Hip-Hop
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Lest you think Eminem doesn’t suffer for his art, Slim Shady pulled back the curtain on Monday (June 10) to provide fans with a behind-the-scenes peek at the making of the video for his “Houdini” single. The minute-long clip starring the rapper’s not-so-super alter ego, Rapboy, features the caption, “I do my own stunts. #Houdini video shoot behind the scenes – don’t try this at home!!!”
It opens with Rapboy doing a series of jumps off a bed onto a crash pad, repeatedly face-planting on the black mat you don’t see in the finished product. He then does another round of face plants — this time from a kneeling position — onto a dusty rug while complaining to the director about his motivation. “Oh, you want me to smash my f–king face!?,” video veteran Marshall says, adamantly noting that he can’t be responsible for what his cape does when his mug hits the dirt.
“Don’t do the recoil,” director Rich Lee counsels Em, as the Rock and Roll Hall of Famer argues, “that’s my head bouncing off the carpet!” Lee, however, begs to differ and shows Em on an iPad that he is, in fact, bobbing his head as he drops to the ground. “Can you make my nose not as f–king pointy?” the MC asks while changing the subject while viewing the playback.
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Cut to one of the oldest tricks in the book as Rapboy “climbs” a building and gets blown around by a wind machine, appearing to struggle mightily against gravity while actually just standing on a slight incline shot from the side. “Holy s–t, that’s actually not easy,” a winded Em, 51, says after repeated takes. “I need a break.”
The rest of the clip consists of Em doing multiple takes of set-ups where he does tuck-and-rolls and practices a fight scene. It ends with a blonde-haired Marshall kicking a door open so hard he loses one of his shoes.
The video that makes nods to Em’s 2009 “Without Me” visual features cameos from Dr. Dre, Snoop Dogg and 50 Cent, as well as Marshall’s three kids — Hailie, Alaina and Stevie — as well as former SNL star Pete Davidson. The song is the first single off Eminem’s upcoming 12th album, The Death of Slim Shady (Coup De Grâce), which is expected out this summer.
In the meantime, Eminem landed his 23rd career top 10 debut when “Houdini” entered the Billboard Hot 100 at No. 2, kept out of the top spot by Post Malone and Morgan Wallen’s “I Had Some Help,” which has been at the peak for four consecutive weeks. The “Houdini” debut is the rapper’s highest-charting single since “The Monster” featuring Rihanna spent four week at No. 1 in December 2013-January 2014.
Watch the “Houdini” BTS video below.

Kendrick Lamar has been out of the spotlight since the conclusion of his heated feud with Drake ended several weeks ago. But on Friday, K-Dot made a surprise appearance at the 2024 commencement ceremony for Compton College, where the rapper gave props to the city he grew up in and gave graduates words of wisdom as they start their journey into the wider world.
Making his way to stage to a censored version of “Bitch, Don’t Kill My Vibe,” a smiling Lamar stopped to take a few pics and dole out handshakes and hugs as he took out his own phone to grab a video of the happy scene. “I wanted to come out here just to tell y’all how much I appreciate y’all. I’m proud of the city of Compton, I’m proud of Compton College, most importantly I’m proud of the graduates out here,” he told the crowd.
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“I know what it takes. You had a lot of hardship, not only in your house, in your communities, but most importantly, in yourself, and that’s the toughest thing to overcome. We still growing day by day, brick by brick, making sure we develop, not only in the physical form but in the spiritual as well,” he added.
“Seeing y’all you out here, it is not only a representation of the world, but it’s a representation of me. When I walk out in these cities in these countries, I can be proud and say, ‘This is where I’m from.’ I still believe in Compton, Compton always been a future for me. I think we breed some of the most incredible individuals: Creatives, intellectuals, talent. We had it since day one, that’s why I always screamed this city. I traveled the world, there’s no place like this one right here. No place,” the rapper told the cheering crowd.
“I still believe in Compton. Compton has always been the future for me. I think we breed some of the most incredible individuals, creators, intellectuals, talent. We had it since day one… I traveled the world, it’s no place like this one right here… I still believe in everything that we’re doing. Brick by brick.”
