goldenvoice
Drop that stylus on this week’s stacked Executive Turntable, Billboard’s compendium of promotions, hirings, exits and firings — and all things in between — across music.
Read on for some very personnel news and don’t forget to cast your vote for the Power 100 Players’ Choice Award, plus peruse our annual list of the industry’s savviest financial advisers, our weekly interview series spotlighting a single c-suiter and our calendar of notable industry events.
SoCal concert promoter Goldenvoice, a subsidiary of AEG Presents, announced the retirement of its senior vice president, Susan Rosenbluth. With a career spanning six decades, Rosenbluth has worked with artists like Elton John, Talking Heads, BTS and Van Morrison, among others. She began her career at the Greek Theatre in 1978 and became its general manager by 1982. She later managed concert presentations at various venues for Nederlander, including the Pantages Theatre, the Pacific Amphitheatre and the Honda Center, and became a talent buyer in 1995. In 2003, Rosenbluth joined Goldenvoice, overseeing talent buying for concerts across California, Alaska, Hawaii and Arizona. She also spearheaded the Latin concert promotion division and became a key figure in promoting K-pop acts in North America, including BTS and BLACKPINK. She also co-chairs AEG’s Women’s Leadership Council and has received numerous awards, including from Billboard and Pollstar. “My work life has been filled with so many meaningful experiences, due to the Goldenvoice concert promotion team, artists and their crews who come together to present these events,” said Rosenbluth, “I am grateful to the people of the concert community.” Goldenvoice president Paul Tollett added: “Susan is a legend… that goes without saying. But she also charted a new course for Goldenvoice musically and made us better for it.”
Trending on Billboard
Goldenvoice has promoted Lea Swanson to vp of talent, where she’ll oversee booking for the Mountain Winery, contribute to talent buying at key Los Angeles venues like the Peacock Theater and Shrine Auditorium, and book shows in across multiple markets in California and Hawaii. Based in San Diego, Swanson will report to COO Melissa Ormond. Swanson brings over 25 years of experience in talent buying, including 17 years with Goldenvoice parent AEG Presents. Her career began in 1999 at Viejas Casino, where she helped develop a 1,500-capacity concert venue. She has since booked a wide range of events, from small clubs to full-size arenas, and worked with venues like the Rady Shell, Humphreys Concerts by the Bay and Pechanga Resort Casino. Stoked for her new role, Swanson emphasized the can’t-pass-up opportunity to grow within the mega-market just north of her. “After over 17 years with AEG Presents in my home market of San Diego and supporting numerous casino clients, I feel fortunate to be in the right place at the right time to step into this elevated role,” she said. “A year after accepting the lead booking role at the Mountain Winery in Saratoga, having the chance to grow and promote shows in one of the primary music markets in North America was an opportunity I had to take.”
Bill Walshe is Sphere Entertainment‘s new executive vp and global head of venue operations and development. The hospitality industry veteran will lead operations at the mothership in Las Vegas, while also running point on developing a global network of other orbs the world over. Reporting to Jennifer Koester, president and COO, Walshe will lean on his skillset to enhance the guest experience at Sphere. Walshe’s career includes leadership positions at Viceroy Hotel Group, The Doyle Collection and Jumeirah Group, where he oversaw sales, marketing, and innovation initiatives. Koester praised Walshe’s expertise in international markets, citing his ability to align with Sphere’s ambitious vision. “Sphere is a global destination for immersive experiences unlike anywhere else,” said Koester. “Bill’s expertise across premier brands in international markets will be an asset as we continue to deliver an unparalleled experience for guests, artists, and partners at our Las Vegas venue, while pursuing our long-term growth goals for this next-generation entertainment medium.”
The New York Philharmonic appointed Matías Tarnopolsky to president and CEO of the storied symphony, effective New Year’s Day. Currently leading The Philadelphia Orchestra and Ensemble Arts, Tarnopolsky has held prominent roles at Cal Performances, the Chicago Symphony Orchestra and the BBC Symphony Orchestra. He previously served as vice president of artistic planning at the New York Phil from 2005 to 2009. Board co-chairmen Peter W. May and Oscar L. Tang praised Tarnopolsky’s innovative leadership and strong relationships within the artistic community. Gustavo Dudamel, the Philharmonic’s incoming music and artistic director, expressed confidence in their shared vision for the orchestra. “I vividly remember when Matías came to Caracas in 2006 and, from that moment, I knew that I had met someone who would become one of the most important leaders in our industry,” recalled Dudamel. Tarnopolsky said he looks forward to returning to the Phil, inspired by its newly renovated David Geffen Hall, Dudamel’s leadership and plans to elevate the Philharmonic’s cultural impact and foster inclusivity. “We will rededicate ourselves to the New York Philharmonic’s contemporary place in the cultural and civic life of New York, for all New Yorkers, to create an inclusive, expansive, and joyful musical future,“ he said.
