Greatest Pop Stars Podcast
It would’ve been a big-enough weekend for Morgan Wallen simply from the release of his fourth album Friday’s (May 16) I’m the Problem — his third album this decade to consist of 30+ tracks, this time with six of them already ranking as pre-release Billboard Hot 100 top 10 hits. But the biggest star in […]
Longtime alt-pop star Lorde boasts two new entries on the Billboard Hot 100 this week (dated May 10). One of them is predictable: “What Was That,” her first totally new solo song in nearly a half-decade (and presumed lead single from her upcoming Virgin album, due in June) bows at No. 36, following a big […]
This April, the Billboard charts have been largely static — with a couple big exceptions, for which we are thankful — but pop music keeps moving. This was a month for big festivals, with two weekends of Coachella and one of Stagecoach all back to back out in Indio, Calif., and of just-as-big tour kickoffs, […]
We’ve been talking about it on the Greatest Pop Stars podcast for nearly half a year already, but it didn’t actually get here until last weekend: The Grand National stadium tour, co-headlined by Billboard‘s No. 1 Greatest Pop Star of 2024 (Kendrick Lamar) and our No. 2 Greatest Pop Star of 2023 (SZA) finally began […]
This week, Billboard is publishing a series of lists and articles celebrating the music of 20 years ago. Our 2005 Week starts here with a discussion of 50 Cent’s game-running 2005 — possibly an even higher commercial and cultural peak than his hallowed 2003 run, but also the clear beginning of the end for his superstardom.
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With his inescapable Get Rich or Die Tryin’ album and its Billboard Hot 100-topping smash “In Da Club,” 50 Cent became the hottest rapper in the game in 2003, matching even his mentor Eminem for ubiquity and cultural dominance. After expanding his G-Unit empire in 2004, 50 returned in 2005 with his second album The Massacre, a couple smash collabs with his new West Coast lieutenant The Game, a huge tour with Eminem, new business ventures, new beefs, and even a film debut in his very own prestige quasi-biopic. He was arguably bigger than ever — but after two years where it felt like 50 couldn’t miss, his strike rate was finally starting to slip a little.
In this week’s Vintage Pop Stardom episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by a pair of Billboard Hip-Hop staffers and GPS regulars in Carl Lamarre and Michael Saponara to talk about the year that ended up being the top of the rollercoaster for the artist born Curtis Jackson. We start at with 50 playing kingmaker with his G-Unit crew in late 2004, including those couple classics alongside The Game, and then move into his ’05 — beginning with an album that sells over a million copies in its (abbreviated) first week, launches feuds with half of the hip-hop world and returns him to the top of the Hot 100 with his second straight lead single smash, and ending with a film debut that doesn’t totally do any of the things he hopes it will.
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And of course, along the way, we ask all the big questions about 50 Cent’s too-big-to-fail sophomore campaign: Could 50 and Game have been the Dre and Snoop for another generation? Is a “Candy Shop” even really a thing? Were the deep cuts on The Massacre better than the singles? Was 50 Cent: Bulletproof worth playing? Can you actually hoop in G-Unit sneakers? And if you catch the Get Rich or Die Tryin’ movie on cable, should you bother sticking around for the whole thing?
Check it out above — along with a YouTube playlist of some of the most important moments from 50 Cent’s 2005, all of which are discussed in the podcast — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!
And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:
Transgender Law Center
Trans Lifeline
Gender-Affirming Care Fundraising on GoFundMe
Also, please consider subscribing to the trans legislation journalism of Erin Reed, and giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.
This week, Billboard is publishing a series of lists and articles celebrating the music of 20 years ago. Our 2005 Week continues here a discussion of Ciara’s dominant 2005, a year full of huge, beloved hits that set the tone for mid-’00s pop music, but proved pretty hard for the breakout artist to later match.
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After hitting the mainsteram in late 2004, with her debut album Goodies and its Billboard Hot 100-topping title track, Ciara stayed winning all throughout 2005. From peaking at No. 2 on the Hot 100 with the Missy Elliott-assisted “1, 2 Step” that January through to matching that success with her Ludacris-featuring spring smash “Oh!” to returning the favor to Missy on the latter’s smash “Lose Control” and teaming up with her real-life paramour Bow Wow on “Like You,” Ciara ended 2005 with five consecutive top five hits, and four top 30 entries on the year-end Hot 100. It was an incredible year, one that played a huge part in defining that era in pop — though, perhaps understandably, Ciara never equaled it again.
In this week’s Vintage Pop Stardom episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by former Billboard writer and current freelance journalist (and Nothin’ But North Texas radio host) Natalie Weiner to officially kick off our 2005 week with a deep dive into The First Lady of Crunk & B’s biggest year. We start at the beginning of the Goodies era, when Ciara emerged as the ideal new pop star for a top 40 world that had become increasingly rooted in hip-hop and R&B, and run through her awesome streak of still-beloved smashes, and some of the collaborators who helped make her year what it was.
