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Latin

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Earlier this month, Billboard Latin and Billboard Español published a list of the 25 best Latin albums of 2023, which encompasses the sets that impressed us the most, including León Larregui’s Technicolor electro-rock odyssey PRISMARAMA, DannyLux’s eclectic set DLux and Tainy’s neon-hued experimental outing DATA. Also on the list are history-making albums such as Karol G‘s Mañana Será Bonito, the […]

Eight years after the deaths of rapper Canserbero and his producer Carlos Molnar, previously ruled as a murder-suicide, Venezuela’s attorney general, Tarek William Saab, released a new update on Tuesday (Dec. 26) after reopening the case last month.
According to Saab, the Public Prosecutor’s Office has clarified the case, and released the confession of those now presumed responsible of murdering the two: Canserbero’s manager and Molnar’s partner, María Natalia Améstica, and her brother, Guillermo Améstica.

In three videos shared by the prosecutor on his X (formerly Twitter) account, Améstica confesses that, in the midst of a work-related fit of rage, she served Canserbero (real name Tirone José González Orama) and Molnar tea mixed with a sedative on the night of Jan. 19, 2015 in her apartment in the city of Maracay, and later stabbed them to death. She also states how, with the help of her brother and the complicity of officials, the scene was altered to make it appear that Canserbero murdered Molnar and then committed suicide.

“It is 1:30 in the morning on December 19, 2023. I am making this video to publicly confess my responsibility for the double homicide of Carlos Molnar and Tirone González ‘Canserbero,’” begins the first 4:40 minute clip. Also, María Natalia claims that the problems began a month before the tragedy, when she found out that she would not be reimbursed for the tickets she had bought for a tour of the artist nor would she be paid for her marketing work for the tour, and that Canserbero didn’t want her as his manager. “That hurt me a lot,” María Natalia declares. “I was left with a lot of internal suffering because of the disdain.”

In a second video, her brother Guillermo Améstica corroborates the information by telling his version of events.

According to information published on Tuesday on the official website of the Venezuelan Public Prosecutor’s Office, Saab declared that “110 investigative steps were taken and 13 trips were made to Maracay to gather the new evidence that allowed the case to be clarified.”

“She poured into the tea she gave them a total of 10 milligrams [of Alpram] previously made into powder to dilute in that tea, resulting in both of them falling asleep within minutes of ingesting that beverage,” the official said.

According to the statements of the Améstica siblings, published by the ministry, María Natalia first assaulted Molnar in the kitchen with three stab wounds, and then went to the sofa in the living room, where Canserbero had fallen asleep, to stab him twice on the side. She called her brother to ask for help, and he “arrived at the property in the company of three officers of the Bolivarian National Intelligence Service (Sebin) who advised him on the alteration of the scene in exchange for $1,000 each.”

To make it look like a murder-suicide, “Guillermo stabbed Molnar and gave Canserbero’s body a blow with a pipe that disfigured his face, with the purpose of simulating a fight between them.” Then, they threw Canserbero’s corpse out of the window, Guillermo left the scene and Maria Natalia called the neighbors, according to Venezuelan authorities.

According to the Améstica brothers, the commission of the Scientific, Criminal and Criminalistic Investigations Corps (CICPC) noticed that the scene had been altered upon arrival and arranged the last details in exchange for $10,000. The authorities initially claimed that the rapper stabbed his friend to death before taking his own life.

The resolution of the case comes just over a month after the Venezuelan prosecutor’s office announced it would reopen the case following persistent appeals from the late rapper’s family and friends.

Canserbero died at the age of 26 as a leading figure not only in Venezuela but in the world of rap in Spanish. Known for dark lyrics reflecting the violence in his country and real life experiences, he collaborated with artists such as Mala Rodríguez and Apache and released two solo studio albums, Vida and Muerte.

In August, Billboard Latin and Billboard Español named him one of the most essential Spanish-language rappers of all time.

