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Two years after it was announced, the first authorized Ol’ Dirty Bastard documentary finally has an air date. The two-hour doc, Ol’ Dirty Bastard: A Tale of Two Dirtys, is slated to premiere on A&E TV on August 25 at 9 p.m. ET before hitting streaming the next day.
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According to a show description from the network, the first official feature doc on the late Grammy-nominated Wu-Tang Clan co-founder and solo star (born Russell Jones) will feature never-before-seen footage from his persona archive shot by wife Icelene Jones. It also promises “access to his closest friends and family, this culture-defining special humanizes ODB as a man, a father, and a husband like never before,” including interviews with Mariah Carey, Wu-Tang bandmates Raekwon and Ghostface Killah and son Bar-Sun Jones, as well as his parents and record executives.
The doc was co-directed by Emmy- and Peabody Award-winning Director Sam Pollard (MLK/FBI, Black Art: In The Absence of Light) with son Jason Pollard (Get Me Roger Stone, Bitchin’ The Sound and Fury of Rick James), with the two men promising to give fans “an intimate picture of ODB’s life and reflecting on his lasting impact on music and culture.”
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“Part of A&E’s DNA is telling the stories of iconic people who have left a lasting impact on culture and the world,” said A&E vice president and head of programming Elaine Frontain Bryant in a statement. “Ol’ Dirty Bastard: A Tale of Two Dirtys does just that with intimate, never-before-seen footage and interviews with the people who knew him best. The documentary tells his story while celebrating his life and his lasting impact on hip-hop and the music industry.”
Wife Icelene Jones added, “I am so happy to have brought this documentary about my husband’s life to the screen. He was and is an inspiration to my family, children, and fans across the world. It’s been amazing to work on this project with my partners at Four Screens, as well as Pulse and A&E.” Jones, who is the administrator of her late husband’s estate, added, “Like all of hip-hop, I have missed his energy. This project has let me know that he is alive and well in all of our hearts.”
ODB died at 35 of a drug-induced heart attack in 2004.
Watch the trailer for Ol’ Dirty Bastard: A Tale of Two Dirtys below.
Just hours after convicted “Pharma Bro” Martin Shkreli was sued over claims that he illegally copied and distributed Wu-Tang Clan’s one-of-a-kind album Once Upon a Time in Shaolin, a federal judge has ordered him to appear in court and to immediately stop “causing further damage.”
In a ruling late Tuesday, Judge Pamela Chen issued a temporary restraining order against the disgraced pharma executive, siding with arguments from PleasrDAO — a digital art collective that bought the album in 2021 after Shkreli was forced to forfeit it as part of his criminal case.
“Plaintiff will suffer immediate and irreparable injury—namely, erosion of the Album’s uniqueness as an original work of art,” the judge wrote. She also ordered Shkreli to appear in court later this month and said she might force him to turn over digital records and account for any ill-gotten profits.
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And Judge Chen explicitly threatened Shkreli with criminal penalties if he flouts her order: “Defendant is warned that any act by him in violation of any of the terms of this order, after actual notice of this order to defendant, may be considered and prosecuted as contempt of this court.”
The quick restraining order came less than a day after PleasrDAO sued Shkreli over the leak of the album, accusing him of violating both their purchase agreement and the federal forfeiture order that required him to hand it over. They also accused him of violating federal trade secrets law, which protect valuable proprietary information from misappropriation.
“The album was supposed to constitute the sole existing copy of the record, music, data and files, and packaging,” the group’s attorneys wrote earlier on Tuesday. “It now appears, however, that Shkreli improperly retained copies of the data and files at the time of the forfeiture and has released and/or intends to release them to the public.”
In an X post on Tuesday, Shkreli said: “these super nerds are suing me 🤣🤣🤣🤣 the least crypto ethos, whitest, least culturally relevant dorks good luck!” In later posts, he called the lawsuit “frivolous” and also re-shared an X post in which another user suggested the lawsuit would fail: “Even if they win, doesn’t Shkreli just anonymously leak the album online out of spite?”
Shkreli did not immediately return a request for additional comment.
Wu-Tang’s legendary Once Upon a Time in Shaolin was recorded in secret and published just once, on a CD secured in an engraved nickel and silver box. Though the group intended the bizarre trappings as a protest against the commodification of music, Shaolin later became the ultimate commodity. In 2015, Shkreli – already infamous as the man who intentionally spiked the price of crucial AIDS medications — bought it at auction in 2015 for $2 million.
The deal came with an unusual stipulation: that the album could not be duplicated or otherwise released to the general public in any form until 2103, or 88 years after the initial purchase. According to court documents, the deal did permit for the album to be played for private listening events in “spaces not customarily used as venues for large musical concerts.”