Rachael Stoeltje will become chief of the Library of Congress‘s National Audio-Visual Conservation Center, beginning in January. She’ll oversee the Packard Campus in Virginia, managing the world’s largest collection of films, TV programs, radio broadcasts and sound recordings, focusing on acquisition, preservation and accessibility. Previously, Stoeltje directed Indiana University Libraries Moving Image Archive, leading its expansion and film digitization and preservation efforts. As president of the Association of Moving Image Archivists, she championed diversity and global cooperation in media preservation. Library of Congress associate librarian for researcher and collections services Hannah Sommers praised Stoeltje’s career as “visionary” and “laser-focused on the future and leading by example.” Stoeltje emphasized tackling challenges like AI’s impact on archival authenticity and global archival risks. “The big issues on the horizon are an important part of our future work, along with preserving and making accessible our nation’s moving image and sound recording cultural heritage,” she said.
Capitol Records tapped Sam Breslin as vice president of marketing, a bump-up from his previous role of senior director. In his elevated position, Breslin will continue crafting and implementing strategies for a wide array of newer and legacy artists at the legendary label. Having joined Capitol over a decade ago as a coordinator, he has since contributed to significant successes for Lewis Capaldi, The Beatles, Paul McCartney, Niall Horan, Norah Jones, Good Neighbours, Beck and more.
Venu Holding Corporation (VENU) named Terri Liebler as its chief marketing officer. With 30 years of experience in sports and entertainment, Liebler previously served as senior vp in Live Nation Entertainment’s media and sponsorship division, where she led strategic planning and innovative growth initiatives. During her 22-year tenure at Live Nation, she played a key role in expanding U.S. and international venue and festival platforms and cultivating partnerships. Liebler’s career also includes roles with the NBA’s Seattle SuperSonics and San Antonio Spurs, as well as work on the Premium Seat operations team for the 1996 Atlanta Olympics. VENU’s founder and CEO, J.W. Roth, praised Liebler’s passion and leadership, anticipating she’ll bring with her “an unrelenting enthusiasm and dedication for our brands that will undoubtedly drive our unparalleled venues to new heights.”
VENU also announced that Live Nation Entertainment veteran Will Hodgson has been its president since October. He spent 13 years at LNE, where he led House of Blues Entertainment, overseeing 20 venues, 17 restaurants, and seven cocktail lounges. His background also includes investment banking and developing ticketing solutions for major festivals. “Will is a rockstar, he will do an incredible job quarterbacking our strategic growth and operations,” said J.W. Roth. “His unique expertise across live music, finance, ticketing, food and beverage, and real estate development is a powerful fit for our vision.”
Nashville-based music publishing company Little Extra Music hired Victoria Goodvin to represent the company’s catalog. Goodvin’s career includes time at Song Factory Music, Wide Open Music, Liv Write Play and Row Entertainment. Also joining the team is Tristan Scaife (son of Little Extra Music co-founder Joe Scaife), who will work alongside Goodvin. LEM was founded in 2013 by Scaife and Lisa Ramsey-Perkins. The company’s catalog features more than 100 cuts, including the four-week Billboard Country Airplay chart-topper “She Got the Best of Me,” and the Walker Hayes-recorded “You Broke Up With Me. Writers Rob Snyder, Tia Sillers, Kylie Sackley, Will Bowen and Kelsey Waters are represented in the catalog. –Jessica Nicholson
NASHVILLE NOTES: PLA Media appointed Krista Dykes as senior media relations manager. Dykes began her career in 2007, contributing to communications projects in online insurance and inside the country music industry. She most recently served as media relations manager for the Country Music Association from 2015 to 2023, fostering relationships with national media and TV affiliates, and she’s the founder of the Secret Mom Hacks podcast and Mom Boss Mastermind, a virtual networking group for entrepreneurial mothers … O’Neil Hagaman, LLC promoted Tiffany Wiggers to principal, where she will influence the Nashville firm’s productivity and growth while continuing to serve her diverse client base. Wiggers, who began as an intern in 2004, is a current member of the Tennessee and Nashville Bar Association’s Entertainment Divisions, as well as the Gospel Music Association and the Country Music Association.
