Grammys
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Written By D.L. Chandler , Senior Editor Posted 45 mins ago @dlchandler123 D.L. Chandler is a veteran of the Washington D.C. metro writing scene, working as a journalist, reporter, and culture critic. Initially freelancing at iOne Digital in 2010, he officially joined the iOne team in 2017 where he currently works as a Senior Editor […]
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Offset is calling cap. The Migos rapper is disputing a report from TMZ that he got into an altercation with Quavo at the Grammys.
Early Monday (Feb. 6), TMZ reported that Quavo and Offset had to be separated after getting into an argument backstage at the Grammys. According to the outlet, tempers flared because Quavo allegedly refused to have Offset join him on stage during the shows “In Memoriam” segment while he performed “Without You,” his tribute to their late group and family member Takeoff.
However, Offset took to Twitter to dispute the account. “What tf [sic] look like fighting my brother yal niggas is crazy,” tweeted Offset on Monday afternoon.
It’s no secret that Takeoff wasn’t on the best of terms with Quavo and Offset, who had recently dropped their joint project, at the time of the latter’s untimely demise. Relatedly, Offset had recently taken to social media to retort in kind to J. Prince after the Rap-a-Lot Records founder came for him during a recent podcast interview.
Considering Takeoff was murdered on Halloween night in 2022, let’s hope these brothers can actually have a conversation to squash any simmering beef before it boils over.
Rest in power Takeoff
Liam Payne and Niall Horan each took to social media on Monday morning (Feb. 6) to celebrate Harry Styles winning album of the year at the 2023 Grammy Awards.
“Wow… this image is really something to wake up to,” Payne wrote alongside a black-and-white shot of his one-time bandmate gazing in awe at the Grammy in his hands, “and when you write music like you do Harry you deserve every millisecond of that moment looking down smiling at the trophy you’ve earned. God bless you brother congratulations.”
Horan, meanwhile, posted an aerial shot from the ceremony at Crypto.com Arena in Los Angeles during Styles’ big win, writing, “very proud @harrystyles” with a red heart emoji on his Instagram Stories. (As of press time, the other two-fifths of One Direction — Louis Tomlinson and Zayn Malik — have yet to post anything publicly about Styles.)
In addition to winning the biggest award of the night, Styles also took home the golden gramophone for best pop vocal album and performed his No. 1 smash “As It Was” during the telecast.
Visibly awestruck at beating out the likes of Adele, Beyoncé, Lizzo and more in the race for album of the year, he said, “Man, I’ve been so, so inspired by every artist in this category with me. A lot of different times in my life, I listened to everyone in this category when I’m alone…This is really really kind … this doesn’t happen to people like me very often, and this is so nice, thank you very much.”
See Payne’s shout-out to Styles below and check out Horan’s here before it expires.
It’s safe to say that Lizzo had a very special night at the Grammys. Not only did the 34-year-old bop star take home the grand prize for record of the year with her chart-topping hit “About Damn Time” Sunday night (Feb. 5), but she also got to party with a star-packed group of friends — Adele, Beyoncé and Harry Styles — all of whom, by the way, also earned a golden Gramophone or two of their own.
The Yitty founder posted a handful of photos she took while at the ceremony to Twitter, and posed for several more snapped by professional photographers at the event. In one that will surely become a flagship picture of 2020s glamour one day — in the same way that black-and-white photos of Marilyn Monroe or Audrey Hepburn have lived on to symbolize old Hollywood allure — Beyoncé stands with Lizzo on her left and Adele on her right, each of them looking glossy and gorgeous in shimmering gowns.
The “Truth Hurts” singer-songwriter posted a couple of these professional-grade photos to Instagram, writing, “I won.”
In her selfies, Lizzo and her famous friends look less poised, but appears they’re having a whole lot of fun. She snapped photos with Adele, whose “Easy On Me” won best pop vocal performance, big smiles on both their faces. Beyoncé can be seen standing onstage in the background accepting best dance/electronic album, which officially made her the most awarded artist in Grammys history.
