K-Pop
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Leave it to Stray Kids to keep the hits coming! On Friday (May 10), the Billboard Music Award-winning K-pop group released its new Charlie Puth-assisted single, “Lose My Breath,” marking the group’s third single of 2024. In celebration of the new release, Billboard is looking back on the boy band’s impressive chart history.
Stray Kids made its Billboard chart debut back in 2017 with “Hellevator,” which eventually peaked at No. 6 on World Digitial Song Sales. That spunky track became the group’s first of 27 top 10 hits on the chart, including four chart-toppers. 2021’s “Mixtape: Oh,” became their first song to top the ranking, and the following year, they added two additional No. 1 hits with “Maniac” and “Case 143.” 2023’s “Lalalala” is the group’s most recent track to reach the summit.
“Lalalala” also served as Stray Kids’ first Billboard Hot 100, topping out at No. 90. Over on the Billboard 200, SKZ has achieved remarkable success. All four of the group’s charting projects — 2022’s Maxident and Stray Kids Mini Album: Oddinary (EP) and 2023’s Rock-Star and 5-Star — debuted at No. 1 on Billboard’s all-genre albums chart. Stray Kids is the first act to send its first four charting albums to No. 1 on the Billboard 200 since Alicia Keys (2001-2007).
On the Billboard Global 200, the boy band has notched seven entries, including its sole top 10, “Lalalala” (No. 10) in 2023.
With their new Charlie Puth collab set to ignite the charts soon, Stray Kids is on track to continue adding to its arsenal of Billboard chart achievements.
After the video, catch up on more Billboard Explains videos and learn about Peso Pluma and the Mexican music boom, the role record labels play, origins of hip-hop, how Beyoncé arrived at Renaissance, the evolution of girl groups, BBMAs, NFTs, SXSW, the magic of boy bands, American Music Awards, the Billboard Latin Music Awards, the Hot 100 chart, how R&B/hip-hop became the biggest genre in the U.S., how festivals book their lineups, Billie Eilish’s formula for success, the history of rap battles, nonbinary awareness in music, the Billboard Music Awards, the Free Britney movement, rise of K-pop in the U.S., why Taylor Swift is re-recording her first six albums, the boom of hit all-female collaborations, how Grammy nominees and winners are chosen, why songwriters are selling their publishing catalogs, how the Super Bowl halftime show is booked and more.
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Lee Sung Jin was seriously worried that he might get deported for causing an injury to a national treasure while shooting the video for BTS singer RM‘s new solo single, “Come Back to Me.” The writer-director and Beef creator spoke to The Hollywood Reporter about assembling what he called the “Korean Avengers” to shoot the mini movie for the first single from RM’s upcoming second solo album, Right Place, Wrong Person (May 24).
The director said he was pleasantly surprised by how game RM was to rehearse, take notes and put in long hours to get the visual’s tone just right, especially after the potentially disastrous incident that unfolded during the shooting of the very first scene.
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“He [RM] bent down and his head hit the camera and it was a giant gash on his eye and immediately I thought, ‘Oh great, I’m going to be deported immediately because I’ve just scratched this national treasure,’” Lee said he worried. “To his credit, he went to the hospital, got stitched up, came back and he was ready to go. He was so versatile and open to direction and I think he was also pushing me. He would come and check the monitor and be like, ‘Oh, I think we can get that one a little bit better.’”
Lee said RM bounced back and was on set again that same day for the video that shot over three days in Paju, South Korea, which is near the border with North Korea. The shoot marked the first time Lee had been back in South Korea since elementary school, recalling that his Korean came back to him pretty quickly as he got “so comfortable” with the “amazing” crew he’d assembled.
Lee was so excited he pulled together an all-star team to film the clip, including art director/production designer Ryu Seong-hie (Oldboy), cinematographer Kim Woo-hyung (Assasination) and actress Kim Minha (Pachinko), Emmy-nominated Beef star Joseph Lee and Kang Gilwoo (The Glory).
“I think everyone really came together for the idea and it really felt like we were assembling the Korean Avengers,” Lee told THR about the clip that originally had some elaborate dance numbers. “I am so thankful to them for taking the time. I know music videos are always a little bit tough and a little bit of a grind, and the fact that they showed up and gave such incredible performances, I’m really thankful.”
And, not for nothing, the team were rewarded with some tasty treats “They were just working so hard on this thing and I’m not going to lie, the food in between takes — in America, we got some good crafty over here, but the Korean crafty just hits on another level because I couldn’t wait to go on break and get some of that [Korean food],” the director said. “I was just like, ‘Dang, got to bring this over to America.’ Just every aspect of it felt really comfortable. I’m really excited to shoot something again in Korea. I’m eager to go back.”