Big Loud Rock appointed Jenn Essiembre as senior vp of A&R. Reporting to Big Loud partner Joey Moi and GM Lloyd Norman, Essiembre will lead the label’s A&R strategy, focusing on talent identification and development. Essiembre previously served as vp at 300 Publishing, a division of 300 Entertainment, where she signed and developed artists and songwriters like Sean Momberger, Hunxho and Spencer Jordan. Her career began at ole Music Publishing, where she facilitated placements for stars like Sam Smith, Justin Timberlake, and Maluma. Essiembre expressed enthusiasm for her new role, aligning with Big Loud Rock’s artist development values, while Moi praised her energy, expertise and vision. “From our first conversation, I knew she’d be the right fit for this role,” he said.
Independent publisher OTM Music has appointed Emmy Feldman as U.S. head of A&R. Feldman brings extensive music experience, having helped open the Brooklyn outpost of Rough Trade before spending seven years in A&R at Atlantic Records and Canvasback Music. She then moved to Heavy Duty, where she managed a roster of songwriters, producers, and artists, including Buddy Ross and BJ Burton. In July of this year, she joined OTM, managing a roster that includes Dot Da Genius, Metronomy, Sub Focus, Still Woozy and Hemlocke Springs. OTM Music, launched by CEO Alex Sheridan in 2017, supports a roster of songwriters who have collaborated with SZA, Travis Scott, and A$AP Rocky. Recent high-profile deals include Kid Cudi producer Dot Da Genius, Sub Focus, and partnerships with artists like Sudan Archives and HONNE. Operating in London, New York, and Los Angeles, OTM also named Kristin Genovese as U.S. Head of Sync and added Kate Sweetsur and Ethan Mizen to its UK A&R team.
Hook, a new AI-powered social music app centered on remixes and mashups, expanded its leadership team with four key appointments. Katerina Kosta, formerly of TikTok/ByteDance and Jukedeck, joined as head of AI to develop ethically-trained AI tools that enhance music creativity while ensuring fair artist treatment. Grammy-nominated engineer Prash Mistry is now head of audio development and UK general manager. Karan Bhatnagar, previously head of digital at Three Six Zero management, stepped in as head of artist and creator strategy to support artist campaigns. Ed Pak, with a decade of industry experience and involvement in Saavn’s acquisition by Reliance Jio, is taking on the role of head of business development and Partnerships. The app, launched on Apple’s App Store this fall, also announced new offices in Los Angeles and London.
SILO Music appointed Marcy Bulkeley as head of sync A&R and music supervision of the publishing, management and sync house. Bulkeley will manage sync licensing and music supervision for film, TV, motion picture advertising and emerging media through her venture, Subtle Mother Music Supervision Services. With over 25 years of industry experience, she is known for her expertise in music curation and creative collaboration. Previously, as vp of sync A&R at Universal Music Group, she led custom music and remix projects, earning Clio awards and Guild of Music Supervisors nominations. SILO Music’s CEO, Jack Ormandy, praised Bulkeley’s innovative approach as aligning with the company’s mission to create elevated experiences through music. Under her leadership, SILO aims to expand its reach, delivering bar-none music curation and sync services to clients across multiple industries.
Bootleg, a company specializing in high-end concert recordings, appointed Rohan Adarkar as an equity advisor. The longtime entrepreneur is tasked with helping the company by leveraging his expertise in scaling entertainment tech products and building partnerships with global music stakeholders. In 2003, Adarkar co-founded txttunes, an early text-to-pay service for DRM-free MP3 downloads, which partnered with the American Association for Independent Musicians during the 50th Grammy Awards before its acquisition in 2007. Adarkar also founded totally different, a B2B consultancy, and advises the New Zealand government and its Ministry of Arts and Culture. He is a trustee of the Click Foundation, supporting education initiatives.
Splice appointed Jeff Roberto as senior vp of marketing, tasking him with leading global marketing initiatives and expanding the platform’s presence for musicians. Roberto brings extensive experience, including leadership roles at Nodle, DistroKid, and Picsart, where he helped drive a $130 million funding round and a $1 billion valuation. His career also spans Shazam, Napster, MAGNIFI and Astralwerks Records. Roberto aims to enhance Splice’s impact through innovative AI tools and brand growth. CEO Kakul Srivastava commended Roberto’s industry expertise and commitment to creative communities, emphasizing Splice’s AI roadmap as transformational.