“Selfie as Beyoncé casually makes herstory,” Lizzo tweeted.
In another Instagram post, Lizzo and Adele celebrated her win for record of the year. “The last time a black woman won Record of the Year was Whitney Houston for ‘I Will Always Love You’… I don’t take this lightly. Thank you,” she captioned the carousel, which featured the twosome in the second selfie with Lizzo’s trophy.
And of course, the “Good as Hell” musician had to pose for some selfies with her bestie Harry Styles, who later won album of the year for Harry’s House. In one, she makes a funny face while the “As It Was” singer, who last year had Lizzo join him as a surprise guest during his Coachella performance, smiles with his mouth wide open.
In addition to winning big and making memories with some of the biggest names in music, Lizzo delivered a stunning performance of “Special” — the title track of her fourth studio album, which was also up for album of the year Sunday night — and parts of “About Damn Time.” When her name was read off as the winner for record of the year, she tearfully thanked her family, producers and her idol, who just so happened to be right there in the audience cheering her on.
“Beyoncé,” she said from onstage. “In the fifth grade I skipped school to see you perform … You changed my life. You sang that gospel medley and the way you made me feel, I was like, I want to make people feel this way with my music. So thank you so much! You clearly are the artist of our lives.”
See Lizzo’s Grammy pictures with Adele, Beyoncé and Harry Styles below:
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It’s been months since the tragic and shocking death of beloved Migos member, Takeoff, and during last night’s Memoriam segment of the Grammy Awards, his uncle Quavo paid tribute to his nephew in a moving performance that will not be soon forgotten.
Sporting a half-mask on his face and bringing along Takeoff’s diamond-encrusted chain, Quavo took to the stage with Maverick City Music and performed his touching tribute song “Without You” before being joined on stage by two choir singers who performed a rendition of the hit Wiz Khalifa and Chalie Puth song, “See You Again.” With pictures of Takeoff and the Migos crew being shown on the big screen behind him, Quavo put forth a moving performance that left Hip-Hoppers in their feelings and feeling the pain through Quavo’s black mask.
Lord knows how hard it must’ve been for Quavo to hold it together for this last night.
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The performance marks the first time that Quavo’s made a public appearance since his nephews tragic murder on Halloween night last year. Since then a man has been arrested in connection with Takeoff’s murder though he’s since been released on a million dollar bond.
Check out Quavo’s tribute below and let us know your thoughts on the performance in the comments section below.
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It was a history-making night for Beyoncé at the 65th Annual Grammy Awards on Sunday night.
Beyoncé’s husband, JAY-Z, once rapped, “tell the Grammy’s fuck that 0 for eight shit,” but that feeling was swept under the rug as the couple returned to the awards show to see if Queen Bey could walk away a big winner.
The Houston native arrived fashionably late and took home four awards for her critically acclaimed album Renaissance. Earlier in the broadcast, her viral hit “Cuff It” won Best R&B Song while she was stuck in traffic. Her collaborators on the song, The-Dream, and Niles Rogers were on hand to accept the award on her behalf.
Beyoncé Was Thankful
Beyonce’s latest project also won Best Dance/Electronic Music Album award. The lead single, “Break My Soul,” won Best Dance/Electronic Recording, and “Plastic Off the Sofa” won Best Traditional R&B performance, cementing her as the greatest winner of all time at the Grammys.
“I am trying not to be too emotional, and I am trying to just receive this night,” she said while fighting tears.
“I want to thank God for protecting me. Thank you God. I’d like to thank my uncle Johnny, who is not here but he’s here in spirit,” of course her parents got love too, “I’d like to thank my parents — my father, my mother — for loving me and pushing me,” she said during her speech.
“I’d like to thank my beautiful husband and my beautiful three children,” was the punctuation on her acceptance speech.
But she didn’t take home two of the night’s biggest honors. Song of The Year went to Lizzo’s retail store anthem, “About Damn Time,” and dedicated her win to the late legend Prince. She also gave Beyoncé her flowers during her speech.