Lee took the gig after being pleasantly surprised by the “sneakily catchy” vibe of the song that floats on a bed of acoustic guitars, whistling and the singer’s hushed vocals. “I heard it once and then all day long I was humming it to myself. I’m like, ‘Man, that is an earworm. It just gets in there,’” Lee said. “I was really surprised because it [had] such a different aesthetic and tone and a different side of RM that I hadn’t seen before,” he noted of the BTS member best known for his skills as a rapper. “It was so refreshing and unexpected and I got so excited at the idea of coming up with a music video for a song like that.”
Once the song got stuck in his head, Lee ditched his more traditional original dance-heavy treatment after realizing “they want to really go for it” on the clip by telling a layered tale, which made sense since RM, 29, was a big an of the onion-like storytelling in Beef. “I think he was really interested in trying something new, [and] we just kind of putting aside the dance aspect, almost even putting aside the music and tapping into what the themes of the song actually are and what kind of story that we can tell that feels true and relatable, but also kind of mysterious and open to interpretation at the same time,” Lee said of the visual in which RM plays several characters, including himself as a baby man in order to tell the “strange story about a man that is trapped in the past, present and future and seems to not be able to leave his own home.”
Watch the “Come Back to Me” video below.
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Billboard and the members of SEVENTEEN — S.Coups, Jeonghan, Joshua, Jun, Hoshi, Wonwoo, Woozi, The8, Mingyu, DK, Seungkwan, Vernon and Dino — take fans the behind the scenes of their latest music video for new song “MAESTRO.”
SEVENTEEN:We are SEVENTEEN!
Vernon:We are here on the set of our brand new music video for “MAESTRO.”
Joshua:Are you ready to set off for this exclusive behind-the-scenes look?
SEVENTEEN:Let’s go!
Dongyeon Kang:Hi, Billboard, we are the music video director of SEVENTEEN’s “MAESTRO” music video.
Mingyu:When you think of the word “maestro,” it sounds classic with elements associated with conducting, but SEVENTEEN’s “MAESTRO” is a bit more futuristic.
Vernon:This video is set in a world where everything can be created with A.I., including music, and this technology threatens SEVENTEEN, but in the end, we embrace the technology and become one.
Jihoon Jeon:I feel like we’re living in an era where creation is becoming easier and easier due to the advancement of technology. We wondered what the role of an artist would be in this era, and wanted to portray SEVENTEEN as artists who are conducting the art of creation in this music video.
Kim Hyodahm:What I like most is the dystopian look in the first verse, which involved items like black hoodies and balaclavas, because this is a new style that SEVENTEEN hasn’t tried often before.
Joshua:I was actually conducting the skateboarders that were riding on a halfpipe, and what was really funny was that the halfpipes, they’re colored as pianos, so I felt like I was really conducting.
Watch the full video above!
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The 2024 Met Gala should have been a strictly star-powered triumph for Stray Kids, when the current faces of Tommy Hilfiger set a historic first at fashion‘s biggest night out. Yet amid the glamour, Stray Kids fans — and, possibly, some of the members themselves — were left with the experience marred by their disrespectful treatment by red-carpet photographers, highlighting the systemic barriers still faced by non-Western artists in Hollywood.
The eight-member Billboard 200 chart-toppers attending the Met Gala marked the first time an entire group has hit the glitzy gala together. Making their Met Gala debut in custom-designed suits alongside Tommy Hilfiger himself, members Bang Chan, Changbin, Lee Know, Hyunjin, Felix, Han, Seungmin and I.N arrived at the Metropolitan Museum of Art collectively in navy jackets that would soon reveal the custom ‘fits in various shades of the clothing brand’s signature red, white and blues underneath.
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But a few feet away, amid the flurry of camera flashes that surrounded all sides of the Gala entrance, derogatory comments from on-site photographers groaning about the group’s “robot” demeanor, annoyed that the reveal took place with their backs to one group of photogs, and thinking the band would only understand Korean reveal the thinly veiled prejudices that still plague the industry.
(Note: The video below includes subtitles that don’t always match what can be heard.)
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As The Daily Mail noted, some paps said people would get “confused” because the group took photos with their coats on and off — a racist stereotype that people of Asian descent are challenging to differentiate visually. One photographer can be heard making his peers laugh after joking that viewers would think “two K-pop bands” attended the 2024 Met Gala. (From this reporter’s findings from the last 48 hours, no one has made that mistake.)
