State Champ Radio Hip-Hop
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There’s a reason Rick Ross is called The Boss. He aims high and always delivers. At least that’s his plan for 2024, when the “Rich Forever” MC says he plans to make good on his 2022 vow to climb Africa’s tallest mountain — and the tallest freestanding mountain in the world — Tanzania’s Mount Kilimanjaro. […]
Doja Cat would like to clarify a few assumptions about her relationship with her fans. The “Agora Hills” rapper sat down with Ebro for an intimate Apple Music interview, released Thursday (Dec. 14), that delves into claims that she has disdain for her devoted supporters. “One thing I do wanna set straight is: You’ll never […]
André 3000 has been breaking records with his flute-forward solo album New Blue Sun. And while the no rapping, finger-snapping ambient jazz collection has disappointed some OutKast fans who were hoping for the first fresh bars from 3 Stacks in more than 20 years, it has clearly had a huge impact of fellow A-town MC, […]
The Cincinnati Music Festival announced the lineup for its 2024 edition, which will be headlined by New Edition, Maxwell, Ne-Yo and Kem. The annual celebration of classic and contemporary R&B legends and hip-hop superstars will once again take over the home of the Cincinnati Bengals, Paycor Stadium, for two nights next summer.
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The first night, July 26, will be headlined by “Sumthin’ Sumthin’” neo soul legend Maxwell, with support from Ne-Yo, Fantasia, October London and Lakeside. Night two, July 27, will be toplined by New Jack Swing supergroup New Edition — Ricky Bell, Michael Bivins, Bobby Brown, Ralph Tresvant, Ronnie DeVoe and Johnny Gill — as well as Kem, SWV, Stokley and another artist to be announced.
In keeping with recent tradition, the jam-packed weekend will kick off with a night (July 25) celebrating hip-hop at the adjacent Andrew J. Brady Music Center, with a lineup to be announced soon.
“We are thrilled with this year’s lineup for the Cincinnati Music Festival presented by P&G,” festival producer Joe Santangelo said in a press release. “This year’s lineup is the most jam-packed R&B lineup we’ve ever had, representing fan favorites across the decades from New Edition to Maxwell to Fantasia, and so many more.”
Tickets for this year’s event are on sale now through the festival office (call (513) 924-0900), and will be available through Ticketmaster beginning Saturday (Dec. 16) at 10 a.m. ET.
CMF launched as the Ohio Valley Jazz Festival in 1962 as an all-jazz event and evolved over the year to embrace a wide variety of R&B, soul and pop acts, from Aretha Franklin, Miles Davis and Duke Ellington to Luther Vandross, New Edition, Whitney Houston, Earth Wind and Fire and many others. Last year’s event featured sets from Snoop Dogg, Al Green, Babyface, Jill Scott, Doug E. Fresh, Slick Rick, Big Daddy Kane, Rakim, Jodeci, Midnight Star and others.
Seeing the list of stars we’ve lost in the calendar year is always a shock. But there’s something comforting about British artist Chris Barker’s annual visual homage to stars who’ve left this mortal coil, which this year includes yet another unfathomable tally of beloved singers, actors, public figures and personalities.
As always, Barker organizes the faces using the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band album cover as the template, with this year’s model featuring Pogues singer Shane MacGowan front-and-center above the bass drum, flanked by Tina Turner and Sinead O’Connor. Just a few spots down, Tony Bennett smiles next to British guitar great Jeff Beck, with beloved comedian/actor Pee Wee Herman copping a squat in the foreground.
In a statement to Billboard about his eighth go-round, Barker — who has frequently pledged to make each year his last — says that after cramming all his work into November in the past, this year he began compiling his list in September because he knew this year would be jam-packed with subjects.
“This is the most overwhelming number of huge significant losses I remember in the eight years doing this since 2016. The front two or three rows are all really recognizable legends. It’s a bit much to be honest,” Barker says of the list that includes the above mentioned, as well as beloved British actor Barry “Dame Edna” Humphries, Raquel Welch, Friends star Matthew Perry, CSNY singer David Crosby, composer Burt Bacharach, De La Soul’s Trugoy the Dove and Calypso singer/civil rights activist Harry Belafonte.