Wearing glasses, a purple ball cap and a black suit with a white t-shirt, the hometown MC told the graduates that he still believes in everything that the community is doing, but that it’s time to change the narrative. “Some people tell us this generation don’t have what it takes. Gen Z. We talk about it all day. They try to pull us down and say we don’t know what we’re doing,” he said. “They wrong though. Because not only you all have what it takes, you have something bigger: You have the heart, y’all the courage to be independent thinkers. Independent thinkers. There’s nothing more valuable than that.”
Lamar assured the graduates that their degree from Compton College was just as important and vital as any degree that anyone else might get from a different school. “This Compton degree is just as big,” he said to whoops of approval. “Now it’s all about taking these resources and taking what you learned and applying. It’s as simple as that. You gonna have hardships, you gonna have tribulations as you had coming up here, but guess what? You have someone special behind your corner and all around you and that’s God, period. Period. Period. Every step of the way when you fall and you have your shortcomings, he’s right there. When you have your victories, he’s right there. Give yourself grace, give yourself time to grow and appreciate it, because he’s growing with you.”
Lamar will be back on stage in Los Angeles on June 19 as the hots of The Pop Out – Ken & Friends concert at the Kia Forum for a special gig that will be streamed live on Prime Video.
Watch Lamar’s surprise Compton College speech (Lamar segment begins around 41:30 mark) below.
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Kendrick Lamar’s “Not Like Us” scores its first Billboard radio crown as it reaches No. 1 on the Rhythmic Airplay chart dated June 15. The single, released on pgLang/Interscope Records/ICLG, climbs from the runner-up spot to lead the list as the most-played song on reporting U.S. rhythmic radio stations, according to Luminate.
The new champ registered a 22% surge in plays May 31-June 6. Thanks to the increase, the track claims the chart’s Greatest Gainer prize, awarded each week to the song with the largest vault in plays at the format.
“Not Like Us” was released May 4 amid Lamar’s feud with Drake. With the beef dominating hip-hop news cycles and pop culture at large, the track exploded instantly: It debuted at No. 1 on the Billboard Hot 100, largely thanks to 70.2 million official U.S. streams in the corresponding tracking week – the highest weekly count for any hip-hop song in the last three years. In its first four weeks on the Hot 100, the track has yet to leave the top two.
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The fervor has translated into strong radio momentum for “Not Like Us,” which tops Rhythmic Airplay in just its fifth week on the list. It wraps the quickest climb, by weeks, to the summit since Jack Harlow’s “First Class” also completed a five-week run to No. 1 in May 2022.
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“Not Like Us” gives Lamar his sixth Rhythmic Airplay leader. Here’s a review of his collection:
Song Title, Artist, Weeks at No. 1, Date Reached No. 1“Humble.,” three, June 3, 2017“Loyalty.,” feat. Rihanna, one, Sept. 30, 2017“Love.,” feat. Zacari, one, Dec. 30, 2017“Pray for Me,” with The Weeknd, two, April 14, 2018“Like That,” with Future & Metro Boomin, four, May 18, 2024“Not Like Us,” one (to date), June 15, 2024
Elsewhere, “Not Like Us” repeats at its No. 5 best on the Mainstream R&B/Hip-Hop Airplay chart, up 24% in weekly plays as it likewise captures Greatest Gainer honors. It also holds at No. 2 on Rap Airplay, again with the chart’s Greatest Gainer tag thanks to a 23% improvement in audience impressions.

From Motown to mobility, the “Live From Detroit: The Concert at Michigan Central” show Thursday night (June 6) covered many bases of the Motor City’s fabled music heritage — as it re-opened a historic landmark making a comeback from desolation.
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The event brought out the hometown hero likes of Eminem (who co-executive produced the concert with his manager, Paul Rosenberg), and who made the crowd go nuts when he hopped on stage for a surprise four-song mini-set that included the live debut of his new single, “Houdini” and a collaboration with Jelly Roll.
Diana Ross, Jack White, Big Sean, Slum Village and gospel greats the Clark Sisters and Kierra Sheard were also on hand to celebrate the refurbished Michigan Central. The former railroad station in the city’s southwest side had been shuttered since 1988 and became what Detroit Mayor Mike Duggan called “a symbol of our decline” as it fell into disrepair. The Ford Motor Co. purchased the building in 2018, spending a reported $940 million to turn it into a center for advanced technological development in transportation and other fields.
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That meant a lot to White, who grew up in the same neighborhood. Before the show, he told reporters he’d ride his bicycle over to the site during the 80s and watched it deteriorate as he began his music career. “If you’d have asked me then if this place was ever coming back… there’s no way. It’s just too massive a job,” White said, calling the renovation, “just incredible.”