Album of The Year, which always seems to elude Queen Bey, landed on Harry Style’s lap for his album “Harry’s House.” Of course, the BeyHive, who was happy for their queen making history, felt she was more deserving of Album of The Year.
Other Notable Grammy Moments
Other moments we care to talk about include Kendrick Lamar winning three Grammy Awards for his album Mr. Morale & the Big Steppers. He received the Rap Album award from Cardi B and, in his acceptance speech, thanked his family for giving him “courage and vulnerability” to share his truth on the album. He said his latest project was tough to make, and he “found imperfection.”
Lamar also won Best Rap Performance and Best Rap Song for his song “The Heart Part 5.”
23-year-old Bronx Native Jazz singer Samara Joy took home Best New Artist and Best Jazz Vocal Album.
You can peep more reactions to all things Beyoncé in the gallery below.
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Photo: Timothy Norris / Getty
1. Heard You!
3. HOV Knew
Growing up in south Florida, the closest Christian Breslauer got to Hollywood was a nearby beach named after it. The cinephile looked up to renowned film director David Fincher, who also helmed music videos for Madonna and Billy Idol early in his career. After high school, he started directing clips for local artists. He moved to California in 2016 with sights set on working with London Alley Entertainment, a full-service production company behind award-winning videos for artists including Kendrick Lamar (“Alright”) and Logic (“1-800-273-8255”). Breslauer jokingly recalls that he reached out to founder/executive producer Luga Podesta dozens of times before first working with the company on a 2019 Cîroc commercial. However, London Alley didn’t start representing him until the following year, after Podesta saw the video for Roddy Ricch’s “The Box,” which earned an MTV Video Music Award nomination for best hip-hop video. “Our job as a company is seeing a director’s career long term instead of just per project,” says Podesta. “We strategize about who are the artists they want to work with and who manages those artists.”
Since then, Breslauer has become a go-to creator of visuals that are equally eye-popping and purposeful, working with superstars including The Weeknd, Doja Cat, John Legend and Lil Nas X (The latter’s “Industry Baby” clip with Jack Harlow won three VMAs). At the beginning of 2023, Breslauer directed the video for SZA’s “Kill Bill,” which has over 20 million views — and most recently, he helmed the ultimate Black girl superhero visual for Lizzo’s Special title track. “We helped [Christian] form the relationships with Lizzo and SZA,” says Podesta, also noting that the team “did four or five videos with SALXCO management and then finally got [him] to work with The Weeknd.” Adds Breslauer: “We try to build little Marvel universes for every artist I work with. That’s why artists like to come back and keep working with me.”
Tyga x Doja Cat, “Freaky Deaky”
Christian Breslauer and Doja Cat on the set of the “Freaky Deaky” music video.
Virisa Yong
After Tyga texted Breslauer about shooting a “futuristic” video for “Freaky Deaky,” a Doja Cat collaboration from his forthcoming album, Breslauer imagined a sexy cat-and-mouse game, with Doja capturing Tyga in various traps during a late-night rendezvous. The lyrics helped inspire some of them, including “Black Barbie, perfect and you gnarly,” which reminded Breslauer of a scene from Joe Dante’s 1998 film Small Soldiers when action figures punch out of their plastic boxes. “I put a lot of intention in breaking down the song,” says Breslauer. He often leans on artists to bring their own flair during shoots, noting that Doja Cat’s chastity belt lock featuring a phallic keyhole was an addition by her stylist Brett Alan Nelson.
Lizzo, “About Damn Time”
Lizzo and Christian Breslauer on the set of the “About Damn Time” music video.
Micayla Catanzariti
Last year, Lizzo’s team asked Breslauer to direct three videos for her Grammy-nominated album Special. But once the newly minted record of the year “About Damn Time” went viral and subsequently reached No. 1 on the Billboard Hot 100, that visual took priority. The two set out to make something uplifting, with Breslauer running with Lizzo’s idea to open in a support group setting. The visual won video for good at the 2022 VMAs, with Lizzo dubbing Breslauer “Tittylauer” during her acceptance speech. “We have so many funny moments. She brings such a bubbly energy where you just can’t help but love her,” he said, calling the recent “Special” video his favorite one from her album.