The incident shed light on the unfair challenges international celebrities like Stray Kids face navigating less familiar territory in pursuit of global success.
Despite instances where SKZ easily and comfortably adapted to the American media landscape via live interviews like BUILD Series or People TV, last year’s MTV VMAs, or various Fashion Weeks, the singers still face barriers and a dismissive attitude toward their presence. It reflects a lack of understanding while underscoring the need for greater cultural sensitivity and inclusivity in entertainment.
Most of the Kids’ media experience is with Korean and Japanese events, which have systems and red carpets structured differently than in the States. At a typical K-pop event, press conference or awards show, there is a platform for artists to pose for photographers who are all collectively shooting together during a dedicated photo time. Guided by an MC, host or team leader like Bang Chan, the artists almost always coordinate their pose to their left, center and right for everyone to get a range of angles and shots. After that dedicated time, photogs are left to their own devices to get the best pics.
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With this context, Stray Kids did attempt to show love to all sides of the photographers on the Met Gala carpet by staggering themselves so four members were more forward toward one side of the cameras and then turning around so the other four were more forward for the second group of photogs. Also of note: While the photographers knew Stray Kids were a K-pop act, members Bang Chan and Felix grew up in Australia and Seungmin spent some time living in Los Angeles; assuming that an English comment would slide past them (including “What’s Korean for ‘right’?,” which elicited laughs from the paps) is incredibly close-minded.
While it is important to understand that photographers need usable and workable photos to fulfill their livelihoods, the diversity that Stray Kids bring to a function like the Met Gala should be celebrated rather than marginalized. Perhaps the prospect of shooting an eight-member boy band could be a new professional challenge instead of something to bemoan.
Korean artists have been attending the Met Gala for over a decade, with guests like PSY and Siwon of Super Junior attending more than 10 years ago and, more recently, seeing the likes of BLACKPINK‘s Jennie coming for her second Met Gala this year. Considering fashion’s consistent and growing affinity for K-pop partnerships, even more K-pop groups are likely to attend in the future.
Whether the comments were heard or not, Stray Kids moved with grace and poise on the carpet, and their presence alone reminds us of the importance of inviting and embracing different cultures, people and perspectives.
From the reality show that created their group in 2017, Stray Kids have had an unwavering determination to defy expectations and rise above adversity. Despite obstacles, the band’s overarching talent, humility, and tireless spirit to continue forward are not only recognized by one of the world’s most prestigious events but increasingly felt across the different Billboard charts. As they continue to break boundaries and challenge norms, Stray Kids can show how they won’t just make waves in the music industry, but help reshape long-held perceptions and inspire greater change.
K-pop boy band ENHYPEN‘s dedicated ENGENE fan group will be the focus of an upcoming documentary film, FANMADE: ENHYPEN, from Hello Sunshine, the multimedia company founded by actress Reese Witherspoon. Explore Explore See latest videos, charts and news See latest videos, charts and news According to a press release announcing the project on Wednesday (May […]
NCT DREAM rolled out the dates for their upcoming 2024 world tour on Wednesday (May 8), with dates in Latin American, the U.S and Europe as part of their 2024 NCT DREAM World Tour .
After kicking the outing off last weekend with three sold-out shows at Seoul’s Gocheok Sky Dome, the new dates will bring the seven-member K-pop group to Latin American for four shows, followed by seven gigs in the U.S. and five stops in Europe. Currently on tour in Asia — with arena and stadium concerts scheduled in Indonesia, China, Thailand, Singapore and the Philippines through August 11 –the new dates will kick off on August 31 at Movistar Arena in Bogota, Colombia.
The U.S. shows will launch on Sept. 12 at the Intuit Dome in Los Angeles, and include stops in Oakland, Fort Worth and Washington, D.C. before winding down at the United Center in Chicago on Sept. 26.
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According to a release, the tour is the group’s biggest global run to date, with tickets for the U.S. gigs going on sale with a Weverse fan club presale beginning on May 16, followed by a general onsale kicking off on May 17 at 3 p.m. local time here. Tickets for the Latin America swing will also start with a Weverse fan club presale beginning on May 13 (check local listings for more information), while the European Weverse presale will launch on May 15, followed by a general onsale beginning on May 17 at 10 a.m. local time (check local listings).
NCT — comprised of members JAEMIN, JISUNG, JENO, RENJUN, HAECHAN, MARK and CHENLE — recently released the video for “Smoothie,” the lead single from their just-released DREAM( )SCAPE EP.