Lisandro Meza, one of the biggest names in Colombian music, died on Saturday (Dec. 23) at the age of 86, almost three weeks after being hospitalized due to a stroke, informed the Specialized Clinic La Concepción in Sincelejo, in his native state of Sucre, Colombia, where he was.
“La Concepción regrets to report the sensitive death of maestro Lisandro Meza Márquez, minstrel of sabanera music, cumbia, porro, vallenato and disseminator of Colombian music to the world,” the clinic said in a statement signed by its manager, Guillermo Ruiz.

En estos momentos de profundo dolor, la familia Meza se une para lamentar la partida de nuestro pilar, Lisandro Meza. Su amor, sabiduría y música seguirán inspirándonos. Agradecemos el apoyo y las condolencias en este difícil momento. 🕊️🌹 #LutoFamiliar #LisandroMeza pic.twitter.com/IMeFhDIFkh— Lisandro Meza (@Lisandromeza) December 24, 2023

Meza’s family confirmed the passing of their “pillar” on the singer’s official account on X (formerly Twitter,) saying that “his love, wisdom and music will continue to inspire us,” and thanking everyone’s “support and condolences at this difficult time.” The Colombian Ministry of Culture highlighted that “his art embraced cumbia, porro, paseo and vallenato” and that “songs like ‘El Guayabo de la Ye’ and ‘El Hijo de Tuta’ will remain forever in our memory.”

Lamentamos el fallecimiento del cantante y compositor Lisandro Meza. Su arte abrazó la cumbia, porro, paseo y vallenato. Canciones como “El guayabo de la ye” y “El hijo de Tuta”, quedarán por siempre en nuestra memoria. Descansa en paz, maestro de la música colombiana. 🕊️ pic.twitter.com/IH4xMCoTvF— MinCultura Colombia (@mincultura) December 24, 2023

Born on Sept. 26, 1937 in Los Palmitos, Meza became known in the 1950s with compositions that became popular in the Colombian Caribbean, according to El País. In 1965, he joined Los Corraleros de Majagual as an accordionist, a group in which he worked with other greats vallenato singers and songwriters such as Alfredo Gutiérrez and Calixto Ochoa. In 1969, he competed in the Festival de la Leyenda Vallenata and came in second place, after Nicolás “Colacho” Mendoza, but the attendees stated that Meza should have won, and nicknamed him since then “el Rey sin Corona” (“the King without a Crown”,) reports the same newspaper.

Over the decades, Meza recorded dozens of albums, of his own or with other groups, releasing hits such as “Senderito de Amor,” “El Macho,” “El Hombre Feliz,” “Ni que Estuviera Loco,” and many others.

“Maestro Lisandro Meza, on behalf of all the Colombian people, thank you for being born in this land. Until we meet again,” Carlos Vives wrote on his X account, where he also published three photographs of himself with the accordionist and musician.

Other Colombian artists expressed their sorrow for his passing. “Lamenting the death of maestro Lisandro Meza. Condolences to all his family and friends,” wrote Juanes. While Jorge Celedón tweeted: “Maestro #LizandroMeza, a great of Colombian musician, leaves us today. I feel enormous sadness for his departure […] I will always remember that noble hug and greeting every time we met.”

Lamentando la muerte del maestro Lisandro Meza. Sentido pésame para toda su familia y amigos.— JUANES (@JUANES) December 24, 2023

El maestro #LizandroMeza un grande de la música Colombiana, nos deja hoy, siento una enorme tristeza por su partida, un abrazo solidario a su familia, mucha fortaleza en este duro momento, recordaré siempre ese noble abrazo y saludo cada vez que nos encontrábamos…🙏🙏— JORGE CELEDON (@Jorgitoceledon) December 23, 2023

Meza was married for more than six decades to Luz Domínguez and, according to different media outlets, and he was the father of 16 children.

