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Acclaimed Colombian singer-songwriter Carlos Vives will be honored with this year’s ASCAP Founders Award, the American Society of Composers, Authors and Publishers (ASCAP) announced Monday (March 4). The presentation of the award will take place April 3 at the 2024 El Premio ASCAP in Miami, an invitation-only event that celebrates this year’s ASCAP Latin Music Award winners.
“Carlos has led a new generation of Latin artists bringing Colombian music sounds to music fans around the world,” said Paul Williams, ASCAP chairman of the board and president, in a press release. “His talent and passion for Latin music and culture are unmatched. His accomplishments have paved the way for so many others and we are thrilled to present him with our highest honor, the ASCAP Founders Award.”
The ASCAP Founders Award recognizes songwriters and composers who have made “pioneering contributions to music by inspiring and influencing their fellow music creators,” according to the organization. “Each recipient is a musical innovator who possesses a unique style of creative genius that will enrich generations to come.”
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Vives — winner of 18 Latin Grammy Awards, two Grammy Awards and a Billboard Latin Music Awards Hall of Fame inductee — has left a profound mark in Latin music. In 2023, he released Escalona: Nunca Se Había Grabado Así, earning his 18th Latin Grammy, for best cumbia/vallenato album, and a 2024 Grammy nomination for best Latin tropical album.
“I want to thank ASCAP for this prestigious recognition,” Vives said in a press release. “It is an honor to receive an award that celebrates my career and contributions. I am looking forward to continuing to share the gift of music with new generations of songwriters and musicians.”
The Colombian powerhouse — whose No. 1 hits on the Billboard charts include “Volví a Nacer,” “Fruta Fresca,” “La Bicicleta” with Shakira, and “Robarte un Beso” with Sebastián Yatra, among others — joins past recipients of the ASCAP Founders Award such as Marc Anthony, Rubén Blades, Garth Brooks, Billy Joel, Paul McCartney, Carly Simon, Arturo Sandoval, Rod Stewart, Stevie Wonder and many more.
Just days after it was announced that Shakira is set to collaborate with Grupo Frontera on her upcoming album, Las Mujeres Ya No Lloran, the Texas group shared a snippet of the track during its set at Bésame Mucho on Saturday (March 2). The special moment came with a special message from Shakira herself […]
Maria Becerra shone brightly as she kicked off the final night of the 63rd Viña del Mar Festival, delivering a performance filled with dance choreographies and hits that were enthusiastically sung along by the Quinta Vergara audience.
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Dazzling in a white denim outfit, the Argentine star — who took the place of Peso Pluma after the Mexican artist canceled — opened her performance with the furious thump of “Perreo Furioso,” backed by a rock band consisting of a bassist, guitarist, drummer and keyboardist, and an Argentine trap beat. She then ignited the vibe with an invigorating cumbia, “El Amor de Mi Vida,” which she originally recorded with Los Ángeles Azules. For more than an hour, she ran through hits including “Corazón Vacío”, “Ojalá” and “Piscina.”
Later, she received sunflowers from fans as well as Silver and Gold Gaviotas, the event’s top award, which she dedicated to her parents. “Thank you so much, really. What an honor to receive this,” she added.
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The atmosphere became more serious when the Argentine singer read an emotional letter she wrote in response to the recent fires that affected the Valparaíso region.
“I want to take a moment to remember that all of us here have taken the commitment to help Viña rise again, after the tremendous tragedy they had to face. I witnessed the burning hills that showed in the marks of the fire, that less than a month ago, there were houses there. I listened with great fear to the story of a mother pulling her little child out of the fire,” she read.
She continued, “I was moved by the story of the female doctors from the small health clinic who climbed the hill beyond what we saw … It’s very sad to see how the fire swept away years of work. Life projects, memories, and above all, the more than 100 people who lost their lives. That’s why, today, I want to ask for a big round of applause for health workers, police officers, volunteers and firefighters. And to all of Chile, I want to tell you that my heart is with you. Our hearts are with every person who today is defying fate.”
Becerra, 24, was honored as a “Visionary” at the inaugural Billboard 2023 Latin Women in Music gala.