Barker said he was glad that Pogues and Smiths fans were sharing the image of MacGowan and Smiths bassist Andy Rourke. He pointed out some other small touches he was happy to include were late artist Jamie Reid’s Sex Pistols flag under Herman’s feet, replacing the flag more earnestly commemorating Queen Elizabeth II in last year’s montage. “I also quite like the way I’ve used Steve Mackey from Pulp’s actual cardboard cutout from the Different Class album cover,” he says.
“I know it’s a very sad topic, it’s a very strange hobby and I really don’t know how I’ve ended up as this weird custodian of international grief, but people do really seem to like it so I’m kind of stuck with it now!” Barker says.
Among the other faces in the crowd are: actors Richard Roundtree (Shaft), Michael Gambon (Harry Potter), Alan Arkin (Little Miss Sunshine), Lance Reddick (The Wire), Angus Cloud (Euphoria), Suzanne Somers, Richard Belzer, Gina Lollarigida, Jerry Springer and game show host Bob Barker, singers/musicians Sixto Rodriguez, Gary Rossington (Lynyrd Skynyrd), Jimmy Buffett, Yukihiro Takahashi (Yellow Magic Orchestra), Tom Verlaine (Television), Robbie Robertson (The Band), Steve Mackey (Pulp), Tim Bachman (BTO), John Gosling (The Kinks), Fred White (EW&F), Lisa Marie Presley, Randy Meisner (Eagles), Anita Pointer (Pointer Sisters), Astrud Gilberto, Dwight Twilley, Van Conner (Screaming Trees), Jane Birkin, The 45 King, Gary Wright, Paul Cattermole (S-Club 7), Gary Young (Pavement), Denny Laine (Wings) and Smash Mouth’s Steve Harwell.
In keeping with Barker’s comprehensive determination to keep the image as up-to-date as possible, the most recent iteration features two images of Hollywood icons we lost just last week, Love Story star Ryan O’Neal and legendary sitcom producer/writer Norman Lear (Good Times).
Check out the image and the key for the 2023 edition below.
2 Chainz is counting his blessings after a scary car crash on Saturday morning in Miami that landed the rapper in a hospital. The 46-year-old MC posted a video soon after in which he was seen being loaded into the back of an ambulance on a stretcher, with a zoom out to show a black […]
As per usual, it’s been a busy week in the world of hip-hop and R&B. In the first full week of December, myriad artists got their announcements and releases out to avoid the Christmas lockdown in the coming weeks. On Sunday (Dec. 10), SZA celebrated the one-year anniversary of her blockbuster SOS album with the announcement of LANA, the forthcoming deluxe version of her nine-time Grammy-nominated sophomore studio album. Of course, the weekend’s most high-profile release was from none other than Nicki Minaj, who unleashed her long-awaited Pink Friday 2 — her fifth studio album and sequel to her 2010 Billboard 200-topping debut LP — on her birthday, Dec. 8.
Elsewhere in the hip-hop and R&B worlds, Cardi B confirmed that she is no longer with Offset, 2 Chainz is thankfully in stable condition after landing in an unfortunate car accident, and Will Smith rocked the house at the star-studded A Grammy Salute to 50 Years of Hip-Hop telecast.
With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop. From Tokischa and Sexyy Red’s cross-genre collaboration to Usher and H.E.R.’s stunning Color Purple duet, get into these seven new picks and be sure to check out the rest of our recs in the Spotify playlist below.
Freshest Find: Usher & H.E.R., “Risk It All”
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As the highly anticipated Color Purple movie musical draws nearer, the promotion for the flick’s two related soundtracks is kicking into high gear. Usher and H.E.R. started off the weekend — which ended in a pair of Golden Globe nods for lead actress Fantasia Barrino and supporting actress Danielle Brooks — with the release of “Risk It All,” their gorgeous new duet for The Color Purple (Music From and Inspired By), due Dec. 15. Co-written by Oscar winners H.E.R. and Jimmy Napes, Usher and the “Damage” singer harmonize beautifully across the ethereal piano-backed arrangement. “People are cryin’ for it, people are dyin’ for it/ Always the reason we still believe it/ Somethin’ that leaves us hurtin’ is worth it,” the pair croon.
