Grammys
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Hear the victory? Skrillex, Fred again.. and Flowdanâs 2023-defining âRumbleâ won the 2024 Grammy for best/dance electronic record at Sundayâs (Feb. 4) Premiere Ceremony in Los Angeles. Taking the stage alone to accept the award, a sharp-dressed Skrillex noted that âfor anyone out there that wants to make music, the best advice Iâve ever gotten […]
Going into Sundayâs (Feb. 4) Grammy Awards, SZA leads the pack with nine nominations, followed by Phoebe Bridgers, Victoria MonĂ©t and engineer/mixer Serban Ghenea all with seven apiece.
Close behind are six-time nominees, including Bridgersâ group boygenius; Taylor Swift and her longtime producing partner Jack Antonoff; plus Olivia Rodrigo, Billie Eilish, Miley Cyrus, Jon Batiste and Brandy Clark.
But who will emerge the nightâs biggest winner? That remains to be seen. Follow along with Billboard all night during the Grammy Premiere Ceremony (starting at 3:30 p.m. ET/12:30 p.m. PT) and the prime-time Grammy broadcast (8 p.m. ET/5 p.m. PT) to see who wins in our updating list below:
Record of the Year
Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.
âWorship,â Jon BatisteJon Batiste, Jon Bellion, Pete Nappi & Tenroc, producers; John Arbuckle, Bryce Bordone, Serban Ghenea & Pete Nappi, engineers/mixers; Chris Gehringer, mastering engineer
âNot Strong Enough,â boygeniusboygenius & Catherine Marks, producers; Owen Lantz, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh âGarryâ Purohit & Sarah Tudzin, engineers/mixers; Pat Sullivan, mastering engineer
âFlowers,â Miley CyrusKid Harpoon & Tyler Johnson, producers; Michael Pollack, Brian Rajaratnam & Mark âSpikeâ Stent, engineers/mixers; Joe LaPorta, mastering engineer
âWhat Was I Made For? [From The Motion Picture Barbie],â Billie EilishBillie Eilish & FINNEAS, producers; Billie Eilish, Rob Kinelski & FINNEAS, engineers/mixers; Randy Merrill, mastering engineer
âOn My Mama,â Victoria MonĂ©tDeputy, Dernst Emile II, Jeff Gitelman & Victoria MonĂ©t, producers; Victoria MonĂ©t, Patrizio Pigliapoco & Todd Robinson, engineers/mixers; Colin Leonard, mastering engineer
âVampire,â Olivia RodrigoDan Nigro, producer; Bryce Bordone, Serban Ghenea, Michael Harris, Chris Kasych, Daniel Nigro & Dan Viafore, engineers/mixers; Randy Merrill, mastering engineer
âAnti-Hero,â Taylor SwiftJack Antonoff & Taylor Swift, producers; Jack Antonoff, Bryce Bordone, Serban Ghenea, Laura Sisk & Lorenzo Wolff, engineers/mixers; Randy Merrill, mastering engineer
âKill Bill,â SZARob Bisel & Carter Lang, producers; Rob Bisel, engineer/mixer; Dale Becker, mastering engineer
Album of the Year
Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with 20% or more playing time of the album.
World Music Radio, Jon BatisteJon Batiste, Jon Bellion, Nick Cooper, Pete Nappi & Tenroc, producers; Jon Batiste, Pete Nappi, Kaleb Rollins, Laura Sisk & Marc Whitmore, engineers/mixers; Jon Batiste, Jon Bellion, Jason Cornet & Pete Nappi, songwriters; Chris Gehringer, mastering engineer
the record, boygeniusboygenius & Catherine Marks, producers; Owen Lantz, Will Maclellan, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh âGarryâ Purohit & Sarah Tudzin, engineers/mixers; Julien Baker, Phoebe Bridgers & Lucy Dacus, songwriters; Pat Sullivan, mastering engineer
Endless Summer Vacation, Miley CyrusKid Harpoon, Tyler Johnson & Mike Will Made-It, producers; PiĂšce Eatah, Craig Frank, Paul David Hager, Stacy Jones, Brian Rajaratnam & Mark âSpikeâ Stent, engineers/mixers; Miley Cyrus, Gregory Aldae Hein, Thomas Hull, Tyler Johnson, Michael Len Williams II & Michael Pollack, songwriters; Joe LaPorta, mastering engineer
Did You Know That Thereâs a Tunnel Under Ocean Blvd, Lana Del ReyJack Antonoff, Zach Dawes, Lana Del Rey & Drew Erickson, producers; Jack Antonoff, Michael Harris, Dean Reid & Laura Sisk, engineers/mixers; Jack Antonoff, Lana Del Rey & Mike Hermosa, songwriters; Ruairi OâFlaherty, mastering engineer
The Age of Pleasure, Janelle MonĂĄeSensei Bueno, Nate âRocketâ Wonder & Nana Kwabena, producers; Mick Guzauski, Nate âRocketâ Wonder, Jayda Love, Janelle MonĂĄe & YĂĄng Tan, engineers/mixers; Jarrett Goodly, Nathaniel Irvin III, Janelle MonĂĄe Robinson & Nana Kwabena Tuffuor, songwriters; Dave Kutch, mastering engineer
GUTS, Olivia RodrigoDaniel Nigro, producer; Bryce Bordone, Serban Ghenea, Chris Kasych, Sterling Laws, Ryan Linvill, Mitch McCarthy, Daniel Nigro, Dave Schiffman, Mark âSpikeâ Stent, Sam Stewart & Dan Viafore, engineers/mixers; Daniel Nigro & Olivia Rodrigo, songwriters; Randy Merrill, mastering engineer
Midnights, Taylor SwiftJack Antonoff & Taylor Swift, producers; Jack Antonoff, Bryce Bordone, Zem Audu, Serban Ghenea, David Hart, Mikey Freedom Hart, Sean Hutchinson, Ken Lewis, Michael Riddleberger, Laura Sisk & Evan Smith, engineers/mixers; Jack Antonoff & Taylor Swift, songwriters; Randy Merrill, mastering engineer
SOS, SZARob Bisel, ThankGod4Cody & Carter Lang, producers; Rob Bisel, engineer/mixer; Rob Bisel, Cody Fayne, Carter Lang & SolĂĄna Rowe, songwriters; Dale Becker, mastering engineer
Song of the Year
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
âA&W,â Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
âAnti-Hero,â Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
âButterfly,â Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
âDance the Night (From Barbie The Album),â Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
âFlowers,â Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
âKill Bill,â Rob Bisel, Carter Lang & SolĂĄna Rowe, songwriters (SZA)
âVampire,â Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
âWhat Was I Made For? [From The Motion Picture Barbie],â Billie Eilish OâConnell & Finneas OâConnell, songwriters (Billie Eilish)
Best New Artist
This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.
Gracie Abrams
Fred again..
Ice Spice
Jelly Roll
Coco Jones
Noah Kahan
Victoria Monét
The War and Treaty
Producer of the Year, Non-Classical
A Producerâs Award. (Artists names appear in parentheses.)
Jack Antonoffâą Being Funny in a Foreign Language (The 1975)âą Did You Know That Thereâs a Tunnel Under Ocean Blvd (Lana Del Rey)âą Midnights (Taylor Swift)
Dernst âDâMileâ Emile IIâą JAGUAR II (Victoria MonĂ©t)
Hit-Boyâą âBus Stopâ (Don Toliver featuring Brent Faiyaz)âą âJust Face Itâ (Dreamville with Blxst)âą Kingâs Disease III (Nas)âą Magic 3 (Nas)âą Magic 2 (Nas)âą âSlipping Into Darknessâ (Hit-Boy & The Alchemist)âą Surf or Drown Vol. 1 (Hit-Boy)âą Surf or Drown Vol. 2 (Hit-Boy)âą Victims & Villains (Musiq Soulchild & Hit-Boy)
Metro Boominâą âAm I Dreamingâ (Metro Boomin featuring Roisee & A$AP Rocky)âą âCallingâ (Metro Boomin featuring NAV, A Boogie Wit Da Hoodie & Swae Lee)âą âCreepinââ (Metro Boomin featuring 21 Savage & The Weeknd)âą âMore Mâsâ (Drake & 21 Savage)âą âOh U Wentâ (Young Thug featuring Drake)âą âSuperhero (Heroes & Villains)â (Metro Boomin, Future & Chris Brown)âą âTil Further Noticeâ (Travis Scott featuring James Blake & 21 Savage)âą âTranceâ (Metro Boomin featuring Travis Scott & Young Thug)âą âWar Bout Itâ (Lil Durk featuring 21 Savage)
Daniel Nigroâą âCasualâ (Chappell Roan)âą âDivideâ (Dermot Kennedy)âą GUTS (Olivia Rodrigo)âą âHot to Go!â (Chappell Roan)âą âKaleidoscopeâ (Chappell Roan)âą âRed Wine Supernovaâ (Chappell Roan)âą âWelcome to My Islandâ (Caroline Polachek)
Songwriter of the Year, Non-Classical
A Songwriterâs Award. (Artists names appear in parentheses.)
Edgar Barreraâą âCuestion De Tiempoâ (Don Omar)âą âFalsa Alarma (En Vivo)â (Grupo Firme)âą âGucci Los Pañosâ (Karol G)âą âLa Despedidaâ (Christian Nodal)âą âMi Ex TenĂa RazĂłnâ (Karol G)âą âQue Vuelvasâ (Various Artists)âą âUn CumbiĂłn Dolidoâ (Christian Nodal)âą âun x100toâ (Grupo Frontera & Bad Bunny)âą âYo Pr1meroâ (Rels B)
Jessie Jo Dillonâą âBuriedâ (Brandy Clark)âą âGirl in the Mirrorâ (Megan Moroney)âą âHalfway to Hellâ (Jelly Roll)âą âI Just Killed a Manâ (Catie Offerman)âą âMemory Laneâ (Old Dominion)âą âNeon Cowgirlâ (Dan + Shay)âą âscreenâ (HARDY)âą âThe Town in Your Heartâ (Lori McKenna)âą âUp Above the Clouds (Ceciliaâs Song)â (Brandy Clark)
Shane McAnallyâą âCome Back to Meâ (Brandy Clark)âą âGood With Meâ (Walker Hayes)âą âHeâs Never Gunna Changeâ (Lauren Daigle)âą âI Should Have Married Youâ (Old Dominion)âą âIndependently Ownedâ (Alex Newell & Original Broadway Cast of Shucked)âą âNever Grow Upâ (Niall Horan)âą âStart Nowhereâ (Sam Hunt)âą âWalmartâ (Sam Hunt)âą âWe Donât Fight Anymoreâ (Carly Pearce & Chris Stapleton)
Theron Thomasâą âAll My Lifeâ (Lil Durk featuring J. Cole)âą âBeen Thinkingâ (Tyla)âą âCheatbackâ (Chlöe & Future)âą âHow We Rollâ (Ciara & Chris Brown)âą âMake Up Your Mindâ (Cordae)âą âPretty Girls Walkâ (Big Boss Vette)âą âSevenâ (Jung Kook & Latto)âą âTold Yaâ (Chlöe & Missy Elliot)âą âYou and Iâ (Sekou)
Justin Tranterâą âGemini Moonâ (ReneĂ© Rapp)âą âHoney! (Are U Coming?)â (MĂ„neskin)âą âI Want Moreâ (Marisa Davila & Cast of Grease: Rise of the Pink Ladies)âą âJerseyâ (Baby Tate)âą âA Little Bit Happyâ (TALK)âą âPretty Girlsâ (ReneĂ© Rapp)âą âRiverâ (Miley Cyrus)
Best Pop Solo Performance
For new vocal or instrumental pop recordings. Singles or Tracks only.