Following the performance by La Nena de Argentina, rapper Trueno — featured on Billboard’s list of the 50 most essential Spanish-language rappers of all time — took the stage to close out the event. Armed with intoxicating bars, the wordsmith opened with “Hoop Hoop” and continued the night with “Trueno: Bzrp Freestyle Sessions, Vol. 6,” “Buenos Aires en Llamas” and “Freestyle” before closing with “Dance Crip.”
Later in the evening, he also received his Gold Gaviota and Silver Gaviota awards.
The Viña del Mar 2024 Festival kicked off on Feb. 26 with Alejandro Sanz and Manuel Turizo. They were followed by Andrea Bocelli and Miranda! on the 26th, Maná and Men at Work on the 27th, Mora and Anitta on the 29th, and a Chilean night with Los Bunkers and Young Cister on March 1 before closing on Friday.
If you missed Friday’s performances by Maria Becerra and Trueno, or want to relive them, you can watch them below.
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From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.
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Alejandro Sanz Gives Back to Chile
Just days ahead of his Viña del Mar performance, Alejandro Sanz visited the country’s commune, El Olivar, to show solidarity to those affected by the deadly forest fires that occurred in early February. More than 120 people have passed away and over 15,000 households were affected in Viña del Mar and Quilpué.
“Chile, my dear Chile, the scars left by this tragedy will forever remain in our memory,” the Spanish crooner said in a statement. “The losses are immeasurable and a whisper of eternal mourning invades us. Your pain is everyone’s, and it is intertwined with the hope of uniting us to lift, with all our strength and resources, everything that you are. Because in every root, every heart, the soul of Chile beats.”
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In addition to spending time with locals and listening to their survival stories, Sanz revealed that he would make an important donation through Desafío Levantemos Chile and Un Techo Para Chile.
Noel Schajris Joins “Latin Grammy in the Schools”
Noel Schajris has joined Latin Grammy in the Schools, an educational program by the Latin Grammy Cultural Foundation that connects music students with key players in the Latin music industry, and supports music departments with financial limitations. This week, Schajris visited Overton High School in Memphis, TN, where he will invest $40,000 to its Creative and Performing Arts Program, including the donation of musical instruments.
“We all know how important art is and what music is in our lives; In my personal case it has been the lifesaver, the friend, the love and even the doctor in many important moments,” he expressed in a press statement. “How important is this invitation from the Latin GRAMMY Cultural Foundation to share with those who will undoubtedly carry that torch of hope; the kids, the new generations.”
Shakira Drops New Album’s Tracklist
For her first album in seven years, coming out March 22, Shakira has reeled in some of today’s hottest Latin acts. This week, the Colombian singer revealed the official 16-song track list to her set Las Mujeres Ya No Lloran, which includes the previously-released bangers “TQG” with Karol G, the Fuerza Regida-assisted “El Jefe,” and the unapologetic “Music Sessions Vol. 53” produced by Bizarrap. Also unveiled were eight new tracks including new songs with Biza and Rauw Alejandro, and collaborations with Cardi B and Grupo Frontera. Read more about the album, here.
Maluma’s Act of Kindness
Over at the 2024 Premio Lo Nuestro, where he was the top nominee and took center stage to perform alongside Carin León, Maluma went viral for an act of kindness backstage. A video shows the Colombian singer having a conversation with a cleaning lady and thanking her for her hard work and labor. “Thank you for your spectacular work. Thank you for cleaning so that all of us can enjoy these space,” he told the lady. “You’re so sweet, thank you,” she replied. Maluma nabbed four awards, including pop male artist of the year.
As música mexicana and música urbana have emerged as global powerhouses within the music industry, they’ve not only captured the ears of international audiences but have also carved out significant spaces at some of the world’s most prestigious music festivals. With reggaetón pop sensation Rauw Alejandro and corridos hitmaker Peso Pluma taking center stage at […]
This week, Billboard‘s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — feature fresh new releases from artists like J Balvin, Manuel Medrano, Marca Registrada’s collab with Julieta Venegas, and more. Maria Becerra and Ivy Queen kick off Women’s History Month with full force, delivering the hard-hitting “Primer Aviso.” Both artists rap about the challenges faced coming […]
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.
