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It’s a silver jubilee for Latin alternative music.
The Latin Alternative Music Conference has set dates for both its 2024 virtual and in-person events, Billboard Español can exclusively announce, and will celebrate 25 years.
The LAMC, known for showcasing Spanish-language alternative music, alongside a roster of rock, hip-hop and electronic acts, is slated to make its virtual return from April 24 to 26. The in-person conference, spanning five days, is slated for July 9 to 13 at the Intercontinental New York Times Square.
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“It’s been gratifying to see the overall Latin music industry come together with a deeper sense of community year after year, and especially as the industry continues to grow and reach new global heights,” LAMC and Nacional Records founder Tomas Cookman tells Billboard Español.
He continues: “The LAMC was founded 25 years ago with that very idea — creating a sense of community, learning and growing together — and we are happy to once again bring the industry together in 2024 with our virtual and in-person conferences. We hit record attendance numbers this year and look forward to a bigger and better conference experience in 2024.”
Last year, the multi-day event featured performances by Trueno, Juanes, Pedro Capó, Gale, Villano Antillano and more. Previous acts have included a luminary roster such as Ana Tijoux, Pitbull, Calle 13, Manu Chao, Nortec’s Bostich + Fusible, Café Tacvba and the beat goes on.
Both the virtual and in-person events will feature panels, workshops, showcases, and networking opportunities for attendees. According to figures provided to Billboard Español, about 681,000 unique viewers tuned in online last year.
Registration for the in-person July conference begins at $99. Registration for the virtual event is free via LatinAlternative.com, where the latest updates, option to contact the LAMC team with questions, and reserve a hotel for the in-person event are available.
Maluma, Milo J, Rosalía, Shakira, Sebastián Yatra, Andrea Bocelli and DJ Premier are all set to perform at the 24th annual Latin Grammy Awards. The Latin Recording Academy announced the new round of performers on Thursday (Nov. 9) for the upcoming ceremony, which will broadcast from FIBES in Seville, Spain, on Thursday, Nov. 16.
Additionally, Majo Aguilar, Anitta, Pedro Capó, Jorge Drexler, Luis Figueroa, Fonseca, Tiago Iorc, Mon Laferte, Natalia Lafourcade, John Leguizamo, Nicki Nicole, Carlos Ponce, Carlos Vives and Yandel join as presenters throughout the ceremony.
The newly announced artists join previously unveiled performers, including Maria Becerra, Bizarrap, Feid, Kany García, Carin León, Christian Nodal, Rauw Alejandro, Alejandro Sanz, Pablo Alborán, Edgar Barrera, Camilo, Manuel Carrasco, Iza, Juanes, Ozuna, Eslabon Armado and Peso Pluma.
For the first time held outside the United States, the annual Latin Grammys will be broadcast from the Conference and Exhibition Centre in Seville, Spain. It will air Nov. 16 on Univision starting at 8 p.m. ET, UniMás and Galavisión in the U.S., and at 10:30 p.m. CET on Radiotelevisión Española (RTVE) in Spain.
Danna Paola, Sebastián Yatra, Roselyn Sánchez and Paz Vega will serve as co-hosts.
This year, Mexican hitmaker Edgar Barrera leads the list of nominees with 13 nods, including songwriter of the year, producer of the year and song of the year. Barrera is followed by Colombian stars Camilo, Karol G, Shakira and composer Kevyn Mauricio Cruz (also known as Keityn), each with seven nominations.
The Latin Grammy Week will include the person of the year gala — honoring Laura Pausini — and the special awards ceremony, the leading ladies of entertainment luncheon, the best new artist showcase and a reception for the nominees, among other events.