Tokischa feat. Sexyy Red, “Daddy”
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How do you cap off a breakout year that found you opening up for Drake and collaborating with Nicki Minaj? With an infectious cross-genre collaboration, of course! For the latest release in her string of fiery collaborations, Sexyy Red links up with Latin Grammy-nominated Dominican rapper Toksicha, for a sultry, sex-positive reggaeton-meets-house number that plays around with gender in the realm of kink. Across the thumping Yeti Beats- and El Guincho-helmed beat, Tokischa assumes the role of Sexyy’s sugar daddy as they trade hilarious verses, including some tongue-in-cheek bilingual lines from the “Pound Town” rapper herself.
Nicki Minaj, “Fallin 4 U”
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Of course, the Queen scores herself a slot on this week’s round-up. Her gargantuan Pink Friday 2 LP — 22 tracks and counting — features several tracks for every side of her musical personality, but most pale in comparison to “Fallin 4 U.” Placed several songs deep into the album, “Fallin 4 U” is, in many ways, the defining synthesis of Minaj’s creative hallmark. There are her impassioned, high-octane, wordplay-laden bars, emotional Auto-Tuned ad-libs and hooks, a penchant for both the introspective and the braggadocious (often at the same time), and a healthy dose of melodrama via those background strings. If there’s any track on Pink Friday 2 that truly makes the album feel like a descendant of its predecessor, it’s this one.
SXMPRA feat. Juicy J, “Business Man”
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New Zealand rapper SXMPRA combines his ominous underground phonk sound with that of ’90s Memphis rap pioneer Juicy J on the hard-hitting “Business Man.” The pair trade punchline-packed verses asserting their dominance at break-neck speed. “Stand and fight/ Folding chairs and/ Throwing them hands/ Would’ve been the best time of my life,” quips Juicy. The collaboration features production from Juicy J and HitKidd, who put out his own Renegade album this week.
James Fauntleroy, “Sleigh”
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Holiday music seems to be a genre that knows no bounds given how its consumption only increases with each passing year. Four-time Grammy-winning singer-songwriter James Fauntleroy took a daring stab at holiday originals by making his debut studio LP a Christmas album. A compilation of two previous holiday EPs featuring ten tracks, The Warmest Winter Ever is chock-full of steamy between-the-sheets anthems for the Christmas season. “Sleigh,” is one of the album’s instant standouts, with its waterfall of layered harmonies and cheeky Beyoncé shoutout: “She gon’ sleigh like Beyoncé.”
Tems, “Not An Angel”
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For her latest release, Tems subverts the gospel-bent of her preceding “Me & U” single and opts for a rhythmic take on Biblical imagery, rejecting the role of being an “angel” or “savior” for someone who isn’t quite yet ready to be saved. “‘Cause I’m not an angel/ I’m just a girl that knows the truth/ And I couldn’t save you/ You couldn’t see what I’ve been through,” she croons sorrowfully over the Sarz co-produced Afrosoul beat.
Q Da Fool feat. Ot7 Quanny, “Rich Droppaz”
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It’s a bit ironic that a link-up between a DMV rapper and a Philly rapper sounds so far removed from the dominant contemporary sound of either region, but it undoubtedly makes for a banger of a record. A slinking street anthem that coasts on both the duo’s chemistry and their individual charisma, “Rich Droppaz” finds the pairs trading hilarious bars like, “Yeah, I love the money, go me boo’d up/ I can’t do no Ella Mai, I ain’t ‘Boo’d Up.’” Unassuming but still urgent, “Rich Droppaz” is a promising lead into Q Da Fool’s forthcoming Art of Ambition album.
There’s no agreed upon birthdate of the term “rock’n’roll.” Ohio DJ Alan Freed is widely credited with popularizing it in the early 1950s to describe a new upbeat version of R&B music that was gaining traction with young audiences throughout America. Almost 70 years later, in 2017, it was R&B/hip-hop that surpassed rock as the country’s dominant music. And unlike rock, hip-hop does have an agreed upon birthdate, resulting in the current 50th-anniversary celebration.
Despite chatter to the contrary, a large segment of rap sounds very similar to what it was like at 30, 25 or even 15 years old. A clear line can be drawn between Big Daddy Kane or Rakim and the deliveries of Jay-Z, Nas, Drake, Kendrick Lamar and J. Cole. The aesthetics may have changed a bit, as well as the effectiveness of the techniques, but the artistic values shared by the first group of MCs are also shared by the latter.