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Maria Becerra & Ivy Queen, “Primer Aviso” (Warner Music Latina)
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“La Queen con La Mari” is the team up we didn’t know we needed. Marking the first release from Maria Becerra’s upcoming album, “Primer Aviso” is a poignant track that finds Becerra venting in rapid-fire verses about the challenges she’s faced in the industry. Set to a fiery old-school reggaetón beat, the Argentine artist is joined by Ivy Queen, who also had something to say. “I sent the song to Ivy so she could echo my bars and do ad libs like everyone else, [but] she sent me a verse directly because she identified with [the song],” Becerra says in a statement. “I loved the idea because I realized I wasn’t the only one these things happened to.” The song also features ad libs by J Balvin, Nicky Jam, Yandel, Zion, Guaynaa and Lola Indigo. — GRISELDA FLORES
Grupo Marca Registrada & Julieta Venegas, “Andar Conmigo” (RB Music)
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Since their inception, Grupo Marca Registrada has showcased its versatility by venturing into Latin rock (2010’s Con Sello de Rock) and more recently, delving into the seldom-explored terrain of techno bélicos (“Alucin”). Today (March 1), in collaboration with Tijuana pop royalty Julieta Venegas, the group has given her 2003 hit “Andar Conmigo” a distinctive Sinaloense makeover. This norteño-pop fusion is seamlessly done, thanks to accordion riffs that echo Venegas’ original composition, further highlighting the band’s adaptability and innovation. Having covered Venegas’ song “Limón y Sal,” frontman Fidel Oswaldo Castro dreamed of working directly with her. “We sent her the demo and she liked it,” Castro told Billboard Español. “Julieta told me she wanted something in the style of Marca Registrada and very regional Mexican and decided to go with ‘Andar Conmigo.’” — ISABELA RAYGOZA
Alfonso Terán, “Amor De Mi Vida” (Alfonso Terán)
Independent musician Alfonso Terán — featured in October’s On the Radar Latin — surprises with the uber-romantic country ballad “Amor de Mi Vida,” a departure from his signature pop sound. Powered by guitar riffs, and the unique addition of the Venezuelan cuatro (courtesy of Héctor Molina, of the Latin Grammy-winning group C4 Trío) that gives the song a special touch. “It has a spectacular sound with that acoustic influence from Tennessee,” Terán, who recorded the song between Miami and Nashville, proudly tells Billboard Español. “Your way of kissing, your eyes when you laugh, with just one look I discover again that I’m out of breath if you’re not here, my life,” he sings in part of the lyrics, performed with beautiful backup-vocals and harmonies. The song’s music video is set to drop next week, according to the artist. — SIGAL RATNER-ARIAS
J Balvin, De La Ghetto and Jowell & Randy, “Triple S” (Sueños Globales, LLC)
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J Balvin reeled in De La Ghetto and Jowell & Randy for his new single “Triple S” — and possibly the new female anthem of 2024. An abbreviation of “suelta, soltera, sin nadie que la joda,” the Tainy and Subelo Neo-produced track narrates the story of a strong-minded and single woman who’s not to be messed with, and one who has a guarded heart and has no expectations. “Triple S” meshes futuristic reggaetón tones with hard-hitting perreo to further back its empowering lyrics. The music video directed by Patricia Alfonso and Chris Cabrera, and produced by Eat My Shorts, finds all four artists serving as the trusted henchman of a female mafia leader who poisons all of her male lovers in her lavish mansion. — JESSICA ROIZ
Manuel Medrano, “Este Cuento” (Warner Music México)
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A dreamy fusion of guitar chords, drum beats and Manuel Medrano’s deep vocals give life to his new single “Este Cuento,” which can be translated to “this story.” The second single from his upcoming third album, the song takes inspiration from magical realism as it tells an evocative love story in the form of a metaphor, and displays the emotions involved in long-distance relationships. “I asked the stars to bring me back to you./ I promised love that if one day I found you./ I wouldn’t let you run away again.” Penned by Medrano and co-produced with Christian Velandia, the single thrives on a mix of folk, country and Latin pop resulting in a melody full of whimsical sounds.— INGRID FAJARDO
Listen to more editors’ Latin recommendations in the playlist below:
Mexican music director and producer Lynn Fainchtein, known for her work as music supervisor on films such as Alejandro González Iñárritu’s Amores Perros and Alfonso Cuarón’s Roma, died on Friday (March 1) at the age of 59 in Madrid, Spain, where she lived, informed the record label Casete, which she co-founded.
