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Rema and Burna Boy each received three awards at the 2023 Headies Awards. The show, which celebrates Pan-African and Afrobeats talent, was held on Sunday (Sept. 3) at Cobb Energy Performing Arts Center in Atlanta.
Rema won best male artist, digital artiste of the year and African artiste of the year. In addition, Selena Gomez, who teamed with Rema on the global hit “Calm Down,” won international artiste of the year, while Director K, who directed the music video for the “Calm Down” remix, won best music video.

Burna Boy took Afrobeats single of the year and song of the year, both for “Last Last” as well as best R&B single for “For My Hand,” featuring Ed Sheeran.

Three artists won two awards each — Odumodublvck, Asake, Victony & Tempoe.

The eligibility period for the awards was January 2022 to March 2023.

Actor and host Terrence J. Nigerian and actress Osas Ighodaro hosted the show, which was streamed live on YouTube (U.S.) and HipTV (Africa) Network.

Bayanni, Khaid, Guchi, Bloody Civilian, Odumodublvck and Eltee Skhillz competed for rookie of the year. The winner, Odumodublvck, will receive not only glory, but also also a solar-powered, two-bedroom, fully furnished house.

Sean “Love” Combs was previously announced as the recipient of the international artiste recognition award. He was not present at the show, but organizers say his plaque will be delivered.

The Headies Awards, originally called the Hip Hop World Awards, were established in 2006 by the Hip Hop World Magazine of Nigeria to recognize outstanding achievements in the Nigerian music industry.

This marked the show’s second year at the Cobb Energy Performing Arts Centre. It was held in Lagos or Nigeria every year from 2006 to 2021 (except 2017 and 2020, when there was no ceremony).

In the past year, three major, all-genre music awards shows have introduced Afrobeats or African music categories. The American Music Awards were the first major music awards show to add such a category. They added favorite Afrobeats artist at the show that aired Nov. 20, 2022. Wizkid was the inaugural winner, beating Burna Boy, CKay, Fireboy DML and Tems.

The MTV Video Music Awards added a new category this year — best Afrobeats. The front-runner is Rema & Gomez’s “Calm Down,” which is nominated in two other categories, best song and best collaboration.

The Grammys added a similar category, best African music performance, this year (for the awards that will be presented on Feb. 4, 2024). Grammy nominations will be announced on Nov. 10.

Here is the full list of winners for the 2023 Headies Awards. For more details, visit theheadies.com.

­Hall of Fame

WINNER: Youssou N’dour

Special Recognition

WINNER: Sound Sultan

International Artiste Recognition Award

WINNER: Sean “Love” Combs

International Artist of the Year

Drake

Future

WINNER: Selena Gomez

Don Toliver

Ed Sheeran

Album of the Year

Love, Damini – Burna Boy

WINNER: Mr Money With the Vibe – Asake

Rave And Roses – Rema

Boy Alone – Omah Lay

Outlaw – Victony

Timeless – Davido

Song of the Year

“Calm Down” – Rema

WINNER: “Last Last” – Burna Boy

“Ku Lo Sa” – Oxlade

“Buga” – Kizz Daniel & Tekno

“Finesse” – Pheelz Ft. Bnxn

“Sungba Remix” – Asake Ft. Burna Boy

Best Female Artiste

Tems

Simi

WINNER: Ayra Starr

Tiwa Savage

Best Male Artiste

Asake

WINNER: Rema

Kizz Daniel

Ruger

Omah Lay

Burna Boy

Rookie of the Year

Bayanni

Khaid

Guchi

Bloody Civilian

WINNER: Odumodublvck

Eltee Skhillz

Best Recording of the Year

“Alone” – Burna Boy

WINNER: “Soweto” – Victony & Tempoe

“I’m A Mess” – Omah Lay

“Ku Lo Sa” – Oxlade

“Stand Strong” – Davido Ft. Sunday Service Choir

“No Woman, No Cry” – Tems

Producer of the Year

Magicsticks – “Sungba Remix” (Asake)

P.Prime, Tmxo & Pheelz – “Electricty” (Pheelz Ft Davido)

Andre Vibez & London – “Calm Down” (Rema)

Tempoe – “Soweto” (Victony & Tempoe)

Kel-P – “Kpe Paso” (Wande Coal & Olamide)

WINNER: Rexxie – “Abracadabra” (Rexxie, Naira Marley, Skiibii & Wizkid)

Songwriter of the Year

WINNER: Simi Kosoko, Godsfavour Chidozie, Kosoko Adekunle, Marcel Akunwata – “Loyal” (Simi)

Stanley Didia, Adebajo Adebanjo – “I’m A Mess” (Omah Lay)

Tems, Ludwig Goransson, Robyn Rihanna Fenty, Ryan Coogler – “Lift Me Up” (Rihanna)

Damini Ebunoluwa Ogulu, Austin Jnr Iornongu Iwar, Peace Oredope, Ludwig Goransson – “Alone” (Burna Boy)

Daniel Benson “In My Mind” (Bnxn)

Fuayefika Maxwell – Earth Song (Wizard Chan)

Best R&B Single

WINNER: “For My Hand” – Burna Boy Ft. Ed Sheeran

“Mmadu” – Ckay

“Just 4 U” – Dami Oniru

“Red Wine” – Preye

“Hard To Find” – Chike – Ft. Flavour

“Loyal” – Simi Ft. Fave

Best Rap Single

“Hustle” – Reminisce

“Big Energy” – Ladipoe

“Back In Uni” – Blaqbonez

“Bando Diaries” – Psychoyp

WINNER: “Declan Rice” – Odumodublvck

“My Bro” – Jeriq Ft. Phyno

Best Alternative Song

WINNER: “Earth Song” – Wizard Chan

“Final Champion” – Cruel Santino

“The Traveller” – Basketmouth Ft The Cavemen

“In A Loop” – Boj Ft Moliy & Mellissa

“Game Changer” (Dike) – Flavour

“Tinko Tinko” – Obongjayar

Best Vocal Performance (Female)

Niniola – “Memories”

Simi –  “Loyal”

WINNER: Waje – “In Between“

Liya – “Adua Remix”

Preye – “Red Wine”

Dami Oniru – “Just 4 U”

Best Vocal Performance (Male)

Oxlade – “Ku Lo Sa”

Ric Hassani – “My Only Baby”

Magixx – “Love Don’t Cost A Dime”

Chike – “Spell Remix”

Praiz – “Reckless”

WINNER: Wande Coal – “Kpe Paso”

Best Music Video

Blaqbonez & Perliks – “Back In Uni” (Blaqbonez)

Tg Omori – “Pbuy” (Asake)

Director Pink– “Spell Remix” (Chike & Oxlade)

Tg Omori – “Bandana” (Fireboy & Asake)

Director K – “Common Person” (Burna Boy)

WINNER: Director K – “Calm Down” (Rema)

Best Collaboration

Asake Ft. Burna Boy – “Sungba Remix”

Bnxn Ft. Kizz Daniel & Seyi Vibez – “Gwagwalada”

Pheelz Ft. Bnxn – “Finesse”

WINNER: Spyro Ft. Tiwa Savage – “Who’s Your Guy Remix”

Pheelz Ft. Davido – “Electricity”

Wande Coal Ft. Olamide – “Kpe Paso”

Best Street-Hop Artiste

Rexxie Ft. Naira Marley & Skiibii – “Abracadabra”

WINNER: Seyi Vibez – “Chance (Na Ham)”

Asake – “Joha”

Zlatan Ft. Young Jonn – “Astalavista”

Poco Lee & Hotkid – “Otilo”

Mohbad – “Peace”

Afrobeats Single of the Year

WINNER: “Last Last” – Burna Boy

“Rush” – Ayra Starr

“Buga” – Kizz Daniel & Tekno

“Finesse” – Pheelz Ft Bnxn

“Who’s Your Guy?” – Spyro

“Asiwaju” – Ruger

Headies’ Viewers’ Choice

Ruger – “Asiwaju”

WINNER: Victony & Tempoe – “Soweto”

Fireboy Dml & Asake – “Bandana”

Ayra Star – “Rush”

Asake – “Terminator”

Mavins – “Overloading (Overdose)”

Crayon – “Ijo (Laba Laba)”

Oxlade – “Ku Lo Sa”

Kizz Daniel & Tekno – “Buga”

Pheelz & Davido – “Electricity”

Best West African Artiste of the Year

­Gyakie (Ghana)

WINNER: Black Sherif (Ghana)

The Therapist (Liberia)

Camidoh (Ghana)

Best East African Artiste of the Year

Zuchu

WINNER: Diamond Platinumz

Rayvanny

Eddy Kenzo

Hewan Gebreworld

Best North African Artiste of the Year

Marwa Loud – Morocco

Wegz – Egypt

WINNER: El Grande Toto – Morocco

Soolking – Algeria

Best Southern African Artiste of the Year

Aka (South Africa)

Nasty C – South Africa

Costa Titch – South Africa

Uncle Waffles – South Africa

WINNER: Focalistic – South Africa

Dj Tarico – Mozambique

Best Central African Artiste of the Year

Fally Ipupa – Democratic Republic of Congo

Gaz Mawete – Democratic Republic of Congo

Matias Damasio – Angola

Emma’a – Gabon

WINNER: Libianca – Cameroon

Best R&B Album

Home – Johnny Drille

WINNER: The Brother’s Keeper – Chike

Reckless – Praiz

Waje 2.0 – Waje

Matter of Time – Dami Oniru

To Be Honest (Tbh) – Simi

Best Alternative Album

Horoscopes – Basketmouth

WINNER: Gbagada Express – BOJ

Some Nights I Dream of Doors – Obongjayar

Subaru Boys: Final Heaven – Cruel Santino

Heart of the Heavenly Undeniable – Somadina

Native World – Native Sound System

Best Rap Album

Fly Talk Only – Payper Corleone

Palmwine Music Vol 3 – Show Dem Camp

WINNER: Young Preacher – Blaqbonez

Ypszn3 – Psychoyp

Teslim: The Energy Still Lives in Me – Vector

Billion Dollar Dream – Jeriq

Next Rated

Young Jonn

Seyi Vibez

WINNER: Asake

Victony

Spyro

African Artiste of the Year

WINNER: Rema (Nigeria)

