K-Pop
Page: 5
How you like that! BLACKPINK‘s ROSÉ announced that her solo studio album, titled rosie, is set to arrive just in time for the holidays.
“I cannot believe I am finally announcing my first album release to you all,” wrote the K-pop star in an Instagram post featuring the album cover, a closeup of the singer that shows her lying down, blonde curls cascading around her face in waves as she looks at the viewer. In her caption, she goes on to explain that as BLACKPINK wrapped up its yearlong Born Pink World Tour, she found herself at a studio session in L.A., and spent the next year working on music with songwriters and producers, trying to figure out what was next for her.
“I fell asleep many nights feeling confused and lost. But with the support of my dear friends and family, my team, and of course my number ones, I am sat here today excited to announce the date of my album release,” shared the global star, revealing that her album will arrive on Dec. 6 via Atlantic Records. “I have poured my blood and tears into this album. I cannot wait for you to listen to this little journal of mine. Rosie – is the name I allow my friends and family to call me. With this album, I hope you all feel that much closer to me.”
Before signing off, she confirmed one big piece of information for BLINKs: “And yes, it’s a full length album.”
Trending on Billboard
According to the press release, ROSÉ coproduced and cowrote the album, which includes 12 tracks and is her “most personal and candid” project yet.
Aside from the K-pop supergroup’s world tour and working on her own music, ROSÉ has been busy the past year. Last September, she inspired a Tiffany’s capsule collection that included a locket, earrings and more; attended Taylor Swift’s Eras Tour in February and sang along to all 10 minutes of “All Too Well”; partnered with Puma for a campaign in July and more.
ROSÉ isn’t the only member of BLACKPINK with new music. Bandmate LISA has been releasing new music in the past few weeks, including a collab with Rosalia called “New Woman,” as well as a new track titled “Moonlit Floor,” which she debuted at the Global Citizen Festival in NYC and arrives Oct. 3.
See ROSÉ’s album announcement and message below:
In one of the many unprecedented turn of events in K-pop this decade, the beloved girl group LOONA experienced an emotional split after terminating contracts with their label before each of the 12 members landed safely to pursue new K-pop paths. Alongside Chuu and Yves‘ new starts as soloists, to five members reconfiguring as Loossemble, the final step of these re-debuts came in ARTMS, consisting of LOONA stars HaSeul, HeeJin, Kim Lip, Choerry, and JinSoul coming together to rebrand themselves, reimagine their artistry and remember their roots as a new quintet.
Explore
See latest videos, charts and news
See latest videos, charts and news
After releasing a series of solo and unit singles, the group launched their debut full-length album, DALL, to return the girls to the Billboard charts (main single “Virtual Angel” cracked the Top 10 on the World Digital Song Sales chart, while DALL itself landed in the Top 10 of World Albums), and to the delight of fans and critics alike (even earning a spot on Billboard critics’ Best K-Pop Albums of 2024 So Far list).
Trending on Billboard
Riding the exciting comeback success, the group is embarking on their ARTMS World Tour ‘Moonshot,’ which has already wrapped its North and South American legs. As they prepare to conquer Europe, Australia, and Asia this fall and winter, ARTMS is eager to reflect on their journey from LOONA to their current iteration.
Sitting down with Billboard at the New York office of The Orchard, ARTMS shine with a sense of unity, growth, and playfulness. HaSeul, more confident than ever in English, jokes about accidentally spoiling upcoming tour surprises, while HeeJin candidly confesses her hair is mostly extensions, JinSoul speaks about immersing herself into the A&R process, Choerry balances the group’s past with an exciting future, as Kim Lip looks ahead to what’s next for the group’s personal and professional lives.
Despite the challenges faced, ARTMS beam with a sense of pride over their collective growth and how they’ve taken control of their music and artistic direction. Here, the five idols discuss their creative evolution, navigating the K-pop industry post-LOONA, and their deep connection to the fans who have supported them every step of the way. Read on for more below alongside exclusive photos provided for Billboard.
I’m so proud to see ARTMS here in New York. Kim Lip, JinSoul, and Choerry toured as ODD EYE CIRCLE, but all five of you are here now. How do you feel about ARMTS’ first shows outside Asia?