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A cause of death has not been disclosed; a spokesperson for Casete told Billboard Español that he had no information at this time. An outpouring of messages of condolences from musicians, cultural institutions, filmmakers, journalists, actors and personalities of the music and film industry in Mexico flooded social networks during the early hours of Friday, when news of her passing broke.
“Rest in peace Lynn Fainchtein, a beacon of light and music. May the best soundtrack always accompany you,” said Alejandra Frausto, Mexico’s Secretary of Culture, on her X account.
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“‘Que Viva Mexico’ forever with your musical supervision, dear Lynn Fainchtein. In ‘Roma,’ ‘Babel,’ with ‘Abel,’ or with ‘Precious,’ ‘Los adioses’ (or goodbyes) are always sad,” wrote the Filmoteca de la UNAM, using titles of films in which the artist worked.
Fainchtein studied psychology at the Universidad Nacional Autónoma de México (UNAM), but for more than three decades, she served as an innovative broadcaster, film, radio and television producer.
In her early days, she worked as an announcer for the local Mexico City station Rock 101, where she met Mexican filmmaker Iñárritu, who was then working in advertising and voice-overs. Eventually, she became one of his closest collaborators in his award-winning film career.
With Iñárritu, she worked as music supervisor on all of his films, including the Oscar-nominated (and/or Oscar-winning) Bardo, The Revenant, Birdman, Biutiful, Babel, 21 Grams and Amores Perros.
“Alejandro always starts working on the music when he is almost finished with the script. For him, music is as important as production, art, wardrobe, makeup. He is a director who works on music a long time before and takes it as a very important part of his projects,” said Fainchtein in an interview with Billboard Español in December 2022.
In 2018, she served as music supervisor for Mexican filmmaker Alfonso Cuarón’s Roma, winner of the Golden Lion at the 75th Venice International Film Festival and Academy Awards for best director, best foreign language film and best cinematography.
In 2022, Cuarón invited Lynn to oversee and create the music for his first television series for Apple TV+, Augustus, which would premiere this year, starring Cate Blanchett, Kevin Kline and Sacha Baron Cohen, according to her official website.
She was head of programming and news producer for MTV LATAM until 2000. In 2012 she co-founded the independent record label Casete with musician and producer Camilo Lara, Héctor Reyes Guevara and Paco Arraigada.
As music supervisor and producer, she participated in numerous films and shows for Netflix, HBO, Amazon, Apple, Fox and Star+, among many other studios. She also collaborated regularly with La Corriente del Golfo, the production company founded by Gael García Bernal and Diego Luna, where she supervised the music for Abel, Déficit, J.C. Chávez and Mr. Pig.
Among her other major projects are David France’s Oscar-nominated documentary The Death and Life of Marsha P. Johnson, Patricia Riggen’s The 33, Luis Estrada’s ¡Qué Viva México, La Dictadura Perfecta and El infierno, as well as Jonás Cuarón’s most recent film, Chupa, released on Netflix in 2023.
Last year, Fainchtein supervised the music for Perdidos en la Noche, by fellow award-winning Mexican filmmaker Amat Escalante, which premiered at the Cannes Film Festival.
Young Miko vividly remembers the first time she realized her music could make an impact. It was in 2021, after the Puerto Rican singer-rapper released her second single, “Vendetta,” in collaboration with trans artist Villano Antillano — a hard-hitting trap song in which the two spit bars about empowerment, individuality, resilience and self-confidence, all while spotlighting the LGBTQ+ community.
“That’s when I felt a before and after in my life,” Miko tells Billboard. “It’s a moment that I always return to, and I realize that it wasn’t just a song. I feel in my heart that it started a very beautiful movement or gave it more strength. I love feeling that from the beginning I’ve been doing something good with the voice that life has given me and with the space I have, which has to have a purpose.”
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That same voice — one that effortlessly transitions from unapologetic rap rhymes to smooth, sugary vocals — and a devoted work ethic have propelled Miko to become one of música urbana’s brightest new stars, breaking through in the male-dominated genre while primarily singing about her queer identity.