Check out the full list of dates for the 2024 NCT DREAM WORLD TOUR below:
May 18 – Jakarta, Indonesia @ GBK Stadium
June 15 – Hong Kong, China @ AsiaWorld-Arena
June 16 – Hong Kong, China @ AsiaWorld-Arena
June 22 – Bangkok, Thailand @ Rajamangala National Stadium
June 23 – Bangkok, Thailand @ Rajamangala National Stadium
Sat Jun 29 – Kallang, Singapore – Singapore Indoor Stadium
June 30 – Kallang, Singapore @ Singapore Indoor Stadium
August 10 – Manila, Philippines @ SM Mall of Asia Arena
August 11 – Manila, Philippines @ SM Mall of Asia Arena
August 31 – Bogota, Colombia @ Movistar Arena
Sept. 2 – São Paulo, Brazil @ Espaço Unimed
Sept. 5 – Santiago, Chile @ Movistar Arena
Sept. 9 – Mexico City, Mexico @ Palacio de los Deportes
Sept. 12 – Los Angeles, CA @ Intuit Dome
Sept. 14 – Oakland, CA @ Oakland Arena
Sept. 17 – Fort Worth, TX @ Dickies Arena
Sept. 19 – Duluth, GA @ Gas South Arena
Sept. 21 – Belmont Park, NY @ UBS Arena
Sept. 24 – Washington, D.C. @ Capital One Arena
Sept. 26 – Chicago, IL @ United Center
Oct. 30 – Rotterdam, Netherlands @ Rotterdam Ahoy*
Nov. 3 – Copenhagen, Denmark @ Royal Arena*
Nov. 6 – Berlin, Germany @ Uber Arena*
Nov. 9 – Paris, France @ Adidas Arena*
Nov. 12 – London, UK @ OVO Arena Wembley*
*Non Live Nation date
Stray Kids have finally made their way up the Met Gala stairs. The eight-piece K-pop superstars attended their first-ever Met Gala on Monday (May 6) as guests of Tommy Hilfiger, who created custom pieces for each member in the brand’s signature red, white and blue color palette with rich gold accents. All eight Stray Kids […]
The ENHYPEN boys have stepped up to the plate. The Seattle Mariners welcomed the band’s Heeseung, Jay and Ni-ki on Monday (April 29) to throw the ceremonial first pitch at T-Mobile Park. The trio also hung out during the team’s batting practice, taking in the sights, playing catch and meet former Mariners player, Ichiro Suzuki. In […]
Hours before SEVENTEEN dropped their new greatest hits album, 17 Is Right Here, on April 29, the K-pop sensations seized the moment by holding two electrifying concerts at the Seoul World Cup Stadium to preview the record and celebrate nearly a decade of hits together.Against the backdrop of the stadium, SEVENTEEN leader S.Coups noted the sentimental moment, telling the crowd, “Standing here, I feel like I’ve been running towards this very moment up until now,” a testament to the journey they’ve undertaken alongside their devoted fanbase known as CARATs. Seungkwan added, “Our goal today is to present all CARATs here with the best day they ever had.”
With a five-piece live band noticeably elevating the SEVENTEEN musical experience to new heights from opening tracks “Super” and “Don Quixote,” the SVT crew delved into a slightly adjusted setlist for the closing shows of their ‘FOLLOW’ AGAIN tour that previously hit Osaka and Kanagawa in Japan, as well as Incheon, South Korea. Offering fans a glimpse into their upcoming album, the live premiere of four new songs — including their maximalstic, break-beat single “MAESTRO” — made the tour finale all the more montemous. Mingyu reflected that they “were both nervous and excited to showcase the first performance of ‘MAESTRO’ here,” with Hoshi noting, “We wanted to show our ‘best’ selves for the CARATs. We really put our best efforts into this performance.”
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As the concert drew to a close and each of the 13 members shared parting words with the crowd, Woozi encapsulated a collective sentiment, saying: “The ‘Best [Of]’ album will be released the day after tomorrow. It’s an album dear to me, embodying SEVENTEEN’s beliefs. Today’s show was also like that in some sense. Performing today, I was strongly reminded of all the memories tied to each and every song. Today may have been an ordinary day for some, but for everyone here and us, it was a day of 10 years, making it so much more valuable. This moment is so special to us, so we always try to capture and remember everyone with our eyes as much as possible.”