âFlowers,â Miley Cyrus
âPaint the Town Red,â Doja Cat
âWhat Was I Made For? [From The Motion Picture Barbie],â Billie Eilish
âVampire,â Olivia Rodrigo
âAnti-Hero,â Taylor Swift
Best Pop Duo/Group Performance
For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.
âThousand Miles,â Miley Cyrus featuring Brandi Carlile
âCandy Necklace,â Lana Del Rey featuring Jon Batiste
âNever Felt So Alone,â Labrinth featuring Billie Eilish
âKarma,â Taylor Swift featuring Ice Spice
WINNER: âGhost in the Machine,â SZA featuring Phoebe Bridgers
Best Pop Vocal Album
For albums containing greater than 75% playing time of new pop vocal recordings.
Chemistry, Kelly Clarkson
Endless Summer Vacation, Miley Cyrus
GUTS, Olivia Rodrigo
â (Subtract), Ed Sheeran
Midnights, Taylor Swift
Best Dance/Electronic Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.
âBlackbox Life Recorder 21F,â Aphex TwinRichard D James, producer; Richard D James, mixer
âLoading,â James BlakeJames Blake & Dom Maker, producers; James Blake, mixer
âHigher Than Ever Before,â DisclosureCirkut, Guy Lawrence & Howard Lawrence, producers; Guy Lawrence, mixer
âStrong,â Romy & Fred again..Fred again.., Stuart Price & Romy, producers; Fred again.. & Stuart Price, mixers
WINNER: âRumble,â Skrillex, Fred again.. & FlowdanElley Duhe, BEAM, Fred again.. & Skrillex, producers; Skrillex, mixer
Best Pop Dance Recording
For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.
âBaby Donât Hurt Me,â David Guetta, Anne-Marie & Coi LerayJohnny Goldstein, Toby Green, David Guetta & Mike Hawkins, producers; Serban Ghenea, mixer
âMiracle,â Calvin Harris, Ellie GouldingBurns & Calvin Harris, producers; Calvin Harris, mixer
WINNER: âPadam Padam,â Kylie MinogueLostboy, producer; Guy Massey, mixer
âOne in a Million,â Bebe Rexha & David GuettaBurns & David Guetta, producers; Serban Ghenea, mixer
âRush,â Troye SivanStyalz Fuego, Novodor & Zhone, producers; Alex Ghenea, mixer
Best Dance/Electronic Music Album
For vocal or instrumental albums. Albums only.
Playing Robots Into Heaven, James Blake
For That Beautiful Feeling, The Chemical Brothers
WINNER: Actual Life 3 (January 1 â September 9 2022), Fred again..
Kx5, Kx5
Quest for Fire, Skrillex
Best Rock Performance
For new vocal or instrumental solo, duo/group or collaborative rock recordings.
âSculptures of Anything Goes,â Arctic Monkeys
âMore Than a Love Song,â Black Pumas
âNot Strong Enough,â boygenius
âRescued,â Foo Fighters
âLux,â Ăterna Metallica
Best Metal Performance
For new vocal or instrumental solo, duo/group or collaborative metal recordings.
âBad Man,â Disturbed
âPhantom of the Opera,â Ghost
â72 Seasons,â Metallica
âHive Mind,â Slipknot
âJaded,â Spiritbox
Best Rock Song
A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
âAngry,â Mick Jagger, Keith Richards & Andrew Watt, songwriters (The Rolling Stones)
âBallad of a Homeschooled Girl,â Daniel Nigro & Olivia Rodrigo, songwriters (Olivia Rodrigo)
âEmotion Sickness,â Dean Fertita, Joshua Homme, Michael Shuman, Jon Theodore & Troy Van Leeuwen, songwriters (Queens of the Stone Age)
âNot Strong Enough,â Julien Baker, Phoebe Bridgers & Lucy Dacus, songwriters (boygenius)
âRescued,â Dave Grohl, Rami Jaffee, Nate Mendel, Chris Shiflett & Pat Smear, songwriters (Foo Fighters)
Best Rock Album
For albums containing greater than 75% playing time of new rock, hard rock or metal recordings.
But Here We Are, Foo Fighters
Starcatcher, Greta Van Fleet
72 Seasons, Metallica
This Is Why, Paramore
In Times New RomanâŠ, Queens of the Stone Age
Best Alternative Music Performance
For new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.
âBelinda Says,â Alvvays
âBody Paint,â Arctic Monkeys
âCool About It,â boygenius
âA&W,â Lana Del Rey
âThis Is Why,â Paramore
Best Alternative Music Album
Vocal or Instrumental.
The Car, Arctic Monkeys
the record, boygenius
Did You Know That Thereâs a Tunnel Under Ocean Blvd, Lana Del Rey
Cracker Island, Gorillaz
I Inside the Old Year Dying, PJ Harvey
Best R&B Performance
For new vocal or instrumental R&B recordings.
âSummer Too Hot,â Chris Brown
âBack to Love,â Robert Glasper featuring SiR & Alex Isley
âICU,â Coco Jones
âHow Does It Make You Feel,â Victoria MonĂ©t
âKill Bill,â SZA
Best Traditional R&B Performance
For new vocal or instrumental traditional R&B recordings.
âSimple,â Babyface featuring Coco Jones
âLucky,â Kenyon Dixon
âHollywood,â Victoria MonĂ©t featuring Earth, Wind & Fire & Hazel MonĂ©t
âGood Morning,â PJ Morton featuring Susan Carol
âLove Language,â SZA
Best R&B Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
âAngel,â Halle Bailey, Theron Feemster & Coleridge Tillman, songwriters (Halle)
âBack to Love,â Darryl Andrew Farris, Robert Glasper, Riley Glasper & Alexandra Isley, songwriters (Robert Glasper featuring SiR & Alex Isley)
âICU,â Darhyl Camper Jr., Courtney Jones, Raymond Komba & Roy Keisha Rockette, songwriters (Coco Jones)
âOn My Mama,â Dernst Emile II, Jeff Gitelman, Victoria MonĂ©t, Kyla Moscovich, Jamil Pierre & Charles Williams, songwriters (Victoria MonĂ©t)
âSnooze,â Kenny B. Edmonds, Blair Ferguson, Khris Riddick-Tynes, SolĂĄna Rowe & Leon Thomas, songwriters (SZA)
Best Progressive R&B Album
For albums containing greater than 75% playing time of newly recorded progressive vocal tracks derivative of R&B.
Since I Have a Lover, 6LACK
The Love Album: Off the Grid, Diddy
Nova, Terrace Martin and James Fauntleroy
The Age of Pleasure, Janelle MonĂĄe
SOS, SZA
Best R&B Album
For albums containing greater than 75% playing time of new R&B recordings.
Girls Night Out, Babyface
What I Didnât Tell You (Deluxe), Coco Jones
Special Occasion, Emily King
JAGUAR II, Victoria Monét
CLEAR 2: SOFT LIFE EP, Summer Walker
Best Rap Performance
For a Rap performance. Singles or Tracks only.
âThe Hillbillies,â Baby Keem featuring Kendrick Lamar
âLove Letter,â Black Thought
âRich Flex,â Drake & 21 Savage
âSCIENTISTS & ENGINEERS,â Killer Mike featuring AndrĂ© 3000, Future and Eryn Allen Kane
âPlayers,â Coi Leray
Best Melodic Rap Performance
For a solo or collaborative performance containing both elements of R&B melodies and Rap.
âSittinâ on Top of the World,â Burna Boy featuring 21 Savage
âAttention,â Doja Cat
âSpin Bout U,â Drake & 21 Savage
âAll My Life,â Lil Durk featuring J. Cole
âLow,â SZA
Best Rap Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
âAttention,â RogĂ©t Chahayed, Amala Zandile Dlamini & Ari Starace, songwriters (Doja Cat)
âBarbie World [From Barbie The Album],â Isis Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice featuring Aqua)
âJust Wanna Rock,â Mohamad Camara, Symere Woods & Javier Mercado, songwriters (Lil Uzi Vert)
âRich Flex,â Brytavious Chambers, Isaac âZacâ De Boni, Aubrey Graham, J. Gwin, Anderson Hernandez, Michael âFinatikâ Mule & ShĂ©yaa Bin Abraham-Joseph, songwriters (Drake & 21 Savage)
âSCIENTISTS & ENGINEERS,â Andre Benjamin, Paul Beauregard, James Blake, Michael Render, Tim Moore & Dion Wilson, songwriters (Killer Mike featuring AndrĂ© 3000, Future and Eryn Allen Kane)
Best Rap Album
For albums containing greater than 75% playing time of new rap recordings.
Her Loss, Drake & 21 Savage
MICHAEL, Killer Mike
HEROES & VILLIANS, Metro Boomin
Kingâs Disease III, Nas
UTOPIA, Travis Scott
Best Spoken Word Poetry Album
For albums containing greater than 50% playing time of new spoken word poetry recordings.
A-Youâre Not Wrong B-Theyâre Not Either: The Fukc-It Pill Revisited, Queen Sheba
For Your Considerationâ24 -The Album, Prentice Powell and Shawn William
Grocery Shopping With My Mother, Kevin Powell
The Light Inside, J. Ivy
When the Poems Do What They Do, Aja Monet
Best Jazz Performance
For new vocal or instrumental solo, duo/group or collaborative jazz recordings.
âMovement 18âČ (Heroes),â Jon Batiste
âBasquiat,â Lakecia Benjamin
âVulnerable (Live),â Adam Blackstone featuring The Baylor Project & Russell FerrantĂ©
âBut Not for Me,â Fred Hersch & Esperanza Spalding
âTight,â Samara Joy
Best Jazz Vocal Album
For albums containing greater than 75% playing time of new vocal jazz recordings.
For Ella 2, Patti Austin featuring Gordon Goodwinâs Big Phat Band
Alive at the Village Vanguard, Fred Hersch & Esperanza Spalding
Lean In, Gretchen Parlato & Lionel Loueke
Mélusine, Cécile McLorin Salvant
How Love Begins, Nicole Zuraitis
Best Jazz Instrumental Album
For albums containing greater than 75% playing time of new instrumental jazz recordings.
The Source, Kenny Barron
Phoenix, Lakecia Benjamin
Legacy: The Instrumental Jawn, Adam Blackstone
The Winds of Change, Billy Childs
Dream Box, Pat Metheny
Best Large Jazz Ensemble Album
For albums containing greater than 75% playing time of new ensemble jazz recordings.
The Chick Corea Symphony Tribute â Ritmo, ADDA SimfĂČnica, Josep Vicent, Emilio Solla
Dynamic Maximum Tension, Darcy James Argueâs Secret Society
Basie Swings The Blues, The Count Basie Orchestra Directed By Scotty Barnhart
Olympians, Vince Mendoza & Metropole Orkest
The Charles Mingus Centennial Sessions, Mingus Big Band
Best Latin Jazz Album
For vocal or instrumental albums containing greater than 75% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.
Quietude, Eliane Elias
My Heart Speaks, Ivan Lins with the Tblisi Symphony Orchestra
Vox Humana, Bobby Sanabria Multiverse Big Band
Cometa, Luciana Souza & Trio Corrente
El Arte Del Bolero Vol. 2, Miguel ZenĂłn & Luis Perdomo
Best Alternative Jazz Album
For vocal or instrumental albums containing greater than 75% playing time of new Alternative jazz recordings.