2023 may have featured massive releases from artists such as Taylor Swift (Taylor’s Versions of Speak Now and 1989), Drake (For All the Dogs and its Scary Hours edition), Bad Bunny (Nadie Sabe Lo Que Va a Pasar Mañana), Nicki Minaj (Pink Friday 2), Morgan Wallen (One Thing at a Time) and many others, but […]

Further demonstrating their strong friendship, Anitta and Lele Pons are having the time of their life in Aspen, Colorado.  The two BFF’s have been documenting their holiday getaway via their respective Instagram accounts, which includes photos in their fashionable winter gear and even a risque collaborative video post of the two Latinas in towels.  “Skiing […]

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

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Oscar Maydon, DISTORSIÓN (Rancho Humilde/Sony Music Latin)

Oscar Maydon’s second full-length album Distorsión marks a bold entrance into the booming corridos bélicos movement, released under Rancho Humilde. Hailing from Mexicali, Baja California, Maydon fearlessly navigates the genre’s unapologetic storytelling with grim, grit and grime, and the unexpected swank of a reggaetón track, “YW&F – Versión Reggaetón.” In a riveting transformation to modern-day Mexican Gatsbys, Maydon, Natanael Cano, and Gabito Ballesteros kick off the album with a symbolic nod to extravagance on “Tipo Gatsby,” rewriting the traditional American Dream.

The 17-track journey features collaborations with familiar names like Junior H, Chino Pacas and Codiciado, as well as the unexpected addition of the hitmaking rapper (and Kylie’s ex) Tyga on “Kim Kardashian.” Distorsión doesn’t shy away from punishing lyrics, invigorating guitar leads and clever use of Mexican slang, as shown in “Ahuevo Que Sí.” Embodying the rebellious spirit reminiscent of a musical outlaw, Oscar Maydon’s album cements his place as a dynamic force in the corridos bélicos scene, leaving listeners intrigued by the audacious charm of his musical narrative.  — ISABELA RAYGOZA

Ñengo Flow, Myke Towers, “Fast Money” (Rimas Entertainment)

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In another collaborative effort, Ñengo Flow and Myke Towers join forces to do what they do best: flaunt their luxurious lifestyle, fueled by sacrifices and hustle. Produced by Kongreezy and Shooter Bang, the fresh track “Fast Money” is backed by a hard-hitting trap beat where the two Puerto Rican rappers belt out raw lyrics about making just that. “Hey, I’m a fan of making money fast/ It doesn’t buy happiness, but I feel happy, bro,” chants Towers with his semi-raspy vocals, while Ñengo assures in his verse that he’s been the Real G leading the movement for years now. — JESSICA ROIZ

Caloncho & KURT, unas acústicas (Universal Music México)

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Mexican singer-songwriter Caloncho celebrated his birthday (Dec. 20) this week with the release of the two-track single unas acústicas, alongside colleague and countryman KURT. The unplugged project includes a new version of Caloncho’s 2022 “Somos Instantes,” and the brand new “Un Salto de Fe,” a sweet, laid-back ballad co-written by the artists about being thankful for that special person in your life and making the most out of it by fully living in the present. Each comes with a music video in which the two appear playing guitar and singing together. It’s candy to the ears, perfect to relax with this holiday season. Watch the brand new video of the latter on top. — SIGAL RATNER-ARIAS

Grupo Firme & Gabito Ballesteros, “Otra Noche” (Music VIP Entertainment)

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Grupo Firme’s lead singer, Eduin Caz, confirmed his return to the stage this week. As part of his comeback, the band released a new song in collaboration with Mexican artist Gabito Ballesteros. The explosive collaborative effort “Otra Noche” exhibits nuances of the popular tumbado sub-genre, while still retaining the essential essence of Grupo Firme. The song’s lyrics talk about the feeling of missing someone special: “I just want to feel your body/ The hours go by slowly/ I can’t live if I don’t have you,” both artists chant in the chorus with deep emotion. — INGRID FAJARDO

