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Becky G has a double celebration this week: co-hosting the 2024 Latin American Music Awards and reaching 10 years since the release of “Shower.” Joining Thalia, Alejandra Espinoza and Carlos Ponce, Becky (real name: Rebbeca Marie Gomez) will co-host the award ceremony that will be presented in a combination of English and Spanish, marking the […]
In our franchise “The Stars Behind the Stars,” Billboard Latin and Billboard Español editors share stories that have yet to be told, directly from those who aren’t often in front of the spotlight. Think “todo lo que no se ve detrás de cámaras,” or “everything that happens behind the scenes.” These unsung heroes are essential to an artist’s team and its foundation. Today, we highlight the founders of TNT Agency, Hector and Alejandra Barraza.
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Hector and Alejandra Barraza were young entrepreneurs in Chino Hills, Calif., then they came up with their big idea. Hector, whose background is in marketing and sales, worked training salespeople. His wife Alejandra, a cosmetologist, borrowed one of his spaces to give a makeup class.
“It was my aha moment,” Hector says. “With my background and experience in marketing, we put together a nice package to market classes, and we became a makeup school.”
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At the same time, Alejandra began to provide makeup services for a growing roster of clients. When she could no longer do it alone, she started to train other glam artists. And so, TNT Agency was born.
Today, 20 years later, TNT is “the premiere glam agency for Latin Grammys, Billboard Latin Music Awards, SESAC Latina and even the general market Grammys,” says Hector. Artists and teams who’ve walked those red carpets have no doubt seen the TNT squad: some 20-30 young women dressed in matching uniforms, all looking like a million bucks and armed with their glam gear.
Hector, the agency’s beauty director, is in charge of marshaling the troops and sending artists to wherever they’re needed. It’s a unique scenario, he says. By calling one person — himself — a client can get up to 45 makeup artists dispatched. Alejandra trains the team, and all glam artists have to undergo TNT training before they can join the agency at an event or gig. All use the same products and protocol.
TNT trains approximately 600 individuals a year, who come from all over the country to TNT’s headquarters in Chino. This allows Hector, in turn, to offer services to clients in most major U.S. cities. In addition, TNT has added a third component to its services: It produces its own cosmetics under the TNT brand.
On the eve of the 2024 Latin American Music Awards in Las Vegas, Barraza — this month’s “Star Behind the Stars” — told us the story behind TNT, what sets the agency apart, and what are the new trends in makeup.
Growing from gigs to an agency of this size sounds daunting. What was your big break?
The agency became very popular because we started to do beauty segments on Univision’s KMEX station in Los Angeles. Every Wednesday at 5 am Alejandra had a beauty segment called “Eternamente Bella (Eternally Beautiful).” And this is where we started to meet interesting people in Los Angeles like Cristy Solís, Marco Antonio’s wife. One thing led to another. The world of networking works, and we ended up in really cool peoples’ homes. And these people had people who produced shows, and that’s how we got some pretty big breaks, providing glam services for artists and then executives and then the production.
How much time do I need to look beautiful for a show?
All our artists do makeup and hair. A full service, one glam artist, is about an hour and a half. Our glam is very personal. What I might think looks good on you, you might hate. So we tailor every look to the client. What is it you like and what do you feel comfortable with? And our job is to take it up a few levels. We have to create something in your style that you cannot do yourself. Otherwise why hire us? That’s why people tell us, “I could never do this.” That’s exactly why you contact us.
What is the TNT touch?
It’s a flawless finish. It’s supposed to look very natural. You will look polished. There’s so much that can go wrong in a makeup application.
Has anything changed dramatically in the glam world in the past few years?
This is fashion so it’s always changing. The way you do your brows is not the way you did it three years ago. You have to be up to date on trends. There are two worlds: Social media and production and we dabble on both. It changes rapidly because this is very what’s on trend and how you incorporate it. What you see on TikTok you can’t necessarily apply in real life.
Newest trend?
Cream blush is probably the hottest thing out there. It’s light, it goes easy on the skin, it’s glowy, it’s smooth. Cream blush is the thing. People are putting it on their cheeks, on their nose. People of all ages are using it. From the 13 year old to the older individual because it’s not drying.