Burna Boy (Nigeria)

Marwa Loud (Morocco)

Black Sherif (Ghana)

Diamond Platnumz (Tanzania)

Lyricist on the Roll

Ladipoe – “Clowns”

Vector – “Clowns”

WINNER: Payper Corleone – “Fly Talk Only”

Alpha Ojini – “Vigilante Bop”

A-Q – “Family First”

Tec (Sdc) – “Live Life”

Best Inspirational Single

“Stand Strong” – Davido Ft Sunday Service Choir

“Jireh (My Provider)” – Limoblaze, Lecrae & Happi Music

“This Year” – Victor Thompson & Ehis ‘D’ Greatest

WINNER: “Eze Ebube” – Neon Adejo

“Tobechukwu” – Nathaniel Bassey And Mercy Chinwo

“I Get Backing” – Victoria Orenze

Digital Artiste of the Year

Burna Boy

Ayra Starr

WINNER: Rema

Omah Lay

Kizz Daniel

Asake

Nicki Minaj, who was born in Trinidad and Tobago, was among the winners at the inaugural Caribbean Music Awards, which were held at Kings Theatre in Brooklyn on Thursday (Aug. 31). “Likkle Miss,” which Minaj recorded with Skeng, won collaboration of the year (dancehall/reggae). The track appeared on Minaj’s greatest hits set, Queen Radio: Volume 1, which entered the Billboard 200 at No. 10 in August 2022.
The versatile Minaj is up for six awards, including video of the year and artist of the year, at next week’s MTV Video Music Awards, which will be presented on Tuesday (Sept. 12).

Machel Montano received a lifetime achievement award and also won male artist of the year (soca). Beres Hammond received an elite icon award and also won male artist of the year (reggae). Other double winners at the event, which was hosted by Wyclef Jean, were Kabaka Pyramid, Ding Dong and Patrice Roberts.

Reggae legend Buju Banton received a humanitarian award for his philanthropic foundation, the Buju Banton Foundation.

Performers included Wayne Wonder, Alison Hinds, Jada Kingdom, Dexta Daps, Kranium, Nailah Blackman, Ding Dong, Rupee, Baby Cham, Toni-Ann Singh, Romain Virgo, Angela Hunte and Stone Love. The event also featured appearances from Doug E. Fresh, Skeng, MYA, Spice, Morgan Heritage, Konshens, Karlie Redd and Michael Rainey Jr.

The event, which streamed via Tempo Networks/YouTube and Instagram through @CaribbeanEliteMagazine, celebrated Caribbean music in all forms, including reggae, dancehall, soca and zouk.

Here’s a complete list of winners from the inaugural Caribbean Music Awards.

EP of the year (dancehall): Alkaline, The Ripple EFFX

Impact award (dancehall): Chronic Law

Impact award (reggae): Kabaka Pyramid

Impact award (soca): Viking Ding Dong

Performer of the year (soca): Mr. Killa

Album of the year (dancehall): Masicka, 438

Female artist of the year (dancehall): Spice

Male artist of the year (dancehall): Ding Dong

Male artist of the year (reggae): Beres Hammond

Male artist of the year (soca): Machel Montano

Female artist of the year (soca): Patrice Roberts

People’s choice award: Wit: Kes

Artist of the decade: Vybz Kartel

Collaboration of the year (soca): GBM Nutron & DJ Spider, “Down Dey”

Collaboration of the year (dancehall/reggae): Skeng & Nicki Minaj, “Likkle Miss”

Video of the year (dancehall/reggae): Popcaan & Toni-Anne Singh, “Next to Me”

Video of the year (soca): Patrice Roberts, “Mind My Business”

Best new artist (dancehall): Valiant

Best new artist (reggae): Samora

Best new artist (soca): Tempa

Kompa band of the year: Klass

Dance song of the year: Ding Dong, “BOUNCE”

Performer of the year (dancehall): Dexta Daps

Album of the year (reggae): Kabaka Pyramid, The Kalling

Lifetime achievement award: Machel Montano

Elite icon award: Beres Hammond

Humanitarian award: Buju Banton // The Buji Baton Foundation 

Gary Kemp of Spandau Ballet will be named a BMI Icon at the 2023 BMI London Awards, to be held Oct. 2 at The Savoy Hotel. The private event will be hosted by BMI president & CEO Mike O’Neill.
Kemp is best-known for writing Spandau Ballet’s swoon-inducing 1983 smash “True.” The song topped the Official U.K. Singles Chart for four weeks and reached No. 4 on the Billboard Hot 100. Eight years later, it was sampled in PM Dawn’s “Set Adrift on Memory Bliss,” a No. 1 hit on the Hot 100.

In addition, producer Richard Isong, better known as P2J, will receive the BMI Impact Award, which recognizes ground-breaking artistry, creative vision and impact on the future of music. This marks the first time a producer has received this honor.

“We’re in for an exciting night celebrating our BMI family of U.K. and European songwriters, composers and music publishers,” O’Neill said in a statement. “We’re thrilled to pay tribute to the legendary Gary Kemp in recognition of his incredible creative accomplishments. His timeless songs have reached multiple generations, leaving a lasting impression on the world of entertainment and inspired many to follow in his footsteps. We’re also honoured to present P2J with the BMI Impact Award. His work is a testament to the unifying power of music in bridging cultures and captivating audiences worldwide.”

The ceremony will also honor the U.K. and European songwriters and publishers of the previous year’s most-performed songs on U.S. streaming, radio and television from BMI’s repertoire. The Million-Air Awards, song of the year, and awards for pop, film, television and cable television music will also be presented throughout the evening.

Kemp is one of the most successful songwriters to come out of the New Romantic era in British pop music. As a founding member and guitarist for Spandau Ballet, Kemp wrote the lyrics and music for all of the band’s hits. “True” has received more than 5 million airplays in North America alone. “Gold,” “Communication” and “Only When You Leave” also made the Hot 100.

Kemp’s songs have been sampled by many artists, including Backstreet Boys, PM Dawn, Nelly, Paul Anka, Rui da Silva and Lloyd. As a solo artist, Kemp has released two albums for Columbia Records, Little Bruises (1995) and Insolo (2021). He’s also written two musicals with Guy Pratt, with whom he currently co-hosts a podcast called the Rockonteurs. For the last five years, Kemp has toured with Nick Mason’s band Saucerful of Secrets as co-lead singer and guitarist.

Kemp is also an accomplished actor and author. He has appeared in several films, including the 1992 blockbuster The Bodyguard and the British crime thriller The Krays. In 2009, he authored his autobiography, I Know This Much: From Soho to Spandau.

Kemp has received a Q Award, a BRIT Award, an IVOR Novello for outstanding song collection and five BMI Awards. As a BMI Icon, he joins an elite group of recipients including Bee Gees, Crosby, Stills & Nash, Ray Davies, Peter Gabriel, Queen, Sting and Van Morrison.

P2J will be recognized with the BMI Impact Award for the influence he’s had on the future of music. Previous winners are Tems, RAYE and Arlo Parks.

For the past decade, P2J has established himself as an in-demand producer through his work with chart-topping artists such as Beyoncé, Burna Boy, Doja Cat, Gorillaz, Ed Sheeran and WizKid. His work spans multiple genres, including pop, grime, rap and Afrobeats. P2J received his first Grammy nomination late last year – album of the year – for his work on Beyoncé’s Renaissance. His music has amassed more than a billion streams.

LONDON — BMG’s revenues jumped 11.5% to 414 million euros ($450 million) in the first half of 2023, fueled by strong growth in the company’s publishing business and a number of high-profile acquisitions, including a major interest in Paul Simon‘s portion of the Simon & Garfunkel catalog and a deal for George Harrison’s solo recordings.

The record label and publisher’s operating earnings before interest, taxes, depreciation and amortization (EBITDA) were up 23% (on a constant currency basis) to 90 million euros ($98 million) at the mid-year point ended June 30, according to figures released Wednesday Aug. 30 by BMG’s German parent company Bertelsmann.

Classic songs from Blondie, Kurt Cobain, Daryl Hall & John Oates, Mick Jagger and Keith Richards – coupled with hit releases by contemporary artists like Lewis Capaldi and Austrian rapper RAF Camora — helped drive the company’s 62% of revenues that come from publishing. That equates to around 257 million euros ($280 million) by Billboard’s calculation (the company didn’t break out revenue numbers).

Recorded music represented 34% of revenue (around $152 million) with Jelly Roll, Kylie Minogue, Godsmack and Rita Ora among BMG’s top-selling recording artists. Among its most listened-to catalog titles were tracks by Motley Crue, Black Sabbath and George Harrison.

In total, BMG said its digital businesses accounted for 63% of revenue, down from 69% in the first half of the previous year. The company said the decrease was due to higher digital revenues being offset by stronger growth in live revenues, driven by a post-pandemic surge in touring.

BMG CEO Thomas Coesfeld, who took over from longstanding chief executive Hartwig Masuch July 1, said the double-digit percentage growth reflected the company’s “strong performance in the face of an increasingly tough market.”

“Against the background of a soft advertising market, a maturing subscription streaming business and a physical music market impacted by inflation-driven cost increases, this is a very positive result,” said Coesfeld in a statement.

Breaking down the revenues on a regional basis, the U.S. was BMG’s biggest market, generating 217 million euros ($236 million), a rise of £14 million euros ($15 million) on the first half of 2022. Germany was BMG’s second biggest market with revenues of 49 million euros ($53 million), followed by the United Kingdom, which brought in 42 million ($46 million).

BMG completed 15 acquisitions in the six-month reporting period, including a deal for Paul Simon’s royalty and neighboring rights income to the full recorded Simon & Garfunkel catalog. Other deals closed in the first half of this year included the acquisition of the song catalog of 1960s British band The Hollies and a share of the writer’s royalties from the heavily synced German Eurodance group SNAP!