Rigoberta Bandini & Julieta Venegas, “Qué Más Da” (Rigoberta Bandini)

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Spanish singer-songwriter Rigoberta Bandini teams up with Mexican star Julieta Venegas to create an empowering song for women in “Qué Más Da.” Bandini shared some details on her social media about how the collaboration came about: “I wrote her a message on Instagram to tell her that I would love to write a song with her one day and her response was a yes in capital letters.” Featuring a pop sound with electronic production elements, the duo aims to motivate women to speak freely in the face of a toxic relationship with lines like: “Take it out, your whole being, spit it out/ Say it without control/ Say what you need/ Enough of not dancing out of lack of love/ Climb that step without fear/ Look down and jump.” And they reaffirm in the chorus: “What does it matter if he leaves? Well, we start again.” — LUISA CALLE

Listen to more new Latin music recommendations in the playlist below:

Santa Fe Klan has signed a management deal with Prajin Parlay Inc., effective immediately, Billboard has learned today (Dec. 22). The indie record label is also home to música Mexicana phenomenon, Peso Pluma. 

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“Santa Fe Klan has accomplished an incredible amount for música Mexicana and his community over the last few years,” CEO and manager of Peso, George Prajin, said in a press statement. “He is an impressive young man and we are looking forward to helping him continue cultivating his skills as both a musician and businessman.”

“As I enter this next chapter in my career I’m excited to join the Prajin Parlay roster and I’m excited for my fans to see everything we have planned for 2024,” added the renowned Mexican rapper born Ángel Quezada. 

Additionally, Prajin is a partner in Doble P Records alongside Peso, who expressed “I’ve always admired Santa Fe Klan and I know he’s going to make a great addition to our family.” 

On the 2023 Billboard Year-End charts, Prajin Parlay Inc.—also home to Jasiel Nuñez, Tito Doble P, and more—landed No. 1 on the Hot Latin Songs Publisher chart. The label, next to Doble P Records, had a breakthrough year ranking high on many of the year-end Billboard charts including Hot Latin Songs Imprint, Regional Mexican Albums Labels, and Independent Labels, to name a few. 

Born in Guanajato, Mexico, Santa Fe Klan (his artistic name is an ode to his barrio) recorded and uploaded his own music to YouTube and SoundCloud when he was a teenager. His love for rap and hip-hop music was inspired by artists such as Cartel de Santa and MC Davo, and his ultra-personal and raw lyricism ultimately landed him collaborations with artists such as Snoop Dogg, Lupillo Rivera, and Calibre 50. 

His first entry on Billboard‘s Hot Latin Songs arrived in April 2022 with “Mar y Tierra,” part of his fifth studio album Mundo, which debuted at No. 4 on Latin Pop Albums and No. 11 on Latin Rhythms Albums.

Earlier this year, Santa Fe earned his first career No. 1 on the Regional Mexican Airplay chart with the  Los Ángeles Azules and Cazzu-assisted “Tú y Tú.”

YouTube has unveiled its Top 5 Most-Viewed Artists in the US in 2023—and Peso Pluma takes the lead.  The música Mexicana phenomenon takes the lead for the first time on the coveted list thanks to fans connecting through his live performance at Coachella, for example. The artist born Hassan Emilio Kabande Laija had more than […]

12/21/2023

A testament to a year marked by innovation, historic achievements, and the continual global rise of Latin music.

12/21/2023

RBD will end a long-awaited reunion that took 15 years to come to fruition on Thursday (Dec. 21), a tour that took the famous Mexican pop group through stadiums and arenas in Brazil, Colombia, Mexico and the United States for more than 50 dates. The Soy Rebelde Tour was a successful journey that surprised everyone, including its members, who never imagined what their music represented for millions of people.
“It’s beautiful,” band member Maite Perroni tells Billboard Español. “Now we see children who get excited and sing, who are the children of our fans. They make their parents come to the concerts because they want to be part of that history.”

