Hong Kong
A former executive at ByteDance, the Chinese company which owns the popular short-video app TikTok, says in a legal filing that some members of the ruling Communist Party used data held by the company to identify and locate protesters in Hong Kong.
Yintao Yu, formerly head of engineering for ByteDance in the U.S., says those same people had access to U.S. user data, an accusation that the company denies.
Yu, who worked for the company in 2018, made the allegations in a recent filing for a wrongful dismissal case filed in May in the San Francisco Superior Court. In the documents submitted to the court he said ByteDance had a âsuperuserâ credential â also known as a god credential â that enabled a special committee of Chinese Communist Party members stationed at the company to view all data collected by ByteDance including those of U.S. users.
The credential acted as a âbackdoor to any barrier ByteDance had supposedly installed to protect data from the C.C.Pâs surveillance,â the filing says.
ByteDance said in a statement that Yuâs accusations were âbaseless.â
âItâs curious that Mr. Yu has never raised these allegations in the five years since his employment for Flipagram was terminated in July 2018,â the company said, referring to an app that ByteDance later shut down for business reasons. âHis actions are clearly intended to garner media attention.
âWe plan to vigorously oppose what we believe are baseless claims and allegations in this complaint,â ByteDance said.
Charles Jung, Yuâs lawyer and a partner at the law firm Nassiri & Jung, said Yu chose to raise the allegations because he was âdisturbed to hear the recent Congressional testimony of TikTokâs CEOâ when Shou Zi Chew, a Singaporean, vehemently denied Chinese authorities had access to user data.
âTelling the truth openly in court is risky, but social change requires the courage to tell the truth,â Jung said. âItâs important to him that public policy be based on accurate information, so heâs determined to tell his story.â
TikTok is under intense scrutiny in the U.S. and worldwide over how it handles data and whether it poses a national security risk. Some American lawmakers have expressed concern that TikTokâs ties to ByteDance means the data it holds is subject to Chinese law.
They also contend that the app, which has over 150 million monthly active users in the U.S. and more than a billion users worldwide, could be used to expand Chinaâs influence.
During the combative March House hearing, lawmakers from both parties grilled Chew over his companyâs alleged ties to Beijing, data security and harmful content on the app. Chew repeatedly denied TikTok shares user data or has any ties with Chinese authorities.
To allay such concerns, TikTok has said that it would work with Oracle to store all U.S. data within the country.
In an earlier court filing, Yu accused ByteDance of serving as a âpropaganda toolâ for the Chinese Communist Party by promoting nationalistic content and demoting content that does not serve the partyâs aims. He also said that ByteDance was responsive to the Communist Partyâs requests to share information.
Yu also accused ByteDance of scraping content from competitors and users to repost on its sites to exaggerate key engagement metrics. He says he was fired for sharing his concerns about âwrongful conductâ he saw with others in the company.
In mainland China, ByteDance operates Douyin, which is targeted at the domestic market. TikTok is its global app that is available in most other countries. It was also available in Hong Kong until TikTok pulled out of the market in 2020 following the imposition of a sweeping national security law.
Anyone who tries to open TikTok from within Hong Kong will see a message that reads âWe regret to inform you that we have discontinued operating TikTok in Hong Kong.â
Last summer, MIRROR made international headlines earlier than they had anticipated.
While most news stories noted how the 12-member boy band was revolutionizing Hong Kongâs music scene with a renewed fandom culture for local Cantonese pop artists, the focus was on the tragic accident at one of their 12 scheduled concerts at Hong Kong Coliseum. During the fourth show on July 28, 2022, a large overhanging video screen hit dancer Moses âMoâ Li Kai-yin head-on while also striking Chang Tsz-fung mid-concert, leaving the former in critical condition and the latter with injuries. The show abruptly ended with the remaining concert dates canceled as Mo Li and Chang recovered. Meanwhile, MIRROR and their team regrouped.
Nine months later, amid starts and stops due to the incident and pandemic-related matters, MIRROR took an unprecedented leap for Hong Kong music by releasing their first English single âRumoursâ on March 17. A change from their Cantonese-pop, or Canto-pop, hits like âWarriorâ (their 2021 social commentary fighting against dated norms with eight million views on YouTube), âBOSSâ (the theatrical, funk-pop summer single), or âWe All Areâ (a piano ballad that marked the groupâs fourth hit on Billboardâs 13-month-old Hong Kong Songs chart), âRumoursâ signals a new era for the group.
