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Janet Jackson is headed back to Sin City as part of her new residency at Resorts World Theatre at Resorts World Las Vegas.
The “Janet Jackson: Las Vegas” residency kicked off over New Year’s Eve weekend and has now been extended until the end of May. With a setlist that spans her entire career — and lengthy catalog — Jackson’s show includes all of her greatest hits, along with “deep cut” fan favorites.
Want to see Janet Jackson in Las Vegas? Here’s where to find the best seats and cheap tickets online.
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Find Janet Jackson Las Vegas Residency Tickets Online
Ticketmaster is the official ticketing partner of Jackson’s Resorts World residency, but there are a number of third-party and resale sites that may offer better deals and discounts.
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We like StubHub, which has Janet Jackson tickets starting from $57 (as of this writing). StubHub’s “FanProtect Guarantee” ensures that you’re purchasing verified tickets and that they’ll be delivered before your event starts. If your event is canceled and not rescheduled, you’ll receive 120% credit or be given a full refund.
Another place to find Janet Jackson tickets online is Vivid Seats. The site has tickets to Jackson’s Vegas residency on sale from $61 right now, with the option to get the tickets delivered digitally for faster transfer. What we like: Vivid Seats’ has a rewards program that gets you your 11th ticket for free after you purchase ten tickets. See more details here.
You can find cheap tickets to see Janet Jackson in Vegas through SeatGeek, another preferred third-party site. Tickets for Jackson’s Vegas residency start from $62 right now on SeatGeek.com. A bonus: use our exclusive promo code BILLBOARD10 to save $10 off your purchase.
You can also score a promo code on Janet Jackson tickets at Ticket Network. Get $150 off orders of $500+ when you enter the code BILLBOARD150 at checkout, or save $300 off ticket purchases of $1,000+ with the code BILLBOARD300.
The cheapest tickets we’re currently seeing for Janet Jackson concerts is through Gametime.co. Typically known as a place to find tickets to sporting events, the site has branched out into concerts and entertainment in recent years, and they have “Janet Jackson: Las Vegas” tickets from $57.
Even better: Gametime guarantees that they’ll have the cheapest tickets available online; If you find a lower price elsewhere, the site will credit your account with 110% of the difference between the price you found and their price on Gametime.co.
Jackson is just one of a number of artists who have residencies in Las Vegas right now. The singer’s show at the the 5,000-capacity Resorts World Theatre comes on the heels of her 2024 “Together Again Tour,” which earned nearly $51 million and became the biggest gross of any tour in Jackson’s Billboard Boxscore history.
The numbers are in on the first edition of ComplexCon Las Vegas, the festival dedicated to convergence culture that debuted in its new home in November 2024. Sixty thousand attendees visited the shoppable exhibition featuring music, fashion, art, food, innovation and sports collaborations. Over two days, sales totaled more than $20 million, marking record numbers for the event, which began in 2016 in Long Beach, Calif.
By all accounts, Las Vegas and ComplexCon are a perfect match. The 300-plus brands have an entire cityscape to activate collaborations, exclusive drops and live performances.
By day, the hypebeasts dropped their paychecks on Takashi Murakami Ohana Hatake Full-Boom Slides, the Pac Sun x Yohji Yamamoto Wildside capsule, King Ice Pokémon-embellished jewels and Travis Scott’s Nike Zoom Field Jaxx. They snapped pics with Dan Life’s MVMT x Call of Duty: Black Ops 6 limited-edition timepiece and the ESPN SportsCenter Top 10 Chain. Cannabis brand STIIIZY popped up with a replica weed cultivation experience, and Gin & Juice by Dre and Snoop poured out their new distilled gin, Still G.I.N.
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Outside the exhibition, Gunna performed at Drai’s wearing Adidas Originals Adizero Aruku sneakers; Juice WRLD’s team held a final album listening party and celebration for the late rapper’s Fortnite Battle Royale, Chapter 2 Remix appearance at Zouk nightclub; and Jordan Brand created the Cactus Jack Outpost, an immersive experience that brought Scott’s utopian vision to life and showcased his journey in creating the CJ1 T-Rexx shoe.