And yet, until this September, hip-hop had gone an entire calendar year without a song topping the Billboard Hot 100, for the first time since 1993. The concern was understandable, but when it’s considered that the artist who broke the streak isn’t even a traditional rapper — Doja Cat, whose “Paint the Town Red,” the Dionne Warwick-sampling single from her most recent rap-flavored project, Scarlet, did the honors — the genre seems to be just fine. And to be fair, when the genre’s most consistent hit-makers did return — Drake and Cole’s collaboration “First Person Shooter” debuted at No. 1 in October — things more or less went back to normal.
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And that’s what has been so remarkable about this yearlong celebration of hip-hop’s anniversary. The palpable sense of doom and gloom between the innumerable star-studded events — the pop-up performances, special segments on airings of the BET Awards and the MTV Video Music Awards and a multigenerational gathering at Yankee Stadium that capped off the festivities — all just proved that the principles that catapulted the genre into the mainstream are alive and well. Some aspects of the music’s past have even miraculously returned to the forefront — like a strong contingent of women rappers.
For years, fans and critics alike have decried the fact that hip-hop didn’t make enough space for women artists to thrive. It may have taken a few years, but that’s what they’re getting today. As a matter of fact, outside of “The Big Three” (Drake, Cole and Lamar) it’s the women — rappers like GloRilla, Cardi B, Ice Spice, Nicki Minaj and Latto — who seem to be carrying on the tradition the most. They’re the artists rapping as if they’re standing 10 toes down in the middle of a cypher. And their fixation on bars has netted them great success.
Minaj is already one of the most successful artists of her generation and Cardi B can’t seem to make a song that doesn’t turn into a hit, while Latto and GloRilla, two relative newcomers, have both managed to land top 10 hits and sell out their own shows. Even Doja Cat, an already successful pop artist, has released a rap album to critical acclaim and commercial success. To top it off, she took arguably the hottest new female rapper in the game, Ice Spice, on tour with her.
Meanwhile, a new generation of rap stars like Lil Uzi Vert and Playboi Carti have taken the music in a different direction that eschews its traditional form and most resembles a new brand of punk. They don’t focus on crafting 16-bar verses or making sure to stay within the pocket of the beat. Hell, fellow newcomer Yeat doesn’t even use real words at times. But it seems to be working. Uzi’s Jersey club-influenced “Just Wanna Rock” dominated radio, and their Pink Tape album went No. 1 earlier this year. Carti’s last full-length, 2020’s Whole Lotta Red, debuted at No. 1, and Yeat has notched two top 10 entries on the Billboard 200, while hitting No. 1 on the Hot 100 with his recent collaboration with Drake, “IDGAF.” Traditional rap fans may feel that, if this is the future, then hip-hop won’t last another 50 years.
But hip-hop has always been this way — a fearless cultural and artistic lab that works to push itself forward. If anything, it’s the world that has changed the most. “Rap has always come in waves,” says Maurice Slade, SoundCloud’s head of marketing, artist relations. “Similar to a garden, rap needs rain for things to grow. And whenever it gets real rainy — which I think is the time we’re in right now — shortly after that there’s fertile soil and sunshine, and then you see the fruit after.”
According to Slade, the state of the world is responsible for the type of music new hip-hop artists are creating. “The rain right now is post-pandemic — these kids went through some crazy shit with that. You got a recession, you got high interest rates, you got wars going on. The world is f–ked up. When the world is really f–ked up, right after that is when we get some of the best sh-t when it comes to rap and hip-hop.”
This story originally appeared in the Dec. 9, 2023, issue of Billboard.
Quando Rondo was arrested on federal drug charges on Friday night (Dec. 8) in his hometown of Savannah, Georgia. The 24-year-old rapper, whose real name is Tyquian Terrel Bowman, was taken into custody by the FBI after being pulled over in a vehicle, according to ABC’s Savannah affiliate WJCL. The Savannah police served as the […]
2 Chainz was rushed to the hospital after being involved in a car accident early Saturday morning (Dec. 9) in Miami. The Atlanta rapper, 46, took to his Instagram Story following the crash to share a video of himself being loaded into the back of an ambulance on a stretcher. In the brief clip, he […]
