INXS
Australian rock veterans INXS are taking a look back in time, celebrating 40 years of their international breakthrough record, Listen Like Thieves.
Originally released in October 1985, Listen Like Thieves was the Sydney sextet’s fifth album, and their first to make a sizable impact on a global scale. Their second consecutive chart-topper in their homeland, it would be their first to chart in markets such as the U.K. and Switzerland, and their highest peak to date in the U.S., with the record reaching No. 11 on the Billboard 200.
It also boasted a number of successful singles, including its title track, “Kiss the Dirt (Falling Down the Mountain)”, “This Time”, and “What You Need”. The latter was the record’s most successful, peaking at No. 2 in Australia and No. 5 on Billboard’s Hot 100.
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At the time of the record’s release, the band were already a success story in Australia thanks to their unique sound and relentless touring schedule, with Listen Like Thieves aiming to translate those aspects to the listener’s turntable. “We’ve done the album like a live show and what is there is there,” frontman Michael Hutchence told Rolling Stone in 1985. “We want to present this record as a band – the idea of six people playing together and using traditional sounds.”
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Ahead of the record’s 40th anniversary, the band’s surviving members have announced a new deluxe edition of the seminal album. Arriving on May 9, the 3CD/LP collection features a new remix of the album with Chris Thompson’s original production being overhauled by Giles Martin and Paul Hicks. It also boasts a number of unreleased outtakes and demos; a rare BBC Recording, Live From The Royal Albert Hall, London, 1986; and a new interview with the band by writer Paul Sexton. A 2CD edition pairs the new mix with a selection of B-sides, remixes and live recordings, while a single LP version contains the 2025 mix alone.
“Chris Thomas was one of the most talented and exciting producers we ever had the privilege to work with,” recalled keyboardist and guitarist Andrew Farriss. “From the moment we met, there was no doubt he would bring a new dynamic to our music, his drive and determination helped Michael and I deliver a smash hit in ‘What You Need’. 40 years on, Giles and Paul captured the original raw energy we felt when we first recorded the album and created a sonic depth to give the record an entirely new dimension that we couldn’t be prouder of.”
The BBC’s live recording of INXS’ June 1986 appearance at London’s Royal Albert Hall is also of note, with the band’s audience that evening comprising a number of notable artists such as Mick Jagger, The Cult, and the Psychedelic Furs. Described as a “poignant night” for the band, it wasn’t their first visit to the U.K., but arguably the turning point in their relationship with the region. Almost five years later to the day, INXS would headline London’s Wembley Stadium and perform before a sold-out crowd of 72,000.
INXS’ biggest commercial success would come two years after the release of Listen Like Thieves, with 1987’s Kick turning them into megastars. The album would top the charts in Australia, Canada, and New Zealand, and give them a career-best of No. 3 on the Billboard 200.
Though the band would initially split following the untimely passing of Hutchence in 1997, a revolving door of vocalists would precede their eventual permanent retirement in 2012. Despite this, the band are consistently one of the best-selling Australian bands to this day, with the Australian Recording Industry Association’s end-of-year charts for 2024 seeing the band’s 2011 collection The Very Best listed at No. 81 on the album charts – one of only three local records to make the cut.
It’s four years in a row for Taylor Swift, with the U.S. pop icon dominating Australia’s year-end charts once again, according to data published by ARIA
Swift has once more found her way to the top of the ARIA Top 100 Albums Chart, this time off the back of her massively-successful eleventh album, April’s The Tortured Poets Department. With results undeniably bolstered by her seven local shows as part of the record-setting Eras Tour, Swift is a constant presence in the year-end charts, making up 40% of the top ten.
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While The Tortured Poets Department sits at No. 1, 1989 (Taylor’s Version) appears at No. 5, with Lover at No. 7, and Midnights rounding it out at No. 10. Overall, she makes up 11% of the entire Top 100, with original or re-recorded versions of her entire discography (save for her self-titled debut) placed across the top 68 positions. Her 2014 album 1989 doubles up thanks to its original version placing at No. 68.
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It’s not a far cry from the results of last year either, where 1989 (Taylor’s Version) reigned supreme and was joined by the likes of The Weeknd, Morgan Wallen, SZA, and Harry Styles. In 2024, the top ten is rounded out by Billie Eilish‘s Hit Me Hard And Soft, Sabrina Carpenter‘s Short n’ Sweet, The Weeknd’s The Highlights, SZA’s SOS, Wallen’s One Thing At A Time, and Olivia Rodrigo‘s Guts.
The singles chart, however, belongs to U.S. singer-songwriter Benson Boone, whose “Beautiful Things” spent six weeks at No. 1 and has rarely been absent from the top ten since it first debuted. Boone’s success isn’t limited to Australia, with the track having topped numerous charts globally, and peaking at No. 2 on the Billboard Hot 100.
Shaboozey‘s “A Bar Song (Tipsy)” holds the silver medal position, with Carpenter’s “Espresso” closing out the podium finishes. Noah Kahan‘s “Stick Season” and Teddy Swims‘ “Lose Control” round out the top five, with Eilish’s “Birds Of A Feather” following closely behind. Irish musician Hozier‘s “Too Sweet” prevents a clean sweep for American artists, however, with his single hitting No. 8.
Swift’s influence also extends to the Singles Chart, with 2019’s “Cruel Summer” hitting No. 9 off the back of its 2023 viral success and single release. Miley Cyrus‘ “Flowers”, which topped the chart last year, also makes a return appearance, albeit relegated to a respectable No. 39.
Of note, however, is the lack of Australian artists that make up the Albums and Singles Charts. In the latter category, just 5% are home-grown, with Vance Joy’s 2013 single “Riptide” leading the charge at No. 24. Cyril’s reimagining of Suzi Quatro’s “Stumblin’ In” can be found at No. 29, while DJ and producer Dom Dolla‘s “Saving Up” splits the field at No. 50. The Kid LAROI closes out the local representation with “Nights Like This” featuring at No. 84, and his 2021 Justin Bieber collaboration “Stay” in at No. 96.
The Albums Charts, however, boasts only three Australian names – with only one being a studio release. While South Australian veterans Cold Chisel can be found at No. 44 with their 50 Years – The Best Of compilation, so too can INXS‘ Diamond-certified The Very Best be located down at No. 81. The Kid LAROI is once again the only point of difference, with his debut album – 2023’s The First Time – hitting No. 67.
Check out ARIA’s year-end singles and albums charts.
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