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With ages ranging from 34-23, the MIRROR members consisting of Lokman, Anson Lo, Frankie, Stanley, Alton, Edan Lui, Jer, Anson âAKâ Kong, Ian, Jeremy, Keung To, and Tiger show confidence and maturity in âRumours,â a significant step forward since their formation on 2018 TV singing competition show Good Night Show â King Maker.
Spiky, sonorous basslines soundtrack the groupâs blend of singing, rapping and group chanting, while the James Bond-inspired music video shows the dazzling dozen donning dapper suits and high-fashion spy gear to pull off a mysterious heist.
The guys have spent their first five years together developing their boy band and individual careers alongside Hong Kong entertainment studio MakerVille, but agree that being together as 12 acts as a âbase.â While still mentally and emotionally healing from last yearâs accident, MIRROR say âRumoursâ is a challenging but special project in partnership with Sony Music Hong Kong to help fuel their ambition to return to slaying the stage.
âWeâre idols to these audiences; we have to stand up again,â says the charismatic Stanley, who leans into the camera when he speaks to Billboard over Zoom. The 32-year-old singer-dancer leads most of the interview alongside giggly, bubbly Anson Lo, 27, and Edan Lui, 25, to his right. âThatâs what we should do.â
âWe have a lot of people supporting us,â adds singer-actor Edan Lui, who listens and answers thoughtfully with pauses to find the right, and typically emotional, responses. âWe can only say weâre ready to go to work and go on stage again.â Read more with MIRROR for reflections on the past nine months, their next chapter, plus song recommendations for new fans from each member.
To understand your background a little more, what are the characteristics of Canto-pop and how does MIRROR represent that?
Edan Lui: Canto-pop was very popular in the â80s and â90s, and the images around Canto-pop have traditionally been more for ballads and slow-paced songs; not really energetic or fast-paced songs. The lyrics have always been very meaningful and Hong Kong people can look into the lyrics deeply, which I think is one of the most unique characteristics of Canto-pop.
Anson Lo: But over the years, I think Canto-pop music has grown so much and I think thereâs no difference between countries or languages in music. There are a lot of genres in Canto-pop as well, no different than in countries like Korea, the U.S. or Australia. There are different types of songs we can try or continue trying like we have for almost five years.
Stanley: Yeah, for sure. K-pop has taken over the markets for the past decade, but I do think Cantonese represents a different kind of style of music, especially in Asia. There are a lot of people who want to listen to music with Cantonese lyrics so there are multiple markets.
Paint a picture of the Canto-pop music scene in Hong Kong today. You were created on the singing competition Good Night Show â King Maker. Are there a lot of bands from reality shows?
Lui: There are many newcomers in the Canto-pop industry that come from our show, King Maker. Weâre from King Maker One [the first season], there is II, III, IV, and V is coming. Weâre just very happy to see that most of the new-artist award winners at many award ceremonies are coming from that show. It makes us feel like a family. It seems like these shows are producing all kinds of talents to contribute to the Canto-pop industry, so we feel really proud.
While youâve been rising internationally, you had a tragic moment that had a lot of attention with the concert accident. In your own words, Iâd like to give the opportunity for you to share what happened and your feelings on the incident.
Stanley: I would say, of course, it was a big accident. But this accident taught me how to treasure everything: Our job, friends, and opportunities to perform on stage. It influenced us so much for sure. We had to deal with our emotionsâmentally, emotionallyâso, itâs sad for sure. But we try our best to overcome all these kinds of feelings.
Lui: It was a big tragedy. No one wanted it to happen, no one could foresee it happening, and no one could really understand why it even happened. It was a really hard time for us, our dancers, and all Hong Kong citizens. We learned a lot from it, but we hope to learn lessons and try our best to treasure everything, contribute more to society and help more people. We hope our work and performances can bring back more positive energy and joy to our audiences again.
How are Moses and Chang Tsz-fung doing? Do you keep up with them?