SZA, “Kill Bill”
SZA and Christian Breslauer on the set of the “Kill Bill” music video.
Micayla Catanzariti
For SZA’s latest video, Breslauer wanted to incorporate the singer’s idea of shibari rope bondage during the outro — a second sequence soundtracked by fellow SOS track “Seek & Destroy” — while still largely referencing Quentin Tarantino’s Kill Bill films. “It seemed too on-the-nose to have an Uma [Thurman] cameo, but Vivica [A. Fox] was right to me,” says Breslauer of one of its driving scenes. “She’s got the look, she’s got the swagger.” He adds that they wrapped that shot around 5 a.m. as part of a 19-hour-long shoot that happened just days before Christmas. The video came out two weeks later — which Podesta says is “definitely the fastest video we’ve done in a while.”
A version of this story originally appeared in the Feb. 4, 2023, issue of Billboard.
Stars descended on L.A.’s Crypto.com Arena on Sunday (Feb. 5) for the 65th annual Grammy Awards, with everyone from Bad Bunny and Lizzo to Harry Styles and Mary J. Blige taking the stage to perform.
And now that this year’s biggest night in music has officially come and gone, Billboard wants to know which star-studded performance still had you talking come Monday morning.
The artist otherwise known as Benito Antonio Martínez Ocasio opened the ceremony with a delightful mash-up of “El Apagón” and “Después de la Playa” off his bestselling album Un Verano Sin Ti, paying tribute to his native Puerto Rico with a colorful entourage of cabezudos and merengue dancers.
Ahead of her win for record of the year, Lizzo brought the house down with a joyful revisiting of “About Damn Time” and the title track off Special, just before Styles recreated the music video for “As It Was” by bringing the giant red turntable to the stage.
Of course, one of the most-talked-about moments of the night came when LL Cool J introduced the all-star tribute to the 50th anniversary of hip-hop, which brought pioneers and legends such as Salt-N-Pepa, Public Enemy, Missy Elliott and Busta Rhymes together with the new guard of GloRilla, Lil Uzi Vert and Lil Baby for a 23-song medley that was nothing short of electrifying — gigantic Ruff Ryders flag flying high about the Grammys stage included.
This year’s In Memoriam segment was also particularly touching as Quavo memorialized the late Takeoff in between Kacey Musgraves‘ restrained performance of “Coal Miner’s Daughter” for Loretta Lynn and Mick Fleetwood teaming up with Sheryl Crow and Bonnie Raitt to honor Christine McVie with “Songbird.”
Elsewhere in the telecast, Sam Smith and Kim Petras opened the gates of hell for “Unholy” after making history with their win for best pop duo/group performance, Blige belted out “Good Morning Gorgeous” looking nothing less than absolutely glam, and DJ Khaled rounded up a rogue’s gallery of Fridayy, Rick Ross, Lil Wayne John Legend and Jay-Z to close out the show with “God Did.”
Vote for your favorite musical number of the 2023 Grammys in Billboard‘s official poll below!
Kim Petras may “never cause no drama,” but she’s certainly ready to put an end to it.
At Sunday night’s Grammys (Feb. 5), Petras and Sam Smith took home the award for best pop duo/group performance, making Petras the first transgender winner in the category. In a press conference following her win, the pop singer said that she couldn’t help but think about the people who told her she wouldn’t make it.
“All these years are going through my head of people saying I would be a ‘niche artist’ because I’m transgender and my music would only ever play in gay clubs,” she said, adding that gay clubs “raised” her. “Now, I got a Grammy for making gay club music with my friend, and that’s the best feeling in the world.”
When asked what she hoped people watching could take away from her historic victory, Petras offered up a plea for greater understanding. “Honestly, I just think people need to judge less,” she said. “I hope that there’s a future where gender and identity and all these labels don’t matter that much. I hope all the kids that saw this that are special or different or feel like they don’t belong … feel inspired that, ‘Yes, you can be yourself and get rewarded for your talent rather than your gender or your sexuality.’”