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And of course, along the way, we ask all the big questions about Ciara’s All-Star rookie season: What made her such a can’t-miss pop star for that moment in time? How weird was it that she was constantly cast as the one woman surrounded by a bunch of dudes? Did it hurt her in the long-term that she was never able to be a solo headliner on any of her early singles? How did Carmelo Anthony end up getting cast in the video for Goodies‘ lone flop single? And perhaps most importantly: Why don’t we ever seem to get pop star years as fun and simple as Ciara’s 2005 anymore?
Check it out above — along with a YouTube playlist of some of the most important moments from Ciara’s 2005, all of which are discussed in the podcast — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!
And as we say in every one of these GPS podcast posts — if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights:
Transgender Law Center
Trans Lifeline
Gender-Affirming Care Fundraising on GoFundMe
Also, please consider subscribing to the trans legislation journalism of Erin Reed, and giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.
Green Day entered 2005 at the center of popular music for the second time in its career — but the first time in a decade. The legendary pop-punk trio had taken over rock music and MTV from 1994-95 with its RIAA diamond-certified debut album Dookie, and had fortified their status as alt-rock fixtures in the […]
Though March might not have been as packed a month of pop stardom as February, we still ended the month with a whole lot to talk about: big comeback albums, long-anticipated singles (and music videos), award-show moments and performances, and a couple leftover pop stars from 2024 who just refuse to let up in their […]
Back in 2017, Selena Gomez was coming off her greatest commercial hot streak, having just released 2015’s Billboard 200-topping Revival — which scored a trio of smash pop singles — and keeping her momentum going with a run of successful collabs. Then, she released “Bad Liar,” the most sophisticated, ambitious and generally surprising single of her career to that point, co-written alongside a pair of hitmakers with whom she had an obvious connection. The song was rapturously received by pop fans and critics alike, but the commercial response to it was distinctly muted — seemingly leaving Gomez unsure of what to do next.
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On this week’s Great Moments in Pop Star History episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by Billboard‘s executive director of music, Jason Lipshutz, to talk about one of the most fascinating pop songs of the last decade. We look at why the song worked in so many unlikely ways, why it won over so many listeners who’d previously disregarded Gomez but still couldn’t find its footing at radio or streaming — and whether or not the song, which felt like a major turning point in Selena Gomez’s career upon its release, actually ended up being such a pivotal release for her.
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Along the way, of course, we ask all the important questions about Selena Gomez and “Bad Liar”: Why was lifting the bassline from a 1977 Talking Heads song the key to this 2017 pop single? What made Julia Michaels and Justin Tranter such perfect collaborators for Gomez at this point in her career? Why does she love playing multiple characters in the same project so much? Was there really nothing subtle about the Battle of Troy? Can we hear any of “Bad Liar” in Gomez’s new I Said I Love You First album, recorded with longtime producer (and now-fiancé) Benny Blanco? And perhaps most importantly: Would we still name “Bad Liar” the best song of 2017?
Check out our discussion above, and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!
And if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights. (Selena would want you to!)
Transgender Law Center
Trans Lifeline
Gender-Affirming Care Fundraising on GoFundMe
Also, please consider subscribing to the trans legislation journalism of Erin Reed, and giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.
As 1995 began, Madonna was still an A-plus-list superstar and one of the most famous people in the world — but she was no longer at the absolute center of pop music. A half decade of increasingly controversial (though often brilliant) albums, singles, videos, movies and appearances had left the public divided and unsure about the Queen of Pop’s standing, while the dance-pop she’d conquered the world with in the ’80s had fallen out of fashion in a top 40 landscape dominated by alt-rock, hip-hop and R&B. But ’95 saw her reclaim her radio supremacy, while still taking huge artistic chances and pivoting to a more mature cross-platform star persona — though hardly all at the same time.
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In this week’s Vintage Pop Stardom episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by Keith Caulfield, Billboard‘s Managing Director of Charts & Data Operations (and co-host of the Billboard Pop Shop Podcast, and longtime M disciple) to express ourselves and not repress ourselves about Madonna’s incredibly fascinating 1995. We pick up mid-Bedtime Stories rollout with Madonna, as she improbably scores the biggest Billboard Hot 100 hit of her entire storied career, and we make it through her LP’s experimental final two singles (and their rather notable music videos), through getting cast in the film role of a lifetime, through the ’95 Video Music Awards, and finally end with her Something to Remember era, while she preps the world for a year of Oscar campaigning.
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In the meantime, we brace the most important questions about La M as she reached the midpoint of her 1990s: Which super-cool-and-acclaimed European act made for better Madonna collaborators, Björk or Massive Attack? Why does nobody remember that “Take a Bow” was her longest-running No. 1? Should “Human Nature” have been a bigger hit? Was Evita worth shutting down her mid-’90s touring plans for? Did she really deserve a Razzie for her Four Rooms appearance? And of course: How did she fare in her infamous interview showdown with Courtney Love following the ’95 VMAs?
Check it out above — along with a YouTube playlist of some of the most important moments from Madonna’s 1995, all of which are discussed in the podcast — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!
And if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights. (Madonna would want you to!)
Transgender Law Center
Trans Lifeline
Gender-Affirming Care Fundraising on GoFundMe
Also, please consider subscribing to the trans legislation journalism of Erin Reed, and giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.