sandunga” can mean many things, including describing someone’s spark or charisma. The historic reunion is part of the upcoming Don Omar Presenta: Back to Reggaeton EP. The song drops along with an epic four-minute music video, visually reflecting the track’s underworld vibe, which was shot in Miami and directed by Carlos Perez from Elastic People. — INGRID FAJARDO
Arthur Hanlon, Legados Pop (Sony Music Latin)
An American pianist with a Latin heart, Arthur Hanlon presents the second volume of his Legados album series, which began with Legados Bachata and, on this occasion, pays an emotional tribute to pop classics from the 2000s. Composed of six songs, Legados Pop includes a notable collaboration with emerging Mexican-American artist Mariangela (of the popular trio Camila) on the single “Todo Cambió.” The beautiful collaboration transports you to a golden era, both in the blues-tinged musical arrangements and in the accompanying video, that evokes those classic romantic scenes from the movies of yesteryear.
The EP also includes five instrumental pieces, where the piano’s versatility is the protagonist. Among them, “Noviembre Sin Ti” from Reik is cleverly fused with a piece of the melody from “Christmas Canon” by Trans-Siberian Orchestra. It also includes gems such as “Un Siglo Sin Ti” from Chayanne, “Mientes Tan Bien” from Sin Bandera, a bossa nova version of “Corazón Partío” by Alejandro Sanz with backing vocals in Portuguese, and “Vente Pa’ Ca” by Ricky Martin. Legados Pop includes classic songs that have conquered the hearts of a generation, with soft choruses to accompany you on that nostalgic journey. Hanlon will be on tour in early 2024 with Un Viaje Mágico De Piano: Arthur Hanlon and Friends. Presented by Loud and Live in collaboration with SBS, the tour will visit cities such as Miami, New York and Los Angeles. — LUISA CALLE
Silvestre Dangond, ‘Ta Malo (Sony Music Latin)
After dabbling with pop and tropical music, Silvestre Dangond returns firmly to his vallenato roots with an album that has contemporary edges, but is still traditional vallenato in its musical arrangements (and more importantly in its spirit). ‘Ta Malo includes tracks by 13 composers, a true nod to the notion that vallenato is a troubadour genre where the singer tells stories of the people. Among the writers is Dangond himself, who lends his personal life and love story to “La Vallenata.” Indeed, many tracks in ‘Ta Malo are romantic, but ultimately this is an album to party to, as highlighted by focus track “Bacano,” a feel-good romp. While Dangond’s music is impeccably executed, this is a celebration of vallenato as music to cry, drink and dance to. — LEILA COBO
Esteman, “PORNOSTALGIA” (Universal Music Group México)
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The play-on-words title of Esteman’s new song is intriguing enough to want to listen to it, yet the Colombian singer-songwriter manages to stay away from the raunchiness and place all bets on his usual romantic style, as he sings about the chemistry and passion between two people that keeps them coming back for more. “PORNOSTALGIA” is a delicate yet captivating bachata, which allows Esteman to step out of his electro-pop comfort zone his fans are now accustomed to hearing. “This song talks about a forbidden love that breaks with traditions and what is established, where desire, eroticism and nostalgia are present all the time,” he said about the track in a statement. — GRISELDA FLORES
Espectro Caudillo, La Liturgia del Tigre Blanco (Nacional Records)
In a climate where prominent Latin artists such as Peso Pluma and Fuerza Regida have been forced to cancel their Tijuana performances in response to menacing narco-banner threats, and where the grim specter of violence continues to cast a shadow over the nation, La Liturgia del Tigre Blanco emerges as a work of ever-increasing significance. This concept album by Tijuana/San Diego-bred producer Espectro Caudillo speaks to the pressing issues facing not only the music industry but also the freedom of journalists in Mexico. Fusing traditional northern Mexican sounds like brass-blaring banda and cumbia with dark electronica, Caudillo (real name: Reuben Torres) encapsulates the essence of the border city’s hybrid electronic styles, like Nortec and Ruidosón — the latter of which he helped pioneer as one-third of Los Macuanos in the early 2010s.
La Liturgia takes its creative spark from Daniel Salinas Basave’s 2013 book of the same name, which delves into the captivating narrative of Jorge Hank Rhon, a former Tijuana mayor with an enduring influence on the region. The 16 songs pay homage to a wide spectrum of events, spanning from the hedonism surrounding Rhon’s immersion into Tijuana’s social scene in the mid-1980s (“La Siniestra Extravagancia”) to the drug cartel conflicts and the murder of a journalist Hector “El Gato” Felix in 1988 (“04’20″88”) that still lingers as a haunting presence in Tijuana even now.