HaSeul: I’m so excited and a little nervous too because it’s ARTMS’ first concert and tour.
HeeJin: Of course it feels great, and we have lots of thoughts on starting off strong as New York, a big city, is our first stop for this tour.
Congratulations on your first album, DALL, which got such great reactions. Was it a relief to get such a positive response?
Kim Lip: Since we’re releasing an album as ARTMS instead of LOONA, I was worried yet excited about how the public would react to our music. But we’re getting on the charts and receiving lots of attention, so we felt at ease, and I’m so happy to go on tour and meet with our fans.
HaSeul
Lauren Nakao Winn
How did you five come together and decide to move forward as ARTMS?
HaSeul: I was the last member to join ARTMS, but all five of us are very passionate about music. I think the members who came together and gathered [here] had the biggest will to bring ARTMS to life. When producing this album, I felt how sincere we all were about music…we had many solo and unit albums when we were promoting as LOONA, and you can see it as us continuing that identity. In a way, [ARTMS] can be seen as us taking back our identity. And since our skills are outstanding, we released solo, unit, and group albums.
It seems like you have more ownership and responsibility this time. There must have been pressure, but did it feel like you could share something more personal under ARTMS?
HeeJin: Usually, the company tells us what to do, but now, since we’re active players and debuting again, we wanted to work on the identity of ARTMS. We gave a lot of input in the songs and concepts. Our company took them positively and reflected them in our work, so I’d say it’s an album we produced all together.
I imagine reuniting with LOONA’s original producer, Jaden Jeong, must have been special. Was it fun to return to this production style?
JinSoul: We have had a storyline in our group [LOONA] and the fans like this aspect. We further developed the storyline by working again with Jaden Jeong, who [first] created this storyline — and it’s great to add ARTMS to it as well. While adding ARTMS’ colors, everything became more diverse. We maintained a bit of tradition for the fans, and it’s great to show more sides of us and go deeper.
HeeJin: I think fans love it the most that we’re going with the storylines and expanding onto it.
JinSoul
Lauren Nakao Winn
While we know about LOONA’s contract story, I’m more interested in how all 12 of you found strength and came out of it together?
JinSoul: The members share lots of conversations together. But during that time, we looked into what we could do and thought of methods to use to go through with it.
Kim Lip: The members cooperate well together, so we tend to respect each other’s opinions since we’re like a family. I think that’s how we came to a conclusion.
HeeJin: It’s also meaningless if we don’t do it together. So, we did it all together.
HaSeul: We are a family.
Putting the past to rest, if there are fans — whether they’re Orbits or OURII — who are still worried about you or want to check in, what words would you share with them?
HeeJin: We’re always simultaneously thankful and sorry to the fans. It took a lot of time for ARTMS to debut. Despite that, I’d like to thank the fans for waiting for us. There are also fans who became our fans as ARTMS debuted. We’ll promote more from now on, so please be at ease and keep an eye on us. Don’t worry…
Looking ahead, what are some of the special aspects of the Moonshot tour?
HaSeul: During our concerts in South Korea and Japan, we performed TWS’ “Plot Twist.” But for the USA, we prepared a different song to perform — “Cruel Summer” by Taylor Swift. I look forward to performing that song the most.
JinSoul: When we performed in Korea and Japan, we changed the choreography of “Sparkle” and “Flower Rhythm” for the concert version. Many fans looked forward to it after seeing the choreography video. We also do different ad-libs at different times, so I’m always looking forward to the various ad-libs we’ll do.
HeeJin: The setlists will be similar, but there are always impromptu changes during our concerts, so the fans can really look forward to it. In Japan, there was a moment we performed the same song twice and a time we’d suddenly go off-stage. I look forward to those kinds of impromptu moments. And, of course, I brought my guitar.
Kim Lip
Lauren Nakao Winn
How has it been reuniting with fans in the States?
Kim Lip: We just had a fansigning today. It was fascinating to hold new events like this fansign during this tour. There was one moment that I remember when one fan started to sing in front of us — the fans are very, how do I say this, open when it comes to expressing their feelings. They’re different from the fans in Korea. I really felt the way they so enthusiastically express their feelings this morning, and it makes me really look forward to our concerts.