Love in Exile, Arooj Aftab, Vijay Iyer, Shahzad Ismaily
Quality Over Opinion, Louis Cole
SuperBlue: The Iridescent Spree, Kurt Elling, Charlie Hunter, SuperBlue
Live at the Piano, Cory Henry
The Omnichord Real Book, Meshell Ndegeocello
Best Traditional Pop Vocal Album
For albums containing greater than 75% playing time of new traditional pop recordings. (Note: More or less than 5 nominations in a category is the result of ties.)
To Steve With Love: Liz Callaway Celebrates Sondheim, Liz Callaway
Pieces of Treasure, Rickie Lee Jones
Bewitched, Laufey
Holidays Around the World, Pentatonix
Only the Strong Survive, Bruce Springsteen
Sondheim Unplugged (The NYC Sessions), Vol. 3, Various Artists
Best Contemporary Instrumental Album
For albums containing greater than 75% playing time of new contemporary instrumental recordings.
As We Speak, Béla Fleck, Zakir Hussain, Edgar Meyer, featuring Rakesh Chaurasia
On Becoming, House of Waters
Jazz Hands, Bob James
The Layers, Julian Lage
All One, Ben Wendel
Best Musical Theater Album
For albums containing greater than 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50 % or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.
Kimberly AkimboVictoria Clark, principal vocalist; John Clancy, David Stone & Jeanine Tesori, producers; Jeanine Tesori, composer; David Lindsay-Abaire, lyricist (Original Broadway Cast)
ParadeMicaela Diamond, Alex Joseph Grayson, Jake Pedersen & Ben Platt, principal vocalists; Jason Robert Brown & Jeffrey Lesser, producers; Jason Robert Brown, composer & lyricist (2023 Broadway Cast)
ShuckedJohn Behlmann, Andrew Durand, Caroline Innerbichler & Alex Newell, principal vocalists; Brandy Clark, Jason Howland, Shane McAnally & Billy Jay Stein, producers; Brandy Clark & Shane McAnally, composers/lyricists (Original Broadway Cast)
Some Like It HotChristian Borle, J. Harrison Ghee, Adrianna Hicks & NaTasha Yvette Williams, principal vocalists; Mary-Mitchell Campbell, Bryan Carter, Scott M. Riesett, Charlie Rosen & Marc Shaiman, producers; Scott Wittman, lyricist; Marc Shaiman, composer & lyricist (Original Broadway Cast)
Sweeney Todd: The Demon Barber of Fleet StreetAnnaleigh Ashford & Josh Groban, principal vocalists; Thomas Kail & Alex Lacamoire, producers (Stephen Sondheim, composer & lyricist) (2023 Broadway Cast)
Best Country Solo Performance
For new vocal or instrumental solo country recordings.
âIn Your Love,â Tyler Childers
âBuried,â Brandy Clark
âFast Car,â Luke Combs
âThe Last Thing on My Mind,â Dolly Parton
âWhite Horse,â Chris Stapleton
Best Country Duo/Group Performance
For new vocal or instrumental duo/group or collaborative country recordings. (Note: More or less than 5 nominations in a category is the result of ties.)
âHigh Note,â Dierks Bentley featuring Billy Strings
âNobodyâs Nobody,â Brothers Osborne
âI Remember Everything,â Zach Bryan featuring Kacey Musgraves
âKissing Your Picture (Is So Cold),â Vince Gill & Paul Franklin
âSave Me,â Jelly Roll with Lainey Wilson
âWe Donât Fight Anymore,â Carly Pearce featuring Chris Stapleton
Best Country Song
A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
âBuried,â Brandy Clark & Jessie Jo Dillon, songwriters (Brandy Clark)
âI Remember Everything,â Zach Bryan & Kacey Musgraves, songwriters (Zach Bryan featuring Kacey Musgraves)
âIn Your Love,â Tyler Childers & Geno Seale, songwriters (Tyler Childers)
âLast Night,â John Byron, Ashley Gorley, Jacob Kasher Hindlin & Ryan Vojtesak, songwriters (Morgan Wallen)
âWhite Horse,â Chris Stapleton & Dan Wilson, songwriters (Chris Stapleton)
Best Country Album
For albums containing greater than 75% playing time of new country recordings.
Rolling Up the Welcome Mat, Kelsea Ballerini
Brothers Osborne, Brothers Osborne
Zach Bryan, Zach Bryan
Rustinâ in the Rain, Tyler Childers
Bell Bottom Country, Lainey Wilson
Best American Roots Performance
For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).
âButterfly,â Jon Batiste
âHeaven Help Us All,â Blind Boys of Alabama
âInventing the Wheel,â Madison Cunningham
âYou Louisiana Man,â Rhiannon Giddens
âEve Was Black,â Allison Russell
Best Americana Performance
For new vocal or instrumental Americana performance. Award to the artist(s).
âFriendship,â Blind Boys of Alabama
âHelp Me Make It Through the Night,â Tyler Childers
âDear Insecurity,â Brandy Clark featuring Brandi Carlile
âKing of Oklahoma,â Jason Isbell and the 400 Unit
âThe Returner,â Allison Russell
Best American Roots Song
A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
âBlank Page,â Michael Trotter Jr. & Tanya Trotter, songwriters (The War and Treaty)
âCalifornia Sober,â Aaron Allen, William Apostol & Jon Weisberger, songwriters (Billy Strings featuring Willie Nelson)
âCast Iron Skillet,â Jason Isbell, songwriter (Jason Isbell and the 400 Unit)
âDear Insecurity,â Brandy Clark & Michael Pollack, songwriters (Brandy Clark featuring Brandi Carlile)
âThe Returner,â Drew Lindsay, JT Nero & Allison Russell, songwriters (Allison Russell)
Best Americana Album
For albums containing greater than 75% playing time of new vocal or instrumental Americana recordings.
Brandy Clark, Brandy Clark
The Chicago Sessions, Rodney Crowell
Youâre the One, Rhiannon Giddens
Weathervanes, Jason Isbell and the 400 Unit
The Returner, Allison Russell
Best Bluegrass Album
For albums containing greater than 75% playing time of new vocal or instrumental bluegrass recordings. (Note: More or less than 5 nominations in a category is the result of ties.)
Radio John: Songs of John Hartford, Sam Bush
Lovinâ of the Game, Michael Cleveland
Mighty Poplar, Mighty Poplar
Bluegrass, Willie Nelson
Me/And/Dad, Billy Strings
City of Gold, Molly Tuttle & Golden Highway
Best Traditional Blues Album
For albums containing greater than 75% playing time of new vocal or instrumental traditional blues recordings.
Ridinâ, Eric Bibb
The Soul Side of Sipp, Mr. Sipp
Life Donât Miss Nobody, Tracy Nelson
Teardrops for Magic Slim Live at Rosaâs Lounge, John Primer
All My Love for You, Bobby Rush
Best Contemporary Blues Album
For albums containing greater than 75% playing time of new vocal or instrumental contemporary blues recordings.
Death Wish Blues, Samantha Fish And Jesse Dayton
Healing Time, Ruthie Foster
Live in London, Christone âKingfishâ Ingram
Blood Harmony, Larkin Poe
LaVette!, Bettye LaVette
Best Folk Album
For albums containing greater than 75% playing time of new vocal or instrumental folk recordings. (Note: More or less than 5 nominations in a category is the result of ties.)
Traveling Wildfire, Dom Flemons
I Only See the Moon, The Milk Carton Kids
Joni Mitchell at Newport [Live], Joni Mitchell
Celebrants, Nickel Creek
Jubilee, Old Crow Medicine Show
Seven Psalms, Paul Simon
Folkocracy, Rufus Wainwright
Best Regional Roots Music Album
For albums containing greater than 75% playing time of new vocal or instrumental regional roots music recordings. (Note: More or less than 5 nominations in a category is the result of ties.)
New Beginnings, Buckwheat Zydeco Jr. & The Legendary Ils Sont Partis Band
Live at the 2023 New Orleans Jazz & Heritage Festival, Dwayne Dopsie & The Zydeco Hellraisers
Live: Orpheum Theater Nola, Lost Bayou Ramblers & Louisiana Philharmonic Orchestra
Made in New Orleans, New Breed Brass Band
Too Much to Hold, New Orleans Nightcrawlers
Live at the Maple Leaf, The Rumble featuring Chief Joseph Boudreaux Jr.
Best Gospel Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.
âGod Is Good,â Stanley Brown featuring Hezekiah Walker, Kierra Sheard & Karen Clark Sheard; Stanley Brown, Karen V Clark Sheard, Kaylah Jiavanni Harvey, Rodney Jerkins, Elyse Victoria Johnson, J Drew Sheard II, Kierra Valencia Sheard & Hezekiah Walker, songwriters
âFeel Alright (Blessed),â Erica Campbell; Erica Campbell, Warryn Campbell, Juan Winans & Marvin L. Winans, songwriters
âLord Do It for Me (Live),â Zacardi Cortez; Marcus Calyen, Zacardi Cortez & Kerry Douglas, songwriters
âGod Is,â Melvin Crispell III
âAll Things,â Kirk Franklin; Kirk Franklin, songwriter
Best Contemporary Christian Music Performance/Song
This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track, (including pop, rap/hip-hop, Latin, or rock.) (Note: More or less than 5 nominations in a category is the result of ties.)
âBelieve,â Blessing Offor; Hank Bentley & Blessing Offor, songwriters
âFirm Foundation (He Wonât) [Live],â Cody Carnes
âThank God I Do,â Lauren Daigle; Lauren Daigle & Jason Ingram, songwriters
âLove Me Like I Am,â for KING & COUNTRY featuring Jordin Sparks
âYour Power,â Lecrae & Tasha Cobbs Leonard; Alexandria Dollar, Jordan Dollar, Antonio Gardener, Micheal Girgenti, Lasanna âAceâ Harris, David Hein, Deandre Hunter, Dylan Hyde, Christian Louisana, Patrick Darius Mix Jr., Lecrae Moore, Justin Pelham, Jeffrey Lawrence Shannon, Allen Swoope, songwriters
âGod Problems,â Maverick City Music, Chandler Moore & Naomi Raine; Daniel Bashta, Chris Davenport, Ryan Ellis & Naomi Raine, songwriters
Best Gospel Album
For albums containing greater than 75% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.
I Love You, Erica Campbell
Hymns (Live), Tasha Cobbs Leonard
The Maverick Way, Maverick City Music
My Truth, Jonathan McReynolds
All Things New: Live In Orlando, Tye Tribbett
Best Contemporary Christian Music Album
For albums containing greater than 75% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.
My Tribe, Blessing Offor
Emanuel, Daâ T.R.U.T.H.
Lauren Daigle, Lauren Daigle
Church Clothes 4, Lecrae
I Believe, Phil Wickham
Best Roots Gospel Album
For albums containing greater than 75% playing time of newly recorded, vocal, traditional/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.
Tribute to the King, The Blackwood Brothers Quartet
Echoes of the South, Blind Boys of Alabama
Songs That Pulled Me Through the Tough Times, Becky Isaacs Bowman
Meet Me at the Cross, Brian Free & Assurance
Shine: The Darker The Night, The Brighter The Light, Gaither Vocal Band
Best Latin Pop Album
For albums containing greater than 75% playing time of new Latin pop recordings. (Note: More or less than 5 nominations in a category is the result of ties.)
La Cuarta Hoja, Pablo AlborĂĄn
Beautiful Humans, Vol. 1, AleMor
A Ciegas, Paula Arenas
La Neta, Pedro CapĂł
Don Juan, Maluma
X MĂ (Vol. 1), Gaby Moreno
Best MĂșsica Urbana Album
For albums containing greater than 75% playing time of new MĂșsica Urbana recordings. (Category received fewer than 40 entries, only three nominations are presented.)