Various Artists Management elevated Rebecca Dixon to global head of marketing & general manager UK. Dixon, previously head of marketing and promotions, will now split her time between VAM’s London and LA offices, reporting to CEOs David Bianchi and Matt Luxon. In her expanded role, Dixon will oversee UK marketing and audience development, deepen her involvement in LA, and strengthen partnerships across Europe. Over her decade-long tenure with VAM, she has led innovative campaigns for artists like Ashnikko, Tom Grennan, and The Libertines. Her promotion follows her recognition as the Trailblazer: The Richard Antwi Award winner at the Music Business UK Awards.
Fixated, a digital entertainment company launched in early 2024 by former BMG North America president Zach Katz and creator economy exec Jason Wilhelm, has added key hires to its executive and talent management teams. Jeff Shaivitz (svp of business and sales), Kou Chaichian (vp of brand partnerships) and Daniel Coughlan (head of content development) bring extensive expertise to support the company’s growth. Additionally, new talent managers Anooj Desai, Kasia Turek and Kyle Rooney have joined to oversee Fixated’s growing roster of top digital creators.
ICYMI:
Cara Donatto
Cara Donatto is appointed evp of media strategy for Atlantic Music Group, overseeing publicity and communications strategy and execution … BMG promoted Katie Kerkhover to the role of svp of A&R, Frontline Recordings in North America … Troy “Tracker” Johnson is launching TRACK mgmt following nearly 10 years with Big Loud … Sony Music UK hired former UMG exec Azi Eftekhari as its COO, in charge of key areas, including the label’s Commercial Group. [KEEP READING]
Last Week’s Turntable: UMG Touts Liszt of Promotions in Classics Group
Southern California concert promoter Goldenvoice, a subsidiary of AEG Presents, announced a new round of promotions for its talent-buying group on Tuesday (Oct. 29).
Talent buyer Becky Rosen-Checa will segue from booking shows at the historic 500-capacity Roxy Theatre in West Hollywood and the 770-capacity El Rey Theatre in L.A.’s mid-city to the 2,000-capacity Fox Theater in Pomona, as well as one-off L.A.-area shows for Goldenvoice. She will also help book gigs at Goldenvoice shows at Los Angeles State Historic Park and Brookside at the Rose Bowl, as well as festival properties Palm Springs Surf Club and Desert Air.
“After two very fulfilling years at the Roxy and El Rey, I’m excited to transition into my new role booking the Fox Theater in Pomona, festivals such as Desert Air & GV Surf Club, and other fun stuff around LA,” said Rosen-Checa in a statement. “Having started out at this company as the receptionist, I am grateful to those at Goldenvoice who believed in me and helped me get where I am today. I look forward to booking many cool shows and festivals for many years to come!”
Trending on Billboard
Henry Huerta, Rosen-Checa’s booking partner, will continue to handle booking duties at the Roxy and El Rey alongside newly-promoted talent buyer Montreh Nariman-Hassanabadi, who noted in a statement, “I aim to break barriers in live music by amplifying the voices of international acts, particularly Middle Eastern artists,” with plans to “create a vibrant cultural experience that resonates with all.”
Elsewhere, Chavanté Flakes, who joined AEG Presents in 2022, has been promoted to talent buyer at The Novo, where he joins current Novo talent buyer Gaston Leone. And in San Diego, Candace Mandracia has joined the company to help book shows in the area after most recently working at AEG Presents’ Las Vegas office. At AEG, Flakes will now book shows at San Diego’s Rady Shell at Jacobs Park, Humphreys and the venues at Pechanga Casino.
Said Mandracia in a statement, “I’m so excited to be back in San Diego, promoting concerts with John Wojas again. We have years of experience in the market together, and I look forward to being a part of the local Goldenvoice team!”
“It’s really gratifying to see someone grow and develop and to be able to recognize and reward that hard work,” added Melissa Ormond, COO at Goldenvoice. “To be able to do that with four individuals at one time is truly extraordinary. Becky, Montreh, Chevanté, and Candace all are great examples of the spirit we try to foster across Goldenvoice, and I’m thrilled to see them take these next steps on their collective career paths.”