HeeJin: That’s why I love it. Even if the fans in Korea really want to express themselves, they are very reserved. But on the other hand, fans in the U.S. openly show their support, so it excites us and gives us lots of strength.
Whether it’s your concerts or album production, what is ARTMS’ creative process nowadays?
HeeJin: We’ve been deeply participating in the process, but shall we start off with an answer from the main A&R member?
JinSoul: Jaden Jeong usually brings forward a lot of the music, but we look into the smallest details of the production. For example, we direct the vocals for each other or select the photos to be included in the album. We also selected the album cover design, hair colors, and styling. We participated in lyric writing this time, too. The company works on big tasks and we give our detailed inputs to showcase the best of us.
HeeJin
Lauren Nakao Winn
What are you really proud of to say you’ve worked on?
Kim Lip: We can proudly say that we wrote the lyrics for “Sparkle.” And the light stick!
HeeJin: We got ideas for the light stick and sent over drafts. The final design was our idea. And personally, during the “Virtual Angel” promotions, I wanted to dye my hair white because I thought an angel had a very white, bright image. So, even though I had to sacrifice my hair, I wanted to do it. I discussed it with my company and went on with it.
You’ve never been blonde; your hair looks great!
HeeJin: This is not my hair. [All Laugh] It’s extensions, my hair looks bad.
I’m sure your hair looks great. But from watching K-pop, it feels like the fans can give artists new chances today. Do you think the industry has changed from when you debuted to today?
Choerry: I definitely wouldn’t have expected this back then. We were very young. The situation the 12 of us went through was saddening, but I’m very satisfied with ARTMS right now. I’m happy to have released great songs with the members, my sisters. I also believe we have lots of time to spend with fans, so I hope we can have fun and come to them with better sides.
HaSeul: I’d say we were able to stand on stage again 100% because the fans were waiting for us. And it was made possible because we have fans. The reason why we look forward to the concerts on tour as the time went by is because we want to show a great performance to the fans who’ve been waiting for two years. We’re really looking forward to this tour.
Choerry
Lauren Nakao Winn
I loved HeeJin’s interview with InternetsNathan when she ranked every LOONA song. To give everyone the opportunity, I’d love for you to choose your “favOriTe” song released from LOONA solo days to ARTMS today.
HaSeul: I think “Virtual Angel.” Since the title song [single] is the song you listen to the most due to promotions, there are times you can get sick of it, but I like the song so much that I can listen to it in the car every day.
Kim Lip: “Hi High”? We had lots of solo and unit songs, but we went a long way to release the “Hi High” album. I think it was a relieving album for the members, staff, and fans who were waiting for a long time. I think it’s the most meaningful album; fans still love this song. I can call this my favorite.
HeeJin: I’m going to choose “Butterfly Effect” because ARTMS is starting anew with Jaden Jeong and he told us the story behind this song. It was one of the songs he wanted to release when we were LOONA. He held onto this song for six years and finally got it on the tracklist for DALL. The song feels like a continuation of LOONA to ARTMS. Some lyrics make you think of the past, so it became a song I love.
Choerry: I choose “Singing in the Rain.“ It’s my favorite song because, during concerts, it has a bursting beat and the sound is full and harmonious. And JinSoul’s vocals suit the song so it’s a song that I always wanted. It’s so good that I want to do a collab stage.
HeeJin: I want to do a collab stage for it too!
JinSoul: I choose “Butterfly.” I think this song really shows LOONA’s identity. When I look at past performances, there were times I looked shy, but I think this song was one I was most proud of. The choreography was amazing. It’ll be difficult for me to perform it again, but I think it was a synergy only we could show during that time.
Others: We can do it again! We can do it!
What can we look forward to from ARTMS from here, the tour, what’s next?
Kim Lip: ARTMS is…
All: Vacation! After tour…
Kim Lip: This is a secret, but I think we’ll prepare for the next ARTMS album after the tour. We don’t know the details, but I think it’ll be an album to really look forward to. But it’s not confirmed…
Both of those are important! Any last messages to fans if they couldn’t see you on tour this time?
HeeJin: Thank you so so much for waiting for us. Fans who attended our concerts will know, but even though we’re fewer members as ARTMS, you’ll be able to see perfect performances. We’ve become very experienced performers. Thank you so much for loving us and coming to see us. I hope the members stay healthy throughout the tour because we wish to promote the group to many people.