In February, BMG reached an agreement with Dark Horse Records over George Harrison’s solo works, marking the first time that the former Beatle’s recorded and publishing rights have sat together under the same roof. To commemorate Harrison’s Feb. 25 birthday, Dark Horse and BMG released Harrison’s entire catalog in Dolby Atmos surround sound exclusively on Apple Music.

Alongside BMG, Bertelsmann’s media holdings include RTL Group, Penguin Random House and service provider Arvato. Bertelsmann reported total revenue of 9.7 billion euros ($10.6 billion) for the first six months of the year, up 4.5% on the previous year. Organic revenue growth was 2.3%.

The Association of Independent Music (AIM) has revealed its nominees in 12 categories for the 2023 AIM Awards.
RAYE and Shygirl each received three nominations. 070 Shake, who collaborated with RAYE on “Escapism,” received two, as did Ezra Collective, Overmono and ENNY. Other notable nominees include: Wet Leg, Yeah Yeah Yeahs, Yves Tumor, Little Simz and Rina Sawayama.

AIM also revealed the winners of two awards.

Björk won the publicly-voted Best Live Performance award, besting Beabadoobee, MUNA and Japan’s kawaii-metal girl band BABYMETAL.

Dr. Charisse Beaumont, CEO of Black Lives in Music (BLiM), was named Diversity Champion in recognition of her groundbreaking work in creating an inclusive music industry, such as the rollout of BLiM’s voluntary Music Industry Anti-Racism Code.

The AIM Independent Music Awards recognizes the achievements of independent labels, artists and entrepreneurs that make up the U.K.’s independent music sector.

Silvia Montello, CEO of AIM, said in a statement: “The AIM Independent Music Awards are a night to celebrate the best of the UK’s independent music community, and to showcase its triumphs and innovations. We are proud to be able to honour the diversity and talent across the UK ‘s independent labels, artists, entrepreneurs and champions and it’s fantastic to see continued public recognition of Björk’s trailblazing live shows!”

The awards will be presented at London’s Roundhouse on Sept. 26.

The ceremony will celebrate the 50th anniversary of hip-hop, an anniversary that has been feted at numerous awards shows already this year. The segment, supported by BBC 1Xtra, will recognize hip-hop’s influence and its lasting impact on the emergence of jungle, grime and drum & bass. 

Here’s a complete list of nominees for the 2023 AIM Awards.

Best Live Performance

Björk  (One Little Independent)

Diversity Champion

Charisse Beaumont – Black Lives in Music

PPL Award for Most Played New Independent Artist

AntsLive (Payday Records, Trademark Records)

John Summit (Off The Grid Records)

Surya Sen (Skint Records)

Vibe Chemistry (DnB Allstars Records)

Wet Leg (Domino Records)

Music Entrepreneur of the Year

Alex Brees – Un:hurd

Caius Pawson – Young / Space

Jess Kangalee – Good Energy PR

Keturah Cummings – Forward Slash

Yasin El Ashrafi – HQ Familia

Best Boutique Label

Chess Club

Glasgow Underground

Houndstooth

Rough Bones

So Young Records

Best Independent Label

Defected Records

Forever Living Originals

Hospital Records

One Little Independent

Transgressive

Best Creative Campaign

Because Music (Shygirl – “Nymph”)

Dirty Hit (Rina Sawayama – “Hold the Girl”)

Human Re Sources (RAYE – “My 21st Century Blues”)

Ninja Tune (Young Fathers – “Heavy Heavy”)

Partisan Records (Ezra Collective – “Where I’m Meant to Be”)

XL Recordings (Yaeji – “With a Hammer”)

UK Independent Breakthrough

Ezra Collective (Partisan Records)

I.Jordan (Ninja Tune)

Overmono (XL Recordings)

Shygirl (Because Music)

Suki Waterhouse (Sub Pop)

Best Independent Track (Meta)

Connie Constance – “Hurt You” (Play It Again Sam)

ENNY – “Charge It” (FAMM)

Four Tet – “Three Drums” (Text Records)

Makaya McCraven – “Dream Another” (XL Recordings)

Overmono – “Good Lies” (XL Recordings)

RAYE, 070 Shake – “Escapism” (Human Re Sources) 

Shygirl – “Shlut” (Because Music) 

Sudan Archives – “Selfish Soul” (Stones Throw Records)

Yeah Yeah Yeahs – “Spitting Off the Edge of the World” feat. Perfume Genius (Secretly Canadian)

Yves Tumor – “Echolalia” (Warp Records)

Best Independent EP/ Mixtape 

Bellah – Adultsville (Base ‘N’ Rebulz X Marathon Music Group)

ENNY – We Go Again (FAMM)

Jessica Winter – Limerance (Lucky Number)

Saint Joshua – EP2 (Ditto Music)

yunè pinku – BABYLON IX (PLATOON)

Best Independent Album 

Avelino – God Save The Streets (More Music Records/ OddChild Music)

Kelela – Raven (Warp Records)

Little Simz – No Thank You (Forever Living Originals)

Nova Twins – Supernova (Marshall Records)

Obongjayar – Some Nights I Dream of Doors (September Recordings)

Oliver Sim – Hideous Bastard (Young)

RAYE – My 21st Century Blues (Human Re Sources)

Rina Sawayama – Hold the Girl (Dirty Hit)

Shygirl – Nymph (Because Music)

Wu-Lu – LOGGERHEAD(Warp Records) 

Best Independent Remix 

Sega Bodega Remix (One Little Independent) – Björk – “Ovuke” (feat. Shygirl)

Soulwax Remix (Deewee / Because Music) – Charlotte Adigéry & Bolis Pupul – “Cliché”

Nu:Tone Remix (Hospital Records) – GLXY – “Butterfly Effect” (feat. Hugh Hardie & Visionobi)

Jamie XX remix (Young) – Oliver Sim – “GMT”

Boys Noize (Secretly Canadian) – Yeah Yeah Yeahs – “Wolf”

One to Watch (BBC Music Introducing)

Jessica Winter (Lucky Number)

Juice Menace (Supernature)

FLOWEROVLOVE (FAE GRP)

Laughta (MDLBEAST)

Master Peace (PMR)

Best Independent Video (Vevo)

Ezra Collective – “No Confusion” ft. Kojey Radical (Partisan Records)

Kelela – “Enough for Love” (Warp Records)

Obongjayar – “I Wish It Was Me (Live)” (September Recordings)

RAYE, 070 Shake – “Escapism” (Human Re Sources)

Wesley Joseph – “MONSOON” (EEVILTWINN)

Abu Dhabi-based streaming company Anghami received a $5 million investment from the venture capital arm of the Saudi Arabia media company SRMG, the companies announced in a joint statement Monday (Aug. 21).

The largest publicly traded media company in the Middle East and North Africa region, SRMG is the publisher of Arabic and English-language international and business newspapers like Asharq Al-Awsat, Arab News and Aleqtisadiah. In June, SRMG partnered with Billboard to launch Billboard Arabia.

As the region’s most popular music streamer, Anghami has reported rapid growth since going public on the Nasdaq in early 2022 and said it expects to become profitable this year. With SRMG’s investment and appetite to be a destination for artists, the deal will “bolster Anghami’s growth trajectory through its extensive media reach, content library, and portfolio of leading assets in audio/podcasts,” according to the statement.

In March, Anghami said its revenue grew by more than 35% to $48 million in 2022, driven by a 21% year-over-year uptick in paid subscribers to 1.52 million, according to preliminary unaudited results. Anghami claims 120 million registered users overall.

The Middle East and North Africa (MENA) remains one of the world’s fastest-growing sectors for music, with revenue from recorded music climbing by nearly 24% in 2022, according to the IFPI.

Founded in 2012, Anghami has expanded its business beyond streaming to include in-house productions, branded music and video content, concerts, podcasts and a record label for Arab artists.

Anghami CEO/co-founder Eddy Maroun called the investment a milestone for his company that will allow it to “unlock further opportunities to champion the music ecosystem.”

“We have continually evolved to meet our audience’s changing demands and support the region’s rising entertainment and music industry,” Maroun said in the statement. “This partnership will propel regional artists to greater heights, expand their global reach, and create new touchpoints for our users and artists alike.”

Burna Boy is the top nominee for the 2023 Headies Awards, which celebrates Pan-African and Afrobeats talent. Burna Boy received 10 nominations, including African artiste of the year, best Afrobeats album, best male artiste and song of the year. 
Asake received eight nods. Rema, who collaborated on the global smash “Calm Down” with Selena Gomez, receive five nods, as did Omah Lay, Victony, Simi, Kizz Daniel and Pheelz each received five nods. Oxlade tallied four nods, while Ruger had three.

Drake, Future, Gomez, Don Toliver and Ed Sheeran are vying for international artist of the year at the show, which will be held at the Cobb Energy Performing Arts Centre in Atlanta on Sept. 3. The show will be streamed live on YouTube (U.S.) and HipTV (Africa) Network.

Sean “Love” Combs is slated to receive an International Artiste Recognition award. Youssou N’dour will receive a Hall of Fame award.

Bayanni, Khaid, Guchi, Bloody Civilian, Odumodublvck and Eltee Skhillz are competing for rookie of the year. The winner will receive not only glory, but also also a solar-powered, two-bedroom, fully furnished house.

This is the 16th edition of the Headies Awards. In the past year, three major, all-genre music awards shows have introduced Afrobeats or African music categories. The American Music Awards were the first major music awards show to add such a category. They added favorite Afrobeats artist at the show that aired Nov. 20, 2022. Wizkid was the inaugural winner, beating Burna Boy, CKay, Fireboy DML and Tems.

The MTV Video Music Awards added a new category this year — best Afrobeats. The front-runner is Rema & Gomez’s “Calm Down,” which is nominated in two other categories, best song and best collaboration.

The Grammys added a similar category, best African music performance, this year (for the awards that will be presented on Feb. 4, 2024). Grammy nominations will be announced on Nov. 10.

The Headies Awards, originally called the Hip Hop World Awards, were established in 2006 by the Hip Hop World Magazine of Nigeria to recognize outstanding achievements in the Nigerian music industry.

