genre rock
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British indie-rock duo Wet Leg are teasing a full-scale return, plotting their launch with a pair of upcoming U.S. dates.
The group – which was formed in 2019 by Rhian Teasdale and Hester Chambers – announced their live return via a post on social media on Wednesday (March 19).
“Hey there neighbor,” they wrote. “Been a while hasn’t it? Why dont u come on down to the bottom of our garden? it’s about time we had ourselves a little gathering…just a couple of special nights in NYC and LA.”
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The first of these shows will take place on March 31 at Brooklyn’s Market Hotel, while their Los Angeles show will be on April 8 at The River in Frogtown. Sign-ups for ticketing access have been made available via the band’s website. These live shows will be the band’s first since August, and are set to be followed by a series of performances throughout the U.K. and Europe over summer.
News of the upcoming U.S. dates follows on from a surprisingly active period of time on social media for the band this week. On Monday (March 17), a post captioned “we’re so back” urged fans to visit Wet Leg’s website, where hints of the band’s new era were provided.
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“Salutations, lonely heart,” a message in a Windows 95-era textbox reads. “You have wandered far, but you are home. Enter Moisturizer Valley — where the skin never cracks, and the body never withers. Enroll now. Learn how to live forever.”
This was followed up by a snippet of a new song shared on Tuesday (March 18), though no official release date for the track has been revealed as yet.
Wet Leg rose to fame in 2021 with the release of their debut single “Chaise Longue.” Reaching No. 15 and 21 on the Alternative Airplay and Rock Airplay charts respectively, the Mean Girls-referencing track was featured on the band’s self-titled debut LP in 2022, which reached No. 14 on the Billboard 200 upon its release.
Such was the success of Wet Leg that they scored a nomination for best new artist at the 2023 Grammys, with “Chaise Longue” taking home best alternative music performance and their LP winning best alternative music album. The group have also managed to snare high-profile support slots for the likes of Harry Styles and the Foo Fighters in stadiums around the world in recent years.
After close to two decades together, Guns N’ Roses and drummer Frank Ferrer have parted ways,
News of the band’s lineup shift was confirmed by the group in a statement released on Wednesday (March 19). “Guns N’ Roses announce the amicable exit of Frank Ferrer, the longest-serving drummer in their storied run,” the statement read. “The band thanks Frank for his friendship, creativity and sturdy presence over the past 19 years, and they wish him success in the next chapter of his musical journey.”
Ferrer became a member of Guns N’ Roses in 2006, taking over from Bryan “Brain” Mantia, who had joined in 2000. Holding the role for 19 years, he is the longest-tenured percussionist in the band’s history, second only to Steven Adler, who sat behind the kit from 1990 to 1997.
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Ferrer’s recorded contributions to the band began with five tracks on their famously-delayed (and currently, their most recent) studio album, Chinese Democracy, which arrived in 2008. He would also appear on the live portion of 2022’s Hard Skool EP, with former drummer Brain appearing on the studio tracks and their 2023 singles “Perhaps” and “The General.”
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Ferrer’s last appearance with the band took place at Mexico’s Hell & Heaven Metal Fest in November 2023, which is currently the most recent live performance from Guns N’ Roses to date.
Currently, the band are scheduled to return to the road soon, launching their awkwardly-titled Because What You Want & What You Get Are Two Completely Different Things Tour in South Korea on May 1. The tour will visit the Middle East and Europe over the following months, with no dates set past their July 31 concert in Germany. No replacement for Ferrer has been named at the current time.
Outside of his time with Guns N’ Roses, Ferrer had previously performed with The Beautiful, later joining future Guns N’ Roses bandmate Richard Fortus in both Love Spit Love and The Psychedelic Furs. In 2019, Ferrer also co-founded the rock band PSSR, who have issued a handful of singles in recent years.
Garbage, the iconic American alternative rockers who rose to fame in the ’90s, are in the midst of their first Latin American tour in a decade. The trek kicked off March 12 in Colombia, followed by stops in Chile and Argentina, before arriving in Brazil this Friday (March 21).
On April 6, after an 11-year absence from the country, Garbage will perform in Monterrey, Mexico, at the Tecate Pa’l Norte festival.
“It’s great to go back to Mexico, you know. And going to Pa’l Norte again is even better,” lead singer Shirley Manson tells Billboard Español about their participation on the festival’s second day, which will also feature stars like Olivia Rodrigo and Kings of Leon. “Each represents different generations, and their own music. We’re not the same side of the coin. Having many options at the same place is fantastic.”
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Since the band’s inception in the early ’90s, Garbage has been beloved among Latin American audiences. Tracks like “Stupid Girl,” “Only Happy When it Rains” and “I Think I’m Paranoid” have transcended the years, creating a strong bond with fans in the region.
When asked about the growing globalization of Latin music, Manson shares: “Latin music is developing and expanding so quickly. Now, listening to music in Spanish is something we are used to. That’s so great, it’s wonderful.”