HeeJin, Kim Lip, HaSeul, JinSoul and Choerry of ARTMS
Lauren Nakao Winn
A trailblazer in fan communication, Dear U has officially begun the expansion of its messaging platform, Bubble, into the Western market with J Balvin and Peso Pluma.
Explore
See latest videos, charts and news
See latest videos, charts and news
Billboard can exclusively share that starting Sept. 30, the Latin music powerhouses will be the “first of many artists outside of Asia” to engage with fans through Dear U’s newly launched U.S. version of the platform. The duo joins a large number of K-pop artists using the Bubble platform (also known as “the bubble”) to share private messages, voice notes, video content, and behind-the-scenes moments with subscribers including chart-toppin acts like Stray Kids, (G)I-DLE, BLACKPINK‘s Jisoo and Lisa, as well as a handful of Korean actors, athletes and content creators.
Since launching its artist-to-fan messaging service in 2020 during the COVID-19 pandemic era of social distancing, Dear U’s various Bubble apps have become a top marketing and social tool in the K-pop and Asian entertainment industries, currently connecting more than 600 artists to communicate directly with some of their most dedicated fans. With the company reporting over 73 percent of its two million paid subscribers living outside of Korea, introducing these two chart-toppers mark a significant shift to expand its offerings to the Western landscape successfully.
Trending on Billboard
“While the entertainment market continues growing, the service industry leveraging fandoms has not received as much attention,” Chong-oh An, the CEO of Dear U, tells Billboard. “In Korea, where fandom culture is fully established, Dear U has built a business model to harness this culture. Our aim is to introduce a fresh perspective to the global entertainment landscape and bring new excitement to fans around the world.”
While platforms like HYBE’s Weverse launched services like Weverse DM as a paid messaging service in 2023, Bubble was first to market in 2020 in launching the service for a slate of artists under the SM Entertainment roster. Dear U’s major shareholders are SM Entertainment (home to groups and Bubble users like NCT, aespa and Lucas) and JYP Entertainment (J.Y. Park, TWICE and ITZY), with the companies also featuring some of their international acts like SM’s China-focused boy band WayV and JYP’s Japan-based girl group NiziU partaking in the platform.
With a combined 13 No. 1s on the Hot Latin Songs chart, 50 Billboard Hot 100 entries between them, as well as highly dedicated fan engagement across their social media accounts, J Balvin and Peso Pluma are seen as ideal partners for Dear U’s next phase with Bubble.
“For me, it has always been important to be connected to my fans, La Familia,” says current Billboard cover star, J Balvin, in a statement. “I love reading comments and conversations so it’s exciting to communicate with fans no matter what their first language might be. This is why the Bubble is the perfect platform to keep in touch.”
“Peso Pluma wouldn’t exist without our dedicated fans who have supported us since the very beginning,” the 25-year-old Mexican rapper-singer adds. “Even though we don’t speak the same language, our music is crossing borders and I’m always excited to find new ways, such as through this partnership with Bubble, to connect with them.”
Teasing that Bubble’s services will “continue expanding into different genres across Western markets with major superstars,” the international, U.S. app can be downloaded here or for Android here. Fans can subscribe to an artist’s Bubble platform, which costs $4.99 per month per artist. Read on for more insight into Bubble’s big moment from Dear U’s CEO Chong-oh An.
Billboard: Congratulations on the latest news about the expansion and new offerings with Dear U. What does this moment signify for the company?
Chong-oh An: This moment signifies Dear U’s global expansion to the Western market. While the entertainment market continues growing, the service industry leveraging fandoms has not received as much attention. In Korea, where fandom culture is fully established, Dear U has built a business model to harness this culture. Our aim is to introduce a fresh perspective to the global entertainment landscape and bring new excitement to fans around the world.
Why were J Balvin and Peso Pluma the right partners to kick off the expansion?
Both of these artists are extremely popular, beloved, and influential. But they also bring unique cultural significance and strong fan engagement to the table. J Balvin and Peso Pluma frequently interact with their followers on social media, creating a sense of community and loyalty that aligns perfectly with Dear U’s mission to enhance artist-fan communication.
