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Marty Friedman, the former lead guitarist of Megadeth, recently shared a surprising story about how he missed out on a chance to join KISS because he was “too short”.

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In an interview with Sam Ash Music, Friedman, best known for his decade-long tenure with Megadeth from 1990 to 2000, was asked if there was any KISS song he would have liked to play guitar on.

His response revealed a fascinating piece of rock history: “I would’ve wanted to be on any KISS song. I’ll give you a quick story about that – when they were changing guitar players a long time ago, I got a call from KISS’ people.”

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The conversation quickly took an unexpected turn when KISS’s management started asking Friedman a series of questions, seemingly unrelated to his guitar skills.

“They say like, ‘Do you think you’d be interested in auditioning for KISS?’ I’m like, ‘Tell me when and where.’ They came back and were like, ‘We’ve got a couple of questions for you. You don’t have any facial hair, do you?’ No. ‘You got long hair right?’ Right. ‘You’re skinny right?’ Right. ‘And you’re over 6 feet tall?’ and I’m like, ‘What? I’m 5’7 but I’ll have an operation, I’ll do something.’”

Unfortunately for Friedman, his height proved to be a deal-breaker. “They were like, ‘I’m sorry, it’s not going to work out.’ I was so bummed.”

Despite the disappointment, Friedman acknowledged the importance of image for a group like KISS. “I get why they did it. KISS is meticulous about their image, and having a height difference wouldn’t fit the band’s aesthetic.”

This attention to their image was crucial for KISS, one of rock’s most theatrical and elaborate bands. Formed in 1973 in New York City, KISS quickly became known for their blood-spurting, fire-spitting, face-painted performances. The group have delivered numerous hits to the Billboard Hot 100, including classics like “Rock and Roll All Nite” (1975).

This year, the band made headlines again when Pophouse, a Swedish company known for its work with ABBA’s Voyage show, acquired KISS’s publishing, recording royalties, and trademarks. This includes the band’s iconic logo and makeup design.

“We have a lot of plans for KISS,” Pophouse CEO Per Sundin told Billboard in April. Although Sundin says the company bought out the rights owned by frontmen Gene Simmons and Paul Stanley, they will work with the company to develop the show, which is expected to open in 2027 in a U.S. city that Sundin declined to name.

“We want to keep to the legacy,” Sundin says. “We want to extend it and amplify it for new generations.”

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