Neil Wright, senior vp of experiential events at ComplexCon, attributes the success of the first Vegas outing to the expanded music component, including CactusCon, with the participation of Scott as artistic director.
“Music — even though it’s always been a pillar of ComplexCon, it has never been more prominent, with Travis having his influence over the entire show,” Wright says. “[In the past], we’ve had Pharrell, from a cultural perspective, help with the curatorial aspects, but the look, feel, and identity of each year, we’ve always tapped a fine artist. Having Travis put his arms and his creative vision around it with his team was a major co-sign to get the music industry involved.”
Scott unveiled over 35 exclusive collaborations and installations with influential designers, artists, and brands in the CactusCon bazaar. In the Cactus Colosseum by Nike, he pushed soccer, sneakers, and community, celebrating the Nike Zoom Field Jaxx launch with the Secreto Maximus Tournament, a high-stakes private soccer match at the Cactus Colosseum featuring top athletes and showcasing a trophy case of his Nike collaborations. He closed the two-day festival with a performance on ComplexCon’s Main Stage, bringing out WWE’s “Triple H” as a surprise appearance to present him with the WWE Hardcore Championship belt. Amplifying his presence to a new demographic, he announced a Jan. 6 appearance on the first RAW on Netflix.
Scott will use this “takeover” formula when he plays Coachella in April with a Cactus Jack desert domination, sharing his universe with the festival audience in the desert.
Another major boon for ComplexCon Las Vegas was Nike’s investment in music collaborations and product innovation. In addition to Scott, the sneaker giant partnered with Lil Yachty and the Concrete Boys on the Nike Us Force 1. Nike also debuted the Air Max 1000, a new 3D-printed silhouette manufactured with Zellerfeld that reimagines the Air Max 1.
“From a strictly square footage perspective, this was Nike’s biggest impact on ComplexCon. They’ve done so many things over the years that were cool at the moment but aged even better. In 2017, there was a fireside chat with Kendrick Lamar and Kobe Bryant, and they also brought Virgil Abloh to debut his collection that year.”
Dc2trill, Draft Day, Lil Yachty, and Camo! attend ComplexCon 2024 on November 17, 2024 in Las Vegas, Nevada.
Sara Jaye/Getty Images for Complex
It wasn’t that long ago—back in 2016—that Wright remembers when ComplexCon was just a concept deck that he and founders Aaron Levant and Marc Ecko were pitching Nike.
“It’s a trade show. No, it’s not a trade show. It’s a music festival. No, it’s not a music festival,” he recalls. “It was difficult to convey what we were trying to build in year one.”
Year eight signified the complete vision, activated. The exhibition featured Capitol, Interscope and Def Jam booths peddling ephemera such as Ice Spice Chia Pets, vintage Tupac T-shirts and vinyl records. A Rick Owens-designed Cactus Jack recording studio was also on display.
“You don’t want the same type of artist merch that you can get anywhere. Rather than partnering on a sneaker drop, many of our brands collaborate with recording artists such as Ed Hardy and Ken Carson, as well as Siobhan Bell and B.B. Simon,” Wright says. “Music collaborations have become just as important.”
L.A.-based high-tech footwear brand FCTRY LAb debuted at ComplexCon with their viral Duck Boots in black and yellow created in collaboration with rapper NLE Choppa.
FCTRY LAb co-founder and creative director Omar Bailey, the former Head of the Yeezy-Adidas Innovation Lab, started the company two years ago (funded by a diverse group of venture capital firms, professional athletes and angel investors).
Bailey aims to help rappers, actors, athletes, influencers or public figures design, develop and manufacture their own footwear outside the frame of major brands like Nike or Adidas. “There is a huge opportunity for artists who may not be on the big brands’ radar, who have, who have the reach, the ability and the desire to want to launch their own shoes,” he says. “We also want to create radical and interesting concepts and designs in a space that’s been quite boring for the last 10 years.”
