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Sean ‘Diddy’ Combs has stepped down from his role as chairman for REVOLT. TMZ first broke the story, and Billboard confirms through Diddy’s reps. The news arrives in the wake of Combs’ three sexual assault lawsuits, including one made by his ex-girlfriend Cassie Ventura earlier this month. 

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According to a statement made by REVOLT on Instagram Tuesday morning (Nov. 28), the Black music television company aims to continue its mission of creating “meaningful content for the culture.” 

“While Mr. Combs has previously no operational or day-to-day role in the business, this decision helps ensure that REVOLT remains steadfastly focused on our mission to create meaningful content for the culture and amplify the voices of all Black people throughout this country and the African diaspora,” the statement begins. “Our focus has always been one that reflects our commitment to the collective journey of REVOLT — one that is not driven by the individual, but by the shared efforts and values of our entire team on behalf of advancing, elevating, and championing our culture and that continues.”

Co-founded in 2013, REVOVT currently houses several popular music podcasts including Drink Champs and Yung Miami’s Caresha Please. In a recent digital cover story with Billboard, Diddy spoke on the success of REVOLT.

“[My goal is to] make it not just the biggest Black-owned network but the biggest media company that I can,” he said. I’m not pigeonholing myself. Again, nobody’s going to give us power, and they’re not going to share it with us. That’s why 10 years ago, I named my network REVOLT, because we have to take our quality of life back. There’s so much value and information.”

Earlier this month, Cassie alleged that Combs abused her during their on-and-off 11-year relationship. One day after filing the lawsuit against Combs, which alleged “episodes of horrific abuse” including rape, she settled with the mercurial music star. “I have decided to resolve this matter amicably on terms that I have some level of control,” Ventura said in a statement by her attorney, Douglas Wigdor. “I want to thank my family, fans and lawyers for their unwavering support.”

Combs responded, adding, “We have decided to resolve this matter amicably. I wish Cassie and her family all the best. Love.” No terms were disclosed and the release states that “the parties will have no further statements.”

Last week, Combs was accused of sexual abuse by two more women from alleged incidents stemming from the ’90s. Both suits were filed on Thanksgiving Day, the eve of the expiration of the Adult Survivors Act, which permitted victims of sexual abuse a one-year window to file a civil action suit regardless of the statute of limitations. 

Thanksgiving week is historically a pretty slow week for new music, but that didn’t stop the hip-hop and R&B worlds from chugging through the rest of the calendar year. On Sunday night (Nov. 26), Keke Palmer hosted an intimate edition of the Soul Train Music Awards featuring performances by Muni Long, Dante Bowe, legend award winner T-Pain, Spirit of Soul award winner Janelle Monáe, SWV and Keke herself. SZA was the night’s biggest victor with four wins, including album of the year for her nine-time Grammy-nominated SOS, and fellow 2023 Grammy nominees Victoria Monét (two) and Coco Jones (one) also took home some hardware.

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Even as the Thanksgiving weekend forced everyone to prioritize leisure, a bevy of artists seized the opportunity to unleash some new music upon the world. With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Coco Jones’ aptly-tiled new Christmas anthem to Senth’s shape-shifting amalgam of Afrobeats and R&B.

Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: Senth, “Bend It”

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Placed directly in the middle of Senth’s Wayyy Saucy EP — his first body of work this year — “Bend It” achieves peak sensuality with a tantalizing mixture of booming brass, pounding drums, and a lead vocal that morphs from whispery mumble to impassioned exclamations of sexual tension. Between notes of house, soul, hip-hop, and a rhythm that pulls from both Afrobeats and dancehall, “Bend It” traverses the musical multitudes of the Black diaspora with startling ease.

Otis Kane, “Closer”

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Steeped in the same reverence for the warmth of soulful old-school R&B that permeated 2023 records from the likes of October London and Lucky Daye, Otis Kane’s “Closer” channels the steady grooves of Marvin Gaye for a tender ode to the never-ending process of growing closer to your lover. There’s a levity to “Closer” that immediately separates it from the murkier contemporary R&B scenes; Kane’s slight rasp adds some dimension to his vocal performance, but it’s the way he floats over the instrumental that truly encapsulates the track’s dynamism.