Accomplished talent buyers and entertainment executives Jenn Yacoubian and Stacy Vee have been appointed executive vps at Goldenvoice, the AEG Presents-owned concert and festival promoter behind marquee events like Coachella, Stagecoach, Just Like Heaven and more. Vee and Yacoubian will oversee the booking department, headquartered at Goldenvoice’s offices in Los Angeles, while continuing to act […]
English metal legends Judas Priest are playing Power Trip festival in Indio, California, after rocker Ozzy Osbourne announced Monday that he would not be performing at the metal-themed festival produced by Goldenvoice.
Explore
See latest videos, charts and news
See latest videos, charts and news
Osbourne had been scheduled to perform alongside AC/DC, Guns N Roses, Tool, Metallica and Iron Maiden Oct. 6-8 but pulled out of the festival Monday, telling fans in an Instagram message “My original plan was to return to the stage in the summer of 2024, and when the offer to do this show came in, I optimistically moved forward. Unfortunately, my body is telling me that I’m just not ready yet and I am much too proud to have the first show that I do in nearly five years be half-assed.”
He continued, “The band that will be replacing me on Power Trip will be announced shortly. They are personal friends of mine and I can promise that you will not be disappointed.”
Power Trip is taking place at the Empire Polo Field, the same site used to host the annual Coachella music festival, as well as the annual Stagecoach country music festival. It follows the Goldenvoice-produced Desert Trip festival in 2016 that was headlined by the Rolling Stones, Paul McCartney, Roger Waters, Neil Young, Bob Dylan and The Who. Ticket prices start at $599, covering all three days. Single-day tickets are not currently for sale.
Judas Priest toured extensively in 2022 and was inducted into the Rock and Roll Hall of Fame that year, but does not currently have any shows on the books for 2023. The band is booked to play a European tour in spring 2024. Led by vocalist Rob Halford, Judas Priest has toured extensively with Osbourne and had been scheduled to tour with him in 2022 before that tour had to be postponed for health reasons.
Osbourne’s health struggles also led to a March announcement that he was canceling his upcoming 2023 U.K. and European tour dates due to a spinal injury.
“My singing voice is fine. However, after three operations, stem cell treatments, endless physical therapy sessions, and most recently groundbreaking Cybernics (HAL) Treatment, my body is still physically weak,” Osbourne wrote on Instagram at the time.
Frank Ocean’s decision to cancel his second of two performances at Coachella this weekend will likely cost the festival several million dollars, sources tell Billboard — losses that the festival will try to offset, in part, with finding new uses for the giant ice pad the company created for Ocean’s long-awaited performance.
A source close to the situation tells Billboard that festival promoter Goldenvoice is trying to make the best out of the millions of dollars spent on building a giant ice pad that was supposed to accommodate over 100 skaters during Ocean’s set last Sunday night but was scrapped at the last minute after the artist suffered an ankle injury. The ice pad cannot be used as a public ice rink, the source says, but the Goldenvoice team is working out how to incorporate it into another yet-to-be determined performance.
Ocean was to be paid $4 million for each of his two Coachella performances, for a total of $8 million, sources say. Since Ocean is not performing for the second weekend, he will only be paid for the first weekend’s performance. Goldenvoice, however, will still need to pay Blink-182 that same $4 million rate for their replacement one-hour headlining set on Sunday, sources say, and will also need to pay the newly announced Skrillex, Four Tet and Fred again.. combo for their closing set.
Typically, festival promoters pay an artist a performance rate and also cover basic production needs such as staging, sound, lighting and video boards. The artists will cover all additional production elements from their fee that are unique to their performance such as musicians, dancers, performers and other major visual elements.
In Ocean’s case, however, the most expensive part of his production — the custom ice pad— was built by Goldenvoice and came with significant energy costs. So, while Goldenvoice had planned to recoup that cost from his performance fees, sources say the production costs Ocean racked up exceed the $4 million he earned for the first weekend. That means Ocean failed to turn a profit from his Coachella appearance and that the festival will have to eat the remaining loss — for which it is highly unlikely to demand repayment.
Ocean also racked up about $45,000 in curfew fines during his set, which played 25 minutes past the mandatory midnight curfew imposed by Indio, California, city officials. However, a source close to Ocean says those fines are Goldenvoice’s fault, claiming Ocean’s set started an hour late because festival staff took an additional 50 minutes to change over the stage from Bjork’s set to Ocean’s set.
