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Ice Cube has always been one of the more outspoken voices in Hip-Hop and his words carry weight with his fans and observers alike. In a new interview, the Los Angeles rapper and actor shared his thoughts on the emergence of AI in music, calling the practice âdemonicâ in short.
Ice Cube joined the Full Send podcast team for a sitdown inside Barneyâs Beanery, opening the chat by speaking on the starâs latest ventures in the acting world. The conversation then shifted to music, and the unavoidable topic of AI came up in the discussion.
In his typical brash fashion, the artist born OâShea Jackson didnât mince his words when discussing the changes in the music industry by way of AI.
âI donât wanna hear an AI Drake song. Yeah. I donât wanna hear that bullshit. He should sue whoever made it,â Cube said, discussing the use of the Canadian starâs voice on the AI-generated track, âHeart On My Sleeve,â which went viral online.
Cube added, âItâs like a sample. Somebody canât take your original voice and manipulate it without having to pay. I think AI is demonic, I think AI is going to get a backlash from organic people.â
Ice Cube Isnât the only one who feels this way as Young Guru called out Timbaland for his embrace of AI usage in songs and for launching a program that will allow producers to generate voices of known artists for their own works.
Check out the full chat below.
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Photo: Scott Dudelson / Getty
Ice Cube, one of the most influential figures of West Coast hip-hop, and Banda Sinaloense MS de Sergio LizĂĄrraga (better known as Banda MS), one of the most revered regional Mexican acts of Northern Mexico, team up to deliver a powerful message in âÂżCuĂĄles Fronteras?âÂ
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A pinnacle moment in regional Mexican musicâs continued rapid ascent, the powerful rap-encrusted banda jam sees two legendary acts representing Black and Brown communities join forces in their latest joint venture. The two mighty acts slay over an energetic banda rhythm powered by blaring horns and commanding vocals. Above all, itâs a response to the ongoing immigration injustices and militarization of the U.S.-Mexico border.Â
âThis song is a tribute to [immigrants],â Banda MS singer Oswaldo Silvas tells Billboard EspaĂąol. âIt is a voice of solidarity for all our people from all over the world who are looking for a better future.â Adds Ice Cube: âItâs very important, especially coming from Los Angeles, being able to preach that message that weâre better together than apart. We have more in common than not,â
Billboard EspaĂąol spoke with Ice Cube, as well as Banda MSâ composer/clarinet player Pavel Ocampo, frontmen Silvas and Alan RamĂrez and the multi-hyphenate Angeleno via Zoom, to discuss racial, linguistic, and institutional borders, and why we must team up rather than divide.Â
Watch the exclusive teaser for âÂżCuĂĄles Fronteras?â, full song and music video out Friday, May 5.
How did this collaboration first come about?Â
Ice Cube: We have a mutual friend, Bobby Dee, whoâs been doing great [promotion work with me] and doing a lot of great shows around the country. He knows my audience, which is important. Once we got to know each other real good, he started saying, âHey, you got to do something with my guys.â I was like, âWell, who are you guys?â âBanda MS.â
I had heard about the group because I have a box [suite] at Staples Center. Whenever [Banda MS] came to town, all my friends would want the box. They were like, âCan we get the box? We want to see them perform.â I knew they were huge. [Bobby Dee] sent me a few links to check out how they get down, and I was sold. The music is incredible. I was like, âOkay, I like the music. But how is the track that weâre going to do?â When I got it, it was amazing on all levels, from start to finish. It really inspired me, [especially with] the lyrics. Itâs been a blessing ever since we were able to connect.
Oswaldo Silvas: The importance is the impact that this collaboration has, not only on a musical level, but on a cultural and social level. It breaks down so many barriers and so many paradigms. I think that is the strongest impact it will have. We approached him through a third party, Bobby Dee, and we loved the idea, because I think the admiration we have for Ice as a singer, artist and actor is very great. Sergio [LizĂĄrraga] was the one who arranged everything, and when we got the news, it was incredible.Â
Ice Cube, youâre from LA â one of the most culturally diverse cities in the world â where thereâs a very strong hip-hop presence, but also regional Mexican music. I imagine this unity was more seamless than what some might expect. Agree?