The end of this cycle for Anahí, Dulce María, Christian Chávez, Maite Perroni and Christopher von Uckermann — which began in August in El Paso, Texas — will be at the Estadio Azteca in Mexico City, a forum for over 80,000 people that has welcomed icons such as Vicente Fernández, Madonna and U2. Previously, RBD filled the Foro Sol for six nights starting November 30, attracting a total of 390,000 fans, according to promoter Ocesa.

While the Soy Rebelde Tour, produced by Live Nation and T6H Entertainment, became the second most lucrative tour by any Latin artist in 2023 (only behind Karol G’s Mañana Será Bonito,) the impact generated by the reunion of RBD and its fans is huge at a time when reggaeton and regional Mexican music dominate the streaming platforms.

Five (of six) returning members sat down together in an exclusive cover interview with Billboard Español shortly before hitting the road, and Perroni recounts what returning to the stage with her colleagues has meant for her and the group.

What assessment do you make of this long-awaited RBD reunion? What has been the most surprising thing about it all?

It has been very nice to meet again with so many people who have been part of our history for so many years now, 20 years, which is easy to say, but there’s a lot of loyalty, love, affection. It has been a great surprise to meet new generations — is no longer just one generation, it’s three generations! All of this has made me come to the conclusion that RBD is that powerful, loving, positive energy that moves the project. We have simply become the vocalists, the representatives of what this group is, but the truth is that the magnitude, the strength, the power, the energy, the love, the dedication, have been given to us by the audience. And we realize that RBD is today and always.

What has been the main achievement of this reunion?

That we managed to make history! That is something that was questioned in the past because RBD is a project that came out of a TV show (Rebelde,) a pop group, one of those that already existed in the world. They told us that pop music is easy, that pop bands disappeared easily, and many of us were classified in that place, and also for a long time we received, within the industry, from other colleagues, singers, songwriters, criticism, ridicule, parodies. And despite that we moved forward, building what RBD was. We believed in Rebelde and what we did. And the most beautiful thing is to see that 20 years later our history transcends to another place and that we can feel very proud that this went down in history within Latin music, pop music, and that is thanks to the people.

What was the biggest challenge?

RBD has been a project that has filled us with challenges, with many emotions, a lot of commitment. For me, RBD is more than a group of artists; for me we are brothers and sisters, with our defects and our qualities, with our good and our bad things. We love each other and understand each other. Regardless of that, for me, it has represented being able to balance three worlds: The first one with my baby, my family unit to join this dynamic; two months after my daughter was born we were already flying to Los Angeles to get to the tour rehearsals and to join a tour of almost five months and my husband’s support has been fundamental for me.

On the other hand, and it is something very personal but very important to me, is that in a very short period I had to be on stage, after giving birth, with many extra pounds on me, I had to be on a stage where there were many emotions, hopes and a lot of love, but with a very large magnifying glass to see how you look and what you do — you’re pregnant, you’re fat, you’re skinny, if you didn’t make it — and say, “I don’t care what they say, I don’t care what happens. I am on a stage sharing and being able to carry this.”

What difficulties did you encounter in this process?

The first thing was to commit ourselves in a much more adult way to our project, to commit ourselves to creating a company, a society, to get involved from the administrative and the legal side, and to make decisions that were decisive so that we could continue our tour, take the reins of our history, do things the right way. But I can say that today I leave with my heart full, knowing that the effort was worth it — RBD is worth it — and that together we will always be better and stronger.

What’s in RBD’s future?

The reality is that our last concert is on December 21st. We have hopes, desires. It has been beautiful! Of course the hope of being able to continue building something together remains. We’ll see what destiny and life have in store for us; we don’t know today. We are in a different process, in this closing cycle, finishing this tour in Mexico, at the Estadio Azteca, very excited and tremendously grateful.