Despite the curfew fines, which added up to $133,000 over the weekend, according to officials with the city of Indio, the millions of dollars spent on an unused ice sheet and extra talent costs, Goldenvoice is still likely to make a profit from the festival. In an average year, Coachella grosses more than $115 million in ticket sales across both weekends and makes tens of millions more in food, beverage and hospitality.
Coachella’s second weekend kicks off Friday (April 21) in Indio.
Head in the Clouds is headed to the East Coast. The signature festival by 88rising — a music and media company amplifying Asian talent and culture — will take over Forest Hills Stadium in Queens, N.Y., from May 20-21 during Asian American and Pacific Islander Heritage Month.
Explore
See latest videos, charts and news
See latest videos, charts and news
“88rising started in New York City, from a parking garage in the Bronx to where the first employees came together where we sat in a room in a shared space in Brooklyn to lay the foundation of what 88rising is,” said 88rising CEO and founder Sean Miyashiro in a statement to Billboard. “It was the most magical time of my life – the whole experience of building and things starting to happen, is the best part of all this. All of this happened in New York City, winter, spring, summer fall – through the seasons it’s where 88rising took shape and I’m beyond proud and to me it’s only fitting that this was all born there. It’s especially meaningful to be able to do it at an iconic venue like Forest Hills Stadium during its 100th anniversary!”
This marks the first time the Head in the Clouds festival has branched out to a new market in North America following a successful run in Los Angeles (2018-19, 2021-22) and 2022 festivals in Jakarta and Manila. It also represents a homecoming for 88rising, which was founded in New York City back in 2015. The East Coast festival will be produced alongside frequent 88rising collaborator and Southern California promoter Goldenvoice (Coachella, Stagecoach), as well as new partner The Bowery Presents.
“We are thrilled to welcome Head In The Clouds Music & Arts Festival to Forest Hills Stadium in Queens this May,” said Jim Glancy and John Moore, partners at The Bowery Presents, in a statement provided to Billboard. “Head In The Clouds is already renowned in Southern California thanks to our partners at 88rising and Goldenvoice, and we are excited to launch on the East Coast at one of the most iconic locations in New York City.”
The New York festival’s lineup will include NIKI, Rich Brian, ITZY, beabadoobee, DPR Live & DPR Ian, MILLI and XG. Plus, artists such as Masiwei, Atarashii Gakko!, P-Lo, Raveena, Warren Hue and more. Check out a full lineup below.
Courtesy Photo
This year, Head In The Clouds New York Music & Arts Festival will be partnering with non-profit organization Heart of Dinner, an organization directly addressing food insecurity and isolation experienced by Asian American seniors—two long-standing community issues heightened by the pandemic. The festival will be donating $1 per ticket to Heart of Dinner and working with them on activating on-site.
Tickets for Heads in the Clouds New York will go on sale March 20 at 10am ET. Fans can register for passes now.
Long Beach is the laboratory for a half-dozen sustainability initiatives at this weekend’s annual Cali Vibes music festival at the city’s Marina Green Park.
Headlined by Snoop Dogg, Jack Johnson, Slightly Stoopid, Damian Marley, Ben Harper, Cypress Hill and many more, the popular reggae and West Coast hip-hop festival will be ground zero for new efforts by promoter Goldenvoice to dramatically reduce waste, decrease the event’s carbon footprint and use materials from last year’s festival to create merch and apparel for 2023 fans.
The challenge for Cali Vibes — like all other festivals — is that most festivals are not considered environmentally sustainable due to the amount of attendee travel involved, the energy consumed and the waste generated on-site, says AEG vp of Sustainability Erik Distler.
“It’s important to start with recognizing this work is difficult,” Distler says. “Executing sustainability initiatives for a large temporary event with tens of thousands of people involves engaging a broad stakeholder set” that includes artists, vendors, production companies, city officials and fans.
Distler said Goldevoice realized early on that the best way to maximize the impact of their sustainability efforts was to “embrace the complexity at the onset” of planning the 2023 event and develop a strategy centered around trackable operational improvements and attendee education.
“We’re in the business of bringing people together, evoking emotion, fueling passion and energy — it’s very human,” Distler adds. “We have the opportunity and responsibility to connect with our fans and talk about our sustainability work in a way that’s inspiring and uplifting. It’s about what’s possible if we come together.”