J Balvin and Peso Pluma are huge names in the Latin market and community. Was there a specific reason you wanted to team with Latin artists after primarily focusing on Asian and K-pop talent?
Our goal is to help connect artists with their loyal fans around the world, regardless of genre or market. Latin music has truly gone global over the past few years, and we are providing a platform to connect these passionate fanbases. J Balvin’s contributions to the global reggaeton movement and Peso Pluma’s fresh influence in regional Mexican music will help the platform cater to not only a large number of fans, but also a wide array of music tastes, languages, and cultural backgrounds. They will help us break barriers with fan connection.
Dear U’s story is interesting because it launched Bubble in 2020 when the digital conversation was so prevalent, yet the company continues to expand today. What did the pandemic teach you?
The pandemic required us to create innovative ways to connect artists and fans that we’ve continued to use today. Because artists have fans across the world and can’t always be physically present to engage with them, we’re proud to help bridge that gap and create connection.
In your opinion, what’s a very special or highly engaging moment an artist can have on their Bubble compared to traditional social media platforms?
Artists see their bubble subscribers as true superfans. With bubble, they can share intimate moments – from behind-the-scenes photos, selfies, and audio messages to polls about dinner or outfit choices. Even during [professional] breaks, artists can maintain this closeness by sharing personal snapshots, like photos from family trips. More than public social media, this exclusive content fosters a more personal and intimate connection, allowing fans to feel included in their favorite artist’s life.
BTS‘ Suga has reached a resolution in his drunk scootering incident. According to Reuters, the K-pop superstar was fined 15 million won ($11,500) by a South Korean court for driving an electric scooter while intoxicated after previously having his license suspended over the incident.
Explore
See latest videos, charts and news
See latest videos, charts and news
A judge in the Seoul Western District Court issued the fine in a summary judgement last week after the case against the singer born Min Yoon-gi, 31, was referred to the prosecution, a court official revealed on Monday (Sept. 30). A summary indictment is used to discharge minor offenses through court fines or confiscation without going to a full trial. The singer was questioned by police after they reportedly observed him falling off his electric scooter in the Hannam neighborhood in the Yongsan district on August 6.
Days after the DWI stop, Suga confirmed that his license had been revoked and posted a pair of heartfelt apologies on Weverse, explaining that at first he didn’t realize he couldn’t ride the electric two-wheeled scooter after having drinks at dinner earlier in the evening. “In the process of setting up an electric kickboard at the front door of the house, I fell alone, and there was a police officer around me, so I took a breath test,” he wrote in the Aug. 7 post, apologizing to “everyone who was hurt by [his] careless and wrong actions.”
Trending on Billboard
BTS’ record label, BigHit, also issued a statement, apologizing “for the disappointment caused by the artist’s inappropriate behavior.” “As a social service agent during his military service, he is prepared to accept any disciplinary actions from his place of work for causing a social disturbance,” the label added. “We will take greater care to ensure that such incidents do not happen again in the future.”
In a second apology later in the month, Suga took responsibility for his actions again, writing to fans, “It’s all my fault. My carelessness is giving everyone who cares about me a hard time. I will try not to do anything wrong again and live with repentance. Due to this incident, I have greatly damaged the precious memories I made with the members and fans and put a lot of pressure on the name of the BTS.”
At press time a spokesperson for Suga had not returned Billboard‘s request for comment.
BTS have been on hiatus for two years as the members complete their mandatory South Korean military service and according to AFP, Seoul’s Military Manpower Administration said that Suga will be punished according to traffic laws, not military law, because the incident took place outside of the singer’s official military working hours.
LISA got on the floor to premiere a song called “Moonlit Floor” at Global Citizen Festival 2024 in New York City’s Central Park on Saturday night (Sept. 28). The BLACKPINK singer debuted her latest solo track ahead of its official release, set for Oct. 3, and clips from Global Citizen Fest’s livestream soon popped up […]
K-pop girl group aespa announced additional dates for their 2024-2025 aespa LIVE TOUR – SYNK: PARALLEL LINE outing. After launching in June with a pair of shows in Seoul, South Korea and then hitting Japan, Singapore, Hong Kong, Taiwan, Indonesia and Australia in July and August, KARINA, GISELLE, WINTER and NINGNING will make their way to North America, Mexico and Europe in early 2025.