Madonna is performing a series of five concerts in Mexico City this week as part of her Celebration Tour, an occasion that the Queen of Pop has taken to reiterate her love for Mexican culture and one of its most iconic figures: the famous painter Frida Kahlo.
“As you know, I have a great history, a long history with Mexico,” the superstar said Saturday night at the Palacio de los Deportes during her performance of “Burning Up,” according to La Razón. “When I was a girl, I discovered Frida Kahlo. I went to the only museum that existed in Detroit, and there were Diego Rivera murals everywhere, but to be honest, I was more interested in a small picture in a corner, of a beautiful woman with her hair gathered in braids and intense eyes.”
Previously, Madonna met with the Kahlo family on Thursday at their home in the city neighborhood of El Pedregal, and wrote an emotional dedication in the guest book expressing she was inspired by the iconic painter, who she considers to be her “soul mate,” reported Mexican newspaper Reforma.
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Just as she’s been doing at different stops on her tour, the Material Girl has had special guests in Mexico during the performance of “Vogue” to judge a handful of dancers in a dance competition. On Saturday, at the first of her shows at the Palacio de los Deportes, she had Mexican comedian Guillermo Rodriguez, known as Jimmy Kimmel’s sidekick on ABC’s late-night show Jimmy Kimmel Live!
“When you go to a Madonna concert and she CALLS YOU UP ON STAGE!!!,” says a shared post from Rodriguez and Kimmel on Instagram with a video of the moment in the show.
The second guest was Cuban actor Alberto Guerra, who lives in Mexico. He shared the moment on his social media, along with some snapshots to immortalize the moment. “Thank you Madonna, for giving me the memory of a night that will live forever in my heart,” the actor wrote in English on Instagram.
On Tuesday (April 23), the surprise guest was Mexican influencer Wendy Guevara, a trans actress who won Televisa’s reality show La Casa de los Famosos in 2023, and who was greeted with cheers from the audience when she got onstage. “And a dream come true,” Guevara captioned a photo of her with Madonna on Instagram.
Madonna’s final performances in Mexico City are on Wednesday and Friday. It’s unknown if she will have more guests at press time.
Every month, Billboard Latin and Billboard Español editors spotlight a group of rising artists whose music we love. Think “diamantes en bruto,” or “diamonds in the rough.” These are newcomers who have yet to impact the mainstream — but whose music excites us, and who we believe our readers should make a point to discover.
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Our latest edition of On the Radar Latin includes a wave of emerging artists, who we discovered either by networking or coming across their music at a showcase, and beyond. See our recommendations this month below:
Name: Ambik
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Country: Argentina
Why They Should Be on Your Radar: She is the younger sister of Argentine star Tiago PZK, but since launching her career in 2023, Ambik has made a name for herself with her own lyrical prowess and style. At only 16 years old, the artist — whose real name is Ambar Pacheco Lezcano — has released innovative urban-R&B songs such as “Crucigrama,” “Sha La La” and “Náufrago.” Her most recent release is “Rápido,” a sensual electro-pop single ready for the club, with which she continues to experiment and offer an uplifting outlook on the future of music. And this is only the beginning for Ambik; signed to Grand Move Records and Warner Music Argentina, we will surely be hearing much more from her. — SIGAL RATNER-ARIAS
Song for Your Playlist: “Rápido”
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Name: dadá Joãozinho
Country: Brazil
Why They Should Be on Your Radar: dadá Joãozinho made his solo debut last year, after performing with an artistic collective called ROSABEGE that he formed with a few friends in his hometown of Niterói, Brazil, in 2017. Pulling from Música Popular Brasileira, hip-hop, baile funk, indie and experimental electronica, the São Paulo-based artist created a sound of his own for his debut album, tds bem Global (which translates to “all too Global”), released last fall via Innovative Leisure. He just released the video for the set’s “Sem Limitessssss,” a psychedelic track that shoplifts from dub reggae, hip-hop, punk and samba. “Being in São Paulo inspired me to go off my limits, to grow, to know things about myself I couldn’t see,” dadá Joãozinho says in a statement. “It’s a song about desire really, about transformation.” — S.R.A.