SATURNO, Rauw Alejandro
MAĂANA SERĂ BONITO, Karol G
DATA, Tainy
Best Latin Rock or Alternative Album
For albums containing greater than 75% playing time of new Latin rock or alternative recordings.
MARTĂNEZ, Cabra
Leche De Tigre, Diamante Eléctrico
Vida Cotidiana, Juanes
De Todas Las Flores, Natalia Lafourcade
EADDA9223, Fito Paez
Best MĂșsica Mexicana Album (Including Tejano)
For albums containing greater than 75% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.
Bordado A Mano, Ana BĂĄrbara
La SĂĄnchez, Lila Downs
Motherflower, Flor De Toloache
Amor Como En Las PelĂculas De Antes, Lupita Infante
WINNER: GĂNESIS, Peso Pluma
Best Tropical Latin Album
For albums containing greater than 75% playing time of new tropical Latin recordings. (Note: More or less than 5 nominations in a category is the result of ties.)
WINNER: Siembra: 45o Aniversario (En Vivo en el Coliseo de Puerto Rico, 14 de Mayo 2022), Rubén Blades con Roberto Delgado & Orquesta
Voy A Ti, Luis Figueroa
Niche SinfĂłnico, Grupo Niche y Orquesta SinfĂłnica Nacional de Colombia
VIDA, Omara Portuondo
MIMY & TONY, Tony Succar, Mimy Succar
Escalona Nunca Se HabĂa Grabado AsĂ, Carlos Vives
Best Global Music Performance
For new vocal or instrumental Global music recordings. (Note: More or less than 5 nominations in a category is the result of ties.)
âShadow Forces,â Arooj Aftab, Vijay Iyer & Shahzad Ismaily
âAlone,â Burna Boy
âFEEL,â Davido
âMilagro y Desastre,â Silvana Estrada
âAbundance in Millets,â Falu & Gaurav Shah (featuring PM Narendra Modi)
âPashto,â BĂ©la Fleck, Edgar Meyer & Zakir Hussain featuring Rakesh Chaurasia
âTodo Colores,â Ibrahim Maalouf featuring Cimafunk & Tank and the Bangas
Best African Music Performance
âAmapiano,â ASAKE & Olamide
âCity Boys,â Burna Boy
âUNAVAILABLE,â Davido featuring Musa Keys
âRush,â Ayra Starr
âWater,â Tyla
Best Global Music Album
For albums containing greater than 75% playing time of new vocal or instrumental Global Music recordings.
EpifanĂas, Susana Baca
History, Bokanté
I Told ThemâŠ, Burna Boy
Timeless, Davido
This Moment, Shakti
Best Reggae Album
For albums containing greater than 75% playing time of new reggae recordings.
Born for Greatness, Buju Banton
Simma, Beenie Man
Cali Roots Riddim 2023, Collie Buddz
No Destroyer, Burning Spear
Colors of Royal, Julian Marley & Antaeus
Best New Age, Ambient, or Chant Album
For albums containing greater than 75% playing time of new vocal or instrumental new age recordings.
Aquamarine, Kirsten Agresta-Copely
Moments of Beauty, Omar Akram
Some Kind of Peace (Piano Reworks), Ălafur Arnalds
Ocean Dreaming Ocean, David Darling & Hans Christian
So She Howls, Carla Patullo featuring Tonality and the Scorchio Quartet
Best Childrenâs Music Album
For albums containing greater than 75% playing time of new musical or spoken word recordings that are created and intended specifically for children.
Ahhhhh!, Andrew & Polly
Ancestars, Pierce Freelon & Nnenna Freelon
Hip Hope For Kids!, DJ Willy Wow!
Taste the Sky, Uncle Jumbo
We Grow Together Preschool Songs, 123 Andrés
Best Comedy Album
For albums containing greater than 75% playing time of new recordings.
I Wish You Would, Trevor Noah
Iâm an Entertainer, Wanda Sykes
Selective Outrage, Chris Rock
Someone You Love, Sarah Silverman
Whatâs in a Name?, Dave Chappelle
Best Audio Book, Narration, and Storytelling Recording
Big Tree, Meryl Streep
Boldly Go: Reflections on a Life of Awe and Wonder, William Shatner
The Creative Act: A Way of Being, Rick Rubin
Itâs Ok to Be Angry About Capitalism, Senator Bernie Sanders
The Light We Carry: Overcoming In Uncertain Times, Michelle Obama
Best Compilation Soundtrack for Visual Media
Award to the principal artist(s) and/or âin studioâ producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).
AURORA (Daisy Jones & The Six); Brandon Davis, Pete Ganbarg, Joseph Khoury & Blake Mills, compilation producers; Frankie Pine, music supervisor
WINNER: Barbie The Album (Various Artists); Brandon Davis, Mark Ronson & Kevin Weaver, compilation producers; George Drakoulias, music supervisor
Black Panther: Wakanda Forever â Music From and Inspired By (Various Artists); Ryan Coogler, Archie Davis & Ludwig Göransson, compilation producers; Dave Jordan, music supervisor
Guardians of the Galaxy, Vol. 3: Awesome Mix, Vol. 3 (Various Artists); Kevin Feige, James Gunn & Dave Jordan, compilation producers; Dave Jordan, music supervisor
Weird: The Al Yankovic Story Weird, Al Yankovic; Leo Birenberg, Zach Robinson & Al Yankovic, compilation producers; Suzanne Coffman, music supervisor
Best Score Soundtrack for Visual Media (Includes Film and Television)
Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, or other visual media.
Barbie, Mark Ronson & Andrew Wyatt, composers
Black Panther: Wakanda Forever, Ludwig Göransson, composer
The Fabelmans, John Williams, composer
Indiana Jones and the Dial of Destiny, John Williams, composer
WINNER: Oppenheimer, Ludwig Göransson, composer
Best Score Soundtrack for Video Games and Other Interactive Media
Award to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.
Call Of DutyÂź: Modern Warfare II, Sarah Schachner, composer
God of War Ragnarök, Bear McCreary, composer
Hogwarts Legacy, Peter Murray, J Scott Rakozy & Chuck E. Myers âSeaâ, composers
WINNER: Star Wars Jedi: Survivor, Stephen Barton & Gordy Haab, composers
Stray Gods: The Roleplaying Musical, Montaigne, Tripod & Austin Wintory, composers
Best Song Written for Visual Media
A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.
âBarbie World [From Barbie The Album],â Naija Gaston, Ephrem Louis Lopez Jr. & Onika Maraj, songwriters (Nicki Minaj & Ice Spice featuring Aqua)
âDance the Night [From Barbie The Album],â Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
âIâm Just Ken [From Barbie The Album],â Mark Ronson & Andrew Wyatt, songwriters (Ryan Gosling)
âLift Me Up [From Black Panther: Wakanda Forever â Music From And Inspired By],â Ryan Coogler, Ludwig Göransson, Robyn Fenty & Temilade Openiyi, songwriters (Rihanna)
WINNER: âWhat Was I Made For? [From Barbie The Album],â Billie Eilish OâConnell & Finneas OâConnell, songwriters (Billie Eilish)
Best Music Video
Award to the artist, video director, and video producer.
WINNER: âIâm Only Sleepingâ (The Beatles)Em Cooper, video director; Jonathan Clyde, Sophie Hilton, Sue Loughlin & Laura Thomas, video producers
âIn Your Love,â Tyler ChildersBryan Schlam, video director; Kacie Barton, Silas House, Nicholas Robespierre, Ian Thornton & Whitney Wolanin, video producers
âWhat Was I Made For?,â Billie EilishBillie Eilish, video director; Michelle An, Chelsea Dodson & David Moore, video producers
âCount Me Out,â Kendrick LamarDave Free & Kendrick Lamar, video directors; Jason Baum & Jamie Rabineau, video producers
âRush,â Troye SivanGordon Von Steiner, video director; Kelly McGee, video producer
Best Music Film
For concert/performance films or music documentaries. Award to the artist, video director, and video producer.
Moonage Daydream (David Bowie)Brett Morgen, video director; Brett Morgen, video producer
How Iâm Feeling Now, Lewis CapaldiJoe Pearlman, video director; Sam Bridger, Isabel Davis & Alice Rhodes, video producers
Live From Paris, The Big Steppers Tour, Kendrick LamarMike Carson, Dave Free & Mark Ritchie, video directors; Cornell Brown, Debra Davis, Jared Heinke, Hank Neuberger & Jamie Rabineau, video producers
I Am Everything (Little Richard)Lisa Cortés, video director; Caryn Capotosto, Lisa Cortés, Robert Friedman & Liz Yale Marsh, video producers
Dear Mama (Tupac Shakur)Allen Hughes, video director; Steve Berman, Jody Gerson, Allen Hughes, John Janick, Lasse Jarvi & Charles King, video producers
Best Recording Package
(Note: More or less than 5 nominations in a category is the result of ties.)
The Art of Forgetting, Caroline Rose, art director (Caroline Rose)
Cadenza 21â, Hsing-Hui Cheng, art director (Ensemble Cadenza 21â)
Electrophonic Chronic, Perry Shall, art director (The Arcs)
Gravity Falls, Iam8bit, art director (Brad Breeck)
Migration, Chang Yu Chung, Li Jheng Han, Yu Wei, art director (Leaf Yeh)
Stumpwork, Rottingdean Bazaar & Annie Collinge, art directors (Dry Cleaning)
Best Boxed or Special Limited Edition Package
The Collected Works of Neutral Milk Hotel, Jeff Mangum, Daniel Murphy & Mark Ohe, art directors (Neutral Milk Hotel)
For the Birds: The Birdsong Project, Jeri Heiden & John Heiden, art directors (Various Artists)
Gieo, Duy Dao, art director (Ngot)
Inside: Deluxe Box Set, Bo Burnham & Daniel Calderwood, art directors (Bo Burnham)
Words & Music, May 1965 â Deluxe Edition, Masaki Koike, art director (Lou Reed)
Best Album Notes
Evenings at the Village Gate: John Coltrane With Eric Dolphy (Live), Ashley Kahn, album notes writer (John Coltrane & Eric Dolphy)
I Can Almost See Houston: The Complete Howdy Glenn, Scott B. Bomar, album notes writer (Howdy Glenn)
Mogadishuâs Finest: The Al Uruba Sessions, Vik Sohonie, album notes writer (Iftin Band)
Playing for the Man at the Door: Field Recordings From the Collection of Mack McCormick, 1958â1971, Jeff Place & John Troutman, album notes writers (Various Artists)
Written in Their Soul: The Stax Songwriter Demos, Robert Gordon & Deanie Parker, album notes writers (Various Artists)
Best Historical Album
Fragments â Time Out of Mind Sessions (1996-1997): The Bootleg Series, Vol. 17Steve Berkowitz & Jeff Rosen, compilation producers; Steve Addabbo, Greg Calbi, Steve Fallone, Chris Shaw & Mark Wilder, mastering engineers; Michael H. Brauer, resotration engineer (Bob Dylan)
The Moaninest Moan of Them All: The Jazz Saxophone of Loren McMurray, 1920-1922Colin Hancock, Meagan Hennessey & Richard Martin, compilation producers; Richard Martin, mastering engineer; Richard Martin, restoration engineer (Various Artists)
Playing for the Man at the Door: Field Recordings From the Collection Of Mack McCormick, 1958â1971Jeff Place & John Troutman, compilation producers; Randy LeRoy & Charlie Pilzer, mastering engineers; Mike Petillo & Charlie Pilzer, restoration engineers (Various Artists)
Words & Music, May 1965 â Deluxe EditionLaurie Anderson, Don Fleming, Jason Stern, Matt Sulllivan & Hal Willner, compilation producers; John Baldwin, mastering engineer; John Baldwin, Steve Rosenthal restoration engineer (Lou Reed)
Written in Their Soul: The Stax Songwriter DemosRobert Gordon, Deanie Parker, Cheryl Pawelski, Michele Smith & Mason Williams, compilation producers; Michael Graves, mastering engineer; Michael Graves, restoration engineer (Various Artists)
Best Engineered Album, Non-Classical
An Engineerâs Award. (Artists names appear in parentheses.)
