Hip-Hop
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NBA superstar Ja Morant continues to be under fire after being caught waving a gun on social media for the second time in three months. The debacle has again entered hip-hop circles, as Lil Wayne recently spoke on Ja’s turbulence in a new interview with Showtime’s All The Smoke podcast. Explore Explore See latest videos, charts and […]
A Florida man who testified against three former friends who murdered rising rap star XXXTentacion during a robbery five years ago will spend the next two years in prison, a judge ruled Wednesday (May 17).
Circuit Judge Michael Usan sentenced Robert Allen to seven years in prison, with credit for the five years he has already spent at the Broward County jail. He will then spend 20 years on probation. He could have received a life sentence.
Allen, 27, pleaded guilty last year to second-degree murder and testified earlier this year against Michael Boatwright, 27, Dedrick Williams, 27, and Trayvon Newsome, 25. They were convicted of first-degree murder in March and sentenced to life in prison.
During the monthlong trial, prosecutors linked Allen, Boatwright, Williams and Newsome to the June 18, 2018, shooting outside Riva Motorsports in suburban Fort Lauderdale through extensive surveillance video taken inside and outside the store. They stole $50,000 and made cellphone videos hours after the shooting showing them flashing fistfuls of $100 bills.
XXXTentacion, whose legal name was Jahseh Onfroy, had just left Riva Motorsports with a friend when an SUV swerved in front of him and blocked his BMW.
Surveillance video showed two masked gunmen emerging and confronting the 20-year-old singer at the driver’s window, and one shot him repeatedly. They then grabbed a Louis Vuitton bag containing cash XXXTentacion had just withdrawn from the bank, got back into the SUV and sped away. The friend was not harmed.
Boatwright was identified as the primary shooter with Newsome being identified as the other gunman. Williams was the group’s leader and the driver of the SUV.
Allen testified that the men set out that day to commit robberies and went to the motorcycle shop to buy Williams a mask. There they spotted the rapper and decided to make him their target. Allen and Williams went inside the shop to confirm it was him. They then went back to the SUV they had rented, waited for XXXTentacion to emerge and ambushed him.
Warning: the following story contains descriptions of an alleged sexual assault. British rapper Slowthai‘s name appeared to be quietly scrubbed from the lineups of the Glastonbury, Reading & Leeds festivals on Tuesday (May 16) after the MC appeared in court on two charges of rape. The 28-year-old rapper (born Tyron Frampton) was charged with two […]
We’re well into May, and the summer heat just keeps coming. From electronic and house-tinged cuts by Overmono and Emotional Oranges to irresistible rap songs by way of Monaleo and Jermtown, we’ve got everything you need to start off the warmer months right with indie and emerging artists from across the globe.
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Check out our Spotify playlist that includes all our fresh picks from this month, and don’t forget to share the wealth.
Freshest Find: Victoria Monét feat. Buju Banton, “Party Girls”
Victoria Monét is on a roll. The cult-favorite singer joined forces with dancehall mainstay Buju Banton on a single that packs more than enough heat for a summer filled with nights out. The multi-hyphenate flaunts her plethora of talents, unfurling routines of hypnotic moves from scene to scene in the visual dedicated to the “party girls lightin’ up the world.”
Overmono, “Cold Blooded”
If electronic music isn’t really your speed, Overmono is here to ease you in. On “Cold Blooded,” the UK duo builds on an Afrobeats-esque drum pattern and R&B melodies, combined with gritty synths and a classically electronic instrumental bridge with chopped and filtered vocals.
Jermtown feat. FELIX!, “2002”
Michigan’s Jermtown comes together with Massachusetts rapper FELIX! on the carefree “2002.” The Sara Kawai and Ayeitsnate-produced beat carries Detroit sensibilities while the two rappers do their part by staying true to the city’s laidback cadence. In a black and white video reminiscent of Pusha T and Kanye West’s “Diet Coke” the up-and-coming pair stroll around a white-washed studio firing off punch-line filled verses.
Emotional Oranges feat. Nonso Amadi, “Not Worthy”
“I’m the reason we fell through,” declares “A.” of Emotional Oranges on the opening line of “Not Worthy.” The beautifully self-depricating cut is a series of admissions set to a smooth house-infused instrumental as “V.” delivers a string of harmonies throughout the three-minute cut.
Obongjayar, “Just Cool”
Wanna feel cool? Obongjayar has the perfect thing. This groovy cut is perfect for that iconic movie scene where the awkward teen protagonist embraces their true self, as the London-based artist declares, “Do what you want/Just leave me be/Do what you want/Just give me peace.”
Aaron May, “Stay Humble”
It’s May season, both literally and figuratively as Houston artist Aaron May has returned with his new single “Stay Humble.” The boom-bap rap song finds the rapper spitting about hustling and grinding his way to success. “Stay Humble” is the first glimpse into May’s upcoming project which is slated to release later this year.
Josh Levi, “Birthday Dance”
Josh Levi will bust a move at any given time. On his new single “Birthday Dance,” the singer slows it down, urging his lover to dance for him. The song is an addition to his 2022 EP Disc Two.