Song For Your Playlist: “Sem Limitessssss”
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Name: DARUMAS
Country: Argentina, Cuba, & Haiti, but U.S.-based
Why They Should Be on Your Radar: Named after the traditional Japanese daruma doll that signifies perseverance and good luck, DARUMAS is an electrifying trio injected with massive girl power. Helmed by Aldana Aguirre on the bass (Argentina), Ceci Leon on vocals and guitar (Cuba), and Haiti-born, Chilean-based vocalist Vedala Vilmond, the group officially debuted this year with their single “Daruma.” The best representation of their project, the track is a soulful R&B bop fused with old-school funk melodies, backing their enchanting and powerful vocals.
DARUMAS, who already opened a show for Argentine pop star Emilia, is signed to Sony Music Latin for recordings; Walter Kolm Entertainment for management; TBA Agency for touring; and FRAZES CREATIVE for publicity partnerships. “Darumas is a breath of fresh air for the music industry,” Alex Gallardo, Sony Music Latin’s president said in a press statement. “Three women, musicians, with an enormous talent that bring an artistic proposal very different from everything else out there. The greatest artists are characterized by being unique and different from the rest.” — JESSICA ROIZ
Song for Your Playlist: “Daruma”
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Name: Latin Mafia
Country: Mexico
Why They Should Be on Your Radar: I first heard of Latin Mafia last year, after discovering their music on TikTok. Their song “Julieta” caught my attention with its fun, catchy beats and confidence-boosting vibes. Creating music that fuses reggaetón, dream pop, R&B, and house, the brother trio brother — Mike, Milton and Emilio de La Rosa — have a unique essence that sets them apart. Even a song that seems to be about heartbreak can quickly immerse you in a lively and energetic “llorar y perrear” vibe, as in their song “Perlas.”
In late December, Latin Mafia collaborated with Mexican singer-songwriter Humbe for “Patadas de Ahogado,” and delivered another masterpiece of very organic music. The song is backed by keyboard notes that combine their soft vocals, while the lyrics talk about finding that special love. The Mexican band recently signed with Rimas Entertainment, and have performed at various music festivals in Latin America and the United States, including a big debut at Coachella. — INGRID FAJARDO
Song for Your Playlist: “Patadas de Ahogado” (feat. Humbe)
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Name: Luck Ra
Country: Argentina
Why They Should Be on Your Radar: Luck Ra (real name: Juan Facundo Almenara Ordóñez) was put on my radar thanks to my best friend, who first discovered him on Spotify. I was immediately captivated by his track “Hola Perdida,” in collaboration with Argentine rapper Khea, where the two deliver a fast-paced cumbia villera meshed with sensual bachata rhythms, about calling an ex to get back with them. Luck Ra released his first recordings in 2017, but it was “Te Mentiría” (a smooth Afrobeats single) in 2020 that ultimately brought him to a wider audience. Luck Ra has also collaborated with acts such as Bersuit Vergarabat, Abel Pintos, Ke Personajes, and Rusherking, and dropped his debut studio album Que Nos Falte Todo this year. — J.R.
Song for Your Playlist: “Hola Perdida” (feat. Khea)
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Name: RoyalLive
Country: Venezuela
Why They Should Be on Your Radar: Born in Catia La Mar, Venezuela and based in Miami, RoyalLive — also known as Royal and whose real name is Ibraham Ríos — fuses genres such as R&B, soul and urban tropical in songs that include lyrics in Spanish, English and Portuguese. The 23-year-old artist began writing music at 16 and, during the pandemic, after he and his father became homeless and had to live temporarily in a church, he used the ordeal as the inspiration for his song “Chain.”
Since then, he has released singles including “Báilame Que Luego Te Vas,” a TikTok hit that got to the ears of Colombian singer Beéle, who also recorded a cover; and “Ocean Drive.” This Friday (April 26) he premieres “Baby G,” a song infused with Brazilian rhythms and melodic drill “dedicated to the warrior woman who is not afraid of anything,” according to a press release. The track is part of his upcoming debut album, LOVESTAR, to be released this summer under MusikLab. — S.R.A.
Song for Your Playlist: “Báilame Que Luego Te Vas”
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Name: Vanita Leo
Country: U.S.A. (of Mexican descent)
Why They Should Be on Your Radar: While the Tejano music scene has seen the rise of acts like Grupo Frontera and the enduring legacy of icons like Intocable, the presence of female Tejana artists has been notably scarce since the days of Selena on a mainstream level. Yet, emerging from San Antonio, Texas, with roots tracing back to Mazatlán, Sinaloa, is Vanita Leo, a promising singer who jumped on our radar via social media. “I make music that reflects these cultures,” she tells Billboard Español. Notably, she’s garnered the attention of music greats like Ramon Ayala and Ramona, who she opened up for in Texas.