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The 25-year-old artist born María Victoria Ramírez de Arellano Cardona has landed major collaborations with Bad Bunny, Arcángel, Feid, Bizarrap and Karol G — most recently playing the latter’s romantic interest in Karol’s cinematic “Contigo” music video. She has also had a strong presence on the Billboard charts, including four hits on Hot Latin Songs and three on Latin Airplay, two entries on the Billboard Hot 100 and five on the Billboard Global 200 and Global Excl. U.S.
But even amid those successes, Billboard‘s 2024 Women in Music Impact honoree says she’s still learning. “It’s important to have that mentality and to not think I’m at my peak,” she says. “I want to feel like I’m never going to stop being a student, and for me, that’s the coolest part.”
How has embracing your queer identity in your lyrics affected your art?
It has been everything. My lyrics demonstrate a Young Miko that’s 100% true to herself. Thank God, I’ve felt comfortable enough from the beginning to be able to do it and give myself that space to be myself and do what I want with my music. I think it’s very nice that it had a good impact on the music industry in general and on the people around me. Obviously, sometimes, it can get loud — your surroundings, the opinions of others — but I feel like Young Miko would never have been the same if I wasn’t 100% honest in my music.
How have you used your social media presence to create change around you?
Beyond a social media platform, I like to start with my circle and the people who are with me every day. In whatever way I can help, I will always try to add or contribute my grain of sand. Obviously, being aware that anything I publish or associate with will have an impact, period. I know that now people are listening and paying attention to what I say, which gives me more reason to want to promote a good message. There are so many people with so many followers, and they don’t use it for sh-t. For me, it’s a blessing that life has decided to put me in a spot where my voice matters.
You joined Karol G for her Mañana Será Bonito tour and headlined your own Trap Kitty tour last year. What effect did the touring life have on you?
I f–king love touring! It’s so much fun. I feed off a lot from the crowd and the energy. Sometimes you have to see it to believe it — the emotion of all the people and how they know your songs. I learned that it’s not always going to be pretty. There are days that are going to be super tiring, and if you cancel or postpone a show, it’s horrible [for the fans] but you must get through it. Beyond learning as an artist, I learn as a person. When I’m on tour, I miss my home, my parents, my island, the warmth of my people. It’s a roller coaster and not for the weak. It’s so surreal, but I f–king love it.
This story will appear in the March 2, 2024, issue of Billboard.
Over the course of a decade, Grupo Marca Registrada has earned a place in the regional Mexican music scene by stamping their style on norteño music. In 2022, they released hits like “Si Fuera Fácil”, “No Me Acuerdo” and “El Rescate” with Juniro H. But by mid 2023, their album Corleone had not gotten the response they expected: it only spent one week on Billboard‘s Regional Mexican Albums chart, at No. 16, and one week on Top Latin Albums at No. 50. And in the midst of the craze for corridos tumbados, the outlook was not encouraging.
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Despite collaborations with Carin León (“Me Haces Tan Bien”) and Grupo Frontera (“Dí Que Sí”, which reached No. 1 on Regional Mexican Airplay and No. 3 on Latin Airplay in the spring of last year), they felt something was amiss. So their frontman, Fidel Oswaldo Castro, set about the task of changing musical direction and found emerging talent younger than himself — such as Octavio Cuadras, Joaquín Medina and Sheeno — who write, compose and produce with a unique touch and a “techno bélico” sound.
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Then came another trilogy of songs with which they would show a new face — “ELOVRGA” with Alex Favela and Joaquin Medina, which took them to No. 7 on the Hot Dance/Electronic Songs chart and whose music video has over 102 million views; “Alucin” with Eugenio Esquivel and Sebastian Esquivel, and the happy corrido “Bling Bling” with Octavio Cuadras — released late last year; the latter with a remix featuring Colombian superstar Maluma.
Today (March 1), they are premiering a new version of Mexican singer-songwriter Julieta Venegas’ 2003 Latin pop hit “Andar Conmigo,” and soon something dance-driven with Belinda will be released.
In an exclusive interview with Billboard Español, Castro spoke extensively about the wheel of fortune that has Grupo Marca Registrada’s spirits high and their upcoming projects with stars that also include Peso Pluma, Junior H and Xavi.