This will mark the show’s second year at the Cobb Energy Performing Arts Centre. It was held in Lagos or Nigeria every year from 2006 to 2021 (except 2017 and 2020, when there was no ceremony).

“We are so excited that The Headies will return to American soil once again,” Ayo Animashaun, CEO and founder of the Headies Awards, said in a statement. “We know that Afrobeats connects people all around the globe, and this year’s event exemplifies and celebrates the power of our culture. The Headies will be an evening not only of dynamic talent, but also memorable moments that will resonate with audiences worldwide.”

The eligibility period is January 2022 to March 2023.

For more details on the 16th Annual Headies Awards, visit theheadies.com.

Here is the full list of nominations for the 2023 Headies Awards.

International Artiste Recognition

Sean “Love” Combs

­Hall of Fame

Youssou N’dour

Special Recognition

Sound Sultan

International Artist of the Year

Drake

Future

Selena Gomez

Don Toliver

Ed Sheeran

Album of the Year

Love, Damini – Burna Boy

Mr Money With the Vibe – Asake

Rave And Roses – Rema

Boy Alone – Omah Lay

Outlaw – Victony

Timeless – Davido

Song of the Year

“Calm Down” – Rema

“Last Last” – Burna Boy

“Ku Lo Sa” – Oxlade

“Buga” – Kizz Daniel & Tekno

“Finesse” – Pheelz Ft. Bnxn

“Sungba Remix” – Asake Ft. Burna Boy

Best Female Artiste

Tems

Simi

Ayra Starr

Tiwa Savage

Best Male Artiste

Asake

Rema

Kizz Daniel

Ruger

Omah Lay

Burna Boy

Rookie of the Year

Bayanni

Khaid

Guchi

Bloody Civilian

Odumodublvck

Eltee Skhillz

Best Recording of the Year

“Alone” – Burna Boy

“Soweto” – Victony & Tempoe

“I’m A Mess” – Omah Lay

“Ku Lo Sa” – Oxlade

“Stand Strong” – Davido Ft. Sunday Service Choir

“No Woman, No Cry” – Tems

Producer of the Year

Magicsticks – “Sungba Remix” (Asake)

P.Prime, Tmxo & Pheelz – “Electricty” (Pheelz Ft Davido)

Andre Vibez & London – “Calm Down” (Rema)

Tempoe – “Soweto” (Victony & Tempoe)

Kel-P – “Kpe Paso” (Wande Coal & Olamide)

Rexxie – “Abracadabra” (Rexxie, Naira Marley, Skiibii & Wizkid)

Songwriter of the Year

Simi Kosoko, Godsfavour Chidozie, Kosoko Adekunle, Marcel Akunwata – “Loyal” (Simi)

Stanley Didia, Adebajo Adebanjo – “I’m A Mess” (Omah Lay)

Tems, Ludwig Goransson, Robyn Rihanna Fenty, Ryan Coogler – “Lift Me Up” (Rihanna)

Damini Ebunoluwa Ogulu, Austin Jnr Iornongu Iwar, Peace Oredope, Ludwig Goransson – “Alone” (Burna Boy)

Daniel Benson “In My Mind” (Bnxn)

Fuayefika Maxwell – Earth Song (Wizard Chan)

Best R&B Single

“For My Hand” – Burna Boy Ft. Ed Sheeran

“Mmadu” – Ckay

“Just 4 U” – Dami Oniru

“Red Wine” – Preye

“Hard To Find” – Chike – Ft. Flavour

“Loyal” – Simi Ft. Fave

Best Rap Single

“Hustle” – Reminisce

“Big Energy” – Ladipoe

“Back In Uni” – Blaqbonez

“Bando Diaries” – Psychoyp

“Declan Rice” – Odumodublvck

“My Bro” – Jeriq Ft. Phyno

Best Alternative Song

“Earth Song” – Wizard Chan

“Final Champion” – Cruel Santino

“The Traveller” – Basketmouth Ft The Cavemen

“In A Loop” – Boj Ft Moliy & Mellissa

“Game Changer” (Dike) – Flavour

“Tinko Tinko” – Obongjayar

Best Vocal Performance (Female)

Niniola – “Memories”

Simi –  “Loyal”

Waje – “In Between“

Liya – “Adua Remix”

Preye – “Red Wine”

Dami Oniru – “Just 4 U”

Best Vocal Performance (Male)

Oxlade – “Ku Lo Sa”

Ric Hassani – “My Only Baby”

Magixx – “Love Don’t Cost A Dime”

Chike – “Spell Remix”

Praiz – “Reckless”

Wande Coal – “Kpe Paso”

Best Music Video

Blaqbonez & Perliks – “Back In Uni” (Blaqbonez)

Tg Omori – “Pbuy” (Asake)

Director Pink– “Spell Remix” (Chike & Oxlade)

Tg Omori – “Bandana” (Fireboy & Asake)

Director K – “Common Person” (Burna Boy)

Director K – “Calm Down” (Rema)

Best Collaboration

Asake Ft. Burna Boy – “Sungba Remix”

Bnxn Ft. Kizz Daniel & Seyi Vibez – “Gwagwalada”

Pheelz Ft. Bnxn – “Finesse”

Spyro Ft. Tiwa Savage – “Who’s Your Guy Remix”

Pheelz Ft. Davido – “Electricity”

Wande Coal Ft. Olamide – “Kpe Paso”

Best Street-Hop Artiste

Rexxie Ft. Naira Marley & Skiibii – “Abracadabra”

Seyi Vibez – “Chance (Na Ham)”

Asake – “Joha”

Zlatan Ft. Young Jonn – “Astalavista”

Poco Lee & Hotkid – “Otilo”

Mohbad – “Peace”

Afrobeats Single of the Year

“Last Last” – Burna Boy

“Rush” – Ayra Starr

“Buga” – Kizz Daniel & Tekno

“Finesse” – Pheelz Ft Bnxn

“Who’s Your Guy?” – Spyro

“Asiwaju” – Ruger

Headies’ Viewers’ Choice

Ruger – “Asiwaju”

Victony & Tempoe – “Soweto”

Fireboy Dml & Asake – “Bandana”

Ayra Star – “Rush”

Asake – “Terminator”

Mavins – “Overloading (Overdose)”

Crayon – “Ijo (Laba Laba)”

Oxlade – “Ku Lo Sa”

Kizz Daniel & Tekno – “Buga”

Pheelz & Davido – “Electricity”

Best West African Artiste of the Year

­Gyakie (Ghana)

Black Sherif (Ghana)

The Therapist (Liberia)

Camidoh (Ghana)

Best East African Artiste of the Year

Zuchu

Diamond Platinumz

Rayvanny

Eddy Kenzo

Hewan Gebreworld

Best North African Artiste of the Year

Marwa Loud – Morocco

Wegz – Egypt

El Grande Toto – Morocco

Soolking – Algeria

Best Southern African Artiste of the Year

Aka (South Africa)

Nasty C – South Africa

Costa Titch – South Africa

Uncle Waffles – South Africa

Focalistic – South Africa

Dj Tarico – Mozambique

Best Central African Artiste of the Year

Fally Ipupa – Democratic Republic of Congo

Gaz Mawete – Democratic Republic of Congo

Matias Damasio – Angola

Emma’a – Gabon

Libianca – Cameroon

Best R&B Album

Home – Johnny Drille

The Brother’s Keeper – Chike

Reckless – Praiz

Waje 2.0 – Waje

Matter of Time – Dami Oniru

To Be Honest (Tbh) – Simi

Best Alternative Album

Horoscopes – Basketmouth

Gbagada Express – Boj

Some Nights I Dream of Doors – Obongjayar

Subaru Boys: Final Heaven – Cruel Santino

Heart of the Heavenly Undeniable – Somadina

Native World – Native Sound System

Best Rap Album

Fly Talk Only – Payper Corleone

Palmwine Music Vol 3 – Show Dem Camp

Young Preacher – Blaqbonez

Ypszn3 – Psychoyp

Teslim: The Energy Still Lives in Me – Vector

Billion Dollar Dream – Jeriq

Next Rated

Young Jonn

Seyi Vibez

Asake

Victony

Spyro

African Artiste of the Year

Rema (Nigeria)

Burna Boy (Nigeria)

Marwa Loud (Morocco)

Black Sherif (Ghana)

Diamond Platnumz (Tanzania)

Lyricist on the Roll

Ladipoe – “Clowns”

Vector – “Clowns”

Payper Corleone – “Fly Talk Only”

Alpha Ojini – “Vigilante Bop”

A-Q – “Family First”

Tec (Sdc) – “Live Life”

Best Inspirational Single

“Stand Strong” – Davido Ft Sunday Service Choir

“Jireh (My Provider)” – Limoblaze, Lecrae & Happi Music

“This Year” – Victor Thompson & Ehis ‘D’ Greatest

“Eze Ebube” – Neon Adejo

“Tobechukwu” – Nathaniel Bassey And Mercy Chinwo

“I Get Backing” – Victoria Orenze

Digital Artiste of the Year

Burna Boy

Ayra Starr

Rema

Omah Lay

Kizz Daniel

Asake

Tencent Music Entertainment Group’s (TME) quarterly net profit surged by more than 50% for the quarter ending in June on the strength of its online music business, sending its stock up 5% in mid-day trading on Wednesday.
Net profit for TME’s second quarter was RMB1.30 billion ($179 million), up 51.6% from second quarter last year, the Chinese company reported on Tuesday. Total revenues rose 5.5% to RMB7.29 billion ($1.01 billion) in the quarter ending June 30, as a more paying subscribers helped the online music business contribute more than half of TME’s earnings for the first time since the company’s launch in 2016.

TME is growing increasingly focused on its music business, and its company promotions which resulted in a record high of 99.4 million paying users this quarter, are paying off, executives say.

“As we continue driving the healthy development of China’s online music industry, we have seen users become increasingly accustomed and willing to pay for copyrighted music, whether for songs they want to listen to or for premium listening features they enjoy,” TME executive chairman Cussion Pang said on Tuesday. “This marks a significant step along TME’s growth trajectory.”