She began gaining a steady following since her 2023 EP, Historia de una Amor, featuring corridos tumbados-infused “Arrepentida,” and the ballad kiss-off “Marchate.” Her forthcoming single “Slo Tú BB” (out May 3) is a cumbia delight over sultry R&B vocals, echoing the footsteps of her Tejano predecessors. — ISABELA RAYGOZA
Song for Your Playlist: “Arrepentida”
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Fuerza Regida celebrates its first No. 1 on Billboard’s Top Latin Albums, as its seventh studio release Pa Las Baby’s y Belikeada, climbs 2-1 to lead the April 27-dated ranking.
Pa Las Baby’s y Belikeada ascends to No. 1 with 24,000 equivalent album units earned in the U.S. in the week ending April 18 (up 17%), according to Luminate, almost entirely driven by streaming activity (up 17% in streaming equivalent album units, equaling 36.06 million on-demand official streams for the set’s songs during the tracking week).
Top Latin Albums ranks the most popular Latin albums of the week by multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each units equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
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The 30-track set, released via Oct. 20 via Street Mob/Rancho Humilde/Sony Music Latin, visits the penthouse for the first time on Top Latin Albums in its 26th week. That is the longest climb to No. 1 since the Oct. 10, 2015-dated chart, when Juan Gabriel’s Mis Numero 1… 40 Aniversario rose 4-1 in its 60th week. Pa Las Baby’s y Belikeada debuted at No. 2 on the Nov. 4, 2023, chart and has never departed the top five.
Notably, Pa Las Baby’s y Belikeada becomes only the fifth regional Mexican album to lead Top Latin Albums this decade; all one-week rulers except for Peso Pluma’s Génesis, which has dominated for 28 non-consecutive weeks. Let’s look at those No. 1 albums since 2020:
Artist, Title, Peak Date, Weeks at No. 1Alejandro Fernández, Hecho En México, Feb. 2020, oneEslabon Armado, Vibras de Noche, Aug. 1, 2020, oneEslabon Armado, Desvelado, May 13, 2023, onePeso Pluma, Génesis, July 8, 2023, 28Fuerza Regida, Pa Las Baby’s y Belikeada, April 27
Pa Las Baby’s y Belikeada also rebounds to No. 1 for its second week atop Regional Mexican Albums, where it launched at the summit last November.
Fuerza Regida’s new Top Latin Albums coronation arrives a week after the group announced its 37-date U.S. and Mexico summer arena tour, Pero No Te Enamores, will kick off June 6 in Austin, Texas.
The news perhaps ignited similar gains for two other Fuerza Regida efforts on Top Latin Albums: streaming activity drives Dolido Pero No Arrepentido (EP) to its No. 5 peak with an 18% gain, to 13,000 units (essentially all from SEA units), a figure that equates to 19.35 million on-demand official streams registered for its songs during the same period. Pa Que Hablen.: I., meanwhile, jumps 22-20 — after its No. 3 peak in April 2023 — likewise through streaming movement. The album generated 5,000 units (effectively all from streams), up 9%, which equals to 8.4 million streams in the U.S.
Beyond this weekly slate of Fuerza Regida’s albums gains, the San Bernardino, Calif. group, also expands on a song level. Eight entries on the multi-metric Hot Latin Songs chart, which combines airplay, streams, and downloads, move ahead boosted by streaming growth, starting with “Tu Name” which rises 4-3, led by with 8.8 million on-demand official streams, up 14%.
“Crazyz,” meanwhile, logs the biggest streaming percentage gain out of the eight, with a 44% growth, to 4.5 million.
This week marked the start of the Playoffs rounds on season 25 of The Voice and the show brought in some serious ringers on Monday night (April 22) to help cut down each coach’s team from five to three singers before the live, public-vote rounds begin.
Team John Legend teed up a veteran of the franchise in Colombian superstar Maluma, who has been a coach on two seasons of La Voz, in both his native country and in Mexico. Meanwhile, Team Dan + Shay got a boost from rapper Saweetie, with each guest bringing their own unique set of skills to the gig.