It was also personal for Patti Smith, who attended to accept a special pre-show Michigan Central Honor — along with White, Slum Village and the late J Dilla — for contributions as global ambassadors for Detroit. Smith, who shared her honor with her late husband and MC5 veteran Fred “Sonic” Smith (daughter Jesse Paris accompanied her), told Billboard that, “Fred loved the train station, and he would fantasize about it being restored and opened to the people. He really talked about it quite a bit, so I know that this would have made him very happy. It means something to me that there honoring him, as he should be, and I’m happy to be included with him.”
During the Honors ceremony Smith also represented Eminem by reading a 2009 love letter he wrote to Detroit professing his love for the city.
The show itself — which was streamed on Peacock and will be edited into a one-hour NBC special at 7 p.m. ET/PT on Sunday (June 9) — was a nearly two-hour party celebrating the city and its musical heritage, but with a global perspective. “We’ve been invested in trying to rebrand the image of the city and how people see it for a long time,” Rosenberg, who worked in conjunction with Jesse Collins Entertainment, explained to Billboard prior to the show. “The challenge was, ‘What kind of picture can we paint here that’s going to be interesting not just locally but nationally?’ We wanted to make a compelling program that’s going to interest people across the country, not just people who are familiar with Detroit.
Rosenberg added that he and Eminem used the adage “as goes Detroit, so goes the nation” — from a 1942 Arthur Pond essay in The Atlantic — “as a framework… all these ideas about how the city is viewed not just locally but nationally to help frame the program.”
Starting with a Motown legend didn’t hurt, of course. Ross, clad in a mass of tangerine tulle, began the night with singalong version of her solo hits “I’m Coming Up” and “Upside Down,” plus the title track from her 2021 album Thank You before finishing with a soaring take of the Supremes’ anthem “Ain’t No Mountain High Enough.” “It’s so good to be home,” Ross said before leaving the stage. “I love you so much.”
Big Sean shared the love as well, saluting Michigan Central as “a diamond that came out of the rough” while delivering a three-song set that included the new “On Up” — a new album is coming this summer, he told the crowd — as well as hits “Blessings” and “Bounce Back,” accompanied by Adam Blackstone & the BBE All Star Band. A Detroit legend who wasn’t there, Bob Seger, was nevertheless saluted by a trio of Melissa Etheridge (“Mainstreet”), Fantasia (“Shakedown”) and Jelly Roll (“Turn the Page,” sporting a Detroit Tigers baseball cap) before the three united to close the tribute with a truncated but exuberant take on “Old Time Rock and Roll.”
“I’ll be Forever Soul, but there’s a little rock in me,” Fantasia told Billboard, invoking the name of her new company. “I wanted that challenge.”
Common was an out-of-towner in the house — though, being from Chicago, he told the Detroit crowd “we’re cousins” — as he recited “Didn’t One Know,” his tone poem about J Dilla. Slum Village also gave props to the late Baatin and Amp Fiddler as the duo performed Fail in Love” and “Get Dis Money,” the latter with Dilla’s younger brother Illa J and both with the Blackstone band. “We’re always gonna represent the legacy,” the group’s T3 said before the concert. Common joined Slum Village to close the segment with a poignant rendition of “The Light.”
The Clark Sisters, in glittery gold dresses and joined by the Greater Emmanuel Choir, then took the estimated 20,000 fans to church with “Livin’” and “Blessed & Highly Favored” before backing Sheard — daughter of Karen Clark-Sheard — on a powerhouse version of her “Miracles.” Sheard stayed on stage for the Clarks’ signature hit “You Brought the Sunshine,” a stunner even if the sky was turning dark.
A pair of DJs, Theo Parrish and Sky Jetta, represented Detroit’s famed techno heritage, while White brought the rock and the White Stripes with “some songs that were written a couple blocks from here” — debuting a new two-keyboard band lineup on “Hotel Yorba” and a “Seven Nation Army” that was literally on fire as (planned) pyrotechnics and flames erupted to accent the anthem.