According to a release announcing the shows, with the newly-added stops the year-long tour will included a total of 41 performances across 29 cities.
Tickets for the U.S. and Canadian dates will be available first through a WeVerse presale, followed by a general onsale beginning on Oct. 4 at 3 p.m. local time, with ticket information available here; tickets for the Mexico City show will go on sale to the general public on Oct. 9 at 10 a.m. local time, with information available here.
Trending on Billboard
The announcement of the additional dates for the group’s world tour in support of their debut studio album, Armageddon – The 1st Album — came a week after aespa teamed up with Grimes for a spacey remix of their hit single “Supernova” on the six-track EP iScreaM Vol. 33 : Supernova / Armageddon Remixes.
The 2025 SYNK : PARALLEL LINE tour dates:Jan. 28 – Seattle, WA @ ShoWare Center
Jan. 30 – Oakland, CA @ Oakland Arena
Feb. 1 – Los Angeles, CA @ The Kia Forum
Feb. 4 – Mexico City, MX @ Sports Palace
Feb. 6 – Orlando, FL @ Kia Center
Feb. 8 – Charlotte, NC @ Spectrum Center
Feb. 11 – Newark, NJ @ Prudential Center
Feb. 13 – Toronto, ON @ Scotiabank Arena
Feb. 15 – Chicago, IL @ United Center
March 2 – London, UK @ OVO Arena, Wembley
March 4 – Paris, FR @ Zenith
March 6 – Amsterdam, NL @ AFAS Live
March 9 – Frankfurt, DE @ myticket Jahrhunderthalle
March 12 – Madrid, ES @ WiZink Center
Check out the tour poster below.
2024-2025 aespa LIVE TOUR – SYNK PARALLEL LINE –[SEATTLE]📅 2025.01.28 (TUE)[OAKLAND]📅 2025.01.30 (THU)[LOS ANGELES]📅 2025.02.01 (SAT)[MEXICO CITY]📅 2025.02.04 (TUE)[ORLANDO]📅 2025.02.06 (THU)[CHARLOTTE]📅 2025.02.08 (SAT)[NEWARK]📅 2025.02.11… pic.twitter.com/TBKSCPn4v4— aespa (@aespa_official) September 26, 2024
HyunJin, ChanYeon and JiSeok came together as Big Ocean to debut in April this year as the first Deaf/Hard of Hearing group in K-pop. The group’s warm embrace onto the scene by superstars, production and executives across Korea points towards a more inclusive global music scene. Brought together by Korea’s only agency representing talent with […]
K-pop girl group aespa blast off into space with a new Grimes-assisted remix of their hit single “Supernova.” The song from the four-woman group’s debut studio album, Armageddon – The 1st Album, gets an intergalactic brush-up as part of a six-track remix EP that dropped on Friday (Sept. 20), iScreaM Vol. 33 ” Supernova / Armageddon Remixes.
In an X post, Grimes explained why she stepped out of her typical lane for the project. “I normally don’t do remixes but I could not resist messing with this accapella even tho the original production on this song is undefeatable,” Grimes wrote. “I went back to cyber twee for this and even had @angelfir_e sit behind me and stop me every time I tried to overthink the production so… it’s very grimesy.”
She’s not kidding. While the original track from KARINA, GISELLE, WINTER AND NINGNING was a snappy, hyper dance pop banger, in Grimes’ hands it gets a firmware update with chilly, metallic beats, Grimes’ signature alien chirp sped-up vocals, celestial harmonies and new wave keyboards.
Trending on Billboard
In addition, on Instagram Grimes said sorry/not sorry for changing the song’s alluring chorus and drilling down on a lyric she was entranced by. “I know I changed the hook but I was so shook by the lyric ‘bring no light of a dying star’ that was casually in there. Felt like it needed a moment,” she wrote. Grimes also posted a series of pics with the group in which she rocks a futuristic jumpsuit and sparkly red glasses. “rip the old grimes she wud have loved dis,” she wrote alongside the snaps.