DD Osama, “Better Days”
Channeling Y2K romantic rap by way of warm guitar chords, NYC drill rapper DD Osama delivers a tender moment on his debut project, Here To Stay. The 16-year-old artist taps into his poetic side, showing a knack for introspection far beyond his age.
Monaleo, “A– Kickin’”
Despite announcing her pregnancy last month, Monaleo is showing no signs of slowing down. “Monaleo, big bully/taking names, a– kickin’,” she raps. The track will appear on her upcoming album Where the Flowers Don’t Die.
Bandmanrill, “Mr. D.C.T.”
Bandmanrill adds a Jersey Club spin to Crystal Waters’s 1991 track “Gypsy Woman.” The Newark native has been a rising voice and is helping bring the genre into the mainstream with his youthful energy and uptempo tracks.
Travis Scott knows there’s more than one way to support the hometown team. He proved it on Monday night (May 15) when he gave the members of the Houston Astros a sneak peek listen to his anticipated 2018 Astroworld album follow-up, Utopia. Explore Explore See latest videos, charts and news See latest videos, charts and […]
Artist Publishing Group has entered into a partnership with Makasound Records, Billboard has learned exclusively. APG CEO Mike Caren and Makasound co-founders Chrishan “Prince Chrishan” Dotson and Christian “Hitmaka” Ward are also announcing two new signees under the partnership: Grammy-nominated producer Rob Holladay (Nicki Minaj, Lil Wayne, Megan Thee Stallion) and Aye YB (French Montana, 2 Chainz, Big Sean).
“Hitmaka and Chrishan maintain a rare balance between talent, entrepreneurism, vision and work ethic,” said Caren in the press announcement. “They will continue to win as top creatives and mentors who can both coach and play. We’re excited to partner on their growing list of endeavors.”
The new partnership follows several years of collaboration between APG and Makasound’s co-founders. The relationship has yielded hits such as “Dangerous” by Meek Mill featuring Jeremih and PnB Rock, “Look Back At It” by A Boogie wit da Hoodie, “No Stylist” by French Montana featuring Drake and “Rule the World” by 2 Chainz featuring Ariana Grande.
“Mike gave me my first publishing deal as a writer and producer,” Hitmaka tells Billboard. “He really believed in me and took me under his wing, which has allowed me to open a bunch of different doors. Mike has since deepened the business relationship with me and Chrishan at Makasound. So this new partnership just made sense because he believes a million percent in what we’re doing. He’s like, ‘You are the guys. Let me get out of your way and support you in keeping the momentum you have going.’ It’s a seamless transition to a partnership I’m super excited about with Mike and Chrishan.”
Adds Dotson, “We’ve built Makasound from the ground up, focusing on the records first: what it takes to make a great song, a great piece of work. We take a boutique approach to artists and repertoire, a department in which a lot of the majors are lacking. Many times, these executives are experienced on the technical side, but not when it comes to record creation, understanding how to stay creative, stay motivated and stay hungry. We want to help guide the next generation of producers, songwriters and artists through what we’ve learned when we were at that point in our careers.”
Dotson and Hitmaka established Makasound Records in 2016. During that time, the pair has written and produced hits for platinum-selling artists such as Drake, French Montana, Chris Brown, Ty Dolla $ign, Meek Mill and Gucci Mane.
Artist Publishing Group, a division of Artist Partner Group, was founded in 2004. It has scored its by writers such as 24k Goldn, Taz Taylor, Don Toliver, Ava Max, Charlie Puth and YoungBoy Never Broke Again.
Nicki Minaj has shared the music video for latest single “Red Ruby Da Sleeze.” The Queen of Rap took to social media on Mother’s Day (May 14) to officially unveil the island-themed clip, which was filmed in the superstar rapper’s home island of Trinidad and Tobago. “There’s now a full #RedRubyDaSleeze video on YOUTUBE!!!! It’ll […]
Rihanna and A$AP Rocky‘s firstborn, seemingly named RZA, turned one on May 13. On Saturday night, A$AP posted a sweet series of photos and a video of the couple’s son on Instagram. His caption included the name RZA and a shout-out to Wu-Tang: “‘WU TANG IZ 4 DA CHUREN’ HAPPY 1st BIRTHDAY TO MY 1st […]
At the beginning of 2021 — a year before she introduced herself to the world as Ice Spice, with her signature cinnamon curly afro — Isis Gaston wrapped her hair into two braids and tucked them underneath a silk scarf. Wearing a black lounge set, she smiled for the camera while a sample of Nelly’s “Hot in Herre” faded into the background and the hook of “Buss It,” rapper Erica Banks’ breakout 2020 single, started. The clip cut, and Gaston, now clad in a teal cut-out dress, dropped it low and twerked with her long, light brown locks cascading over her frame.
The viral video was just one of millions from the “Buss It” TikTok challenge, which helped Banks earn her first Billboard Hot 100 entry, a Travis Scott remix and a partnership with Warner Records in conjunction with her own label, 1501 Certified Entertainment. But for the then-21-year-old Gaston, who was just mustering the courage to record her own music, the TikTok trend and the way it boosted Banks’ career seemed like something she could achieve, too.