Desire, I Want to Turn Into YouDaniel Harle, Caroline Polachek & Geoff Swan, engineers; Mike Bozzi & Chris Gehringer, mastering engineers (Caroline Polachek)
HistoryNic Hard, engineer; Dave McNair, mastering engineer (Bokanté)
JAGUAR IIJohn Kercy, Kyle Mann, Victoria MonĂ©t, Patrizio âTeezioâ Pigliapoco, Neal H Pogue & Todd Robinson, engineers; Colin Leonard, mastering engineer (Victoria MonĂ©t)
MultitudesMichael Harris, Robbie Lackritz, Joseph Lorge & Blake Mills, engineers; Patricia Sullivan, mastering engineer (Feist)
the recordOwen Lantz, Will Maclellan, Catherine Marks, Mike Mogis, Bobby Mota, Kaushlesh âGarryâ Purohit & Sarah Tudzin, engineers; Pat Sullivan, mastering engineer (boygenius)
Best Engineered Album, Classical
An Engineerâs Award. (Artist names appear in parentheses.)
The Blue HourPatrick Dillett, Mitchell Graham, Jesse Lewis, Kyle Pyke, Andrew Scheps & John Weston, engineers; Helge Sten, mastering engineer (Shara Nova & A Far Cry)
Contemporary American ComposersDavid Frost & Charlie Post, engineers; Silas Brown, mastering engineer (Riccardo Muti & Chicago Symphony Orchestra)
FandangoAlexander Lipay & Dmitriy Lipay, engineers; Alexander Lipay & Dmitriy Lipay, mastering engineers (Gustavo Dudamel, Anne Akiko Meyers, Gustavo Castillo & Los Angeles Philharmonic)
Sanlikol: A Gentleman of Istanbul â Symphony for Strings, Percussion, Piano, Oud, Ney & TenorChristopher Moretti & John Weston, engineers; Shauna Barravecchio & Jesse Lewis, mastering engineers (Mehmet Ali Sanlikol, George Lernis & A Far Cry)
Tchaikovsky: Symphony No. 5 & Schulhoff: Five PiecesMark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
Producer of the Year, Classical
A Producerâs Award. (Artist names appear in parentheses.)
David Frostâą The American Project (Yuja Wang, Teddy Abrams, Louisville Orchestra)âą Arc II â Ravel, Brahms, Shostakovich (Orion Weiss)âą Blanchard: Champion (Yannick NĂ©zet-SĂ©guin, Latonia Moore, Ryan Speedo Green, Eric Owens, Stephanie Blythe, Metropolitan Opera Chorus & Orchestra)âą Contemporary American Composers (Riccardo Muti & Chicago Symphony Orchestra)âą The Guitar Player (Mattias Schulstad)âą Mysterium (Anne Akiko Meyers, Grant Gershon & Los Angeles Master Chorale)âą Verdi: Rigoletto (Daniele Rustioni, Piotr Beczala, Quinn Kelsey, Rosa Feola, Varduhi Abrahamyan, Andrea Mastroni, The Metropolitan Opera Chorus & Orchestra)
Morten Lindbergâą An Old Hall Ladymass (Catalina Vicens & Trio MediĂŠval)âą Thoresen: Lyden Av Arktis â La Terra Meravigliosa (Christian Kluxen & Arktisk Filharmoni)âą The Trondheim Concertos (Sigurd Imsen & Baroque Ensemble of the Trondheim Symphony Orchestra)âą Yggdrasil (Tove Ramlo-Ystad & Cantus)
Dmitriy Lipay⹠AdÚs: Dante (Gustavo Dudamel & Los Angeles Philharmonic)⹠Fandango (Gustavo Dudamel, Anne Akiko Meyers & Los Angeles Philharmonic)⹠Price: Symphony No. 4; Dawson: Negro Folk Symphony (Yannick Nézet-Séguin & Philadelphia Orchestra)⹠Rachmaninoff: The Piano Concertos & Paganini Rhapsody (Yuja Wang, Gustavo Dudamel & Los Angeles Philharmonic)⹠Walker: Lyric for Strings; Folksongs for Orchestra; Lilacs for Voice & Orchestra; Dawson: Negro Folk Symphony (Asher Fisch & Seattle Symphony)
Elaine Martoneâą Ascenso (Santiago Cañón-Valencia)âą Berg: Three Pieces From Lyric Suite; Strauss: Suite From Der Rosenkavalier (Franz Welser-Möst & The Cleveland Orchestra)âą Between Breaths (Third Coast Percussion)âą Difficult Grace (Seth Parker Woods)âą Man Up / Man Down (Constellation Menâs Ensemble)âą Prokofiev: Symphony No. 5 (Franz Welser-Möst & The Cleveland Orchestra)âą Rachmaninoff & Gershwin: Transcriptions By Earl Wild (John Wilson)âą SirventĂ©s â Music From The Iranian Female Composers Association (Brian Thornton, Katherine Bormann, Alicia Koelz, Eleisha Nelson, Amahl Arulanadam & Nathan Petipas)âą Walker: Antifonys; Lilacs; Sinfonias Nos. 4 & 5 (Franz Welser-Möst & The Cleveland Orchestra)
Brian Pidgeonâą Fuchs: Orchestral Works, Vol. 1 (John Wilson & Sinfonia Of London)âą Music for Strings (John Wilson & Sinfonia Of London)âą Nielsen: Violin Concerto; Symphony No. 4 (James Ehnes, Edward Gardner & Bergen Philharmonic Orchestra)âą Pierre Sancan â A Musical Tribute (Jean-Efflam Bavouzet, Yan Pascal Tortelier & BBC Philharmonic)âą Poulenc: Orchestral Works (Bramwell Tovey & BBC Concert Orchestra)âą Rachmaninoff: Symphony No. 3; Voclaise; The Isle of the Dead (John Wilson & Sinfonia of London)âą Schubert: Symphonies, Vol. 3 (Edward Gardner & City of Birmingham Symphony Orchestra)âą Shostakovich: Symphonies Nos. 12 & 15 (John StorgĂ„rds & BBC Philharmonic)âą Tchaikovsky: Orchestral Works (Alpesh Chauhan & BBC Scottish Symphony Orchestra)
Best Remixed Recording
A Remixerâs Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.
âAlien Love Call,â BADBADNOTGOOD, remixers (Turnstile & BADBADNOTGOOD featuring Blood Orange)
âNew Gold (Dom Dolla Remix),â Dom Dolla, remixer (Gorillaz featuring Tame Impala & Bootie Brown)
âReviver (Totally Enormous Extinct Dinosaurs Remix),â Totally Enormous Extinct Dinosaurs, remixer (Lane 8)
âWagging Tongue (Wet Leg Remix),â Wet Leg, remixers (Depeche Mode)
âWorkinâ Hard (Terry Hunter Remix),â Terry Hunter, remixer (Mariah Carey)
Best Immersive Audio Album
For vocal or instrumental albums in any genre. Must be commercially released for physical sale or on an eligible streaming or download service and must provide a new immersive mix of four or more channels. Award to the immersive mix engineer, immersive producer (if any) and immersive mastering engineer (if any).
Act 3 (Immersive Edition), Ryan Ulyate, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Ryan Ulyate, immersive producer (Ryan Ulyate)
Blue Clear Sky, Chuck Ainlay, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Chuck Ainlay, immersive producer (George Strait)
The Diary of Alicia Keys, George Massenburg & Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Alicia Keys & Ann Mincieli, immersive producers (Alicia Keys)
God of War Ragnarök (Original Soundtrack), Eric Schilling, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Anthony Caruso, Kellogg Boynton, Peter Scaturro & Herbert Waltl, immersive producers (Bear McCreary)
Silence Between Songs, Madison Beer & Leroy Clampitt, immersive audio producers; Mike Piacentini & Sean Brennan, immersive audio engineers; Aaron Short, immersive mastering engineer; Aaron Short, immersive mix engineer (Madison Beer)
Best Instrumental Composition
A Composerâs Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.
âAmerikkan Skin,â Lakecia Benjamin, composer (Lakecia Benjamin featuring Angela Davis)
âCan You Hear the Music,â Ludwig Göransson, composer (Ludwig Göransson)
âCutey and the Dragon,â Gordon Goodwin & Raymond Scott, composers (Quartet San Francisco featuring Gordon Goodwinâs Big Phat Band)
âHelenaâs Theme,â John Williams, composer (John Williams)
âMotion,â Edgar Meyer, composer (BĂ©la Fleck, Edgar Meyer & Zakir Hussain featuring Rakesh Chaurasia)
Best Arrangement, Instrumental or A Cappella
An Arrangerâs Award. (Artist names appear in parentheses.) Singles or Tracks only.
âAngels We Have Heard on High,â Nkosilathi Emmanuel Sibanda, arranger (Just 6)
âCan You Hear the Music,â Ludwig Göransson, arranger (Ludwig Göransson)
âFolsom Prison Blues,â John Carter Cash, Tommy Emmanuel, Markus Illko, Janet Robin & Roberto Luis Rodriguez, arrangers (The String Revolution featuring Tommy Emmanuel)
âI Remember Mingus,â Hilario Duran, arranger (Hilario Duran And His Latin Jazz Big Band featuring Paquito DâRivera)
âPaint It Black,â Esin Aydingoz, Chris Bacon, Alana Da Fonseca, Mick Jagger & Keith Richards, arrangers (Wednesday Addams)
Best Arrangement, Instruments and Vocals
An Arrangerâs Award. (Artist names appear in parentheses.) Singles or Tracks only.
âApril in Paris,â Gordon Goodwin, arranger (Patti Austin featuring Gordon Goodwinâs Big Phat Band)
âCom Que Voz (Live),â John Beasley & Maria Mendes, arrangers (Maria Mendes featuring John Beasley & Metropole Orkest)
âFenestra,â Godwin Louis, arranger (CĂ©cile McLorin Salvant)
âIn the Wee Small Hours of the Morning,â Erin Bentlage, Jacob Collier, Sara Gazarek, Johnaye Kendrick & Amanda Taylor, arrangers (sĂ€je featuring Jacob Collier)
âLush Life,â Kendric McCallister, arranger (Samara Joy)
Best Orchestral Performance
Award to the Conductor and to the Orchestra.
âAdĂšs: Dante,â Gustavo Dudamel, conductor (Los Angeles Philharmonic)
âBartĂłk: Concerto for Orchestra; Four Pieces,â Karina Canellakis, conductor (Netherlands Radio Philharmonic Orchestra)
âPrice: Symphony No. 4; Dawson: Negro Folk Symphony,â Yannick NĂ©zet-SĂ©guin, conductor (The Philadelphia Orchestra)
âScriabin: Symphony No. 2; The Poem of Ecstasy,â JoAnn Falletta, conductor (Buffalo Philharmonic Orchestra)
âStravinsky: The Rite of Spring,â Esa-Pekka Salonen, conductor (San Francisco Symphony)
Best Opera Recording
Award to the Conductor, Album Producer(s) and Principal Soloists, and to the Composer and Librettist (if applicable) of a world premiere Opera recording only. (Category received fewer than 40 entries, only three nominations are presented.)