DJ EFN, Dr. Dre, and Snoop Dogg speak onstage during ComplexCon 2024 on November 16, 2024 in Las Vegas, Nevada.
Bryan Steffy/Getty Images for Complex
According to FCTRY LAb, the formula works. The Yellow Boot was a significant unpaid, organic social media moment for the sneaker industry, accumulating 308 million views and 17 million+ instances of direct consumer engagement.
From the disruptors to the mainstream, brands such as WWE, which collaborated with Loiter; Tide, which sponsored ThriftCon; and Chips Ahoy, which partnered with Big Sean, all flocked to participate. At that convergence, things get even more interesting for Wright, with ComplexCon acting like an internal agency to help them fit in. “We work very closely with a lot of the bigger, non endemic partners to make sure that when they do show up, they’re showing up in a credible and an authentic way,” he says. “They put effort into actually speaking the language of our audience.”
Collaborating with WWE was a dream for fashion house Loiter, created by Isaac Metekingi. With a design ethos rooted in hip-hop and electronic music subcultures, Loiter, the in-house brand for Culture Kings, was inspired by the grunge-inspired graphics of WWE superstars, including Duane “The Rock” Johnson, The Undertaker, “Stone Cold” Steve Austin and “The Big Red Monster” Kane. Its booth featured the “Raw is War” entrance for photo ops.
“They were a little bit skeptical when we presented the idea—they had all their modern wrestlers. And I was like, I’m gonna go way back, and after a while, they saw the vision,” Metekingi says. “For a relatively unknown brand, we had an unbelievable presence.”
ComplexCon aims to have an even bigger year in 2025, with artist Daniel Arsham serving as the global artistic director. The event will travel to Hong Kong from March 21-23, 2025 and return to Las Vegas on Oct. 25-26, 2025.
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One of Hip-Hop’s longest running fueds continues. Ja Rule found it hilarious that 50 Cent’s Las Vegas residency was panned by a critic.
As spotted on HipHopDX, the G-Unit Records recently kicked off his residency at PH Live in Planet Hollywood. As expected, 50 Cent performed his medley of hits, b-sides and guest appearances to a crowd of his fans. In attendance at one of the dates was blogger Jennifer Gay, who goes by the name Vegas Starfish on social media. She recapped her evening in a video that made it clear that she was unimpressed by the set up and even 50’s performance. “The sound was balanced poorly making it impossible to hear the performance. His hypemen were unrelenting and overbearing making it difficult to hear anything but their echos,” she wrote. “The only surprise was the lack of energy. This was the worst live performance, for any artist, I’ve ever attended,” she added.
Her review soon went viral on social media and eventually landed on Ja Rule’s radar. The “Always On Time” rapper reposted the clip and added, “Not the worst… #ICONN,” with several laughing emojis. Jeffrey wasn’t the only one who took shots at 50 Cent over the footage, as many people online noticed that Fif only waves his right arm up and down while he raps throughout his entire set.
http://www.twitter.com/jarule/status/1874459263583560082
As expected, 50 Cent has responded to the criticism and paused for a brief moment at a subsequent show to address the poor review. “What, you thought I was going to be out here rollerblading like Usher and sh*t? I seen some sh*t, Chris Brown was flying in Africa. I don’t have records that require me to fly in Africa,” he told the crowd. The blogger Vegas Starfish continues to stand by her original review.
Carlos Santana was scheduled to return to Las Vegas‘ House of Blues at Mandalay Bay Resort and Casino later this month, but a minor injury has caused him to postpone his shows until he is able to play guitar again. Explore Explore See latest videos, charts and news See latest videos, charts and news The […]
After Sphere opened with fanfare in September of 2023, there was a lot of talk, in the electronic music world at least, about which electronic artist would be the first to play Las Vegas’ new space ship of a venue.