Luh Tyler, “Change My Wayz”

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A year removed from the viral success of “Law & Order,” Florida rapper Luh Tyler takes a moment to reflect on his whirlwind rise with the introspective “Change My Wayz” — from his growth in relationship to his transition to real chains and jewelry. Unlike some of his most popular tracks, “Change My Wayz” does not rely on a quirky sample or a familiar hook-reliant song structure. Instead, Luh Tyler delivers a singular stream-of-consciousness verse over a mellow CashCache-produced beat. “Know I got to stay on ten, I got to keep my head on/ She mad cause I done fucked her friend, she like, ‘You know you dеad wrong’/ Damn, I gotta change my ways,” he spits.

Tink, “40x”

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Tink has helped shape the sound of R&B for close to a decade now, and her new single “40x” offers yet another dose of morose, guitar-inflected balladry. “Real bitches can’t be bought/ So tired of being strong/ Someone come keep me soft,” she croons. By the time she reaches the chorus, Tink has attached the “40” quantifier to everything from the number of nights since she’s cried to the amount of lies her ex-lover told her. Here, Tink balances her lyrical focus on the “blues” part of R&B with a melodic cadence that brings her closer to contemporary hip-hop while still showcasing the different shades and capabilities of her voice.

Adam Blackstone & Boyz II Men, “Greatest Gift”

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Mere weeks after adding two more Grammy nominations to his belt, Emmy-winning music director Adam Blackstone has gifted fans A Legacy Christmas, his first holiday album and second solo LP. Of the project’s 11 tracks, Blackstone’s collaboration with iconic R&B vocal group Boyz II Men was the instant standout. In characteristically pitch-perfect fashion, the trio delivers their trademark ear-melting harmonies with all of the wide-eyed earnestness that holiday music requires. Blackstone’s twinkling jazz-rooted arrangement offers the group a playground of pockets to play around with, making for a winning original Christmas collaboration in a year filled with them.

Coco Jones, “A Timeless Christmas”

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Coco Jones’ recent momentum is borderline unstoppable. As if securing five Grammy nominations and a Soul Train Music Award victory for best new artist wasn’t enough, the “ICU” singer also dropped off a terrific new original Christmas song, aptly titled “A Timeless Christmas.” Co-written with Tiyon “TC” Mack, the new holiday tune smartly employs Jones’ rich voice over lyrics that paint a gorgeous winter pastoral. “There’s laughter in our hearts, a special kind/ Sharing love and kindness in every rhyme/ Every rhyme/ We gather ’round with friends by our side/ And feel all the magic in the sky/ In the sky,” she coos. Complete with chugging percussion that offers a sleek sonic contrast to the background strings and jingle bells, “A Timeless Christmas” is yet another home run for Coco Jones.

50 Cent has made many, many millions during his long run as the G-Unit general. But in a new chat on Apple Music’s The Rebecca Judd Show recorded backstage at his Nov. 21 show at London’s O2 during the European leg of Fif’s The Final Lap tour, 50 tackled some burning questions tied to the 20th anniversary of his breakthrough debut album, Get Rich or Die Tryin’ and the first purchase he made after hitting it big.
“I bought my grandmother a C220 Benz. I’ll never forget because when I got the car, I got it right away is the first thing I bought when the deal was done,” 50 (born Curtis Jackson) said of his 2002 signing to Em’s Shady Records, which was under the umbrella of Dr. Dre’s Aftermath Records.

“And then I went on the tour and I came back and my grandfather was on the porch and he was having a moment,” 50 continued. “So he was like, ‘I just went to work. I went to work, hurt my back, came back, and she done brainwashed my kids.’ And he was talking about my grandmother because he was looking at her car in the front yard and he didn’t have a car. He had the older car and he said, ‘I went to work, hurt my back. Until my back hurt, everything.’”

Though he has since punched his own ticket and racked up millions through acting and brand extensions, 50 still can’t believe he was able to buy Mike Tyson’s fabled 50,000-square foot mansion in Farmington, CT. “We went on a world tour and we came back. I had $38 million in my account. The IRS are coming, [so it’s like] – buy it,” he said of the thought process behind buying the massive home in the interview in which he also pointed out his least favorite song on the Get Rich album. “Whatever you want, buy that s–t because they’re just going to take the money anyway. At that point, buy it or they need take it. You need expenses.”