According to EW, Maluma seemed completely at ease with the job, serving up positive notes and encouragement and some pro tips on performance and setting the mood. In a preview video that dropped before the show aired, Maluma had a lot of good advice for the Team members, from encouraging them to write their own songs to suggesting they ditch their instruments while performing live to focus on their vocals.
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That experience came through when Nathan Chester was prepping his powerhouse cover of the Beatles’ “Oh! Darling.” After Legend — whom Maluma dubbed “Juan Leyenda” — suggested that Chester put more urgency into his performance, Maluma seconded that emotion and offered up a technical note about stepping back from the mic a bit to let his voice truly shine. The dynamic due clearly were on to something, as Chester made it to the Live rounds.
Maluma also seemed to bond with Venezuelan-born singer Mafe, who stepped up majorly with a moving version of Adele’s “Someone Like You,” but failed to make the final cut; the other Team Legend Playoffs members include Bryan Olesen and Zoe Levert.
EW noted that while rapper Saweetie seemed to be an odd choice to work alongside country duo Dan + Shay, they had a good chemistry and the “Best Friend” MC seemed to really have a vibe with the female singers on the pair’s team, offering them such poetic advice as “there’s no deadline to dreams.” When 17-year-old Anya True began rehearsing her take on Taylor Swift’s “All Too Well (Taylor’s Version),” Saweetie helpfully suggested more eye contact to connect with the studio audience.
Admittedly not a country aficionado, Saweetie suggested that singer Karen Waldrup try to focus less on being technically perfect, but instead “strive for personality,” which she definitely did on her cover of Lainey Wilson’s “Heart Like a Truck.” That was enough to punch Waldrup’s ticket through, along with Madison Curbelo and Tae Lewis.
The Playoffs roll on next week with performances from Team Reba and Team Chance.
Check out some of Monday night’s performances from Team Legend and Team Dan + Shay below.
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Latin superstar Pitbull on Tuesday (April 23) announced his Party After Dark Tour, a 26-city tour featuring special guest T-Pain, with Lil Jon also joining in select markets. Explore Explore See latest videos, charts and news See latest videos, charts and news Just off The Trilogy Tour with Enrique Iglesias and Ricky Martin, Mr. Worldwide — known […]
Latin music has profoundly shaped the American musical landscape. From the lively rhythms of Celia Cruz and Johnny Pacheco’s joint album Celia & Johnny to Daddy Yankee’s reggaetón breakthrough hit “Gasolina,” these songs represent the diverse and vibrant contributions of Latin artists to the American songbook.
Each year, the Library of Congress selects 25 recordings to the registry to preserve sound recordings that are “culturally, historically or aesthetically significant” to American life.
Last week, the Library of Congress’ National Recording Registry immortalized two more Latin songs: Juan Gabriel’s heartfelt ballad “Amor Eterno” and Héctor Lavoe’s salsa anthem “El Cantante.” Now enshrined in the registry, these timeless songs testify the enduring legacy of Latin music. “For musicians of any genre, having a song inducted into the National Recording Registry is a prestigious honor,” Congressman Joaquin Castro tells Billboard Español, who’s a major driving force for Latin music on the list. “I’m very proud that the Library of Congress ultimately honored two artists from my list [this year].”
Created under the National Recording Preservation Act of 2000, the Registry has included more than twenty works of Latin music and/or musicians of Latin descent to date. The first Latin music release to be added to the Registry was Dance Mania (1958) by Tito Puente in 2002. Subsequent inductees include Santana’s electrifying Abraxas (1970), which redefined Mexican-American rock; Buena Vista Social Club’s eponymous album (1997), bringing Cuban son to American audiences; Ritchie Valens’ “La Bamba” (1957), which reinvented a son jarocho song from Veracruz, Mexico by injecting American rock into it.
“In addition to advocating for more Latino inclusion in American media — which, more than any other industry, shapes how Americans see the world around us — I would also push for more recognition of the ways that Latinos have contributed to American excellence,” Castro explains.
“Today, Latinos make up 20 percent of the United States, but less than five percent of the titles on the Registry come from Latino artists, adds the Mexican American politician from San Antonio. “As a result, the Registry became a natural place to direct my work – in part because the Library of Congress has tried in recent years to do a better job of honoring how Latinos and other racial minorities have shaped America’s growth.”