While many watching were excited by the prospect of Petras earning her first Grammy, others online were getting fired up over her performance with Smith. Conservatives online referred to the pair’s fire-and-brimstone performance as “satanic,” with Senator Ted Cruz even weighing in to call the live number “evil.”
As Petras tells it, that was very much the point of their presentation. “It’s a take on not being able to choose religion, and not being able to live the way that people might want you to live,” she said matter-of-factly. “I think a lot of people have labeled what I stand for and what Sam stands for as ‘religiously not cool.’ I personally grew up wondering about religion and wanting to be a part of it, but then slowly realizing it doesn’t want me to be a part of it.”
Petras saved her kindest words backstage for Smith, referring to the singer as “a very special friend” and thanking them for their support since the outset of her career. “It’s really special to share this with someone who’s given me such important advice in my life, who has helped me in dealing with the opinions of people,” she said. “So, yeah, Sam will never get rid of me and we will always sing this song for eternity.”
Check out Petras’ full backstage press conference at the 2023 Grammys above.
While the In Memoriam performance at the 65th annual Grammy Awards on Sunday (Feb. 5) paid tribute to the passing of many music stars in 2022, several notable omissions left fans irate, most notably the absences of Gangsta Boo and Lil Keed.
Boo, born Lola Chantrelle Mitchell, died on New Year’s Day this year. She rose to prominence during her teenage years and played an integral role in creating Three 6 Mafia. At the time of her death, Memphis Police Department said in a statement that there were no immediate signs of foul play and the investigation into her death was ongoing. She was 43.
Despite a gripping performance delivered by Quavo for his Migos bandmate and nephew, Takeoff, hip-hop fans chirped on social media about Boo’s exclusion. “Leaving out Gangsta Boo, one of the pioneers of Southern female rap, from the GRAMMY memoriam segment is a sin and a shame,” said one fan. “Celebrating the 50th Anniversary of Hip Hop tonight and forgetting to include Gangsta Boo in the memorial video is disrespectful af @RecordingAcad,” tweeted another.
Viewers also had something to say about the omission of YSL’s Lil Keed,” who died last May. “Grammy’s really didn’t honor Lil Keed. Scum,” said a viewer on Twitter.
According to the Los Angeles County Medical Examiner-Coroner, Keed’s cause of death stemmed from eosinophilia. Eosinophilia is a rare condition in which the number of eosinophils — a type of white blood cell — is greatly increased, according to cancer.gov.
Billboard has reached out to the Recording Academy for comment about the omissions.
Take a look at some of the tweets reacting to Boo and Keed’s omissions below.
Celebrating the 50th Anniversary of Hip Hop tonight and forgetting to include Gangsta Boo in the memorial video is disrespectful af @RecordingAcad.— K E I S H (@MikeishaDache) February 6, 2023
Leaving out Gangsta Boo, one of the pioneers of Southern female rap, from the GRAMMY memoriam segment is a sin and a shame.— AGD. (@TheLexGabrielle) February 6, 2023
Grammy’s really didn’t honor Lil Keed. Scum— dan (@D_Gallagher9) February 6, 2023
Woww they really left Lil Keed and Gangsta Boo out of the #GRAMMYs tribute.😪— Shh the TV On (@shhthetvon) February 6, 2023
How did the Grammys not honor Gangsta Boo during the memorial part of the show?? Unacceptable and so disrespectful.— HXV (@WE_ARE_HXV) February 6, 2023
#GRAMMYs Why was Gangsta Boo not in the tribute to artist we lost? With this being 50 years of hip hop they should have added her picture.— Mzredmoma@gmail.com (@mzredmoma) February 6, 2023
Wow, y’all really gangsta boo off the tribute? Memphis being disrespected left and right this year. #GRAMMYs— Random, naked hoes stop following me!😷 (@WandaNon) February 6, 2023