After a winning streak, things didn’t work out the way you thought they would. Were you prepared for that?
I’m always prepared, so that in case something doesn’t work out, I have a backup. It’s the hunger to move forward. You also have to put intelligence into music, you have to look where no one else wants to look.
Why did you decide to give very young, practically unknown artists a chance?
Everybody wants to record with big artists. I didn’t look for that, I looked for quality, I looked for talent; I had the numbers. I looked for a product to sell, something good and of quality that was not overexposed. So I started with Joaquín [Medina] and Alex [Favela] for the song “Elovrga”, then with the Esquivel brothers I did “Alucin”, which has been a hit in electronic music charts in Spain. Octavio [Cuadras], a Sinaloan like me, also came along with a good song, “Bling Bling”, and I gave him the opportunity.
These three songs worked and what I wanted happened: to expose Mexican music as no one else had done. We released them and people accepted it incredibly. Let’s just say I feel rejuvenated musically. This led to other opportunities. The Maluma collaboration happened and we went to Colombia to record a new version of “Bling Bling,” which today is being listened to by [millions] around the world.
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Has taking a musical turn in your career affected your relationship with your regional Mexican colleagues?
On the contrary, now I have already received calls from big stars who at some point thought that Fidel had already sunk — but since they have seen the path I have taken, they are interested in working with me. I am not at odds with success, fame or money.
You could have stayed doing corridos, but you played the final card.
I’ve been doing this for 12 years, two on my own and 10 with Marca Registrada. The key is to adapt to what will give you work. It has always worked for me to adapt to the new, but I don’t stop doing my own thing.
Are you now working as a team with these new talents you discovered?
I made my group of artists with Sheeno and Octavio Cuadras, new talents that have a very nice respect for me. I have a lot of confidence in them, I want them to work and put the music of Mexico very high. I have told the guys that it is not about saying that the songs are mine because I am the well-known one; we are in the same boat together. Octavio has his place, as does Joaquín (Medina), Alex Favela and the Esquivel brothers. Everyone gets what they really deserve.
Are you working with them for the new Marca Registrada album?
Totally. The album, from RB Music/Interscope, is called The G.O.A.T (The Greatest Of All Time). There are 12 songs and an intro; it’s trap, it has nothing to do with norteño music. In the previous album, Corleone, I focused on what the people of Marca Registrada were asking for.
This production is very different — there are duets with guys that nobody knows, such as Angel Cervantes and Oslin, who co-wrote “Torai”, a song that I uploaded to TikTok and was doing very well when the label dropped the music. However, another one of our producers, Marcelo Rivs, who was working with Belinda, showed it to her, she liked it, we recorded it just last week and it was a great experience. It’s has a techno-bélico, dance vibe. Belinda is a very important figure; she is always in the news and that is very good.
Did you ever imagine yourself making house or electronic music?
Years ago, when I used to hang out in nightclubs, I thought how wonderful it would be to be as successful as the reggaetón heads with their music. Today, I can be proud that my songs are sung and danced to in those places.
You have a new collaboration with Julieta Venegas, how did this approach come about?
Julieta Venegas is an excellent person, I have always been a huge fan of hers. Today I can tell you that she is my friend. I had already recorded “Limón y Sal”, but I had the dream of doing something with her and, through my distributor, the contact was made, we sent her the demo and she liked it. Julieta told me that she wanted something in the style of Marca Registrada, very regional Mexican and she decided that it should be “Andar Conmigo.” We went to Buenos Aires [where she lives] to shoot the video, another unforgettable moment.
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What other collaborations are coming up in the short term?
There are collaborations coming with Belinda, with Peso Pluma and Junior H, with whom we have recorded in 2022, 2023 and we already have this year’s song, so we have great expectations. Also with Xavi. Beyond the fact that he is the artist of the moment is that we connect. I did not record with Peso Pluma at his moment, it will be done now. With Edén (Muñoz) something is also coming, as well as with Alfredo Olivas; they are great friends of mine and referents of regional Mexican music.
Do you still consider yourself a regional Mexican artist despite all these new sounds and mixes you are experimenting with?
One hundred percent, I always will be. The fact that I do new things does not define me as an artist of another genre. All the music I make will always be Mexican, proudly.