Presumably many would’ve jumped at the chance. Las Vegas is a dance music nexus, with billboards along Interstate 15 into the city bearing the faces of new and longtime resident artists at Marquee, Hakkasan, XS and other nightclubs on the Strip.
But ultimately it was a new face that made the cut, with Sphere announcing in July that Italian-American techno and melodic techno producer Anyma — who hadn’t previously had a residency in the city — would be The One.
With the news, talk shifted as people outside of dance music familiarized themselves with the artist, a sizable name within the genre, but still a relative unknown to the gen pop. Who was he, and what would he do, people asked? Meanwhile, talk inside the dance world was that this show was going to be, in colloquial terms, totally bananas.
Certainly the bar was set mighty high after well-received residencies from Sphere’s previous artists U2, Phish, the Eagles and Dead & Company. But those are bands, and this would be a DJ. Still, interest for Anyma was abundantly and statistically clear: tickets for the eight-night residency sold out the same day they went on sale in July, with Anyma reporting selling 100,000 tickets for these shows and more dates subsequently added, bringing the total number of shows to eight.
Officially and grandly titled Afterlife Presents Anyma: The End of Genesys, the figurative curtain for the show lifted Dec. 27, when the residency began amid one of the busiest times of year in Las Vegas, bringing ravers to Sphere for the very first time.
Two days later, on Dec. 29, attendees sporting ravey attire and the de facto Afterlife uniform of black leather everything and sunglasses inside milled around the venue between sets from openers Cassian b2b Kevin de Vries and Charlotte de Witte. (Anyma’s support acts are different for every night of the residency, with the Dec. 28 opener Amelie Lens becoming the venue’s first ever officially billed female artist.)
Anyma came onstage promptly at 11 p.m., appearing on top of a riser placed on the floor of the venue from which glowing cords emanated. The two other risers on each side of him each contained a cello and the robot arms that played the instrument throughout the show, emphasizing the machine vs. human quality of both the overall Anyma aesthetic and the show we were all about to see.
It was, in fact, bananas. Starting with a robot breaking through a wall of glass in tandem with the music, the performance ultimately turned several standard dance music conventions on their head. Many large-scale shows, for example, take place in seated venues like Madison Square Garden, Kia Forum and Red Rocks, but Sphere is arguably the only one where attendees in the seated areas (Sphere also has standing room on the floor) have a vested interest in staying butt-to-chair, given that the seats are programmed to shake and rumble with the bass. (Or in the case of live acts, the drums.)
Certainly many people were on their feet raving in place, but by and large this was a sit down show, making the experience at times feel more akin to a futuristic movie theater than a nightclub or any standard large-scale dance performance.
In ways, Anyma and the Dec. 29 special guest artists — Delilah Montagu and Ellie Goulding — were secondary to the visuals. You might not have even noticed they were there in person, given the focus demanded by the screen and everything happening on it. Born Matteo Milleri, Anyma has long been been half of the duo Tale of Us, with the pair cultivating a signature visual aesthetic via their own output and releases on their influential label Afterlife and its affiliated shows.
This sort of transhumanist aesthetic and human meets machine ideology is so well-suited for Sphere that one can’t help but assume it’s a not insignifcant part of the reason Anyma secured these shows. Any act playing the venue needs to have a well-established and world-building visual identity (which is part of the reason Sphere functions so well for legacy acts like the Dead, who have a huge visual history to pull from.) But Sphere’s mind-bending technical capabilities are providing Anyma and his team the opportunity to both show off and expand their epic, trippy, frequently dark and often beautiful cyborg narrative.
And expand they did. These are five of the best parts of the performance.