Sustainability has always been one of the undertones of Cali Vibes, “due to the event’s proximity to the ocean and the overall spirit of the festival,” says Nic Adler, vp of Goldenvoice Festivals. “This year, we booked Jack Johnson and his team really got us motivated to look at each corner of the festival and ask ourselves ‘what can we do differently?’”
That includes pushing Goldenvoice and its parent company AEG to offer fans refillable water stations and eliminate the sale of single-use plastic water bottles at the festival. This effort included renegotiating a water sponsorship agreement originally brokered by AEG with Origin, which will now offer canned instead of bottled water at Cali Vibes. Goldenvoice also partnered with vendor r.Cup to replace its single-use beer cups with a reusable plastic cup that is collected on-site, washed at a specialized cleaning facility and reused the following weekend.
Cali Vibes
Elli Lauren
“These cups have a life expectancy of several years,” dramatically reducing the number of single-use cups that end up in the landfill, says Michael Ilves, director of Goldenvoice Festivals, noting that the event’s waste management plan includes bins specifically designed to collect the cups.
“Another change in how we manage waste production is that bins previously labeled as trash or landfill will now be labeled as ‘waste-to-energy,’” Ilves explains. “Long Beach happens to have a waste-to-energy power plant that burns off waste, captures the gases released and powers about 35,000 homes off of that process.”
Helping fund the initiative is a first-ever $5 per ticket sustainability fee to pay for initiatives like the r.Cup program and purchase equipment to promote the use of solar energy and reduce the use of diesel generators. Goldenvoice is also working with a vendor to recycle signage, printed material and leftover merchandise from the 2022 festival to create new consumer items for 2023, including apparel, tote bags and posters.
All sustainability initiatives at the festival are being closely tracked by Santa Monica firm Three Squares Inc. — including recording every staff member’s own carbon footprint — to measure Goldenvoice’s progress and analyze opportunities to expand the company’s sustainability efforts to the 32 festival brands it operates globally, including the annual Coachella and Stagecoach festivals. Insights gleaned from the resulting report can help the company significantly improve its environmental impact, Adler explains.
“Popping up in a parking lot for an event that 20,000 people drive to is not sustainable,” Adler says. “That’s why it’s important for us to create a report that allows us to continue the work that we’re doing and be honest about our own carbon footprint. It gives us an opportunity to get together in a room and say ‘Here is last year’s number, this year let’s try to cut it in half.’”
Courtesy Photo
Stagecoach’s iconic Palomino Stage is getting the star treatment in 2023 with scheduled performances from Tyler Childers, Bryan Adams, Melissa Etheridge and more. The Palomino Stage, which offers an alternative sound to the main stage acts, will also feature sets from ZZ Top, Marty Stuart, Turnpike Troubadours and Nikki Lane, among others.
Explore
See latest videos, charts and news
See latest videos, charts and news
Stagecoach festival will take place from April 28-30 at the Empire Polo Club in Indio, Calif., following two weekends of Coachella on the same grounds. Ian Munsick, Keb’ Mo’, Valerie June, Sierra Ferrell, Jaime Wyatt, Sammy Kershaw and more will also take the Palomino Stage in 2023.
The country festival celebrates its 15th anniversary with a Palomino Stage that rivals previous years. The Palomino Stage has welcomed Merle Haggard, Willie Nelson, George Jones, John Prine, Jerry Lee Lewis, Smokey Robinson, Emmylou Harris, Glen Campbell, Kenny Rogers, Charley Pride, Tom Jones and Dwight Yoakam as well as today’s hottest, award-winning talent including Sturgill Simpson, Cody Jinks, Zach Bryan, Cody Johnson, Colter Wall, Charley Crockett, Margo Price and more over the years.
The 2023 edition of Stagecoach will also see headlining performances from superstars Luke Bryan, Kane Brown and Chris Stapleton. Additional artists on the Mane Stage include Brooks & Dunn, Jon Pardi, Old Dominion, Riley Green, Lainey Wilson, Gabby Barrett, Parker McCollum, BRELAND, Elle King, Morgan Wade, Niko Moon and Kameron Marlowe.
Three-day passes for the country festival begin at $389 with VIP, camping and parking passes also available. New to this year’s festival is the Saloon pass, which offers fans access to standing room only areas on both sides of the Corral and access to the Rhinestone & Cowboy Saloons featuring specialty food and drink vendors, air-conditioned restrooms, shaded seating areas, and full bars. For more information on tickets and lineup, head here.
-
Pages