Below, we present the Latin music entries, arranged from the most recent inductions to the earliest.
Héctor Lavoe, “El Cantante”
Latin music revenues in the United States continue to hit an all-time high, exceeding the $1 billion mark for a second year in a row on the wings of 16% growth that outpaced the overall market.
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According to the RIAA’s year-end Latin music report for 2023, total revenue jumped from $1.1 billion in 2022 to $1.4 billion in 2023, with the genre’s overall share of the total music market lifting from 7.3% in 2021 to 7.9%. In 2021, the revenue totaled to $881 million with an overall share of 5.9%.
“Latin music has exploded in the U.S. over the last decade as a new generation of stars boosts the genre and streaming puts this dynamic sector at everyone’s fingertips,” says Rafael Fernandez Jr., RIAA senior VP of public policy & Latin music. “No longer limited by language, access or outdated assumptions – Latin artists are shaping our culture as fans gravitate towards the spirit of this music, propelling faster growth than all other listening and expanding our horizons further every year.”
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Months earlier, the RIAA’s mid year report had already suggested that Latin music revenues would reach a record high, driven by the success not only of Karol G — who made history last year with Mañana Será Bonito — but also a new wave of música mexicana acts such as Peso Pluma, Fuerza Regida and Eslabon Armado who have also helped usher in a record year for regional Mexican music.
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“At the same time, there are opportunities for more fans to subscribe to paid streaming services and Latin vinyl sales to spin up even higher, finding different ways of connecting and inspiring unforgettable moments together as artists and labels offer up new sounds and songs,” adds Fernandez Jr.
Streaming makes up a stunning 98% of Latin music revenue, accounting for more than $1.3 billion, up 17% over 2022. Within that, paid subscriptions were the biggest growth driver, contributing more than two thirds of total revenues and posting growth of 21% to $915 million; last year, the total earnings from streaming was $758 million.
Another big contributor to growth was ad-supported on-demand streams (from services like YouTube, Vevo and the free version of Spotify), underscoring how important video is to the Latin fan. Revenue from this space grew 10% to $336 million.
Revenue from digital services like Pandora and SiriusXM increased 5% to 77 million, making up 6% of streaming earnings for Latin music. Conversely, permanent downloads yielded a mere 1% of revenues for Latin music in 2023, falling 15% versus the year prior to $10 million, comparable to the 12% drop for digital downloads in the market overall.
Although physical format sales slightly increased in 2022, this time CDs dropped down 49% to $2 million while vinyl albums decreased 25% to $7 million, the latter accounting for less than 1% of Latin music revenue in the U.S.
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Interpol celebrated the biggest concert of its career with a free show on Saturday (April 20) at the Zócalo in Mexico City, where the band gathered over 160,000 fans, according to figures provided by local authorities.
In the words of vocalist Paul Banks, it was the “most special night” and “a great honor” to perform at a historic site for a country with which they have maintained a very close relationship for two decades. The band — also comprising guitarist Daniel Kessler and drummer Sam Fogarino (who is recovering from surgery and was covered by Chris Broome) — has the visited the country just over 20 times. Banks lived and studied in Mexico when he was 17. This partly explains why he feels like he’s in his “second home,” as he told Billboard Español hours before Saturday’s performance.
After moving to New York for college, the vocalist returned in 2005 to Mexico City and gave one of his most memorable concerts. That night, in the Salón Mexica, he says he felt the “terrifying” beauty of the Mexican audience, when the venue was about to collapse due to the number of people gathered (about 7,000, according to promoter Iguapop).
This time around, at the Zócalo — the main public square in the country and the second largest in the world after Tiananmen in China — everything was impeccable, including the sound, the lights, and the logistics. The Government of Mexico City deployed an operation with hundreds of police officers who watched over the main plaza and surrounding streets, where huge screens were installed so that more people could enjoy the show without venturing into the crowd. Although there was a slight drizzle hours before, spirits did not falter.
Interpol joins a list of international stars who have performed at the Zócalo, including Paul McCartney, Roger Waters, Justin Bieber, Shakira, Rosalía, Café Tacvba, and Vicente Fernández, among others.
Here are some of our favorite moments from Interpol’s Mexico City concert, including the complete setlist.
“Evil” in Mariachi