The Latin Grammy Awards are taking place for the first time internationally, live from the Conference and Exhibition Centre (FIBES) in Sevilla, Spain on Thursday, Nov. 16. This year’s nominations are led by Mexican-American hitmaker Edgar Barrera with 13 nods, including songwriter of the year, producer of the year and song of the year. The […]
Maná achieves a new milestone in its Billboard chart career as the band’s cover of its own 2011 hit “Amor Clandestino,” now with Eden Muñoz, soars 19-1 on the Regional Mexican Airplay chart dated Nov. 11. It’s the first champ on the list for the Mexican group (which has notched 15 leaders on the Latin Pop Airplay chart), while Muñoz secures his third. “Amor,” in its original Maná-only version in 2011, spent two weeks atop the Latin Pop Airplay list.
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“It’s the first time that we are at the top of a regional Mexican list, which is one of the most important formats today,” Fher Olvera, lead singer of Maná, tells Billboard. “We feel very proud of the achievement and knowing that our music can transcend times and formats.”
“Talking about Maná is going back to my childhood when I discovered their music,” Muñoz tells Billboard. “There are no words to describe the feeling of not only collaborating as an artist, as a fan of the band, but above all, as a friend. The band as an act has no comparison for all we know they have achieved, but as human beings they are on another level.”
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After three weeks in the top 20, “Amor Clandestino” rallies 19-1 with a 158% gain in audience impressions, to 7 million, earned in the U.S. in the week ending Nov. 2, according to Luminate. The 18-rank climb marks the biggest jump to No. 1 in over a decade, since Los Huracanes del Norte’s “Volé Muy Alto” flew 20 positions to the top in November 2007.
During the Oct. 27-Nov. 2 tracking week, “Amor Clandestino’s” biggest supports are comprised of Univision stations KSCA-FM (Los Angeles), KLNO-FM (Dallas), KSOL-FM (San Francisco) and WOJO-FM (Chicago).
“The legendary band Maná joined forces with superstar singer-songwriter Eden Muñoz to bring a unique and updated touch to the classic hit ‘Amor Clandestino’,” Ismar Santa Cruz, Senior VP, Radio Content at Univision, tells Billboard. “This sparked a renewed love affair with the song. As we’re seeing more songs resonate simultaneously across formats, the combination of these artists on such a familiar hit allowed it to impact coast to coast across all our Regional Mexican stations, including our flagship shows El Bueno La Mala y El Feo and El FreeGuey, as well as all our Amor stations, including KLove 107.5 in L.A. and Amor 107.5 in Miami.”
“Amor Clandestino” earns Maná its first No. 1 on Regional Mexican Airplay upon its eighth appearance. Its previous single, “Te Lloré Un Río” with Christian Nodal, took the Mexicans to No. 3 in June 2022. Maná came up just short on its prior visit, as “Ojalá Pudiera Borrarte” achieved a No. 2 peak in October 2007.
“We currently have a duet project in which we have re-recorded our greatest hits with artists such as Christian Nodal, Alejandro Fernández and Sebastián Yatra, among others,” Olvera adds. “What we want is to reach as many audiences as possible with our music. We felt that this song lent itself to a new, very Mexican arrangement, and with Edén it was perfect.”
The original pop version of “Clandestino” dominated Latin Pop Airplay for two weeks in 2011. The song belongs to the Drama y Luz album, Mana’s longest leading set on Latin Pop Albums, with 12 weeks in charge.
For Muñoz, the new song follows two other champs: three-week champ “Chale!” and his featured role in Banda MS’ “Hay Que Hacer Dinero,” for two weeks atop, both in 2022.
Elsewhere, “Clandestino” flies 30-6 on the overall Latin Airplay, the biggest single-week jump to the top 10 since J Balvin and Ed Sheeran’s “Forever My Love” soared 35 rankings in April 2022.
“Eden is genius,” Olvera continues. “A very good friend of the band. He is an all-around guy. Working with him was a pleasure. Together we gave new life to ‘Amor Clandestino’ and we are very happy.”
Antonio Banderas will receive the 2023 President’s Award from the Latin Recording Academy, it was announced Wednesday (Nov. 8.) The Spanish actor will be recognized during the Latin Grammy Awards ceremony, which for the first time will be held outside the United States, in Seville, Spain. Explore Explore See latest videos, charts and news See […]
The Festival de Viña 2024 is scheduled from Feb. 25 to March 1 and will feature a star-studded performance roster that includes Anitta, Alejandro Sanz, Manuel Turizo, Andrea Bocelli, Miranda!, Maná, Men at Work, Mora, Los Bunkers, Peso Pluma, Young Cister and Maria Becerra.