Quarterly revenue from online music services jumped nearly 50% to RMB4.25 billion (US$586 million) on strong music subscription revenue growth and advertising services and contributed more than 58% of the company’s total revenues.

The number of monthly active users for online music fell nearly 5% to 594 million in the second quarter this year from 623 million in the year-ago quarter, but the number of paying online music users rose more than 20% to 99.4 million from 82.7 million a year ago.

Revenues from music subscriptions grew 37% to RMB2.89 billion ($399 million). 

TME’s social entertainment business, which it has de-emphasized for the last several quarters in a row, saw mobile monthly active users fall 18% to 136 million from 166 million, while paying social entertainment users also declined 5% to 7.5 from 7.9.

Monthly average revenue per paying user (ARPPU) rose 14% to RMB9.7 ($1.33) for online music, while monthly ARPPU for social entertainment declined 20% to RMB135 ($18.50).

Tencent Music executives said they are in the process of deploying several service enhancement and risk control measures that will promote music-centric live streaming, which they expect to put pressure on TME’s social entertainment services revenues throughout the rest of 2023.

“TME remains confident about delivering year-over-year net profit growth for 2023, driven by the continued strong performance of online music services, laying a much more solid foundation for the company’s healthy and resilient development in the long run,” a spokesperson said.

South Korean companies SM Entertainment and Kakao Entertainment have launched what they are calling a “local integrated corporation” in North American as part of previously hinted-at efforts to accelerate their joint stateside operations and build upon the successes of their K-pop artists in the world’s largest music market. The companies said on Tuesday (Aug. 1) […]

WARNING: This story contains allegations of sexual violence and other graphic content that may be upsetting or triggering to some readers.
Former electro-rock singer Noire says her dream of becoming a professional artist ended May 18, 2009, after Toronto radio promoter Adrian Strong lured the then-28-year-old from Toronto to South Carolina with the promise of a potential record deal. Strong, the president of DMD Entertainment — then the premier radio promotion service in Canada for Top 40 records — and a music industry veteran with a history of breaking singles at Canadian radio, told Noire that the founders of a new Atlanta label urgently wanted to meet her in Hilton Head Island, S.C., after he played them her dark-pop demos. Instead, she alleges he drugged, raped and held her captive over an 18-hour period at a Marriott hotel in Charleston, and cut a nearly one-inch-long piece of her scalp.

“The cruelest thing Adrian did was leaving me alive,” says Noire, who asked that her birth name not be used. Now 42, she lives in Los Angeles and long gave up her aspirations of a music career. She tells Billboard she “ran away” from Toronto in July 2010 because she had a mental breakdown. “People are like, ‘Well, you survived that,’” says Noire who wears her hair in a side-sweep to hide the scar and bald patch. “But you don’t understand how I keep my head together: It’s not by telling myself ‘I survived it;’ it’s by telling myself, ‘No, I died in that. This is the afterlife.’”

Encouraged by the #MeToo movement and concerned that Strong — whose company has worked singles to radio by The Weeknd, deadmau5, Arcade Fire, Marshmello, Sofi Tukker, Steve Aoki, Sum 41 and Broken Social Scene — still works in an industry rife with young women looking for a break, Noire decided to go public on Nov. 1, 2019, by posting a photo of him on her Instagram page, @californianoire, with red arrows pointing at his face and the words, “INCEL RAPIST” scrawled in red above him. Accompanying the image was a graphic account of what she says happened to her that weekend in 2009, including her charge that Strong cut “a section of my scalp out as a souvenir.”

The post rapidly circulated around the Canadian music industry but had little impact, if any, on Strong’s career. The holidays came and went, followed by the pandemic. DMD continued to be hired.

Courtesy Photo

Shortly after Noire’s post went live, Strong, who was very active on Instagram and Facebook — where he boasted about the successes of his clients — stopped posting but kept his accounts.

Noire posted about Strong again on April 25, 2022, after seeing a photo of him with other Canadian music figures at that year’s Coachella music festival, where The Weeknd performed with Swedish House Mafia. She reposted the picture, calling out Strong’s “industry friends” and accusing him of being a “Canadian music industry serial rapist” and “this monster who raped and mutilated me.” The following day, Strong’s Instagram, @strongstyles, was deleted; less than three months later so was his Facebook account. (On July 7, 2023, Strong restored his Facebook and Instagram accounts, the latter with all photos deleted.)

(Editor’s note: Bliss, a long-time music journalist in Canada, has known Strong for decades and was able to verify his email and messenger handles. She was also Facebook friends with him and followed his Instagram until they were deactivated.)

Over the three-plus years that followed Noire’s initial post, five women sent empathetic messages on Instagram, telling her they had similar experiences with Strong. Of those, two agreed to be interviewed for this story provided they were identified by pseudonyms. The women — one was 18 when she met him; the other was in her mid-20s — both accused Strong of using his power and position in the music industry to extort sexual favors.

Another woman who is not connected to the entertainment business and initially spoke on the record, said she was raped by Strong the first time they met in person after connecting on the dating site Seeking Arrangement and remained in contact with him for years because she says he had taken explicit videos of her without consent and was afraid he would leak them online. After sharing her story in a two-hour Zoom interview, she decided she was not ready to share full details of her account publicly but confirmed that aspects of her experience with Strong were similar or nearly identical to the other women’s accounts.

In response to emails sent to Strong detailing the allegations against him, he issued a statement through his U.S. attorney, Daniel Watkins, a partner at Clare Locke. “I categorically deny sexually assaulting or drugging anyone,” says Strong, who provided one email, four photographs and one message exchange — which are referenced in this story — that he adds, “confirms that these serious charges are untrue.”

“In the past decade, our industry has gone through a lot of change when it comes to understanding power dynamics,” Strong’s statement also reads. “In my 20s and 30s I had romantic relationships with artists — that were consensual — which was not uncommon in the industry. I am now accused of being sexually abusive and using my position in an exploitative way during that time. I wholeheartedly deny these claims,” he continues, adding, “These allegations have given me pause to reflect on what I have done or could be doing better. I never intended to cause anyone pain.”

In June, Strong took an administrative leave from DMD. Weeks later, the company was shuttered, and two of Strong’s former colleagues opened a new radio promotion company.

The women who spoke to Billboard — their accounts span a 10-year period, with Noire’s being the earliest, and the most recent in late 2019 — provided screenshots of text, email and social media direct message exchanges from Strong, along with evidence of gifts, such as spa treatments and money transfers sometimes in suggestive amounts of $69 or $169. Strong often referred to himself as “Daddy” and asked the women to wear short skirts and knee socks. Those who allege Strong sexually assaulted them say that in the days that followed, he would insist that they “had a good time” and sometimes asked if they were “okay.”

Another five sources for this story, four of them men, say they witnessed Strong exhibit sexually aggressive or inappropriate behavior towards young women. One says he was out of town at a music conference and saw Strong behave “all grabby” towards his employee, a young radio tracker, who later called him “slurring her words and believing [Strong] put something in her drink.” When he went downstairs to the hotel lobby to ensure she got to her room safely, he says he watched security intervene when Strong tried to physically prevent his employee from entering the building.

Another man says his female friend, then a 22-year-old singer, felt so threatened by Strong’s advances during a business trip to Savannah, Ga., that he bought her an airplane ticket to fly home. (The flight receipt was reviewed by Billboard. Through the men, both women declined to share their stories.)

All the women interviewed say Strong dropped famous clients’ names, which they perceived as attempts to impress them. Two of the women were pursuing careers in music at the time; another said Strong claimed he could make her famous using Auto-Tune, even though she couldn’t sing and had no interest in doing so. A fourth was pursuing an acting career.

Except for Noire, none of the women filed police reports. Noire lodged complaints with Canadian law enforcement upon her return home, and later with Charleston police. Copies of those reports viewed by Billboard indicate that the case was closed “due to lack of prosecution” and jurisdiction issues.

Three of the women who spoke to Billboard say they left Canada and their friends and family to rebuild their lives far from Strong. (One has since moved back.).

Since the impact of the #MeToo movement in 2017, considerable strides have been made in the way sexual assault is treated by police, and the willingness of women to go public with their experiences, even years or decades later.

A 2019 report issued by the Canadian government on systemic problems plaguing law enforcement’s handling of sexual offenses and the effects of the #MeToo and #BeenRapedNeverReported movements, detailed a “distrust of the system, from making a complaint through to a courtroom verdict” as a “profound and longstanding barrier to the enforcement of sexual offences.” The report also cited an investigation by national newspaper The Globe and Mail that “confirmed and reinforced victim distrust of the system” and found that one in every five reports of sexual assault made to the police was dismissed and catalogued as “unfounded.” This meant on average 5,000 cases of sexual violence per year were reported, but dropped because the complainants were “not believed.” Quoting the article, the government report posited that this “reinforce[d] damaging myths that women lie about sexual victimization,” which could act as a “deterrent to already low reporting.”

In Canada, there is no statute of limitations for sexual assault. It is also a criminal offense to surreptitiously take, distribute, publish, transmit or advertise intimate photos or video of a person without consent.

According to Strong’s recently deleted LinkedIn profile, he became president of DMD in 2002, and the following year began working radio in Canada for Patrick Moxey’s then-upstart EDM label Ultra. In 2006, he created the music publishing and management company StrongSongs, under which he had a management contract with one of his accusers. In 2010, while still president of DMD, he was named co-president of Ultra Records Canada.

As is typical in radio promotion, DMD’s bigger clients were mostly record labels, such as Ultra, Sony Music Canada and Wax Records, which hired the company to promote their artists’ music. As a result, spokespersons for several of the acts DMD claimed as clients say they had no direct contact with — and in some cases, had never heard of — Strong or the company he ran. Ultra Records Canada co-president Asim “Awesome” Awan, and Wax Records co-owners Ron Morse and Jamie Appleby, did not respond to requests for comment. Sony Music Canada had no comment.