In addition to the Grimes “Supernova” remix, the EP features three new remixes of the album’s title track — by Flava D, 2Spade and Mount XLR — as well as the original versions of the title track and “Supernova.” On X, Grimes revealed that she did her own “Armageddon” remix as well, noting, “idk if they want it but I could ask. I also have a second supernova remix that’s kinda good but my baby destroyed the computer it was on so it’s unmixable.”
iScreaM Vol. 33 is part of a four-year-old series from SM’s EDM label ScreaM Records featuring remixes of songs by SM artists that has perviously featured revamps of tracks from NCT 127, SHINee, Red Velvet, Taeyeon, Girls’ Generation and others. Armageddon – The 1st Album debuted at No. 2 on Billboard’s Top Album Sales chart in July, marking the quartet’s fifth project to debut in the top 10 on that tally.
Listen to Grimes’ “Supernova” remix and see her statement below.
I normally don’t do remixes but I could not resist messing with this accapella even tho the original production on this song is undefeatable. I went back to cyber twee for this and even had @angelfir_e sit behind me and stop me every time I tried to overthink the production so… https://t.co/Tz9qya39Ri— 𝖦𝗋𝗂𝗆𝖾𝗌 ⏳ (@Grimezsz) September 16, 2024
09/12/2024
A tense war of words and a slew of lawsuits have ensued as the K-pop giant and CEO tangle for control of the popular girl group NewJeans.
09/12/2024
During the months-long feud between HYBE and NewJeans creative director and former ADOR CEO Min Hee-jin, the Billboard 200-topping girl group has largely remained silent. But early Wednesday morning (Sept. 11), group members Minji, Hanni, Danielle, Haerin and Hyein made their voices heard.
In a since-deleted post on their Twitter account, the group shared a YouTube link that led to a livestream on a no-longer accessible YouTube account named “nwjeans.” During the livestream, the five members spoke for about 30 minutes in Korean and English about their situation, expressing anxiety over their professional futures, worries about continuing to work under HYBE and revealing previously unheard stories.
Apologizing for the “sudden meeting,” all five members of the K-pop girl group sat in a nondescript room with notebooks, papers and iPads during the livestream. The youngest NewJeans member, Hyein, 18, spoke first, explaining that staff members they trusted (presumably also under or previously under the HYBE/ADOR umbrella) helped set up the location and stream but that it was the quintet’s choice to speak out.
Trending on Billboard
After that, Haerin noted that media coverage revolving around NewJeans’ situation became invasive when their private medical records and videos from their days as HYBE trainees leaked on the internet — four of the five NewJeans members were minors under the age of 18 when they debuted in July 2022 — but that when the group, alongside Min and their parents, raised concerns to ADOR parent company HYBE, the K-pop giant took no action.
One of the most talked about moments online among K-pop fans came early in the broadcast, when Hanni shared a story about a time when, while at the HYBE building to get her hair and makeup done, an unnamed HYBE LABELS group passed her with a manager. According to the Vietnamese-Australian singer, after initially greeting one another, the manager told the members of the other group to “ignore her.”
During the livestream, NewJeans members also expressed worries about the ADOR label’s inner workings following Min’s ouster as CEO.
In reference to ADOR’s new legal battle with Shin Woo-seok, the director of NewJeans’ “Ditto” and “ETA” music videos, Minji said it was “frightening” to see their work compromised. The director has alleged that ADOR targeted him for uploading “director cut” versions of NewJeans music videos and other content, which he claimed to have permission for, on his personal YouTube account.
Following ADOR’s removal of those videos, the label shared a statement on Sept. 4 that it would do its best to “ensure that the deleted NewJeans content can be uploaded to ADOR’s official channel in the future,” as reported by the Korea JoongAng Daily. That report also noted ADOR’s follow-up statement that only the “director cut” music videos were requested for removal — not behind-the-scenes clips starring the members that have racked up millions of views — while claiming it was advertisers who wanted the “director cut” videos removed.
[embedded content]
“Just like that, the content that we released solely for our fans, for our Bunnies, was instantly erased,” Danielle said in English about the incident. “I truly can’t understand why anyone would do this to a group or just anyone in general.”
Minji added that ADOR’s “new management” would keep production and management teams separate, like other HYBE LABELS. Under this arrangement, which saw Min being restricted only to production, and not being part of the discussions around the group’s overall management strategy, the group members said they were apprehensive over how they could continue as the NewJeans in its current form.