Needed to show some expenses on his books, 50 said he could not think of something else that would “create a bigger comfortability for me at the time. And then anybody that you talked to in finances would look at it and say, yeah, you can… If you buy a property, it’s $3 million or $4 million and you just made $38 million. And yes, this is good for your taxes actually, that you made the purchase and you should buy some cars.”

That’s all well and good, but 50 also admitted that despite all that room to roam he still can’t walk around the house naked. You say, “How much did I pay to live in this motherf–ker and I can’t be naked, at all,” said the father of 11-year-old son Sire, who also has a 26-year-old son from a pervious relationship.

But it’s not because of the little one that 50 can’t participate in Naked Tuesdays.

“Other people can actually walk around their house naked if they feel like it. They bought the motherf–ker, they own it,” he said. “They can do what they feel like. Right? And I couldn’t because I bought a place that had a staff people there. And look, if I came out of the room naked and they saw me…”

Ludacris made a huge entrance on Sunday afternoon (Nov. 26) during the Atlanta Falcons-New Orleans Saints game. The Fast & Furious co-star rappelled from the rafters of Mercedes-Benz Stadium for the stunt as he rapped along to his 2001 hit “Move B–ch.” Explore Explore See latest videos, charts and news See latest videos, charts and […]

Ms. Lauryn Hill has had to push back the 25th anniversary tour celebrating her landmark Grammy-winning The Miseducation of Lauryn Hill album once again. The singer told fans in a statement on Tuesday (Nov. 21) that her ongoing issues with a severe vocal strain mean that she has to push the remaining dates on the outing into 2024.
“Id like to start this off by saying how much I’ve enjoyed being on the road, and how much I appreciate all of the fans who have come out to celebrate this incredible milestone anniversary and history making reunion with us. Being able to tour this album to sold out crowds after 25 years has been an emotional experience!” Hill wrote in an Instagram post accompanied by footage of her straining through a performance of “Ex-Factor,” her voice audibly hoarse and scratchy.

According to a statement from her spokesperson, Hill has been suffering from the side effects of nightly use of the steroid prednisone to treat her vocal condition; common side effects of using prednisone include dizziness, irregular heartbeat, headaches, irritability, rattling breathing, numbness in arms/legs, shortness of breath and labored breathing.

Hill addressed those unintended consequences in the post. “As many of you may know, I’ve been battling serious vocal strain for the past month. I made it through each show by taking prescribed prednisone, but this can be detrimental to the body when taken in large amounts over long periods of time,” she wrote. “In order to prevent any long term negative affect on my voice and my body, I need to take time off to allow for real vocal recovery so that I can discontinue the medication completely.”

Last month, Hill postponed a run of shows to “heal and rest” her voice, including a gig in Philadelphia that was originally slated to take place early in the run of shows that also find her reuniting on stage with her Fugees bandmates Wyclef Jean and Pras. She paid tribute to the pair in Tuesday’s note about the tour postponement.

“I’ve loved sharing the stage again with Wyclef and Pras. The Return of the Fugees has been powerful and amazing — those who’ve witnessed it can testify,” she wrote. “The tour itself reminds us the artists, and the audiences alike of earlier, perhaps less complicated times when ‘It could all be so simple…’ or ‘Ready Or Not, here I come!’ were on repeat on the airwaves. Simply put, classic. Classic music, classic performances with audiences who love those classics has been nothing but…wait for it…EPIC. (I almost said classic again! 🙀).”

The note ended with Hill breaking the news that the remainder of this year’s scheduled gigs — including shows in Atlanta, Nashville, Charlotte, Huntsville, Tampa, Miami and Boston — will be pushed to next year. The exception is Saturday night’s (Nov. 25) already rescheduled gig at the Wells Fargo Center in Philadelphia.

“The shows that were cancelled this year will be rescheduled for early 2024 AND because of the overwhelming response, we’ll be adding new cities to the tour, including overseas,” Hill added, noting that her team is working on a new calendar of dates that they plan to announce soon.

Check out Hill’s post below.