And while Eminem — who filmed parts of the video for his 2009 single “Beautiful” in the then-abandoned Michigan Central — was not billed as a performer when the show was announced, it surprised few that he closed the evening. Joined by the Detroit Symphony Orchestra the hoodied rapper presented the live debut of “Houdini,” the just-released first single from his upcoming The Death of Slim Shady (Coup de Grace) album (July 5), then “Sing For the Moment” with Jelly Roll, “Welcome 2 Detroit” with Trick Trick and a bombastic “Not Afraid,” which was followed by a short show-ending fireworks display.
“Timing worked out for us fortunately great because we just dropped a single — that wasn’t always the case when we agreed to jump on board,” Rosenberg noted. “We weren’t sure we were going to have new music out. It happened to work out great, and it became an opportunity to perform a new song.”
Dionne Harmon, president of Jesse Collins Entertainment — which also produces Super Bowl halftime shows and a variety of awards shows, among other events — told Billboard that the universal appeal of the artists ultimately opened the door for “Live From Detroit” to be a streaming and network special. “Everybody knew this wasn’t just a Detroit story or an American story, but a global story,” she said. “So we started looking for a partner who could help us tell this story. We’ve done a lot of work with NBC in the past; when we took this to them they fell in love with the story and the city, the same way we did.”
The performers, meanwhile, bought into the idea of telling that story together. “These things, you never know how they’re gonna turn out, who’s gonna show up and who’s gonna be invited,” said White, who attended the same high school as Ross and Big Sean. “When they were first talking about Eminem and Dian Ross and Slum Village I thought, ‘Wow, if that really happens..’”
“It’s one of the biggest events Detroit’s ever seen,” Slum Village’s T3 gushed. “Even the other artists I just met today, like Jelly Roll, which was super cool… We’re having a good time out here, and it’s just a beautiful event.”
With all the talk about the best female rappers these days (check out our list), the Queen of Miami Rap had to put her two cents in — and you might be surprised by her pick. Explore See latest videos, charts and news See latest videos, charts and news Trina sat down with YouTuber Carlos […]
It’s about to be a Hot Girl Summer. Megan Thee Stallion announced at her Atlanta tour stop on Sunday night (June 2) that her upcoming album will be titled Megan and it’s slated to arrive next month. Explore Explore See latest videos, charts and news See latest videos, charts and news After Friday (May 31) […]
Eminem‘s “Houdini” has topped this week’s new music poll that features artists in various genres of music. Music fans voted in a poll published Friday (May 31) on Billboard, choosing the superstar rapper’s latest single as their favorite new music release of the past week. Slim Shady’s new song brought in 46% of the vote […]
When Sexyy Red was announced as a performer at 2024 Roots Picnic, a festival that largely caters to adult R&B lovers, the baby daddy-damning “Looking for the Hoes” rapper received a less than warm welcome — so much so that festival founder Questlove spoke up in her defense.
“There is always that one act on the show everyone hates because it serves as a reminder the hip hop THEY like is from 30 years ago,” the Roots drummer wrote in a reply to a flood of Instagram comments proclaiming that there was “nothing positive about [Sexyy’s] message.” “I mean I get it but look: we gotta round and balance the day out: there are other stages & podcasts and events to see… when have you seen a festival in which EVERY ACT is the act you love?”
And yet, when Sexyy took the Presser Stage at Fairmount Park in Philadelphia, the venue was so packed that crowds formed on the walkways looming over the ridiculously packed amphitheater. From the moment she sauntered onstage flanked by four high-octane dancers and a mock Secrete Service agent, Sexyy Red was the president — and she didn’t even need the agent to drive the point home. Nonetheless, it was a nice touch to her patriotic staging, which also featured her sporting a red, white and blue two-piece.
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In addition to her dancers and Secret Service agent, Sexyy’s stage also featured a giant inflatable red cap with the phrase “Make America Sexyy Again” emblazoned across it in the standard MAGA font. Throughout her hit-laden set, Sexyy conjured up, if only for 30 minutes, an America that embraces and exalts the most ratchet edges of everyone’s personalities. Under her presidency, the crowd achieved a sense of escapism that may not have even been explicitly searching for, but clearly needed. That’s the magic of Sexyy Red, she grants her listeners “escapism” not by way of fantasy, but by allowing people to unconditionally spoil the parts of themselves they keep hidden out of allegiance to various social standards. Don’t be mistaken, Sexyy is no Iron Lady; her laid-back approach to onstage banter and choreography is half the reason her whole shtick works. Whether she’s doing the “Crank Dat” dance or giving us her best chickenhead, Sexyy’s just doing her, so that we can do us.