The lineup was unveiled Wednesday (Nov. 8) by Macarena Ripamonti, the mayor of Viña del Mar in Chile. “We are happy to close the lineup of musical artists of the Viña del Mar Festival 2024 in advance, achieving a balance, with the best exponents for all ages and audiences, it has been a collaborative work of months together with all the production and organization of the event for families to enjoy,” expressed Ripamonti in a statement.
Each day will feature two performers. On Sunday, Feb. 25, Alejandro Sanz and Manuel Turizo will take the stage. Andrea Bocelli — who will make his Viña del Mar debut alongside his son Matteo Bocelli — and Miranda! are set to sing on Monday. Maná and Men at Work will perform on Tuesday; Mora and Anitta on Wednesday; Los Bunkers and Young Cister on Thursday; and to close the event, Peso Pluma and Maria Becerra will take the stage on Friday, March 1.
Launched in 1960, the Viña del Mar International Song Festival is held annually at Quinta Vergara, a 15,000-capacity amphitheater located in the Chilean city of Viña del Mar, in the central coast region of Valparaíso.
Over the course of six days, the event features a mix of superstars, emerging singers and local artists competing for the Silver, Gold and Platinum “Gaviotas,” the name of its awards. These awards are decided by a jury with the help of viewers from their homes, although the so-called “monster” — the audience present at Quinta Vergara — undoubtedly has a great power of influence with its ovations and occasional boos.
The 63rd annual Viña del Mar Festival will be broadcast by Canal 13 and Televisión Nacional de Chile,while the streaming platform Star+ will broadcast it throughout Latin America. Billboard will broadcast it through its digital platforms.
Ticket sales begin on Thursday, Nov. 16, with the pre-sale (for Claro customers) and general sale the next day. Prices will remain the same as for the 2023 event, according to organizers.
10 songs are in the running for coveted song of the year title at the 2023 Latin Grammy Awards.
They are: Shakira’s “Acróstico;” Pablo Alborán and Maria Becerra’s “Amigos;” Natalia Lafourcade’s “De Todas Las Flores;” Eslabon Armado and Peso Pluma’s “Ella Baila Sola;” Camilo and Alejandro Sanz’s “NASA;” Lasso’s “Ojos Marrones;” “Shakira: Bzrp Music Sessions, Vol. 53” by Bizarrap featuring Shakira; “Si Tú Me Quieres” by Fonseca and Juan Luis Guerra; Karol G’s “TQG” featuring Shakira; and Grupo Frontera’s “un X100to” featuring Bad Bunny.
As tradition holds, the award — one of the big four alongside record of the year, album of the year, and best new artist — is given to the songwriters of new songs containing at least 51 percent of lyrics in Spanish or Portuguese language.
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The songwriter with the most songs in this year’s category is Kevyn Mauricio Cruz Moreno, artistically known as Keityn, who has credits on “Acróstico,” “Shakira: Bzrp Music Sessions, Vol. 53,” and “TQG.” He’s followed by Edgar Barrera, who in addition to having songwriting credits in “NASA” and “un x100to,” leads the list of nominees for the 2023 Latin Grammy Awards with 13 nods.
The Mexican hitmaker is followed by Camilo, Karol G, Shakira, and Keityn with seven nominations each; Bizarrap with six nods; and receiving five nominations each, Pablo Alborán, Bad Bunny, Maria Becerra, Feid, Dave Cutch and Natalia Lafourcade.
The 2023 Latin Grammys — taking place for the first time internationally from the Conference and Exhibition Centre (FIBES) in Sevilla, Spain — will air at 8 p.m. ET on Thursday, Nov. 16 on Univision, UniMás and Galavisión in the U.S. and at 10:30 p.m. CET on Radiotelevisión Española (RTVE) in Spain.