Read on for more from SEVENTEEN’s Seoul shows, and see exclusive photos of S.Coups, Woozi, Hoshi, Seungkwan, Mingyu, Jeonghan, The8, Joshua, DK, Wonwoo, Jun, Vernon and Dino below:
“MAESTRO”
Image Credit: PLEDIS Entertainment
SEVENTEEN’s latest single, “MAESTRO,” was revealed at the ‘FOLLOW’ AGAIN to Seoul concert, where thousands in attendance saw all aspects of its intense breakbeat production and orchestra-inspired performance.
The8 commented how the track “has one of the fastest beats-rhythms with a house dance break. I hope it feels fresh and new.”
“Cheers to Youth”
Image Credit: PLEDIS Entertainment
Alongside the premiere of “MAESTRO,” each of SEVENTEEN’s three teams premiered the new tracks they recorded for 17 Is Right Here. The Vocal Unit (consisting of Woozi, Jeonghan, Joshua, DK and Seungkwan) shared their harmonious and euphoric vocals with “Cheers to Youth.”
“‘Cheers to youth’ is a song that I really like and we wanted to perform,” Woozi shared. “I pictured how the CARATs would react and it was exactly right.” Later in the concert, Hoshi explained the inspiration for the song.
“During the tour, I mistakenly said something and it was brought up when we all got together to talk afterward,” the leader of the Dance Unit shared. “[The members said] it was wrong to make such a comment, and I said, ‘Sorry, it’s my first time living today [this day.]’ Woozi heard this and took inspiration for this specific song.”
“Spell”
Image Credit: PLEDIS Entertainment
The Performance Unit of SEVENTEEN (Hoshi, Jun, The8 and Dino) shared their new Afrobeat-inspired song “Spell” alongside a slinky performance that allowed the foursome to showcase their incredible physicality.
“The time really flew today,” Dino later remarked. “I had so much fun — I feel that what’s really important during a concert is what sort of feelings and emotions we feel and share. Today was filled with joy and excitement, and it’s all thanks to you. We thank you sincerely.”
“LALALI”
Image Credit: PLEDIS Entertainment
The final new song revealed at ‘FOLLOW’ AGAIN to Seoul was the Hip-Hop Unit’s “LALALI.” Decked out in Adidas gear, S.Coups, Wonwoo, Mingyu and Vernon shook Seoul World Cup Stadium with the bombastic rap track that’s quickly becoming a SEVENTEEN fan favorite with its anthemic shout-outs and cheeky lyrics.
Closing Message
Image Credit: PLEDIS Entertainment
“We began the show by promising you the best day, and I hope we kept that promise,” Seungkwan told the crowd at the closing of ‘FOLLOW’ AGAIN to Seoul.
“It’s still hard to believe that I’m standing here with this joyous view in front of me … I’m grateful to be part of this nine-year-old band with all the members. Another thing I wanted to mention was this: I believe it’s up to us SEVENTEEN as an artist to make it easier for supportive, caring fans to show their love and support for us without any discomfort or inconvenience. We’ll continue to do our best. Thank you and we love you so much.”
K-pop group SEVENTEEN dropped their anticipated greatest hits album, 17 Is Right Here, on Monday morning (April 29), along with the futuristic video for the lead single, “Maestro.” The two-CD, 33-track compilation pulls together the Korean versions of eight previously released Japanese singles, 20 singles from the 13-man band’s Korean releases, as well as four new tracks and a digital-only instrumental version of the boy band’s 2015 debut single, “Adore U.”
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Fresh single “MAESTRO” will be followed by the hip-hop team’s “LALALI,” the performance team’s “Spell” and the vocal team’s “Cheers to youth.” The edgy “MAESTRO” visual, directed by Han Sungsoo, drops group members Woozi, S. Coups, Wonwoo, Mingyu, Vernon, Jeonghan, Jun, DK, Joshua, Hoshi, Dino, The8 and Seungkwan into a sleek future scape filled with dancing robots and mechanical dogs in which they bust out high-energy choreo with their machine companions and conduct a gothic symphony orchestra through the hip-hop-influenced track’s dance attack.
“Aligning with the group’s core message around solidarity, this captivating dance R&B track illustrates how together, we can orchestrate our own universe like a ‘maestro,’” read a statement announcing the clip. To further the message, it aded that the video is set in a dystopian future where “anything, including music and art, can be easily created with technology.”
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According to the band’s label, 17 Is Right Here got more than three million pre-orders as of April 19. During a press conference announcing the album on Monday, SEVENTEEN also announced plans for a world tour int he fall, with the full roster — including U.S. dates — to be announced later.
Listen to the album and watch the “MAESTRO” video below:
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