Ice Cube: Without a doubt. To me, L.A. is a city where black and brown people really interact and connect on a lot of different levels, from culture to our love of sports, music and hip-hop. I think thereâs a lot of different things that really connect our cultures, and I like to highlight those things. I think itâs important that we work together, that we show unity, that we speak up for each other. Some people are going to see us getting together like peanut butter and jelly, like itâs meant to be. The song is powerful. Itâs the perfect song at the perfect time with the perfect artist.Â
Tell me more about the song.Â
Alan RamĂrez: What the song says is something very cool for everyone in the United States. There was that chemistry at the time of the composition with Ice Cube and his people. Iceâs people did the rap part of it, and Omar Robles, the lead songwriter for Banda MS, worked [with his team]. We know theyâre going to like the [music] video. They were Iceâs and Banda MSâs ideas. Itâs a very nice thing that came out very original.Â
Ice Cube, was writing rap verses different to a norteĂąo song than to a traditional hip-hop song?
Ice Cube: Yeah. In hip-hop, youâre looking for a kick, and it tells you what you can do. Here, I wanted to make sure I was in a set rhythm, so that it would have the right momentum. There was a test track of âIt Was a Good Dayâ [where] they took the lyrics to the beat to make me know where to rap. The rhythm was a little slow for me. I wanted to make sure I stayed with the rhythm, so the flow could be easy for other people to sing along, even if they donât speak good English.
I just had all those things in mind, as well as delivering a message of unity, of hope, and of defiance. We got to fight back against people who donât want to see us succeed. Those who donât want to see people get ahead and have a better life. I wanted to rap all that into the lyrics.
What was different about the process of writing the musical arrangements knowing that Ice Cube was involved?
Pavel Ocampo: We have the experience of having worked on âQuĂŠ MaldiciĂłnâ with Snoop Dogg, where we did this collaboration between hip-hop and regional Mexican. This time itâs a completely different thing. When we were talking to Cube the first time, I said, âHey, how did you rap here?â Because this song is more Mexican, where he had to adapt a lot to a more Mexican beat. In the arrangements, we did a banda track with hip hop elements. I think it suited Cube very well, it was very natural.
The song is about breaking barriers. Language has been considered a barrier too. What was it like for you to be making a bilingual song?
Ice Cube: Itâs amazing. Throughout my career, Iâve gotten so much love from the Spanish community â Mexican, Cuban, and all over South America. For this to be the first time that I have a song in Spanish and English is pretty remarkable. The timing is right, with the perfect message to put out there in the world. Iâm glad that weâve really been able to bring it together. I do it in my movies a little bit, but this is another great way to do it. I appreciate all the fans I have and so I want to make sure they know that I got nothing but love, and I want to reciprocate the love that theyâve given me. This is a small way to do that.Â
Silvas: I think we are playing the universal language that is music, we all understand each other there. It is a problem when we feel admiration for an artist like Ice Cube, and suddenly you want to communicate with him. Alan and I donât speak English, and sometimes we feel like, heck, donât think that weâre being nasty because we donât talk to each other â because the language has that barrier.Â
Can you talk about your personal relationship with the U.S.-Mexico border.
Silvas: As a band, we have not had an experience where there have been complications when crossing the border. But there are many cases of people we know who have encountered problems in their search for a better life. Above all, to those people who could not make it, who stayed on the road, who unfortunately lost their lives, and their family suffers the consequences of this process. This song is a tribute to them, a voice and a song of solidarity for all our people â not only Mexican, but Latin, South American, Central American, from all over the world who are looking for a better future. So, itâs a way of how with what we do, we put that grain of sand of solidarity for our people.
The plight of Black and Brown folks in the U.S., have been parallel in a way. This song sets a precedent in unifying cultures. How important is it for you to convey that message now?
Ice Cube: Itâs very important, especially coming from Los Angeles, being able to preach that message that weâre better together than apart. We have more in common than not. At the end of the day, we have fun together. I always like to push that message, not just stand on a soapbox and say it, but do things that are unexpected thatâs cool and makes an impact. Thatâs what itâs all about, to catch [audiences] by surprise with something cool that they can be a part of and show the unity. Itâs important to show that we need to work together and make each otherâs lives easier and not harder. We all know there are forces against both communities that make life hard, so we shouldnât contribute to that.