Which hit should win the 2023 song of the year? Vote in the poll below.
Nicky Jam plays Fishing for Answers with Billboard backstage at Billboard’s Latin Music Week 2023. Nicky Jam:Hi, I’m Nicky Jam, and I’ll be Fishing for Answers with Billboard. “What is your most embarrassing moment on stage moment?” My most embarrassing moment on stage … that’s a good question because I take care of myself a […]
While radio may no longer be the only game in town when it comes to promoting and playing music, its importance is still outsized, according to Nielsen’s newly released Audio Today 2023 report focused on Hispanic consumers.
According to the report, which took into consideration listening by adults (18 plus) in more than 250 U.S. markets, radio reaches 94% of Latins every month, more than any other linear or digital media platform. That includes live and time-shifted TV (85%), smartphones (89%) and PCs (67%).
In terms of audio services only, the difference is stark. While radio reaches 94% of Hispanic adults 18 plus, its closest competitor, YouTube Music, reaches 44%, followed by Spotify (31%), Pandora (23%), Amazon Music (15%), Apple Music (14%) and satellite radio (11%).
And while listening numbers for radio’s competitors vary between age segments, radio consistently reaches 90% or more of listeners across demographics. Among the 18-34 demo, for example, it reaches 91% of listeners, followed by YouTube Music at 44% and Spotify at 41%.
That dominance also holds true among non-Hispanic listeners, though it’s a little less pronounced. Radio reaches 90% of all non-Hispanic listeners 18 plus (compared to 94% for Hispanics) and 82% of non-Hispanics 18-34 (compared to 92% for Hispanics).
Radio additionally leads in terms of listening time. The “share of ear time” for radio among adults 18 plus is 30%, followed by streaming audio at 21%.
Radio’s massive consumption comes down to accessibility and culture, says Stacie de Armas, Nielsen’s senior vp of diverse intelligence & initiatives.
“Radios’ reach is exceptional and always has been,” notes de Armas, who says the numbers weren’t surprising for her. “In fact in the past 10 years, it’s only dropped three percentage points. And that means that radio is a deeply embedded part of Hispanic life. It’s accessible everywhere, and a very important part of the Latino experience in a way I don’t see replicated in other groups. Radio serves a unique role in the lives of Hispanics. Radio is local. It gives people touchpoints into what’s happening.”
Accessibility has also given radio staying power among Hispanics, and it has a major bearing on the strength of YouTube Music, one of the first platforms to offer a multiplicity of content in Spanish.
Historically, says de Armas, Spanish language television has long been a part of the Hispanic experience in the United States with Univision and Telemundo. But cable was inaccessible for many people because the consumer had to pay, and there was an additional cost for Spanish programming. YouTube, on the other hand, was free, as long as you had Internet access.
“So, a lot of shifting went to YouTube. It was very easy to introduce YouTube Music,” says de Armas, noting that Hispanics spend 51% of their TV viewing on streaming, and 16% of that streaming comes from YouTube (although Netflix is a close second at 13.1%).
By the same token, Pandora is the third most listened-to option (after radio and YouTube) among the 35-49 and 50 and over segment of the Hispanic population because it was the first audio streaming service to focus on Spanish. But it doesn’t have the same accessibility as radio or YouTube.
Despite the numbers demonstrating radio’s continued reach, the format has been all but dismissed by some in recent times — in part because it wasn’t as measurable as other platforms. But, says de Armas, when advertisers make the effort to measure radio’s audience, they see results. “There’s engagement potential there that’s being lost on brands that are under-utilizing radio,” she says.
It’s not lost on the user, however.
“Community engagement is key,” de Armas says. “The cultural connection with radio hosts, for example, which fosters a sense of community. There’s a trust factor we’re underestimating, and I don’t think it exists in the same way with streaming platforms. And there’s also nostalgia and habit.”
Despite men dominating the Latin hip-hop scene, the women do not fall behind. From Farina to Nicki Nicole, and beyond, check out the list of raperas killing the game.