In 2017, Shkreli was found guilty on two counts of securities fraud and one count of conspiracy. After he was sentenced to seven years in prison and ordered to repay $7.4 million, the federal judge overseeing the case ordered him to hand over Shaolin to help pay the restitution.
PleasrDAO says it bought the album from federal prosecutors in 2021 for $4 million, and in 2024 acquired the copyrights and other rights to the album for $750,000. Last month, the group said it would hold private listening events at an Australian museum, where fans would be able to “experience” certain songs from the album.
But in Tuesday’s lawsuit, PleasrDAO said that Shkreli had unlawfully retained copies of Wu-Tang’s music, and had recently begun threatening to release them to the public.
In April posts on X, he allegedly said “LOL i have the mp3s you moron” and “i can just upload the mp3s if you want?” In May, he allegedly posted an image of a PleasrDAO webpage in which the group said the album would not be available until 2103 and said “look out for a torrent im sick of this shit” – a reference to a method of internet filesharing. On Sunday (June 9), the group says he “played music from the album publicly” over the internet to nearly 5000 listeners.
In their filings, the group argued that the release of the album would cause “incalculable monetary loss,” since the value of the album was based on the “uniqueness” of the single copy: The Album’s potential resale value and the profits that PleasrDAO may earn from playing or exhibiting the music will diminish as the data and files become more widely available.”
In her restraining order later on Tuesday, Judge Chen seemed swayed by those arguments. Saying that PleasrDAO would likely “succeed on the merits” of its case against Shkreli, she ruled that he was immediately barred from “using, disseminating, streaming, or selling any interests in the Album” or “in any way causing further damage to Plaintiff respecting the Album.”Judge Chen also ordered Shkreli to appear in court on June 25 to explain why she should not issue a more robust injunction. Such an order, the judge said, would require Shkreli to account for any copies he retained, who he distributed them to, and what profits he gained from doing so, and would allow for the seizure of any remaining copies of the album that he might still be holding.
Chuck D, the leader and founder of Public Enemy, will receive NAMM’s inaugural Impact Music & Culture Award at the 2023 NAMM Show, which is being held April 13-15 in Anaheim, Calif.
The rapper will be on hand to accept the award, which will be presented at the TEC Experience on Thursday, April 13 from 6 p.m. – 7:30 p.m. PT. The award will be presented by Brian Hardgroove, Public Enemy’s bassist and bandleader and founder of Resonant Alien.
“TEC honors the pioneers, the innovators, those who have moved us forward, and the products and technologies which have advanced music-making,” TEC committee member Tony Baraz said in a statement. “As we celebrate the 50th anniversary of hip-hop, we recognize the impact that pioneers like Chuck D and others have had on music, music products, the music industry, and culture as a whole.”
Public Enemy was inducted into the Rock and Roll Hall of Fame in 2013 and received a Lifetime Achievement Award from the Recording Academy in 2020.
NAMM’s Impact & Culture Award was conceived by Hardgroove as an opportunity to recognize individuals who move culture through the power of music.
The recognition comes as part of The NAMM Show’s Hip-Hop@50 celebration, a curated slate of sessions and events throughout the conference. Also planned is a music video montage of the history of hip-hop from music/video mashup creator, producer, and director Mike Relm and a performance by Resonant Alien, the new band featuring Hardgroove and DJ Johnny Juice of Public Enemy.
Additional Hip-Hop@50 events planned during the 2023 NAMM Show include a Friday, April 14 session from 5-8 p.m.: “Chuck D on Hip-Hop at 50, Hosted by Brian Hardgroove,” presented by Black to the Future and showcasing an historical look at the American music and cultural phenomenon.
On Saturday, April 15 from 3-5 p.m., the Yamaha Grand Plaza stage will come alive with the MIDI@40 celebration showcasing a performance by Resonant Alien. The performance will recognize the impact that hip-hop and MIDI — as an underlying, enabling technology — have had in breaking down barriers. MIDI drum machines, sequencers, synths, and turntables are at the heart of many of the iconic records that made hip-hop the cultural phenomenon that it is today. Learn more about MIDI@40 and Hip-Hop@50 events here.
Additionally, awards will be given to TEC Experience finalists in 21 technical achievement and one studio design project categories. View the complete list of finalists here.
The NAMM TEC Experience is a communal reception that gathers the crossroads of the industry to applaud the achievements of the researchers and developers, product designers, marketers, and innovators behind the innovations in pro audio.
The TEC Experience, MIDI@40 and Hip-Hop@50 join the return of industry events, including the Parnelli Awards and the She Rocks Awards, as well as other event gatherings and networking opportunities, including the Top 100 Dealer, Pro Audio Pool Party, Women of NAMM and NAMM Young Professionals receptions, and more. View the schedule here.
Registration for the 2023 NAMM Show is now open here.
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