Noire, who was born in Trinidad and Tobago and immigrated with her family to Toronto in 1986, met Strong — who goes by his middle name, Adrian, not his first, Nicholas — in Toronto at the Canadian Music Week conference and festival in March 2009. “I had just completed a 10-song album and was at CMW to make connections with people in music who could help me with my next steps,” she says. “I hadn’t released any music but was already playing little shows out in Toronto with two backup dancers.” She says Strong approached her in the hotel lobby, told her he is a radio tracker and offered to introduce her to his contacts.

Noire

Courtesy of Noire

Over the next two months, Noire accompanied him to industry events and a music video shoot and met key players in the business. She says Strong attempted to flirt with her on occasion, but she had no interest in the then 36-year-old short, balding man she describes repeatedly as “Jabba the Hutt” and “disgusting.” At that time, she believed Strong was genuinely interested in helping with her career and understood their relationship was strictly professional.

On May 17, 2009, the Sunday during Canada’s Victoria Day holiday weekend, Noire says Strong called to tell her he was in Hilton Head and had a big career opportunity for her. He then sent an email suggesting she take a cheap AirTran flight from Buffalo, N.Y. to Charleston so she could meet record execs from a new Atlanta-based label that might want to sign her. At the bottom of the email, which Noire shared with Billboard, Strong wrote that she only needed to take a carry-on bag, followed by: “Sexy lingerie is light right? lol” and a wink emoticon.

She bought a round-trip ticket for $273.90 to leave that same day.

A screenshot provided by Strong’s attorney Watkins that, he contends, shows the “proper context” of the interactions between Strong and Noire, includes five Facebook messages between the two leading up to Noire’s trip to South Carolina. On May 14, she texted Strong in a conversation, “I am so fucking high right now,” and the following day asked, “what are u doing this weekend. I’m going to Ottawa next week…” (Noire says she had not taken drugs, but at the time often used the word “high” to convey a sense of happiness — not intoxication — and was excited watching a Star Trek marathon. Billboard was unable to review earlier messages in the conversation.) On May 16, Strong texted Noire that he was in South Carolina, and on May 18, the day she arrived in Charleston, she messaged him, “No way, I’m in South Carolina too, golly gee,” followed by a smiley face emoji.

When her flight landed in Charleston that night, Noire expected Strong to meet her at the airport for the drive to Hilton Head. He didn’t.

“It was raining terribly when I arrived,” she says, and when she finally spoke with Strong by phone, he said he wasn’t there to pick her up because “it was too dangerous” to drive on unlit roads in the storm.

During the call, Noire also learned that Hilton Head was three hours away, which she hadn’t realized. “That upset me so much I was screaming at him,” she says. “He told me to spend the night at a nearby Marriott and he would be there to pick me up in the morning. He assured me it would be worth it when I was meeting with these label people.”

When Strong did finally show up, at “maybe four, four-thirty” the next afternoon, Noire says, he insisted they go to a restaurant. Although she was fed up with the constant delays, she agreed. She adds that she was “disgusted” by the “‘gator” and fried food on the menu and ate little. When the meal ended, Strong claimed it was too late to drive to Hilton Head. Stressed out from “his unnecessary ridiculousness and time wasting,” Noire says she told Strong she wanted a cup of tea.

He took her to a nearby café, where she says Strong flat-out told her he wanted to be more than friends. “I should’ve recognized [it was] the last chance he was giving me to consent,” she says. “He was like, ‘Why can’t it ever work between me and you?’” and said that being together “was a good choice for my career.” Noire shot him down, insulting his looks and “saw that it stung him.”

When they returned to the car, she was surprised when Strong said that DMD Entertainment would pay for her hotel room that night. “He was being “so, so nice to me, I started feeling like I was being a jackass,” she says.

At the Marriott, they checked into separate rooms. Soon after, Strong knocked on her door. He was eating a chocolate chip cookie from a plastic bag and offered her the last one, which she accepted and ate. She says she began to hallucinate and suspected she’d been drugged. She imagined vampires whispering in her ears; being stuck to the ceiling; and at one point, being on a surfboard in a body of water.

“Why that would be concerning to me is I can’t swim,” she says. She also recalls seeing Strong on a faraway shore and calling out to him before, she says, “It all melted away, and Adrian was holding me on him, and I was like, ‘Oh my God.’ I started pushing him away, and he said something like, ‘No you don’t.’”

Over the next 18 hours, Noire says Strong raped her repeatedly while she passed in and out of consciousness. She also says that he continued to inject her with drugs to keep her immobilized. During one of the interviews she gave to Billboard, she showed scars on her forearms that she says were the result of puncture marks made by the syringe. In a letter, Strong’s Canadian civil litigator Jeff Saikaley of Caza Saikaley wrote that his client “vehemently denies the allegations and asserts that he has never used illegal drugs and even has a phobia of needles.”

At one point, Noire says she tried to move but ended up falling off the bed. Strong, she recalls, looked at her “like I wasn’t even human” and “kicked me repeatedly while I was on the floor, calling me a ‘f—ing bitch.’” She says she then felt him hit her in the head with an object she didn’t see, and she lost consciousness again.

“When I woke up there was a needle sticking out of my chest,” Noire says. “It never healed.” She showed Billboard this scar as well, which she calls “the hole,” along with one on her head, which she says was where Strong cut away a section of her hair and scalp.

About a year later, when Noire was receiving EMDR therapy to treat her trauma at Trillium Health Partners in Mississauga, a Toronto suburb of the Peel region where she lived, she was asked by her social worker, a member of the hospital’s Sexual Assault and Domestic Violence Services, to recall the “most disturbing” mental image from “the incident.” “Adrian pulled + cut out section of hair, played along with sick fantasy…. Knew he was going to kill me,” she wrote on a “progress note,” dated Feb. 16, 2010, and signed by the social worker, whose name has been withheld at her request. (Noire shared the document with Billboard.)

Finally, Noire continues, “In a desperate, shameful attempt to save myself, I chose to pretend to flirt and act like I liked him and didn’t remember what had happened, to avoid further violence and irreversible damage to my face and body.” The tactic worked. “Once he felt he had complete control over me and my mind and the situation,” she says, “things greatly improved for me.”

She alleges that when Strong finished assaulting her, he covered her with a blanket, gave her water and then curled up on the bed next to her “like honeymooners.” (The woman who chose to share only limited details of her experience publicly also said Strong cuddled her after he raped her.)

Noire says she awoke the morning of May 19, 2009, to find Strong acting like everything was fine. He asked what she wanted to do that day and suggested an outing to the Charleston Tea Plantation (since renamed the Charleston Tea Garden). She recalls he “made her” shower while “in the bathroom with me the entire time,” then helped her dry off and get dressed, even laying out her makeup on the counter. Strong, she says, continued to watch her, “and commented I was being too slow.” She says she was still feeling drugged and “floppy” and looked disheveled when they checked out of the Marriott. She recalls that Strong explained away her appearance to staff by putting his arm around her and telling the concierge, “My girlfriend does a lot of drugs.”

While in the lobby, she says she mouthed “help me” to a passerby but was ignored.

During a trolley tour of the tea farm, Noire recalls Strong had a “dad camera” with him that “looked like a film camera but was digital” and told her to “smile,” then took a photo and showed it to her. She says it was the first time she had seen the camera. Saikaley says his client was trying out a new camera. On their way out, at the gift shop, she says she once again unsuccessfully mouthed “help me” to a cashier.

On the drive to the Charleston airport, Noire says Strong attacked her. “I said something stupid to him, like, ‘You’re not going to get away with this,” which prompted him to pull over, grab her by the hair and rattle her head. “He’s like, ‘What are you going to tell people? We had sex, you fuckin’ slut.’”

When they arrived at the departures area of the airport, Noire says she jumped out of the car and headed for the terminal. She alleges Strong ran after her and grabbed her by the shoulder, which drew the attention of a man she remembers was wearing a “heather blue shirt” and “physically got in the middle of us.” Noire says the stranger told Strong it looked like she didn’t want to speak to him and prevented him from following her into the terminal.

A review of Strong’s Facebook timeline that took place before he deleted his account shows that on the day Noire flew back to Buffalo, he made this status update: “Noire is the new black.”

Courtesy Photo

Strong’s other social media posts dating back to 2008 included mentions of locations described by Noire and other women interviewed for this story, including Hilton Head, South Carolina, Savannah and Marriott hotels.

While reviewing her correspondence with Strong for this story, Noire also discovered a direct message she’d previously missed that Strong sent via Facebook Messenger at 4:24 p.m. on May 18, 2009, when she says they were at the restaurant in Charleston. (She says she didn’t remember seeing this message until Billboard requested any correspondence between them that she could still access.) The message read: “How can I submit an obituary for publication,” followed by the contact information and deadlines to publish a death notice in The New York Times. She has no recollection of any conversation that would have caused him to send this information, and Strong did not provide any explanation when asked about the message.

“If I had known to check Facebook messages, that would have got my attention,” Noire says.

Courtesy of Noire

Once Noire landed in Buffalo, she drove herself back home to Mississauga. On May 20, she went to the local Credit Valley Hospital (part of Trillium Health Partners), where she explained that she’d been drugged and assaulted. She says she told the triage nurse, “I need a rape kit.”

She says she abruptly left the hospital because after she told the nurse she had been drugged and raped, she felt the nurse was too focused on her “being on drugs” and “started making me feel like I was in trouble.” She then drove some 270 miles to her cousin Matty’s house in Ottawa, the city where Noire grew up. Matty, who does not want her surname used, says Noire “turned up in the middle of the night unexpected. She was crying, and I was like, ‘What’s wrong?’ She didn’t want me to tell my husband, so we went outside, and we talked for a little bit.” Matty doesn’t recall if Noire gave her the name of the alleged rapist or where the attack took place, but she says, “I knew it was somebody in music because that was when, at the time, she was trying to break out in the music industry.”

Matty and her husband immediately drove Noire to Ottawa Civic Hospital, where Matty worked as an obstetrical nurse. The May 21, 2009, medical report states Noire said she was sexually assaulted and the assailant was known. It noted there had been no police involvement at that point.