Then there’s “El Temible Grupo Jaguar”, with a music video that depicts a lone aspiring hitman in his apartment that undergoes a transformation from an ordinary man into an Aztec warrior jaguar. In an era where Latin artists grapple with threats and violence, Cadullo’s La Liturgia stands as a profound musical testament, blending traditional Mexican sounds with electronica to encapsulate the rich, often complex tapestry of Tijuana’s history. — ISABELA RAYGOZA
Listen to the New Music Latin playlist below:
In a few days, Laura Pausini will be honored as the Latin Recording Academy’s 2023 Person of the Year — becoming the first artist born outside of Latin America or Spain to receive the accolade, one of the biggest handed out each year as part of the Latin Grammy Awards celebrations. And although the news took her by surprise, she proudly says that she feels Latina.
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“For 30 years I always say that I am the most Mexican, most Argentinian, most Spanish Italian… because I have grown up spending many days of my life with you,” says the Italian pop legend, who has recorded in Spanish since the beginning of her career. “Maybe not my blood, but my soul, my ideas, my ideals, I have made them grow with yours, and I feel Latin.”
On Wednesday, Nov. 15, on the eve of the 24th edition of the Latin Grammys — which for the first time leave the United States to take place in Seville, Spain — Pausini will be celebrated at a gala in which other stars will perform versions of her well-known repertoire. It’s something she has done for other Persons of the Year, from Juan Gabriel in 2009 to Marc Anthony in 2016 to Marco Antonio Solís last year. That means she knows the drill, and won’t know in advance who will sing for her that night, or which songs they will sing.
What she does know is that she will be accompanied by her entire family to cap off a year of great personal and professional achievements, including her March wedding to Paolo Carta after 18 years together; the recent release of Almas Paralelas, her first studio album in five years; her upcoming world tour, which starts in December; and of course, her award as Person of the Year.
“It is the true celebration of a life, of the lives of us Pausinis. I don’t see it only as my career,” says the star. “My family is obviously the one that knows the most about my love for Spanish, for Latin America, and my parents are very excited, my daughter, my husband, my sister will come.”
Born in Faenza, Italy, Pausini started her music career at age 19, rising to fame in 1993 after winning the 43rd Sanremo Music Festival. Her records have sold more than 70 million copies worldwide, she has done nine world tours, and landed three songs in the top 10 on Billboard’s Hot Latin Songs chart: “Las Cosas Que Vives,” “Víveme” and “Como Si No Nos Hubiéramos Amado” — all of them Spanish versions of songs she originally recorded in Italian.
A Latin Grammy and Grammy winner, Pausini also shares a Golden Globe Award with Diane Warren for best original song, for “Io sì (Seen)” from the movie The Life Ahead, which was also nominated to an Oscar. Beyond music, she has been honored with the Starlite Humanitarian Award, the Global Gift Humanitarian Award, and was named Person of the Year by the Diversity Media Awards for her support of the LGBTQ+ community, among other honors.
“Laura Pausini is one of the most talented and beloved artists of her generation whose commitment to advocacy and equal rights is exemplary,” said Manuel Abud, CEO of The Latin Recording Academy, when the award was announced in May. “Throughout her more than three-decade career her extraordinary voice continually breaks down barriers across languages and genres, creating a special bond with audiences around the world.”
You have had a year full of emotions. How do you feel now, just a few days before being honored as Person of the Year?
I feel blessed, I must say, because after 30 years [career] what is happening in my life is not obvious. I realize all that and I feel very grateful. I hope I deserve all that, and that’s why I work so much, especially for the people who are still there, who continue to believe in me, perhaps more than myself, and give me the strength to continue.
What did you think when they told you that you were the Latin Recording Academy’s Person of the Year, being an Italian artist?
They told me that the president [Manuel Abud] wanted to talk to me. Since I had finished co-hosting Latin Grammys a few months earlier with Anitta, Thalia and Luis Fonsi, I thought that something was not good and that he wanted to tell me something about it. So we started this Zoom and he told me: “Laura, on behalf of the Academy, I want to tell you that you are the Person of the Year.”
I mean, very unexpected! Especially because of what you’ve said, I’m Italian, so I didn’t think that was possible for me. I asked him if I could video-call my father, since he was the one who instilled in me the love for music… Each of us was in another city, the three crying with joy. I really started sobbing like crazy, it was very emotional.
I didn’t expect it at all and I am very grateful that I am the first [honoree] who was not born in a Latin American country [or in Spain]. But, for 30 years I always say that I am the most Mexican Italian, the most Argentine, the most Spanish, the most everything, because I have grown up spending many days of my life with you. Maybe not my blood, but my soul, my ideas, my ideals, I have made them grow with yours, and I feel Latin.
Last year, you sang at the Marco Antonio Solís tribute as Person of the Year, and you have also done so at other galas in the past. How do you feel now that you will be the one honored and others will sing your songs for you?
(laughs) That makes me smile. Besides, I’m starting to imagine who will sing, whether it will be my friends I know or new singers. I have no idea because you can’t know, and I know how it works because, as you said, last year I sung for Marco Antonio, but I also sung for Marc Anthony and also for the great Juan Gabriel, so I already had the experience of being on stage as a guest while the Person of the Year did not know. So, this time it’s my turn and I receive it with great pride.