âBlanchard: Champion,â Yannick NĂ©zet-SĂ©guin, conductor; Ryan Speedo Green, Latonia Moore & Eric Owens; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
âCorigliano: The Lord of Cries,â Gil Rose, conductor; Anthony Roth Costanzo, Kathryn Henry, Jarrett Ott & David Portillo; Gil Rose, producer (Boston Modern Orchestra Project & Odyssey Opera Chorus)
âLittle: Black Lodge,â Timur; Andrew McKenna Lee & David T. Little, producers (The Dime Museum; Isaura String Quartet)
Best Choral Performance
Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.
âCarols After a Plague,â Donald Nally, conductor (The Crossing)
âThe House of Belonging,â Craig Hella Johnson, conductor (MirĂł Quartet; Conspirare)
âLigeti: Lux Aeterna,â Ragnar Bohlin, conductor (San Francisco Symphony Chorus)
âRachmaninoff: All-Night Vigil,â Steven Fox, conductor (The Clarion Choir)
âSaariaho: Reconnaissance,â Nils Schweckendiek, conductor (Uusinta Ensemble; Helsinki Chamber Choir)
Best Chamber Music/Small Ensemble Performance
For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.
âAmerican Stories,â Anthony McGill & Pacifica Quartet
âBeethoven for Three: Symphony No. 6, âPastoraleâ And Op. 1, No. 3,â Yo-Yo Ma, Emanuel Ax & Leonidas Kavakos
âBetween Breaths,â Third Coast Percussion
âRough Magic,â Roomful of Teeth
âUncovered, Vol. 3: Coleridge-Taylor Perkinson, William Grant Still & George Walker,â Catalyst Quartet
Best Classical Instrumental Solo
Award to the Instrumental Soloist(s) and to the Conductor when applicable.
âAdams, John Luther: Darkness and Scattered Light,â Robert Black
âAkiho: Cylinders,â Andy Akiho
âThe American Project,â Yuja Wang; Teddy Abrams, conductor (Louisville Orchestra)
âDifficult Grace,â Seth Parker Woods
âOf Love,â Curtis Stewart
Best Classical Solo Vocal Album
Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with greater than 50% playing time of new material.
Because, Reginald Mobley, soloist; Baptiste Trotignon, pianist
Broken Branches, Karim Sulayman, soloist; Sean Shibe, accompanist
40@40, Laura Strickling, soloist; Daniel Schlosberg, pianist
Rising, Lawrence Brownlee, soloist; Kevin J. Miller, pianist
Walking in the Dark, Julia Bullock, soloist; Christian Reif, conductor (Philharmonia Orchestra)
Best Classical Compendium
Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 50% playing time of the album, and to the Composer and Librettist (if applicable) with over 50% playing time of a world premiere recording only. (Note: More or less than 5 nominations in a category is the result of ties.)
Fandango, Anne Akiko Meyers; Gustavo Dudamel, conductor; Dmitriy Lipay, producer
Julius Eastman, Vol. 3: If Youâre So Smart, Why Arenât You Rich?, Christopher Rountree, conductor; Lewis Pesacov, producer
Mazzoli: Dark With Excessive Bright, Peter Herresthal; Tim Weiss, conductor; Hans Kipfer, producer
Passion for Bach and Coltrane, Alex Brown, Harlem Quartet, Imani Winds, Edward Perez, Neal Smith & A.B. Spellman; Silas Brown & Mark Dover, producers
Sardinia, Chick Corea; Chick Corea & Bernie Kirsh, producers
Sculptures, Andy Akiho; Andy Akiho & Sean Dixon, producers
Zodiac Suite, Aaron Diehl Trio & The Knights; Eric Jacobsen, conductor; Aaron Diehl & Eric Jacobsen, producers
Best Contemporary Classical Composition
A Composerâs Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.
âAdĂšs: Dante,â Thomas AdĂšs, composer (Gustavo Dudamel & Los Angeles Philharmonic)
âAkiho: In That Space, at That Time,â Andy Akiho, composer (Andy Akiho, Ankush Kumar Bahl & Omaha Symphony)
âBrittelle: Psychedelics,â William Brittelle, composer (Roomful of Teeth)
âMazzoli: Dark With Excessive Bright,â Missy Mazzoli, composer (Peter Herresthal, James Gaffigan & Bergen Philharmonic)
âMontgomery: Rounds,â Jessie Montgomery, composer (Awadagin Pratt, A Far Cry & Roomful of Teeth)
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Itâs not a Grammy weekend if Jay-Z doesnât hold a party and a-listers scramble to get invites and attend. Hova hosted a soiree at a West Hollywood club in lieu of his annual Roc Nation Brunch not going down this year.
The party was held at the Bird Streets Club in West Hollywood on Friday night (Feb. 2). In attendance were notables that included Lil Uzi Vert, Karreuche Tran, Odell Beckham, Jr., Migos rapper Quavo, Kanye Westâs ex-wife, and more.
Over at TMZ, the flames are being fanned that Beckham and Kim Kardashian may be an item.
Per TMZ:
Of course, this only fueled rumors that Kim and Odell might be more than just friends. You may recall, Kim sparked chatter among people that she was dating Odell when she showed up at his 31st birthday party last year. For now, though, itâs all just speculation.
Yeah, thatâs great.
Anyway, peep photos of the guests in attendance in the gallery.
Ahead of Musicâs Biggest Night, the Grammys, Billboard staffers sat down and chatted all about their predictions, performances, snubs and more!Tetris Kelly:Itâs Grammy Sunday! Iâm Tetris Kelly, here at Soho Warehouse in downtown Los Angeles. We have a great show for you today with behind-the-scenes access, exclusive interviews with nominees like Dom Dolla and Scott Hoying of Pentatonix, and some hot performances. Plus, weâll talk to Billboardâs experts covering all things you need to know, the biggest snubs, hottest genres and their picks in the Big Four categories, including the highly competitive best new artist. Oh, and by the way, weâll introduce you to all eight best new artist nominees, so letâs run it down! Welcome to Billboard Celebrates Musicâs Hottest Night!
First up are two of Billboardâs most in-the-know contributors Katie Atkinson and Rania Aniftos to talk about some of the biggest moments in music this year and what everyone is talking about going into the Grammys. Hey, ladies, howâs it going?
Katie Atkinson:Hi, Tetris!
Rania Aniftos:Hi, Tetris!
Tetris Kelly:I love that you got the green memo with me, Katie.
Katie Atkinson:Thatâs right! Sorry, Rania!
Tetris Kelly:Sorry, Rania!
Rania Aniftos:No one informed me!
Tetris Kelly:You weâre not informed, but you guys are the most informed in music. So letâs talk about this year. Canât talk about it without the biggest tours â Beyonce, Taylorâs Eras tour, Renaissance tour, how did that shape music this year?
Rania Aniftos:I mean, you were at both the tours this year.
Katie Atkinson:I did. I went to both. I think Tetris did too.
Tetris Kelly:I had a good time!
Katie Atkinson:Basically, two of our biggest superstars had their career-defining tours this year and I think that kind of goes into the Grammys because itâs like whoâs going to be next? Whoever gets coronated as the big star after Sunday night, maybe theyâre gonna have the big career-defining tour next year, right?
Tetris Kelly:Absolutely and I mean, Taylor is also having a big year in nominations as well, correct?
Rania Aniftos:Oh, yeah, I mean, sheâs nominated for album of the year for âMidnights,â and she basically dominates the Grammys once again, as she does with every single album cycle. Something that I really liked about her tour, and Iâm hoping that more artists do it and it seems like with Madonna and the Jonas Brothers, there are already artists who are playing on this âEras thing,â you know, where they want to celebrate their discography and the music that made them who they are. And I hope that more artists look towards the future to do something like that.
Tetris Kelly:And we canât talk about women having a big year without talking about the âBarbieâ soundtrack I mean Lizzo, Dua Lipa, Billie Eilish, that soundtrack had bops on bops.
Watch the video above!
In celebration of Grammy Week and the kickoff of Black History Month, BMAC presented a trio of events in the name of service and fun. Capping the organizationâs week of events in Los Angeles were the BMAC x Billboard Action Awards in conjunction with an Economic Justice Summit (Feb. 2) held at United Talent Agency […]
At Clive Davisâ and the Recording Academyâs annual pre-Grammy gala on Saturday night (Feb. 3), two-time Oscar-winning actor Tom Hanks proved to be an incredibly effective hype man. The actor delivered a six-minute intro for the legendary record executive, listing more than 50 artists that Davis discovered or worked with, concluding with only slight irony that âthe only reason the names Mozart, Beethoven and Tchaikovsky havenât been mentioned is because they all died before Clive Davis graduated from Harvard [and] before he got a desk and a phone at Columbia Records.âÂ
Davis arrived on stage at the Beverly Hilton in Beverly Hills, Calif., to thunderous applause as he pledged once again to deliver an unforgettable evening, as he has since the party started 48 years ago.Â
âSo, this night is really so special for me and I hope for all of you,â Davis said. âI look out among you, and I see so many familiar faces. You know, the whole thing began long ago in 1976 and I really have to pinch myself that itâs going still so strong. I mean, the demand this year has just been incredible. Iâm happy to say that music is alive and well and that you all see the best of the new tonight, as well as the best of those artists who inspire all of us with the truly electrifying length of their careers.â
As usual, the room included some of the biggest stars in the world, including Cher, Mariah Carey and Meryl Streep (sitting with her daughter Grace Gummer and Gummerâs husband, producer Mark Ronson), as well as Lenny Kravitz, Serena Williams, Hanks and his wife, Rita Wilson; Scottie Pippen, Cameron Crowe, Peter Asher, Gayle King, Max Martin, Shania Twain, Adrian Brody, Jon Bon Jovi, Paris Hilton, Smokey Robinson and, attending for the 24th consecutive year, Rep. Nancy Pelosi (D-Calif.) and her husband, Paul.Â
Meryl Streep, Clive Davis, Cher, and co-chairman/COO of Warner Records Tom Corson attend the Pre-Grammy Gala & Grammy Salute to Industry Icons Honoring Jon Platt at The Beverly Hilton on February 3, 2024 in Los Angeles.
Monica Schipper/Getty Images for The Recording Academy
But the brightest stars were on the stage as an incredibly diverse rosters of artists performed. Green Day, introduced by Williams, who called herself the bandâs âmascot,â opened the evening with exhilarating performances of âAmerican Idiotâ and âBasket Case.â
Next, in a delightful gender twist, Ronson and his co-writer Andrew Wyatt were joined by Lainey Wilson filling in for Ryan Gosling, for a pitch-perfect take on âIâm Just Ken,â from Barbie. The Grammy- and Oscar-nominated Ronson joked he was going into awards season with some guidance from the song about âthe beauty of being a runner-up, which is a lesson Iâll try to remember tomorrow night [at the Grammys].â (Heâs already emerged a winner with the song triumphing as best song at the Critics Choice Awards in January).Â
As promised, the evening heavily focused on developing acts, all of them nominated for best new artist this year, who have broken through with defining songs over the past several months. Ice Spice sassily strutted across the stage during âDeli,â while Noah Kahan introduced himself as âMumfordâs son,â a totally appropriate description for his folk sound, as he delivered strong, tuneful renditions of âStick Seasonâ and âDial Drunk.â (His banjo-driven performance begs for him to tour with Mumford & Sons as a strong double bill). Victoria Monet, who is up for seven Grammys on Sunday (Feb. 4), danced through an energetic âOn My Mama.â
Green Day band members Mike Dirnt, Billie Joe Armstrong and Tre Cool arrive for the Recording Academy and Clive Davisâ Salute To Industry Icons pre-Grammy gala at the Beverly Hilton hotel in Beverly Hills, California on February 3, 2024.