“Personally, the way that ADOR used to run was the business management and creative production was not separated…factors that played and worked in harmony with each other,” Hanni said in English. “It was our way of working and it was our CEO’s way of producing NewJeans’ content which a lot of you were able to enjoy and appreciate. But now that she’s no longer CEO, these factors that should have continued to work together in harmony are now being seen as two different areas of work.”
On Aug. 27, HYBE announced that Min would step down as ADOR CEO and shared in a statement to Billboard that ADOR “will restructure to separate its production from management — a multi-label practice that has been standard across all other HYBE labels but was previously not implemented at ADOR.”
Haerin also claimed that NewJeans learned of Min’s dismissal through the news instead of through their company, saying it “made it clear to us that they don’t respect us at all” and led them to feel that statements about HYBE’s plans for NewJeans were empty promises. (In April, HYBE shared a statement with Billboard claiming that the company “will continue to provide attententive [sic] mental and emotional care to the company’s artist NewJeans…the company will meet legal representatives of the respective members as soon as possible to discuss the plan to protect the act.”)
Beyond these specific incidents, the five NewJeans members also spoke at length of their worries about losing their team identity and wariness that HYBE has their best interests in mind while insisting that Min return to work with them.
“Even before debuting as NewJeans and through all of the time that we spent together with Min Hee-jin all of us felt that the music we wanted to make and the kind of world we wanted to build together, our vision, was similar in so many ways,” 19-year-old Danielle said. “Putting our sincere effort into something is only possible because of the people that we’re working with have trust in each other and have that same vision.
“Min Hee-jin is not only the person that produces our music, but someone who makes NewJeans who we are; she discusses even the smallest details with us and explains them in ways that we can understand clearly. NewJeans has a distinct color and tone, and this was created with Min Hee-jin. She is integral to NewJeans’ identity and we all feel that she is irreplaceable.”
Hanni later spoke to HYBE’s alleged directive that Min wrap up all her creative work in the next two months following her dismissal as CEO.
“Like how we have our own and individual thoughts and feelings, we have the choice to choose how we will react to each situation and we are not going to follow HYBE’s every order blindly,” Hanni said in English. “We are more than well aware that this is getting in the way of our work and that we should be treated much much better than how we are right now. And it’s very hard to believe that they are truly sincere about wanting to help us continue, to be able to continue to work with our Min Hee-jin.
“Despite her being in the midst of all this current legal conflict, she’s expected to plan and creatively produce our future endeavors in just only two months, which I personally think makes no sense at all. We don’t want to hear all the empty words of how they’re going to help us continue to work with Min Hee-jin. And all we want is this legal conflict to be resolved and have our working environment returned back to normal the way it was before.”
NewJeans’ eldest member, Minji, 20, ended the livestream with a direct message to HYBE chairman Bang Si-Hyuk, saying, “We hope chairman Bang and HYBE make a wise decision to restore ADOR to its original state by the 25th.”
HYBE has not yet responded to Billboard‘s request for comment about the livestream.
The now five-month-long conflict began in April, when HYBE launched an audit of ADOR and asked Min to step down as CEO. The K-pop giant later reported Min to police, alleging the executive had committed a breach of trust. That led Min to respond by holding an emotionally charged press conference during which she denied claims that she had usurped NewJeans’ management and doubled down on claims that HYBE subsidiary BELIFT LAB had plagiarized NewJeans with its own girl group, ILLIT, and that another HYBE subsidiary, Source Music, had broken its promise to debut NewJeans as its first girl group, among other claims. Min was subsequently sued by both BELIFT and Source for defamation due to those comments, riling up several K-pop fanbases against her.
In May, a court ruled that Min could legally stay in her position. But in the past month, a former female ADOR employee accused Min of covering up her reportsof sexual harassment from a male superior. While HYBE’s own internal investigation reportedly concluded that the incidents didn’t constitute harassment, Min allegedly verbally abused the employee for speaking out — a claim that Min has denied, instead alleging that the issue arose from the former employee’s job performance and salary negotiations.
On Aug. 27, HYBE announced that it had appointed an ADOR director with human resources expertise, Ju Young Kim, as the label’s new CEO, and that Min would step down from her role but remain as an in-house director.