Stanley: Mosesâ parents share updates on Mosesâ situation, so weâre not the best to give that update, but weâre in contact with them. I think theyâre doing fine, everythingâs going smoothly, and they are getting better.
Iâm glad to hear that. Sometimes these situations can be very tough on the artist whose concert theyâre at because they may feel responsible. So, how are you doing emotionally and mentally?
Lui: Different people have different ways of trying to get through it. For us, time is probably the best way to heal. But we also have our team mates, band mates, fans, and company. We have a lot of people supporting us. We canât say we are fully recovered or even that we are âokayâ after what happenedâwe donât knowâwe can only say weâre ready to go to work and go on stage again.
Stanley: So many people are looking out for us; weâre idols to these audiences. We have to stand up again. We have to keep focusing on our work and bringing many great performances to our audiences. Thatâs what we should do.
As you somewhat close that chapter, youâre starting an exciting chapter with the release of âRumors.â What does it represent in MIRRORâs story?
Lo: Simply, itâs talking to a girl and telling her, âIf you ever heard a rumor that weâre cheating on you, liking you or approaching you.â Itâs a very straightforward message. But itâs a very special project because itâs a dream come true for us to record a song in full English. The choreography is also very special because itâs, by far, the most complicated routine in our dance history. I think our fans have been really surprised by that.
Stanley: Itâs a big challenge for us since the song is in English. We had to sing with different pronunciations and enunciations so we invited our producer AndrewâŚ
Lui: Andrewâs actually our English teacher! He joined every session of our recording because we recorded one by one. Every session is, like, four hours so heâs really, really busy. He talked to us about pronunciation but also how to sing the song beautifully in English. But heâs really encouraging, supporting us, saying things like, âOh, you did great, you sang well, keep going!â Thatâs why we can say weâre confident that itâs good. [Laughs]
Stanley: The lyrics are quite intimate and sexyâitâs not really similar to most Cantonese lyrics. So thatâs a big challenge for us too.
Itâs your first all-English song and youâre making some substantial changes. Why was it important to release an English song now?
Lui: Weâre expecting to approach a broader range of audiencesâlike, maybe, the U.S.âand also we would like to meet our fans outside Hong Kong. I think releasing a full English song could get us farâhopefully! [Laughs] Weâre looking forward to performing this song on stage for all the fans throughout the whole world so I think weâre pretty excited about that.
Stanley: Yeah, itâs a good step for the next chapter. We really want to promote Canto-pop to a worldwide audience, I think this English song is like a key to open the door for the audience to learn more Cantonese music.
âRumoursâ kicks off alongside a new partnership with Sony Music Hong Kong. How is that so far?
Lo: We have yet to met a lot of people in the Sony Music company in person, but weâve been putting a lot of input into the music, song arrangement, and music video so weâve had quite good communication online and through our company.
Stanley: Due to the pandemic and the accident, so many projects have been put on hold. Thatâs why weâre starting over again, but I think weâll have more opportunities now working with Sony Music.
Lo: Itâs been like a dream and our honor to be working with Sony Music because theyâve helped us through a lot of things and, in a lot of ways, allow us to reach a wider audience, especially in the U.S., so weâre really grateful for that.
MIRROR is so solid as a group, but youâre also individually releasing solo music, acting, earning huge numbers on your individual social media accounts. How do your outside activities help MIRROR?
Lui: I think that is the special part about MIRRORâsome of us are good at acting, some of us are good at singing, at dancing, in variety shows. Different members have different ways of pursuing their dreams. So, we have different [roles] when weâre solo, but itâs special that whoever is having solo success brings good things to MIRROR because MIRROR is our base. I think we have a good balance of group and solo [work]. People love us for us, and individually.
Lo: There will be dramas, movie shootings or solo singles, but being back in the group with 12 people, we shine even stronger and brighter. Together as 12 people, thereâs a lot more energy; thatâs more powerful for the audience and the performance. Being with the group really is a big part of being on stage.
Since âRumoursâ may be the first time some audiences meet MIRROR, can each member share a MIRROR song to recommend?
Tiger: I would recommend the song âIGNITED,â itâs got quite an old-school sound but itâs my favorite of all MIRROR songs.