At the hospital, though, Noire says she was treated rudely by the nurse who saw her. (Matty says did not go with her into the exam room to give her cousin “some privacy.”) “I showed [the nurse] my embarrassingly gross cut and oozing scalp and puncture marks and asked her to make note of them after she completed my vaginal rape exam,” Noire says. “She refused and told me she wasn’t going to participate in my ‘drama.’” The medical report refers to scratches on Noire’s body; no photos were taken. A partial rape kit was administered, but the nurse concluded Noire couldn’t tolerate the exam, so it was incomplete.

Noire later complained to Ottawa Civic Hospital and others dealing with her case about her treatment. Hospital notes state she was “extremely upset with handling of her SAEK [sexual assault evidence kit] that it was discarded.” The report quotes Noire saying, “I trusted you guys and now I have no evidence.” She shared an email exchange, dated June 16, 2009, between Ottawa Hospital’s Richard Tomlinson, coordinator of the Sexual Assault and Partner Abuse Care Program, and Kathryn Dominey, clinical director, Sexual Assault and Domestic Violence Services, at Trillium Health Centre – Mississauga, detailing the investigation into Noire’s complaint, which notes her “concerns have been addressed” with the nurse and that a file was opened with human resources. Tomlinson writes, “I asked her if she wanted me to pursue this further and she stated she just did not want this to happen to anyone else. I asked her permission to share her story as a learning experience for her team and she was quite agreeable to this.”

When asked for comment about Noire’s experience with Ottawa Hospital, the hospital’s media relations officer Rebecca Abelson said in a statement, “While The Ottawa Hospital cannot comment on specific patient cases, our Patient Relations team works with patients and their families to gather feedback and provided support where possible.”

Among the 40-some pages of medical and police reports that Noire provided to Billboard, one dated May 21 from Ottawa Hospital, for example, includes details she “was sexually assaulted by someone she works with in Charleston, NC [sic] on May 19. She believes she was given a cookie by this male, ‘Adrian.’ A short time later she started to feel off balance, began hallucinating, & alcohol was consumed. She recalls vaginal penetration. Does not think there was oral or anal penetration.”

After a lawyer friend advised her to file a police report, Noire went to the Peel Regional Police on May 26, where she met with Constable Wayne Fleming, then of the Special Victims Unit. The resulting reports — which were released to Noire with some information redacted to protect the privacy of “the person [Strong] to whom it relates” — states she was “under the effects of an unknown drug. [Noire] advised she was sexually assaulted by Strong, which included intercourse throughout the evening.” (Peel Regional Police would not confirm whether Strong was contacted or spoken to about Noire’s charges, citing privacy obligations pursuant to the Municipal Freedom of Information and Protection of Privacy Act.)

Noire also contacted the Charleston Police Department and spoke to Officer Michael Lyczany by phone on June 26, 2009, according to the report she shared with Billboard. Lyczany asked Noire why she agreed to fly to Charleston to meet with Strong. “She advised that he was an informal business manager. The trip was for professional reasons, and she was hoping that Strong would connect her with business contacts, which he did not do.” Lyczany also asked Noire why she spent part of the following day with him after he assaulted her. “She replied that she was still partially drugged and didn’t know what was going on,” which he believed was “contrary to her recorded interview.”

The Charleston police report concludes that prosecution of Strong would be extremely difficult due to “lack of any physical evidence; incident reported to Ontario Police 10 days after date [editor’s note: it was actually seven days since she returned home, according to Peel Police documents], victim spent part of the following day with the offender without contacting local police; lack of detail of the assault by the victim. In addition to the above, the victims unrelated statements about the physical appearance of the offender in contrast to her appearance, and her high assessment of self appearance would not favor successful prosecution.” It concludes with the line: “This case is closed due to lack of prosecution.”

Constable Fleming told Charleston police he “advised during his interview of [Noire] she did not provide specifics of the assault and, in his opinion, was not credible.”

But the documents provided to and verified by Billboard contradict the report’s conclusion about a “lack of detail.” In multiple interviews, conversations with her friends and family, and in supporting documents, Noire’s account has been consistent with the allegations she provided to authorities in 2009.

After returning to Canada, Noire told her close friend Priya (who requested that her surname not be used) about the assault and subsequent police visits and medical examinations at Credit Valley and Ottawa hospitals. “She told me he had hurt her; he had raped her. She was very distressed,” Priya says. “She couldn’t really articulate what exactly had happened, other than he had raped her. It wasn’t consensual. She felt like she was drugged.”

Priya says that weeks after Noire confided in her, a Charleston police officer called while they were in Noire’s car, and she put him on speaker phone. “She was trying to file a report, but they were being really difficult because [Noire and Strong] had left [the United States],” Priya recalls. “They weren’t being very understanding as to her state of mind at the time because she felt like she was drugged, and her mind was scattered. They basically told her to ‘Shush. It happened; you’re back home now, not to worry about it. There’s nothing they could do.’”

Less than a month later, Noire says Strong called her. She says she hung up and contacted Fleming with the Peel Regional Police. This interaction is noted in a June 15 report by the social worker assigned to Noire’s case: “[Fleming] will be contacting assailant this week in regard to recent contact with [Noire] on weekend.” Noire was advised to call 911 if Strong contacts her again “because the info will be in the system.”

After the alleged rape, Priya says Noire “just checked out.” She wouldn’t answer the phone and was not her typical outgoing self. The following year, Noire moved to Los Angeles, leaving behind Toronto and her dream of a singing career. She says she currently works in sales.

Over a three-week period, beginning March 29, 2023, Billboard asked Strong for an interview more than a dozen times, in person, by Zoom or phone. He indicated he was “travelling,” then “with family over the [Easter] Holidays.” In early April, he was emailed a letter detailing approximately 70 allegations and points of fact contained in this story. On April 18, Strong emailed to categorically deny the allegations made against him, calling them “disturbing, outrageous, unfounded and absolutely untrue.” He also wrote that, “all of those relationships were absolutely consensual.” In a subsequent email, he said he would respond to the questions by May 1. Billboard agreed to the timeline.

Instead, on May 1, Strong requested another extension until May 26, because he was now “on a trip in rural areas of the UK” until May 19. On May 5 he emailed again, writing “I need access to my old laptops and cameras that are currently in storage. Once I can review the content I will be able to formulate accurate replies.”

Billboard agreed to give Strong the requested extension — and again asked him to sit for an interview. He had at one point written, “I would be willing to do so in person provided that my side of the story is included in your planned article.” He was repeatedly assured that his account would be included. On the morning of May 26, Strong wrote that a response would be forthcoming “from my legal advisor addressing these matters … by the agreed upon deadline.”

In a letter dated that same day, Saikaley wrote that his client would not be granting an interview and called the accusations “false and baseless.”

Saikaley then began corresponding with Billboard’s legal counsel and provided a photo of Noire taken on May 19, 2009, sitting fully clothed and wearing sunglasses indoors that Saikaley says Strong took to test a new camera while they were in Charleston. If one magnifies the reflection in Noire’s sunglasses, they will see she is staring at a blank screen on an Apple laptop. The image, he wrote, “distinctly portrays the accuser devoid of any observable physical injuries or harm hours after the alleged incident.”

Adrian Strong

A few weeks later, Saikaley sent two more photos of Noire with the laptop. The metadata for those pictures indicate that they were taken May 19 between 1:33 and 1:34 p.m. He also sent a photo of Noire, clothed in a black top, under covers in a bed, holding a Starbucks cup with an open magazine on her lap. That photo is dated May 18, 2009, at 6:03 p.m. — the day that Noire alleges Strong raped her and held her against her will.

Adrian Strong

Adrian Strong

Noire does recall wearing a black outfit that weekend but says, “I do not recall that photograph ever being taken.” She adds that, “Out of all the photos it was the most alarming to me because when you zoom up on the image and you look at my face, you can tell that that girl is not okay.” She also notes she is “propped up” by multiple pillows and wonders why she would be in bed at 6 p.m. shortly after arriving at the hotel.

After reviewing one of the photos depicting her with the laptop, Noire says she does not remember them being taken. “And upon closer inspection of the photo, it appears that I’m staring at a screen that is completely blank so that computer’s not on,” she says. “I also do not, never owned a Mac computer, so that’s not my computer. What I’m trying to understand is why I’m wearing sunglasses inside while I’m supposedly working on a laptop. It just doesn’t make sense to me.”

She says the photos were staged.

Strong’s lawyers also point to a line from a comment Noire made under her original Instagram post that reads: “PS: I filed separate reports with the peel regional police at the time this occurred. One in March of 2009 for suspected stalking and one in May of 2009 for rape.” Saikaley questions why Noire had agreed to meet Strong in South Carolina months after accusing him of stalking.

Noire says the stalking reference had to do with harassing and explicit anonymous texts she received on March 16, 2009, days after meeting Strong at the CMW conference (March 12-14, 2009). She filed a report that day but claims she did not know or think it was him at the time. She says that after what happened in South Carolina, she became convinced Strong was behind the messages.

The police report that resulted from the harassing texts — which Noire provided to Billboard — indicates she “received a total of nine messages between 9.05 AM and 9:30 AM that day, all were of a sexual nature.” Noire believes the phone number, which had a 310 Los Angeles area code, was spoofed — something she determined after calling the number and speaking to the man who answered. She says he was shocked and claimed he didn’t know what she was talking about. He told her his name and that he worked in the music business, which she confirmed by googling him.

Another woman who found Noire’s post during the pandemic when she “googled Adrian’s name out of curiosity” recounts her involvement with Strong a decade ago during which he provided her with money, a laptop and help with her acting career in exchange for sexual favors. She asked to be identified by a pseudonym because she says she’s embarrassed that she participated in the arrangement but recognizes that she was exploited because of her vulnerable situation at the time. She does not claim to have been assaulted by Strong.

Mindy was in her mid-20s when she met Strong in 2012 on Toronto’s Queen Street West around midnight, while walking home from a bartending job at a popular restaurant chain near the DMD Entertainment office, which was then on Elm Street. Strong was walking home too and struck up a conversation at a stoplight where he learned she was pursuing acting. He told her she should do voiceovers.