What do you expect from that night?
Well, my whole family will come, and it is the true celebration of a life, of the life of us Pausinis — I don’t see it only as my career. My family is obviously the one that knows the most about my love for Spanish, for Latin America, and my parents are very excited, my daughter, my husband, my sister will come. I don’t know if I can fully make people understand what it means for a person who has always been considered a “foreigner” to feel part of you. For us as a family it is to feel truly loved, as if we were born there. It’s something really very deep that touches a life within a person, more than a career.
You just released your first album in five years, Almas Paralelas. Why did it take so long?
Never before had so much time passed between the previous album and the new one, and I have to say that a lot of things have happened in my life in recent years, some incredible as you also already know, like the Golden Globe, an Oscar nomination, starring in a docu-film about my life… But there have also been moments of great insecurity, fear, doubt, especially thinking about the future as a woman, obviously as a mother, and logically as a singer.
I questioned how I could deserve, for example, the new awards that I won, because with every award that you win comes a new responsibility, and I was afraid of not being able to have new responsibilities. I wondered if I was really capable of accepting a daily challenge with what is happening today, every day, between the wars, imagine in Italy during COVID, but more importantly, with myself. So the truth is that I was blocked for a time. I needed help, and thanks to the people who are by my side, close to me, I regained some of my strength and then I began to challenge myself again, and worked, in a very long search, on new songs. I also worked hard to get to the point where I had the nerve to put my voice and face before everyone’s judgment.
Now I am very happy with what I am singing on my new album, Almas Paralelas. It is a truly conceptual album that covers 16 stories of real people that are different from each other. It is an album that celebrates diversity and the right to individuality, which in my opinion should be respected more as citizens of the same streets, but with different souls, different dreams, different desires. So on this album it’s like we live in a world with shared places, but not necessarily the same ideas. And in this world represented [on the album cover] by the street and its zebra crossing, I’d like there to always be respect and love between the individuals who inhabit it, and I would like for the listener to fall in love with the human beings who live like souls on a parallel path.
What have you learned about yourself in these 30 years of career?
I have learned that my stubbornness has saved me many times. My determination to be very honest with myself, and then with the audience, has allowed me to have no regrets — although it may have happened that some songs work better than others… Sometimes I’ve been suggested to change my style, or adapt more to what worked on the radio. At this point, I am happy to have been determined to listen to my skin in the selections of the songs, obviously trying to have new artists by my side, new producers who will help me maintain my melodic style, but with more contemporary, current sounds. I didn’t want to change.
In reality, I have not changed; I have grown in age and mentality, but I am not a different person. My ideals are the same, so I want my music to continue to be a reflection of my mind.
Emilia is bringing back the early 2000s with the release of her sophomore studio album .mp3, released Friday (Nov. 3) under Sony Music Latin.
If the title is any indication, the Argentine pop artist traveled more than 20 years back to seek inspiration for her conceptual 13-track set. Each song, including the previously-released “Jagger,” “No_Se_Ve,” and “GTA,” are styled with the “.mp3” at the end because that’s how music files were saved in portable music-playing devices, such as an iPod.
“I imagine what I would have been like as an artist in those times,” Emilia, who was born in 1996, tells Billboard. “Being able to take your favorite music everywhere was something incredible to me. I wanted to revive that nostalgia in my new album, so that people would remember those moments that never come back.”
Far beyond its sick (as we’d say in the 2000s) concept, .mp3 celebrates women. For the album, the pop singer reeled in artists such as TINI, Nathy Peluso, and Ludmilla, because she wants to send an empowering message to her fans.
“In Argentina, we have created support among ourselves,” she says about working with her fellow Argentine artists. “We push each other, and we celebrate each other. I wanted my audience to see that reflected in the collaborations on this album.”
Musically, she navigates away from her signature pop-reggaetón sound, as heard in her debut set Tú Crees En Mí?, and experiments with hip-hop and various electronic rhythms, such as house, showcasing the beats that were popular back in the days.
“My evolution as an artist has been an exciting journey,” she notes. “And as I’ve said before, doing things from the heart is really what’s authentic for me.”
In the hype of her new album, the Argentine darling shares some of her obsessions of the 2000s and today. Check those out and listen to her .mp3 below.
TV Show
Luck Ra’s “La Morocha” featuring BM holds strong at No. 1 on the Billboard Argentina Hot 100 chart (dated Nov. 4) for a sixth week in charge. The extended domination becomes the second longest in 2023, alongside Myke Towers’ “Lala,” which ruled for an equal six weeks. Both songs stand behind another pair of winners, […]
Calibre 50 extends its record for the most No. 1s on Billboard’s Regional Mexican Airplay chart as “Vengo de Verla” crowns the tally dated Nov. 4. The single advances from No. 5 in its 10th week with 7.8 million audience impressions, up 19%, earned during the tracking week ending Oct. 26, according to Luminate. It […]