The reunion with their fans has been overwhelmingly positive. At the Festival Rec, recently held in Concepción, southern Chile, the band shared the stage with acts like Los Tres, Suede and Julieta Venegas, along with 40 other talents that brought together an estimated 360,000 attendees, according to Chile’s Ministry of Cultures, Arts and Heritage.
In Buenos Aires, Argentina, the Obras Stadium was packed with fans who had been waiting for the band since their last performance at the legendary Luna Park in 2014. Shirley Manson has a special connection with Argentina, particularly with its feminist movements; the singer even participated in a colloquium there in 2019.
For their performance at Parque Fundidora in Monterrey, where Tecate Pa’l Norte will take place from April 4–6, daily attendance is expected to reach at least 100,000 people. The eclectic lineup includes Green Day, Massive Attack, Justin Timberlake, Caifanes, Foster the People, Benson Boone, El Tri and Eden Muñoz, among others.
Garbage, comprised of Shirley Manson, Butch Vig, Duke Erikson and Steve Marker, has released several covers over the past two years, including David Bowie’s “Starman,” U2’s “Who’s Gonna Ride Your Wild Horses,” Siouxsie and the Banshees’ “Cities in Dust” and Patti Smith’s “Because the Night.” Fans are eagerly awaiting new music from the band, as their eighth studio album, Let All That We Imagine Be the Light, is set to drop on May 30.
Spiritbox earns its second No. 1 on the Top Hard Rock Albums chart, debuting atop the survey with Tsunami Sea. The set bows with 22,000 equivalent album units earned in the U.S. in the week ending March 13, according to Luminate. Of that sum, 16,000 units come from album sales, with 10,000 coming from a […]
Travis Barker teased a new musical era for Yellowcard while giving a tour of his studio. The Blink-182 drummer showed off all his equipment with Reverb in a video shared this week, where he shared his favorite drum kit. “This is my main kit. I’ve tried all different variations; nothing beats this stainless steel DW. […]
Australian rock icons Silverchair are set to celebrate the 30th anniversary of their seminal debut album, Frogstomp, with a special event in Sydney next week. However, frontman Daniel Johns will not be taking part.
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The event is scheduled for March 26 at the Metro Social in Sydney, a venue that holds significance for Silverchair, as it hosted some of the band’s early performances before their rapid rise to fame.
The night will feature drummer Ben Gillies, former Silverchair manager John Watson, and label executive John O’Donnell, all sharing insights into the band’s meteoric success. Additionally, celebrated music photographer Tony Mott will be in attendance, and Sydney-based indie rockers The Buoys are set to perform tracks from Frogstomp in tribute.
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Released in March 1995, Frogstomp catapulted Silverchair to international stardom. The album debuted at No. 1 on the ARIA Albums Chart and made history by reaching the top 10 of the Billboard 200, peaking at No. 9 and marking the first time an Australian band had done so since INXS.
The record, which features hits like “Tomorrow” and “Pure Massacre,” earned five ARIA Awards and has sold over 10 million copies worldwide.
The upcoming anniversary celebration follows the release of Love & Pain, a memoir co-authored by Gillies and bassist Chris Joannou in 2023. The book offers an in-depth look at the band’s origins in Newcastle and their rise to becoming one of Australia’s most successful rock acts. However, the absence of Johns from the event is consistent with his continued reluctance to revisit Silverchair’s past.
Johns has been vocal about distancing himself from his former band. He previously opposed the airing of a two-part Australian Story documentary on ABC iView, which coincided with the release of Love & Pain, citing unauthorized use of Silverchair’s music. In an Instagram post, Johns addressed his stance:
“I was and remain incredibly supportive of them telling their story,” he wrote. “I was asked at the end of filming to be interviewed about their contribution to the band and although I wished them all the best, I respectfully declined for one reason. I haven’t been involved in the book nor am I aware of the contents. I’ve asked on many occasions to read the book but haven’t been sent a copy, consequently, I was uncomfortable being interviewed to help promote it.”
Despite Johns’ absence, the Frogstomp anniversary event is expected to be a significant occasion for longtime Silverchair fans, offering a retrospective look at one of the most defining records in Australian rock history.
Matty Matheson, the Canadian chef and actor known for his role on FX Series The Bear, has turned his attention to the world of music, announcing new hardcore band Pig Pen.
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The new outfit was detailed by Matheson via social media on Tuesday (March 18), explaining that the project’s origins can be traced back a few years. “A few old friends got together a couple years ago and wrote and recorded 10 songs over 2 days,” Matheson wrote. “We just wanted to hangout and see what’s up. This is our band. We are Pig Pen.”
Despite not having a particularly well-known musical history, Matheson is joined by Alexisonfire guitarist and backing vocalist Wade MacNeil, while Daniel Romano joins on guitar, Ian Ski Romano on drums, and Tommy Major on bass. “Just when you thought I couldn’t possibly join ANOTHER band,” wrote MacNeil on Instagram. “WE GO AND START PIG PEN.”
