kehinde wiley
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Famed artist Kehinde Wiley has been accused of sexual assault by another artist, with Wiley denying the incidents.
According to reports, the award-winning painter Kehinde Wiley has been accused of sexual assault. The claims come from Joseph Awuah-Darko, a British-born Ghanaian artist and the founder of the Noldor Artist Residency in Ghana. Awuah-Darko made the claims in a post on Instagram that he made on Sunday (May 19). “I hope my words and openness about my painful experience empower others to come forward,” Awuah-Darko wrote in the caption. “I hope all that unravels creates a path towards not only accountability, but recompense and collective healing for other victims.”
Awuah-Darko said that Wiley sexually assaulted him twice while the two were at a dinner held by the Ghana Creative Arts Council at the Noldor Artists Residency in 2021. “The act was categorically unwelcome and unprovoked,” he wrote, stating that the first incident occurred within two hours of them being at the dinner. “The second [italics by the artist) assault was much more severe and violent.” Awuah-Darko didn’t describe the second assault, but went on to say that it took him time to “confront the reality of my abuse as such.” He also stated that he would be seeking legal action against Wiley, but acknowledged in an email to the New York Times that given the passage of a new law imposing jail on LGBTQ individuals in Ghana, it may not be received well.
Wiley has firmly denied the accusations from Awuah-Darko. “Someone I had a brief, consensual relationship with is now making false, disturbing, and defamatory accusations about our time together,” he wrote in part in his own Instagram post. “I kindly ask for privacy as I work to clear my name.” The 48-year-old artist forwarded a copy of a cease and desist letter he sent to Awuah-Darko to the Times in addition to an email where he said that Awuah-Darko had “been trying to be part of my life ever since we met.”
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A new exhibition by Kehinde Wiley in Houston displays his work in a captivating array of light and darkness.
At the Museum of Fine Arts Houston, a new exhibition by the venerated artist Kehinde Wiley is drawing heavy attention as part of a burgeoning movement by other Black artists utilizing light and darkness to enhance the impact of their artwork. The exhibition, entitled “An Archeology of Silence”, shows Wiley’s prowess at conveying the enforced silence of systemic oppression and violence inflicted on Black and Brown bodies. “That is the archaeology I am unearthing: The specter of police violence and state control over the bodies of young Black and Brown people all over the world,” Wiley writes in the description of the exhibition on the museum’s website, which continues the artistic path of his 2008 exhibition “Down”, which was inspired by works from 16th-century artist Hans Holbein the Younger, particularly “The Dead Christ In The Tomb”. Wiley’s artwork is highlighted with “framing projectors”, fixtures at each installation that focus the light in the perimeter of the artwork, thus avoiding spillage or shadows. The effect gives paintings the same visual effect of light upon stained glass.
The usage of strategically placed light on the artwork is in syncopation with other notable Black artists with exhibitions, such as the renowned Betye Saar’s “Drifting Towards Twilight” at the Huntington Library, Art Museum and Botanical Garden in Southern California and photographer Dawoud Bey’s “Elegy” exhibition which recently closed at the Virginia Museum of Fine Arts, where the somber lighting lent “emotional weight” to his large-scale pictures of sites near the Underground Railroad and the Richmond Slave Trail. “Twilight is the magical time, we know that,” said Saar, 97, of her latest work connecting to the human life cycle. “That’s when nothing is definite, it’s always changing, that’s the way life is.”
Wiley began to create these works with the rise of the Black Lives Matter movement and the COVID-19 pandemic, which feature Black and Brown individuals dressed in contemporary fashion down to fitted baseball caps and Timberlands styled after saints, martyrs, heroes, and other figures from the European historical painting masters such as Goya, Titian, and Michaelangelo. After its run ends in Houston on May 27, the exhibition will travel to the Perez Museum of Art in Miami, Florida where it will be on display until January 12, 2025, then moving on to the Minneapolis Institute of Art until next June.
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