Anson âAKâ Kong: Me too. [Group laughs]
Frankie: I would recommend â12,â itâs a Christmas song and thatâs hard to find in Canto-pop because Canto-pop releases a smaller amount of Christmas music. But this song is really warm and about being together.
Lokman: For me, âIGNITEDâ too! Very funky, very groovy; I really like it.
Jer: I would recommend âRumours.â [Group cheers] Itâs such a high-energy song and it represents us as very sexy. [Laughs]
Jeremy: âBOSSâ because I think itâs very energetic for us so it always makes me feel very happy and very strong.
Ian: I think âIGNITEDâ as well because it shows us a little bit differently than the other songs we have. And itâs actually quite unique in Canto-pop songs because we have this funky dance style so thatâs pretty fun to present.
Alton: I have two ideas in my mind. âIGNITEDâ because I do love the funk style and, personally, I love funk music. But it depends on the mood of the day. If Iâm going to a party, âIGNITED,â but if Iâm going to a theme park, Iâd recommend âBOSSâ because the music video was shot in a theme park and is perfect for the family.
Stanley: For me, itâs âRumoursâ because we put so much effort into it, so I hope listeners love it.
Lui: I also recommend âRumors â because I like the chorus; itâs refreshing. I also like the choreography, itâs really cool. We really put so much time and effort into this choreography so I feel like the performance of âRumoursâ will be, maybe, the best weâve ever done.
Lo: Iâll recommend âBOSSâ because I think itâs, by far, the funniest music video weâve had so far. Itâs like a musical and we play different characters; itâs like a Broadway-type of vibe. When we released it, I think our fans were very surprised but also very pleased to see us in that funny way. So, I think itâs a really good experience to get to know the 12 of us.
Keung To: There isnât really a proper English name for our first song [âä¸ç§éâ]⌠âIn a Secondâ?
Lo: âDuring One Secondâ? [Laughs] Our debut song!
Keung To: Yes, our debut song! It was so important for us because it was our first song and our first time releasing as a group. It told everyone, âWeâre coming.â
Live Nation has acquired a majority interest in Clockenflap, the Hong Kong-based event organizer behind the flagship Clockenflap festival.
Financial terms werenât disclosed in the arrangement, announced just days after Clockenflap Music and Arts Festival made a triumphant return to the city, following a four-year hiatus.
Held from March 3-5 at Hong Kongâs Central Harbourfront Event Space, the 2023 fest featured performances from Arctic Monkeys, Balming Tiger, Bombay Bicycle Club, The Cardigans, Wu-Tang Clan and more.
Organizers posted the âsold outâ sign prior to the most recent edition, which boasted a 30,000 per-day capacity, before announcing a second 2023 fest would be held Dec. 1-3. Â
Founded in 2008, Clockenflap is one of Asiaâs highest-profile festival brands, and certainly HKâs premier contemporary music event.
According to a statement issued Wednesday (March 22), the Clockenflap team will continue to curate, manage and produce its festivals and events, though now with access to LNâs festival portfolio and resources.
âThe Live Nation team share our vision for Clockenflap being one of the best city festivals in the world,â says Justin Sweeting, co-founder and music director of Clockenflap, âand with Live Nationâs support and resources, Iâm excited for the future of the festival.â
By teaming up with LN, adds Mike Hill, co-founder and managing director of Clockenflap, âwe can continue to grow the festival and expand our event activities in Hong Kong and regionally.â
Clockenflap also produces concerts in HK under the brand Clockenflap Presents, including recent sold-out shows for Cigarettes After Sex and Honne.
âPartnering with Clockenflap further demonstrates that Live Nation is committed to bringing world-class festivals and live entertainment experiences to Hong Kong fans,â explains Roger Field, Melbourne-based president of Live Nation Asia Pacific.
Through LNâs global network, Field continues, âwe will enhance and grow the Clockenflap brand and deliver new and exciting live opportunities to the region.â
HKâs live music scene is said to be blooming, in part due to the scrapping of hotel quarantine restrictions for international visitors and a cooling in tensions between pro-Democracy protestors and the Chinese police forces, which led to the cancelation of the 2019 event.
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