The Visuals, Obviously
Image Credit: Courtesy of Anyma
Carrie Underwood is celebrating her Las Vegas residency in a big way. The Grammy-winning superstar’s Carrie Underwood: Reflection concert film will be arriving to Hulu in January, giving fans the best seat in the house as they experience the singer’s popular show at Resorts World Theatre at Resorts World Las Vegas. The residency concert showcases […]
Adele is sharing her gratitude for Celine Dion, who surprised the “Rolling in the Deep” singer by attending one of her Las Vegas residency shows at Colosseum at Caesars Palace on Saturday (Oct. 26). Explore See latest videos, charts and news See latest videos, charts and news Alongside an emotional photo of the duo embracing […]
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Just when it seemed like 50 Cent was done with the music aspect of his career, the Get Rich or Die Tryin’ rapper will once again be taking to the stage to perform many of his classic hits as he’s just landed a new gig in Las Vegas.
According to TMZ, Fiddy has just inked a deal to get himself his first-ever Las Vegas Residency as he’ll be performing for six nights at PH Live inside Planet Hollywood Resort & Casino. To help sweeten the deal, the “I Get Money” rapper will be pocketing a cool $15 million for six days of work. That’s the kind of payday many men dream of but might never come across. Then again, there’s only one 50 Cent, right?
TMZ reports:
We’re told the residency is set to kick off in December 2025, with one of the performances being an exclusive New Year’s Eve celebration presented by 50 Cent’s own Sire Spirits brand.
The residency, dubbed “50 Cent: In Da Club,” will be unlike anything he’s ever done before and we’re told fans can expect a fresh experience while still hearing all their favorite hits from Fifty, including classics “In Da Club,” “Candy Shop,” and “21 Questions.”
Wait, it isn’t happening till next year?! And we thought Lauryn Hill was notorious for keeping her fans waiting a long time.
Y’all already know 50 Cent’s going to start every show with “Go shorty, it’s your birthday!” And it’ll be worth it.
Will y’all be checking out 50 Cent’s residency in Sin City come December of next year? Let us know in the comments section below.
09/21/2024
You’ve heard about that “dark desert highway” for decades. But have you ever seen it?
09/21/2024
Mr. 305 will bring his Miami swagger to Las Vegas again for a new musical residency, Billboard Español can exclusively announce on Friday (Sept. 20). Pitbull: Vegas After Dark the Residency will debut on Nov. 8 at the Fontainebleau Las Vegas, where the Cuban-American superstar will take the stage at the BleauLive Theater for a series of eight weekend concerts between the end of this year and the beginning of the next.
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The dates are Nov. 8-9, Jan. 24-25, and March 7, 8, 14 and 15. Tickets go on presale on Tuesday (Sept. 24) and to the general public the next day at 9 a.m. PT/12 p.m. ET on the Fontainebleau website.
“Fontainebleau’s legacy of top-tier entertainment stems from its Miami Beach roots,” said Fontainebleau Las Vegas Senior Vice President of Entertainment, Fedor Banuchi, in a press release. “We are honored to have Mr. 305 himself bring his Miami flair to BleauLive Theater for this iconic limited engagement.”
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Pitbull is in the midst of his Party After Dark Tour, a 26-city trek that began on Aug. 21 in Virginia and ends on Oct. 5 in Albuquerque, N.M. His new show in Las Vegas will include “state-of-the-art visuals, pyrotechnics,” and a repertoire of hits such as “Give Me Everything,” “Timber,” “Time of Our Lives,” “International Love,” “Feel This Moment,” “Fireball” and “Hey Baby (Drop It to the Floor).”
“Backed by his incredible band, The Agents, and his dynamic dancers, The Most Bad Ones, the fusion of music, lights and special effects will create a sophisticated, high-energy party for everyone in attendance,” according to the press release.
Pitbull, who frequently performs in Las Vegas, opened a SLAM charter school in Nevada in 2016, expanding his commitment to education that began with the first SLAM school in Miami. According to the release, the schools — whose name is an acronym for Science, Leadership, Arts and Management — now serve nearly 10,000 students in various states.
The artist’s last residency in Sin City was Time of Our Lives, which opened at The AXIS on Sept. 23, 2015, and closed on May 25, 2019.