“It was so funny — I was already working on my first song ever that I was recording. I had already wrote little raps and sh-t before that, [but] it took me a lot to get to recording. I was halfway done with it when I did the ‘Buss It’ challenge. When I saw it going so viral, I was like, ‘Damn, imagine that was my song I was twerking to,’ ” she recalls today with a chuckle. “The next month, I put out my first song and took it from there.”
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Image Credit: Christian Cody
Alaïa bodysuit, Stuart Weitzman shoes, Le Vian jewelry.
Image Credit: Christian Cody
Versace top and skirt, Balmain boots, Le Vian jewelry.
Image Credit: Christian Cody
Alaïa bodysuit, Stuart Weitzman shoes, Le Vian jewelry.
Image Credit: Christian Cody
Alaïa playsuit, Stuart Weitzman shoes, Tiffany & Co. jewelry.
Versace top and skirt, Balmain boots, Le Vian jewelry.
Styling by Marissa Pelly. Hair by Dijah Slayy. Makeup by Karina Milan at The Wall Group. Set Design by Jacob Burstein at MHS Artists.
A Los Angeles judge is refusing to grant Tory Lanez a new trial after he was convicted last year of shooting Megan Thee Stallion in the foot, setting the stage for the rapper to be sentenced to as much as two decades in prison.
Attorneys for Lanez (real name Daystar Peterson) had called the case a “miscarriage of justice,” arguing that Judge David Herriford made numerous errors during a star-studded, two-week December trial that resulted in a guilty verdict. But prosecutors later called those claims “vague and unsupported” and urged the judge to uphold the jury’s decision.
At a hearing on Tuesday (May 9) in Los Angeles Superior Court, Judge Herriford sided with prosecutors and denied Lanez’s motion, according to a person with knowledge of the proceedings. Neither prosecutors nor Lanez’s legal team immediately returned requests for comment.
The ruling is not particularly surprising. Such requests for a judge to overturn a jury verdict are rarely granted, reserved for major revelations about procedural errors or withheld evidence. Similar arguments could still be successfully raised in a future appeal.
Tuesday’s decision clears the way for Lanez’s sentencing, in which he potentially faces up to 22 years in prison. It had originally been scheduled for January but was repeatedly delayed due to his request for a new trial. Sentencing is now expected within the next month but could be delayed again.
Lanez was convicted on Dec. 23 on three felony charges over the mid-2020 incident, during which the rapper allegedly shot Stallion (born Megan Pete) in the foot during an argument after a pool party in the Hollywood Hills.
The shooting happened in the early-morning hours of July 12, 2020, when a driver was shuttling Lanez, Stallion and her assistant and friend Kelsey Harris from a party at Kylie Jenner’s house. According to prosecutors, Megan got out of the vehicle during an argument and began walking away when Lanez shouted “Dance, bitch!” and proceeded to shoot at her feet.
Following the incident, Stallion initially told police officers that she had cut her foot stepping on broken glass, but days later alleged that she had been shot. Lanez was eventually charged with the shooting in October 2022.
During the blockbuster trial, Lanez’s lawyers made their best effort to sow doubt over who had pulled the trigger, painting a scenario in which Harris could have been the shooter. But a key defense witness offered only confusing eyewitness testimony, and prosecutors pointed to an earlier interview in which Harris pinned the blame squarely on Lanez. Stallion herself offered powerful testimony that Lanez had been the one to shoot her; neither Lanez nor the driver took the witness stand.
In a motion for a new trial filed in March, Lanez attorneys Jose Baez and Matthew Barhoma argued that Judge Herriford made numerous errors during the course of the trial. Among others, they said he should not have allowed jurors to see an Instagram post that appeared to undermine the rapper’s central defense that Harris actually pulled the trigger. In it, Lanez appeared to personally post a comment that such a suggestion was “not true.”
“The court erred on numerous questions of law in allowing the People to introduce this post, depriving defendant of a fair trial,” Lanez’s lawyers wrote. “The only acceptable remedy for this miscarriage of justice is a new trial.”
Lanez’s lawyers made numerous other arguments, too. They said that key DNA evidence had been mischaracterized and improperly admitted; that Lanez had been denied his right to counsel because his longtime attorney withdrew at the eleventh hour; and that prosecutors had run afoul of a new California law that bans the use of creative expression in criminal trials.
But prosecutors argued back last month that the request for a new trial was groundless. The Instagram comment was a “relatively insignificant piece of evidence,” they argued, among an “overwhelming” amount of testimony and other evidence showing that Lanez had been the one to shoot Stallion.
“The defendant’s brief is replete with colorful rhetoric and conclusory statements, but it lacks substance,” prosecutors wrote. “Despite being nearly 80 pages long, the defendant has failed to cite a single instance of error in the trial court.”
Following Tuesday’s decision, Lanez can still file an appeal of the verdict at a state appellate court. But such a challenge will face an uphill climb: In 2022, California appeals courts overturned a defendant’s guilty verdict in just 19% of cases.
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