Ocampo: We know that African-American, Mexican and Latino communities in general have a lot of similarities, culturally â in positive things but also in negative things. Economic inequality, access to education, medicine. Although this theme speaks to a specific issue, migration, it enhances the unity of the two communities or more that bring this message of unity, and that we are compas.
Silvas: I think we are living in times where the content of disunity between races is very much spread. I have seen many videos where they try, in some way, to set against each other, the African-American against the Latino, for example â and a kind of media battle is made. With this collaboration, what we are trying to say is that, we can be united, we can be part of the same team, there are no borders, there are no barriers, we are one. When people, life, God has given you the opportunity to be able to be on this platform, you can do something of positive impact to say to people, âWe can come together through this.â That is priceless.
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Ice Cube and his BIG3 basketball league will be the subject of a newly announced documentary series produced by him and a veteran awards producer.
According to reports, the veteran rapper will be producing the not-yet-named documentary series through his Cube Vision production company along with Jesse Collins Entertainment. Described as âWelcome to Wrexham and Cheer meets basketballâ, the series will follow one of the teams from the three-on-three basketball league in addition to giving viewers a look at Cubeâs path in creating and running a sports league from the ground up.
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Dionne Harmon and Madison Merritt also will serve as executive producers on the project with Cube, Kwatinetz, and Collins. Collins is best known for his companyâs work in producing awards shows and television specials which include the BET Awards and Black Girls Rock! Jesse Collins Entertainment has a multi-year agreement with ViacomCBS Cable Networks and a first-look film agreement with Paramount Players and Viacomâs other film entities.
The BIG3 first launched in the summer of 2017 after it was first announced by Ice Cube and entertainment executive Jeff Kwatinetz in January of that year. The league would captivate audiences with innovations like the 4-point shot and the inclusion of former NBA stars and legends such as Mahmoud Abdul-Rauf, Julius âDr. Jâ Erving, George âThe Icemanâ Gervin, Gary Payton, Stephen Jackson, Allen Iverson, and Clyde Drexler as players and coaches. The league also featured women greats such as Lisa Leslie and Nancy Lieberman as coaches. Drexler now serves as the leagueâs commissioner.
The series also promises to take a look at the leagueâs $1.2 billion lawsuit against Qatari investors that was filed in 2018. The suit turned into a rollercoaster situation that would see then-CEO Roger Mason Jr. fired and accused of bringing the aforementioned investors in to pay him and other executives while shortchanging the league. Mason would allege he was fired in retaliation for his own lawsuit against BIG3 claiming that Kwatinetz made racial remarks. Another wrinkle occurred when Ice Cube and the BIG3 took out a full-page ad in the New York Times asking then-President Donald Trump and his administration to side with them in their lawsuit. One investor, Ahmed al-Rumaihi, would eventually be given full diplomatic immunity that December.

Ice Cube has confirmed reports that he lost an opportunity to make $9 million because he wouldnât get a COVID-19 vaccine.
In the newest episode of the Million Dollaz Worth of Game podcast this week, Ice Cube revealed that his refusal to get vaccinated forced him to turn down an acting gig. âI turned down a movie because I didnât wanna get the motherfâing jab,â he shared, adding, âI turned down $9 million because I didnât want to get the jab. Fâ that jab and fâ yâall for trying to make me get it. I donât know how Hollywood feel about me right now.â
He then clarified, âI didnât turn [$9 million] down. Them motherfâers wouldnât give it to me because I wouldnât get the shot. I didnât turn it down. They just didnât give it to me.â
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Back in October, it was reported that Ice Cube departed Sonyâs upcoming comedy Oh Hell No, in which he wouldâve co-starred with Jack Black, after declining a request from producers to get vaccinated. Ice Cube and Black partnered on the project in June, and the Sony film was looking to shoot this winter in Hawaii with Kitao Sakurai in the directorâs seat. The film has since pushed back its production start.
Watch the full episode of Million Dollaz Worth Of Game featuring Ice Cube below.