Cardi B had some pointed words for a commenter on X (formerly known as Twitter), who appeared to take shots at the “Bongos” rapper after a recent post in which Cardi posed at the gym in butt-hugging leggings that showed off her famous backside. “I hate influencers who do this get all the surgery acting […]

50 Cent had a very special, surprise guest for the fans at his “Final Lap” show at London’s O2 Arena on Tuesday night (Nov. 21). During his performance a giant box on stage flashed the message “there’s a monster in this box,” as the familiar strains of Ed Sheeran‘s “Shape of You” filled the arena […]

Post Malone is spending his Thanksgiving down under. The rap crooner is in the midst of a swing through New Zealand and Australia through early next week, but on a recent night off he did what any global superstar would do: pop into a local Irish pub and sing some favorite tunes while hanging with […]

Ludacris has done a lot of living in the past eight years. But the one thing he hasn’t done during that time is release any new music. But in a new interview with BET, Luda said it’s time to get back into the game.
“Yeah, some music projects will be coming out next year. I don’t wanna fake, I don’t wanna stutter-step,” Ludacris said. “It’s definitely some music coming next year, but I don’t know if it’s like an EP or an LP. We’re going to figure it out.”

Asked why he’s been off the radar since his ninth LP, 2015’s Ludaversal — which debuted at No. 3 on the Billboard 200 and included features from Usher, Miguel and Monica — the rapper said his acting has definitely kept him out of the studio. Since his last album, he’s appeared in four Fast & Furious movies, as well as The Ride, End of the Road and the new holiday movie, Dashing Through the Snow.

“These movie projects like Fast & Furious and doing a lot of things like the Karma’s World project that’s on Netflix. You know, doing other art forms where I’m creative, where I’m putting my heart into that, I want to make sure that I leave a legacy on this earth,” said the MC who also got a honorary bachelor’s degree in music from Georgia State last summer. “So it was just taking a step back and getting hungry again, living some life. ‘Cause when you put out music, in order for it to be organic and real, you gotta talk about what goes on in your life. So if I had like nine consistent albums, sometimes you gotta take a step back and live some life so that you have a lot more to talk about and that’s what I was doing.”

As for what the new tunes will sound like, Luda said it’s a “little premature” to talk about it because he’s working on “a lot of stuff.” In the meantime, he’s been dropping freestyles on his social feeds, including a killer one on 4/20 and one last November in which he caught fans up on his prodigious career achievements.

Given his impressive movie resume, Ludacris said he still has some boxes he’d like to check on that side, including playing a villain on the big screen. “I definitely would love to be a part of the Marvel universe or DC universe, but I wouldn’t mind playing the villain that doesn’t die,” he said. “That’s what I’m looking for — one of those roles or like a Training Day villain-type role.”

Travis Scott reclaims the No. 1 spot on Billboard’s Rhythmic Airplay chart as “I Know ?” crowns the list dated Nov. 25. The single jumps from No. 3 after a 10% gain in plays that made it the most-played song on U.S. monitored rhythmic radio stations in the week ending Nov. 16, according to Luminate.

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“I Know ?” dethrones Doja Cat’s “Paint the Town Red” from the summit after the latter’s seven-week run.

With the new champ, Travis Scott banks his eighth No. 1 Rhythmic Airplay and his first of the 2020s decade, after he managed at least one No. 1 every year from 2016 – 2019. Here’s a recap of his chart-toppers:

Song Title, Artist (if other than Travis Scott), Weeks at No. 1, Date Reached No. 1“Antidote,” two, Jan. 9, 2016“Goosebumps,” one, April 8, 2017“Sky Walker,” Miguel featuring Travis Scott, one, Feb. 3, 2018“Sicko Mode,” five, Oct. 27, 2018“ZEZE,” Kodak Black featuring Travis Scott & Offset, one, Jan. 12, 2019“Wake Up,” one, July 13, 2019“Highest in the Room,” one, Dec. 14, 2019“I Know ?,” one (to date), Nov. 25, 2023

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Elsewhere, “I Know ?” rises 26-22 on the Mainstream R&B/Hip-Hop Airplay chart, following a 16% surge in weekly plays, and repeats at No. 27 on the audience-based R&B/Hip-Hop Airplay chart. There, it improved 8% to 3.5 million in format audience. The single is also climbing on Pop Airplay, holding at No. 31 (after having reached No. 29) but with a 3% boost in plays in the latest tracking week. Combined airplay gains across the multiple formats push “I Know ?” 50-44 on the all-genre Radio Songs chart, where it reached 15.1 million in total audience, a 14% increase from the prior week.

“I Know ?” appears on Travis Scott’s latest studio album, Utopia, which was released on July 28. The set, his first solo output since 2018, debuted at No. 1 on the all-genre Billboard 200 and led the chart for four weeks – the most among the rapper’s albums.