Kicking things off with “Bow Bow Bow (F My Baby Dad),” Sexyy somersaulted through her enviable collection of hits, each drawing louder and more intense fan reactions than the last. The spirit of Crime Mob‘s Diamond and Princess shined through her spirited renditions of Billboard Hot 100 hits like “Get It Sexyy” (No. 20), “SkeeYee” (No. 62) and “Pound Town” (No. 66, with Tay Keith), as well as street smashes such as “Hellcats SRTs,” “Shake Yo Dreads,” and “Hood Rats” (with Sukihana). Of course, Sexyy couldn’t exclude her similarly top-notch collaborations, including “Shake Sumn” (with DaBaby), “Peaches & Eggplants” (with Young Nudy), and, of course, “Rich Baby Daddy” (with Drake & SZA), which easily garnered the most passionate crowd response and some hilariously unserious vocals from Sexyy herself.
With tight formations, several counts worth of choreography at a time, and staging that continuously emphasized the political aesthetics of her new In Sexyy We Trust mixtape, Sexyy’s 2024 Roots Picnic set displayed notable growth from her earliest shows, while still capturing the essence of what makes her such an alluring performer. In fact, her rendition of the “BBL Drizzy”-sampling “U My Everything” — a Drake collaboration from her latest tape — is the best example of that shift. To bring the sing-songy track to life, Sexyy and her dancers — who she affectionately introduced as “The Sexettes” — executed waist-gyrating girl group-esque choreography that underscored the song’s puppy-eyed love. “Bae, I love you, you my everything/ I’m your main bitch, fuck a wedding ring/ We both in fast cars and we switchin’ lanes/ When I’m away from you, you always on my brain,” she crooned.
Sexyy Red may not be the hip-hop of 30 years ago, but the verve she brought to this year’s Roots Picnic — and the way she effortlessly captivated the largest and most youthful crowd of day one — is emblematic of hip-hop’s undying party energy. Next stop: main stage.
Steve Miller is sharing his thoughts on Eminem‘s new song “Houdini.”
On Saturday (June 1), the Steve Miller Band frontman praised Em after his group’s chart-topping song “Abracadabra” was interpolated in the rap superstar’s latest single.
“There is a long chain of stories, poetry, lyrics, and musical roots that have crossed cultures and generations inspiring the whole world for hundreds of years and in all those lines of thought, music, and rhythm there are special artists who take it all in and create new original ideas from their own feelings and experiences,” Miller wrote in a lengthy message on Instagram. “You are one of those timeless originators building something new on a long musical legacy of original artists.”
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The Rock and Roll Hall of Fame inductee continued, “I have always tried to credit, honor, and respect the major influencers in my life and to always credit, honor royalties and share knowledge of their work through my own work. I didn’t know it would be this way when I was a kid trying to make a living playing music and making records, I only knew I had to respect the art that came before me and fight for it too among all the crooks, thieves, and imposters.”
“Abracadabra” spent two weeks at No. 1 on the Billboard Hot 100 chart in 1982. Miller’s music has been sampled by numerous artists over the years, including other hip-hop stars like Nas, Lil Wayne, Ice Cube, Beastie Boys, and N.W.A.
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The rocker added that Eminem is one of the few artists “who take the time or make the effort to stand up for themselves and credit and respect their influencers at the same time.” He concluded his letter, writing, “Marshall Mathers you are an exception and on my short list of people who respect the art. To be included in your process feels good while I’m still singing and playing the music I love. I’m Honored.”
“Houdini” is the lead single off of Eminem’s 12th studio album, The Death of Slim Shady (Coup De Grâce), which is expected to arrive this summer. The upcoming set follows 2020’s Music to Be Murdered By, which debuted at No. 1 on the Billboard 200 albums chart.
“Houdini” hit streaming services on Friday (May 31). The star-studded accompanying music video features cameos by Dr. Dre, Snoop Dogg and 50 Cent, among others.
Eminem announced plans for the new album shortly after his appearance at the 2024 NFL Draft, which happened to be in his hometown of Detroit. He used a clip in the mold of an Unsolved Mysteries episode featuring a cameo from 50 Cent. However, it was actually Dr. Dre who spilled the beans on Em’s next album during a late-night appearance on Jimmy Kimmel Live! in March.
Read Miller’s full reaction to Eminem’s “Houdini” on Instagram below.
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