“He dropped the name Characters [Talent Agency] because they were in [DMD’s building at the time] and his friend has a sound booth [there],” Mindy says. “He wanted to keep the conversation going and said, ‘Let’s go have a drink at my place.’” Instead, she suggested the since defunct all-night diner at the Thompson hotel, where he used a napkin to map out a potential career trajectory and offered to set her up with a demo session the next day at Characters. He then invited her to his place, which was nearby. “Yes, this is a sign,” she thought of their chance meeting.

Mindy says Strong seemed “like a regular guy,” so she went to his condo. It was well past midnight. They started drinking, when, out of the blue, she says, Strong asked her, “How much would it take to get you into that black dress?” — the required uniform at her workplace. Mindy says she told him no, but he kept asking and raising his offer and when he reached $150, she finally gave in. When she put it on, she says she realized Strong “was masturbating under a blanket.” When she expressed shock, she says, he told her, “What did you think I asked you to put the dress on for?” Mindy says that although she wasn’t frightened by the incident, she left within the hour.

The next day, Mindy cut the demo at Characters. She provided an email Strong sent afterwards praising her work. “Next step is to hook you up with voice agents,” he wrote.

Mindy says Strong then started coming into her work regularly and asking servers for her, which she describes as “dreadful.” Nonetheless, she saw Strong another half a dozen times over the next year. Each time they met, she says he asked her to do something sexually or with sexual overtones in exchange for money. “I was kind of desperate for money at a certain point, and I feel like he preyed on that,” she says, adding that after convincing her to put on the black dress, he took “baby steps” toward asking for more, including buying athletic shorts and tube socks for her to model for him and, eventually, agreeing to having sex with him for a new laptop.

“One morning I woke up to him taking a picture of the back of me,” she says. She grabbed the phone and deleted it, saying that she always worried he had a camera. Their encounters ended when she started dating someone. She estimates he had given her close to 2,000 Canadian dollars (roughly at par with U.S. dollars at the time).

Mindy’s roommate and co-worker from that time corroborated her story. “I met him at the restaurant when I was working. I know he offered her an arrangement where she would meet him and wear strange outfits, and he would pay her or buy her things,” the roommate says. “She was in acting and getting work in the entertainment industry, and I remember her saying that she was trying to meet with him because she thought it could lead to something.”

The same year Noire says she was raped, Margaret (also a pseudonym), then 18, met Strong in Toronto. While the age of consent is 18 in Canada, she says she was at “an extremely vulnerable place in my life,” having dropped out of university, with the “blind dream” to make it as a singer-songwriter. She was playing open mic nights and “scrounging pennies to make a record,” she says, but “I didn’t have any connections at all.”

When Strong offered to help her with her career, she says, “It was the most exciting day of my life because I’d never met anybody that works in music.” Like Noire, Margaret spent the next several months hanging out with him, discussing her career and meeting industry contacts.

“We would talk about work and my dreams,” she explained in a lengthy email. “We talked about the artists he worked with, and how I was talented enough to be as famous as them if I were in the right hands.” (She was also interviewed by phone for this story.)

Margaret admits that she was impressed by Strong’s office. “It looked like the Emerald City to me at the time,” she writes. “He had gold and silver record plaques all over his wall with my favorite artists. He knew I loved Arcade Fire, so he gave me Arcade Fire records, along with 20 other records of other artists he ‘worked with.’ He told me he helped ‘break them’ and I believed him. He did seem genuinely interested in my music. Eventually, he told me he wanted to manage me.”

Margaret says Strong introduced her to major players in his music network and after a month or so started managing her through his company StrongSongs. “It didn’t occur to me at all he was interested in me sexually,” she recalls.

One night, Margaret says “everything changed.” Strong took her to a bar, where she used a fake ID to get in (drinking age in Ontario is 19), and she got “super drunk” with him. “He knew the bartender and started feeding me shot after shot,” she says. “I had never drunk so much in my life. By the end of the night, I could barely walk.” Although she was not attracted to Strong, she says, “In my deliriousness, I went back and had sex with him.” The next morning, she panicked, worried he would no longer work with her. She phoned and apologized, saying she was embarrassed and wanted to pretend it never happened. “It didn’t occur to me that the sex we had was technically non-consensual considering the state I was in,” she writes.

Margaret says Strong’s reply was, “‘Well, actually, I did want to have sex with you. And I liked having sex with you. And if you’re not able to do that, then I don’t think that we can work together.’”

“That was the day that it clicked for me that he was an evil guy,” she says.

Margaret says Strong threatened to derail her career, so she agreed to have sex with him again. “The first time was the worst,” she writes. “I cried the entire time, but he didn’t care. The second time was the same, eventually I became more numb to it. He went back to taking me to events, meetings, etcetera. The only condition was that if he called me for sex, I had to oblige.” She says he had explicit photos of her and “he threatened to send them around and show people.”

“Several months of me knowing Adrian was me having this arrangement where I would have sex with him and he wouldn’t screw over my career or drop me from the company,” Margaret says.

On the occasions that she turned down Strong’s requests for sex, she says he would throw a tantrum or fake a panic attack. (Strong’s lawyer says he has suffered from panic attacks for years.) “I would be so annoyed with him that I would try to leave his apartment or his car,” she says. That’s when he would get physically assertive, block and lock the door, she says, “and rage — get all red and scary.” When that happened, Margaret says she gave in.

When she “couldn’t bear to have sex with him again,” Margaret writes that Strong gave her drugs to “numb me.” She added, “One time he even gave me a drugged cookie without telling me and had his way with me when I was basically passed out.”

Much like Mindy’s experience, Margaret also says Strong asked her to “dress in fetish outfits, weird socks, or sometimes gymnastics outfits. He took photos of me and videos of me while masturbating.” She says, “There were no limits. He literally never took no for an answer.”

“The abusive manager relationship went on for almost a year,” Margaret writes. “I fell into a massive depression, but I kept making music, and kept up hope that someday I could get away from him, although I didn’t know how. One day I had finally had enough.”

While at Strong’s house, she refused to have sex with him. “He forced himself on me and I fought him off. I managed to open the door and get away. I was done with him.”

That is, until Strong reminded her of her signed management contract. “I agreed to work with DMD/StrongSongs but I didn’t want to speak to him anymore,” she writes. She was given a different point person at the company, and Strong respected her space for almost two months. She says he would message her sometimes, seemingly apologetic, telling her he was a sex addict and receiving therapy.

Margaret notes Strong’s behaved “in these patterns and waves. So, he would go through these waves of [being a] Born Again Christian and not wanting to be the way he is, and then he would act on his compulsions again.”

In 2011, Strong invited Margaret to see Prince play at Air Canada Centre with two other industry people, promising “no funny business.” After the concert he asked if they could talk. “He wanted to apologize. We went for one drink in a public place, and I don’t know how I didn’t see it coming, but he drugged me,” she writes. She recalls becoming inebriated “very quickly” and went home. “After this I cut off from him completely and decided I needed to get out of Canada altogether.”

She moved out of the country to record an album. Strong let her out of her contract in late 2012 provided she signed a non-disclosure agreement.

Strong’s attorney Watkins provided a 2012 email from Margaret to Strong discussing the termination of her management contract. In it, she indicated that her father was helping her with the negotiations. Watkins contends that the involvement of Margaret’s father, as well as a lawyer who advised her on these negotiations are “relevant” to Margaret’s “contention that Mr. Strong purportedly took advantage of the power imbalance that existed between them.” He also implies that Margaret’s use of positive language in the email, such as “I know you still feel as passionately about this project as I do,” indicates that their relationship was professional and civil.

The former manager who guided Margaret’s career for a period after she extricated herself from DMD/StrongSongs backs up her account, however. He says she confided in him about her arrangement with Strong. He asked not to be identified in this story but provided a statement: “Soon after I began managing [Margaret] in 2014, she shared with me her story of Adrian’s sexual coercion and abuse toward her. I was shocked. We had hired his team [to promote her singles to radio], and when I asked her why she hadn’t opposed this working relationship, she explained to me that she feared he would blackmail her and destroy her career.”

Margaret says she decided to speak out because “I have moved on from that time of my life. I am now an award-winning hit songwriter in Canada, and I use my power in the industry, mostly, to help develop young female talent and help their dreams come true. This is the most rewarding thing I could ever do after everything I’ve been through — to be able to be the person I needed when I was trying to find my way through the industry — the person who could have once steered me away from a monster like Adrian Strong.”

“I have emotionally come to terms with everything he did to me, and for the most part at this point, I’m OK,” Margaret continues. “However, what I still can’t live with to this day is that Adrian is out there as we speak.”

In June, DMD’s owner and sole shareholder Derrick Ross told Billboard, “The company takes the allegations raised against Mr. Strong very seriously” and it was conducting an investigation into his conduct, which he later said was being run by Toronto law firm Paliare Roland Rosenberg. Ross added that “Strong has requested, and the company has agreed to an administrative leave, pending the outcome of the investigation.” The company also began removing Instagram posts about key artists from its account.

Behind the scenes, former DMD vp Gareth Jones was setting up a new radio promotion company, You Are Hear, which was announced in a July 14 press release that indicated former DMD head of publicity and marketing Matt Attfield was joining him. You Are Hear’s Instagram page identifies the company as “A Gareth Jones Music Promotion Enterprise” and is populated with the names of former DMD clients. Neither Jones nor Attfield responded to Billboard‘s requests for comments.

In the wake of this announcement, Ross told Billboard, “DMD has discontinued operations.” He says the Paliare Roland Rosenberg investigation is ongoing.

If you have information pertaining to this story, please email investigations@billboard.com.

Stories about sexual assault allegations can be traumatizing for survivors of sexual assault. If you or anyone you know needs support, in the United States you can reach out to the Rape, Abuse & Incest National Network (RAINN) by calling the National Sexual Assault Hotline (800.656.HOPE) or visiting the organization’s website for more information. In Canada, visit the Sexual Assault Support website or call the Assaulted Women’s Helpline 1-866-863-0511. All these organizations provide free, confidential support to sexual assault victims.