Robyn Beck/AFP via Getty Images
But it was two fellow best new artist nominees who delivered truly starmaking turns. Following Josh Grobanâs stirring, beautiful takes on two Stephen Sondheim numbers picked by Davis â Into the Woodsâ âChildren Will Listenâ and Sweeney Toddâs âNot While Iâm Around,â the Tony-nominated artist was joined by Michael Trotter, one-half of best new artist-nominated duo, The War and Treaty, for a soaring, breathtaking version of Simon & Garfunkelâs âBridge Over Troubled Water,â with Trotterâs unwavering falsetto bringing the audience to itâs feet.
Though the Groban/Trotter pairing would have seemed impossible to follow, Jelly Roll took the crowd to church with two songs about his desperate search for redemption as he delivered scorching, pleading versions of âNeed a Favor,â performed with a full choir, and âSave Me,â accompanied by Wilson.
Sony Music Publishing chairman and CEO Jon Platt was recognized as the 2024 Grammy Salute to Industry Icons honoree. Feted by energetic crowd-pleasing performances by Public Enemy and the Isley Brothers, two acts who had played pivotal roles in the early stages of his career, Platt took the stage shortly after midnight to receive his award. In a speech that spanned more than 30 minutes during which the fire alarm went off not once, but twice, Platt ran through a number of highlights in his illustrious career, calling the eveningâs honor a full-circle moment. In 1998, Platt attended his first Davis pre-Grammy gala, then held at the Beverly Hills Hotel. There, he ran into the late former Motown president/CEO Jheryl Busby.
âHe said, âSomebody was asking me, who do I see in the industry today that can achieve the things that Iâve achieved. âŠI told them, Big Jon could run the whole thing one day,ââ Platt recounted. Busbyâs words were life altering. âFor someone to share the belief that they have in you is powerful, it is incredibly powerful. And from that day, I kind of like changed the course of my focus. I had a purpose after that, because this guy said I could run the whole thing. So, I just changed the way I acted change people I had around me, the  people I was around, so on and so forth. Everything had great intention. And so, to be here tonight, receiving the industry icon is an incredible full circle moment that Iâm quite proud of.âÂ
In an extraordinary moment, Platt took time to acknowledge the rivalry between him and his former EMI Music Publishing colleague Jody Gerson, who is now CEO of Universal Music Publishing Group. âPeople think Jody and I have this complicated relationship. We do because weâre both intense competitors,â he said. âWe compete incredibly hard. Beyond this competition is this deep love and respect that we have for each other. I mean you have to respect your competitors, but it goes deeper than that with me and Jody. Like I have this incredible amount of respect for her.  And Jody is the person that hired me at EMI, so in many ways she changed my life. And people always like to say when you achieve these things and you say how you did it, âWell, you would have did it anyway.â Maybe not. The only thing you could do is focus on is how it happened. And thatâs how it happened. Everything Iâm telling you was how it happened. So, I appreciate you Jody and I truly hope that Marty [Bandier, former CEO/chairman of EMI Music Publishing and Sony/ATV Music Publishing] is proud of the legacy that weâre leaving for him.â
As the clock approached 1 a.m., the final performers took the stage to an appreciative audience as Colombian superstar Maluma sang a high-energy âHawaiiâ and the iconic Gladys Knight performed âThe Way We Were,â a song Knight and The Pips took to No. 11 nearly 50 years ago in 1975. She was then joined by Dionne Warwick â half the team who recorded the 1985 charity juggernaut, âThatâs What Friends Were Forâ â with Andra Day and Keyshia Cole joining in. The crowd burst into applause when Stevie Wonder, who also appeared on the original song, played his instantly recognizable harmonica solo. Though that was supposed to be the last number, Wonder led the group in âWhat the World Needs Now Is Loveâ to usher the audience out into a rainy Los Angeles night.Â
The setlist for Clive Davis and the Recording Academyâs 2024 pre-Grammy party:
Green Day â âAmerican Idiot, âBasket CaseâMark Ronson â âIâm Just Kenâ with Lainey Wilson and Andrew WyattIce Spice â âDeliâNoah Kahan â âStick Season,â âDial DrunkâVictoria Monet â âOn My MamaâJosh Groban â Sondheim medley with âChildren Will Listenâ and âNot While Iâm AroundâJosh Groban and Michael Trotter Jr. â âBridge Over Troubled WaterâJelly Roll â âNeed a Favor,â âSave Meâ with Lainey WilsonPublic Enemy â âCanât Truss It,â âBring the Noise,â âFight the PowerâIsley Brothers â âShoutâMaluma ââHawaiiâGladys Knight â âThe Way We WereâGladys Knight, Dionne Warwick, Stevie Wonder, Andra Day and Keyshia Cole ââThatâs What Friends Are For,â âWhat the World Needs Now Is LoveâÂ
The best thing about the Recording Academyâs Special Merit Awards, where they dispense Lifetime Achievement Awards and other career-capping honors, is the warm way the recipients reach across genres and generations to acknowledge each other. And so it was when the 2024 honors were presented on Saturday (Feb. 3) at the Wilshire Ebell Theater in Los Angeles.
Hip-hop innovator DJ Kool Herc, who received a Trustees Award, spied fellow honoree Gladys Knight in the front row and said of âMidnight Train to Georgia,â her 1973 classic with the Pips â ânow, thatâs flow.â
Ice Cube also praised Knight and the gospel singing group The Clark Sisters in his remarks, in which N.W.A received a Lifetime Achievement Award.
âWe knew when we started to do music in 1985/1986 that a Grammy was not in the cards for the type of music we were doing, and we were cool with that. We canât sing like Gladys or hold a note like The Clark Sisters. We wanted to make sense of the world around us, Long Beach, Compton, Watts.â
He noted that when N.W.A started out they had their lane all to themselves. âWe didnât think the whole world would be doing it. We thought it was ours. What it showed was when you do your thing, the world will come to you and you donât have to go to the world.â
N.W.A is the fifth rap group to receive a Lifetime Achievement Award from the Recording Academy in the past eight years, following Run-DMC, Public Enemy, Grandmaster Flash & the Furious Five and Salt-N-Pepa. (In addition, Slick Rick, who rose to prominence in Doug E. Fresh & the Get Fresh Crew, was honored on his own last year.)
In welcoming the audience to the Special Merit Awards, Ruby Marchand, the Academyâs chief awards and industry officer, said âThis ceremony is a highlight of Grammy Week, so heartfelt.â Thatâs the right word for it. Especially since the Grammy Awards scaled up to arenas in 1997 when they were held at New Yorkâs Madison Square Garden for the first time, the Special Merit Awards are seen as the warmer, more intimate show, with good feelings all around. Perhaps thatâs because itâs not a competition and because these acknowledgements usually come late in the honoreesâ careers, when they are in a reflective mood.
Four of the honors were presented posthumously â Lifetime Achievement Awards to Donna Summer, Tammy Wynette, Eazy-E of N.W.A and a Technical Grammy Award to sound engineer Tom Kobayashi. In addition, attorney Joel Katz, who received a Trustees Award, â[is] addressing his health concerns,â in the words of fellow attorney Jason M. Karlov, who accepted for him.
Dr. Dre, being honored as a member of N.W.A sent a text message, read by Harvey Mason, jr. CEO of the Recording Academy, in which he explained that the ceremony fell on his daughterâs birthday and he put family first, but nonetheless said âIâm honored to receive this award with my N.W.A brothers.â
Two well-chosen guest artists introduced segments. Bone Thugs-N-Harmony, who had a No. 1 smash on the Billboard Hot 100 in 1996 with âTha Crossroads,â a tribute to Eazy-E, presented the award to N.W.A. The members said that N.W.A âchanged music, culture and America forever.â And Shelby Lynne presented the award to one of her idols, Wynette. Lynne also sang a good bit of Wynetteâs âStand By Your Man,â which she correctly called âa country classic for the ages.â
Wynetteâs award was accepted by Tamala Jones, her daughter by George Jones. The daughter credited the Showtime miniseries George & Tammy for being a factor that may have helped Wynette, who died in 1998, finally receive this award. George Jones received the honor in 2012.
Bruce Sudano, who was married to Summer for more than 30 years, accepted Summerâs Lifetime Achievement Award, along with their daughters Mimi, Brooklyn and Amanda. He said the phone call in which he was notified of the honor stirred âfeelings I didnât anticipate. My body filled with pure joy, connected to a tear in my eye. Itâs gratifying for us that, more than 10 years after her passing, her voice and music are still omnipresent in the zeitgeist.â
He credited Universal Music Group and Warner Chappell, among others, for coming up with creative ways to keep her music alive. âIâm grateful that she continues to inspire young fans, [whether newcomers or] beautiful BeyoncĂ© and her Summer Renaissance.â
The Summer segment ended when her daughter Mimi sang a few ethereal lines from Summerâs 1977 dance/electronica classic âI Feel Love.â
Summer was the first female artist to win Grammy Awards in four different genres: R&B (âLast Danceâ), rock (âHot Stuffâ), inspirational (âHeâs a Rebelâ and âForgive Meâ) and dance (âCarry Onâ).
Knight spoke emotionally about family in accepting her Lifetime Achievement Award. She noted that her mother would never allow her to sing âeasy.â It had to come from a deeper place. All credit, then, to Gladys Knightâs mother for encouraging her daughter to find the perfect blend of âpain and gloryâ that has always been her trademark.
In 1974, Gladys Knight & the Pips became the first group to win Grammys in both pop and R&B categories the same night.
Laurie Anderson accepted her Lifetime Achievement Award with an eloquent speech. âI make music that doesnât have a snappy name,â she said. ââMulti-mediaâ is the one I dislike the least. âExperimentalâ sounds like Iâm making things in a laboratory that might explode.â
She also related three rules to live by that she and her late husband, Lou Reed, came up with.â1) Donât be afraid of anyone. 2) Get a really good bullshit detector. 3) Be really tender.â
Anderson could win a competitive Grammy on Sunday, one day after accepting this honorary one. She is nominated for best historical album for Words & Music, May 1965 (Deluxe Edition). Anderson is one of two of this yearâs Special Merit Awardees who are current Grammy nominees. Karen Clark-Sheard of The Clark Sisters is nominated for best gospel performance/song for âGod Is Good.â
Peter Asher, who received a Trustees Award, had scanned the list of previous recipients of that award, and said he found it âintimidating.â Citing in particular The Beatles, Mo Ostin, Ahmet Ertegun, Sir George Martin, Lou Adler, Carole King and Clive Davis, he said âthe phrase âWe are not worthyâ comes to mind when I get this award.â
In a video setting up the presentation, the Grammys reached back to a clip from the 1990 telecast where Asher won producer of the year, non-classical for the second time. âI would like to thank the artists I worked with,â he said. âThey could very easily have made the records without me, but I certainly couldnât have made them without them.â
There were moments of humor in the proceedings. Sound engineer Tom Scott, who received a Technical Grammy Award in tandem with his late partner Tom Kobayashi, had to sheepishly admit that even he sometimes has technical issues. âI had this [acceptance speech] on my cell phone, but itâs on a little red zone that says it has 5% power, so I had to fall back on analog,â he said, as he pulled out a printed copy of his remarks to read.
Jason M. Karlov, an attorney at Katzâs law firm, Barnes + Thornburg, said this in accepting Katzâs Trustees Award, which are generally given to non-performers. âIâve heard Trustees Awards are not for performances but if youâve ever known Joel, itâs a performance.â
Karlov also said that Katz feels that âhis most prideful work is his 41 years of service on behalf of the Academy.â As an outside general counsel for the Recording Academy, Katz is credited with leading the negotiations for the Grammysâ 10-year, $500 million deal with CBS in 2016. (The Academy has rewarded a handful of Grammy insiders with Trustees Awards over the years, including Christine Farnon, the Academyâs first full-time employee; Pierre Cossette, who was instrumental in turning the Grammys into a live telecast; Walter C. Miller, the showâs longtime director; and Ken Ehrlich, who produced or executive produced the telecast for 40 years.)
Kânaanâs âRefugeeâ was the Best Song for Social Change Award Honoree.This award, now in its second year, honors songwriter(s) of message-driven music that speaks to the social issues of our time and has demonstrated and inspired positive global impact.
âRefugee,â which Kânaan co-wrote with Steve McEwan and Gerald Eaton, serves as a tribute to refugees around the world. Kânaan, 45, was nominated in a comparable category, best video with a message, at the 2012 MTV Video Music Awards for âIs Anybody Out There?,â a collaboration with Nelly Furtado.
Annie Ray of Annandale High School in Annandale, Virginia, received the 2024 Music Educator Award presented by the Recording Academy and Grammy Museum. Ray serves as both the orchestra director and performing arts department chair at Annandale High School in the Fairfax County Public School (FCPS) system. âOrchestra is much more than just a class â itâs a second family,â Ray said.
Sorry, Swifties. Taylor Swift will not be performing at the 2024 Grammys Awards, Billboard has learned. The 34-year-old pop superstar, who is nominated for six awards at this yearâs Grammys, is expected to attend the ceremony on Sunday (Feb. 4) but wonât be stepping onto the stage for a live musical performance. Immediately after the […]
Just as Bon Jovi has done for 40 years, musicians came to rock at the Los Angeles Convention Center Friday night (Feb. 2) as the bandâs namesake, Jon Bon Jovi, was honored at MusiCares 33rd Person of the Year annual gala. Â
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The honoree himself set the tone for the night, opening the evening with âLegendary,â the propulsive first single from the bandâs forthcoming album that sounds like a classic Bon Jovi track. âAs I look out here at all you tuxedoed executives, I remind you this is a Bon Jovi concert,â Jon Bon Jovi said. âWe donât sit down.â
And there was certainly no sitting as Bon Jovi then introduced Bruce Springsteen, calling him âmy mentor, my hero, my brother, my friend,â as the audience of more than 2,000 began chanting the requisite âBRUUUUUUCE.â Springsteenâs participation had been in doubt after his 98-year old mother, Adele, died on Wednesday (Jan. 31).
 As Bon Jovi later explained, when Springsteen â MusiCares Person of the Year in 2013 â first got the news about his mother, he was already on a plane to Los Angeles. âI certainly would have understood if heâd said that he couldnât make it,â Bon Jovi said, âbut he wanted to be here tonight for MusiCares. And he wanted to be here tonight for me. And Iâm forever grateful to you.
The two most famous musicians from New Jersey (perhaps other than Frank Sinatra) ripped into spirited renditions of Bon Joviâs 2006 hit âWho Says You Canât Go Home,â which boasts Springsteenean âAlrightsâ in the chorus, and Springsteenâs âPromised Land,â with Bon Jovi playing Springsteenâs trademark harmonica parts before the Boss joined in for a little harmonica duet at the end.Â
Among those singing along in the audience were Ted Danson and Mary Steenburgen, MSNBC host Ari Melber, frequent Bon Jovi collaborator Desmond Child, Rita Wilson, Carly Pearce, Gayle King, Nile Rodgers and former Speaker of the House Nancy Pelosi and her husband, Paul. The latter pair made the rounds earlier in the evening, schmoozing with Bon Jovi, 2012 MusiCares honoree Paul McCartney and Springsteen.Â
Bon Jovi then sat down, flanked for much of the evening by Springsteen and McCartney, as a constellation of artists took the stage to deliver some of the most beloved anthems in the arena rock canon from the past 40 years. With more than 150 million albums sold, including 12 times platinum rock juggernaut Slippery When Wet, and nearly 20 top 40 hits, there was no shortage of familiar material to draw from.Â
Melissa Etheridge, joined by Larkin Poe had the tough task of following Bon Jovi and Springsteen, but proved more than up to the challenge with a sizzling version of Jon Bon Joviâs No. 1 solo hit, âBlaze of Glory,â from the 1990 film Young Guns ll. Trainâs Pat Monahan delivered a stylish take on 2000âs driving hit, âItâs My Lifeâ; Shania Twain turned in a dramatic reading of ballad âBed of Rosesâ; Sammy Hagar was joined by guitar slinger Orianthi for Bon Joviâs first No. 1, 1986âs âYou Give Love A Bad Nameâ; and Jason Isbell pulled out a double neck guitar, similar to the one sported by former band member Richie Sambora, on the iconic âWanted Dead or Alive.â While many acts pulled from the multi-platinum groupâs â80s and â90s era, the Goo Goo Dolls dipped into more recent fare, taking on the title track from 2016âs This House is Not for Sale.
Comedian Jim Gaffigan served as a nimble and often hilarious host, good naturedly roasting Jon Bon Jovi for his â80s fashion and even more so for his â80s big hair, and even taking to the stage in a replica of a trademark beefcake poster of Jon Bon Jovi from the â80s in a cut-off Jack Daniels T-shirt, obscenely short denim shorts and a wig with a shocking amount of teased, flowing blond locks. As he sarcastically noted of the ridiculously photogenic Bon Jovi, âYou have to wonder where he would have gotten if he was good looking.âÂ
Later, he suggested that Bon Jovi, McCartney and Springsteen, as well as table mate, New England Patriots owner Robert Kraft, could form a new iteration of The Traveling Wilburys, with Kraft on lead vocals.Â
Additionally, a new generation of artists equipped themselves well taking on songs that they had likely grown up with or heard their parents play.  Best new artist nominee Jelly Roll delivered a growly, rollicking âBad Medicine,â while taking advantage of the playing before a room full of powerful music industry executives to spread a message about an issue close to his heart, drug addiction. The country artist, who spoke at a congressional hearing in support of an anti-fentanyl bill in January, sported a jacket with facts about drug addiction, including one across his back that read â190 people a day overdose and die in the United States of America.â
A pigtailed Lainey Wilson followed with a spirited âWe Werenât Born to Follow,â while MĂ„neskinâs charismatic frontman Damiano David performed a propulsive âKeep the Faith.â Wolfgang Van Halenâs Mammoth WVH delivered a pounding âHave A Nice Day,â and guitar wiz Marcus King showed off his blazing fret work on âBorn to Be My Baby.âÂ
Playing on the round, revolving B-stage in the middle of the audience, best new artist nominees The War and Treaty gave one of the eveningâs most inspired performances at times singing directly to each other with an elevated, emotional take of âIâll Be There For You,â Bon Joviâs 1989 tale of devotion that husband and wife team Michael and Tonya Trotter should definitely consider cutting for their next album. Also utilizing the smaller space to great effect was 17-time Grammy nominee Brandy Clark with a beautiful rendition of  2007âs â(You Want to) Make a Memory.â
The evening also included video tributes from Matthew McConaughey, John Mayer, P!nk, Ed Sheeran and New Jersey Senator Cory Booker, who praised Bon Jovi for âhis everyday commitment to [help] other people.â Bon Joviâs myriad philanthropic efforts include the JBJ Soul Foundation, which has built close to 1,000 units of affordable housing, and JBJ Soul Kitchens, which operate on a pay-it-forward model where those in need volunteer for their meals at the kitchen while paying customers are asked to make a donation that will cover their meal as well as the meal of someone in need.
Kraft, who first met Bon Jovi on the sidelines at the 1997Â Super Bowl (âIn a game we lost,â he noted), presented Bon Jovi with his award, praising the honoree for his business acumen and social consciousness.Â
âUnlike the majority of artists and performers, who understandably, are insular, Jonâs always had an empathy for the world at large,â Kraft said. âAnd heâs shown that impact as a philanthropist. He has used his platform as a global rock star and paired it with his own money and operating skill and created the Soul Foundation⊠building a model program for solving the vicious cycle of hunger, poverty and homelessness that has now been copied by many others.â He also praised the son of two Marines for his long-lasting marriage to his high school sweetheart, Dorothea.Â
After thanking Springsteen and McCartney (saying to the Beatle, âI think itâs fair to say that the reason most, if not all, of us are in the room tonight, is because of you.â), Bon Jovi quickly noted that this award wouldnât have been possible without those around him. âEverything that Iâve accomplished with or without the band or in my philanthropic life has had the support of my family, my friends, bandmates, collaborators and an army of the willing, whoâve been ready to take my dreams and make them a reality,â he said.Â
He also praised the ability of music as the âcommon threadâ that âmoves us when weâre happy and it comforts us when weâre sad and brings us together.â He then spoke of recently buying back his first electric guitar that he sold in 1979 for $100. With his newly reclaimed guitar back in his hands, âthe first thing I did was held it, cradled it, really, and then wrote a song⊠another thing Iâve come to know is that every time that I strum my guitar, Iâm reminded that I have a best friend for life. That instrument will never let you down.âÂ
Bon Jovi then thanked MusiCares for providing assistance to those musicians not as fortunate as himself, who have needed a helping hand. Since 1991, MusiCares has handed out more than $110 million to provide essential support for programs and services assisting the music community, including physical and mental health, addiction recovery, preventive clinics, unforeseen personal emergencies, and disaster relief.Â
(L-R) Michael Trotter Jr., Hugh McDonald, Jon Bon Jovi, Sammy Hagar and Jelly Roll attend the 2024 MusiCares Person of the Year Honoring Jon Bon Jovi during the 66th Grammy Awards on Feb. 02, 2024 in Los Angeles
Kevin Mazur/Getty Images for The Recording Academy
Ending by saying, âthe 18-year-old in me wants to sing with everybody else,â Bon Jovi called his band back to the stage, including keyboardist David Bryan and drummer Tico Torres, as well all the eveningâs participating artists (minus Springsteen) to perform the groupâs beloved anthem and 1986 Billboard Hot 100 chart-topper âLiving on a Prayer.â Jon Bon Jovi roamed the stage, hugging and trading lyrics with many of the performers to close the evening.Â
See the MusiCares Salute to Jon Bon Jovi set list below:
âLegendary,â Bon JoviâWho Says You Canât Go Home,â Bon Jovi and Bruce SpringsteenâThe Promised Land,â Bon Jovi and Bruce SpringsteenâBlaze of Glory,â Melissa Etheridge and Larkin PoeâBad Medicine,â Jelly RollâWe Werenât Born to Follow,â Lainey WilsonâItâs My Life,â Pat MonahanâBed of Roses,â Shania TwainâWanted Dead or Alive,â Jason IsbellâKeep the Faith,â Damiano DavidâThis House is Not for Sale,â Goo Goo DollsâIâll Be There for You,â The War and TreatyâHave a Nice Day,â Mammoth WVHâ(You Want To) Make a Memory,â Brandy ClarkâLiving on a Prayer,â Bon Jovi and guests
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