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Pig Pen have also announced their debut show, which is scheduled to take place at Sneaky Dee’s in Toronto on April 25. Joined by Best Wishes and Pluto’s Kiss, tickets to the event are already sold out, though a waitlist has been launched.
Currently, no details in regard to whether Pig Pen will be releasing music have been announced, though a teaser clip of the band’s sound indicates that they have spent time in the recording studio at some point.
Matheson rose to fame as a chef in Toronto in the early 2000s, going on to be named the executive chef of Parts & Labour until its closure in 2019. Alongside his culinary career, Matheson launched an entertainment career thanks to hosting roles on television series such as Dead Set on Life and It’s Suppertime!.
In 2022, he rose to wider fame when he joined the cast of The Bear, portraying the character of handyman Neil Fak. As part of his role on the show, he and the rest of the cast were nominated for outstanding performance by an ensemble in a comedy series at the 2023 and 2024 Screen Actors Guild Awards, winning the latter.
Yungblud has officially made his grand return.
The 27-year-old British rocker introduced his fourth studio album era with an epic nine-minute long single, “Hello Heaven, Hello” as well as the accompanying cinematic music video on Tuesday (March 18).
In the Charlie Sarsfield-directed music video, Yungblud proclaims the lyrics from various scenic landscapes, from a snowy mountain field alongside a gorgeous black horse to the edge of a cliff. He then grows wings and ascends into the air, before the second half of the video takes place inside a black-and-white TV set, where the singer performs the rest of the track with his band. He concludes the visual while holding onto a cross, with mountains and lake behind him at sunset.
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“Hello Heaven, Hello is the opening statement to my new album. It’s a journey of self-reclamation, a goodbye to the past and how you may have known or perceived me before and a hello to the future and where I’m going,” Yungblud said of the track in a press statement. “It sets the precedent for what this album is. It’s an adventure that’s sonically more ambitious than ever before, a journey that is meant to be played in its entirety, that doesn’t for a moment hold back or let its imagination be filtered. I wanted its first moment to be a statement.”
He continued of the song’s length, “I’ve been discouraged from releasing a nine-minute-and-six-second song as my first move back in a year because in a modern world it’s seen to be a ‘risk’ — I don’t see it like that at all. I see it as an opportunity. In my opinion, risk is an artist’s greatest tool, putting everything on the line in pursuit of the best evolution and art you can make — without risk, there is no innovation. I feel like for the first time in a long time I’m exactly where I need to be and doing exactly what I’m supposed to be doing — making exactly what I want — exploring the past, the present, the future and most importantly, myself. This album feels magical to me and this is where it starts. Where the f— are we gonna end up? Let’s see. Get on the horse. Let’s ride.”
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Yungblud’s last album was his self-titled 2022 project, though he’s released a string of singles since. His music festival, Bludfest, will also be returning to Milton Keynes’ National Bowl on June 21, 2025.
Watch the “Hello Heaven, Hello” music video below.
Phoenix’s Rebel Lounge is announcing their “10 Year Anniversary Series” this May with 16 shows curated to honor the Arizona music club, including a close-out set on June with The Maine for a 10-year celebration of their album American Candy.
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The anniversary run will begin May 1 with two nights from the band Authority Zero. For the first night, Authority Zero will dive into “Rhythm & Booze,” with an acoustic set that will be recorded for their next live acoustic release. Authority Zero will crank up the wattage for their set on May 2 for a high-energy set.
The Rebel Lounge opened on May 20, 2015, under the ownership of Stephen Chilton of Psyko Steve Presents and musician Chuckie Duff from the band Dear and the Headlights. In the last decade, the venue has won Best Punk Club, Best Rock Club, Best Marquee, Best Mural and Best Rebooted Venue by the Phoenix New Times and in 2024, Billboard selected The Rebel Lounge as the Best Venue Under 500-Capacity in their list of 2024 Top Music Venues.
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“When we started talking about how to celebrate The Rebel Lounge turning 10 years old, and we were discussing which bands we would want to feature, we realized it was hard to do one celebration because we work with so many different types of artists,” said Chilton in a statement. “We immediately knew we wanted to do something that all the valley music fans that support The Rebel could appreciate.“
Chilton added that the goal of the series is to highlight the diversity of artists and local acts that have performed at the Rebel Lounge over the last decade.
Roger Clyne & PH Naffah (of Roger Clyne & The Peacemakers) return to the Rebel Lounge to celebrate Cinco de Mayo on May 5. Thrash metal favorites Sacred Reich take to Rebel’s stage on May 16, followed The Summer Set on May 17 promoting their new track “I Don’t Wanna Party.” Rap metal heavyweights Dropout Kings will perform May 28 before hitting the road for Motocultor Festival and Odyssea.
The anniversary series will also feature artists who launched their career at the Rebel Lounge including Phoenix Afrobeat Orchestra on May 22, homegrown emo night event EmoNightPhx on May 3rd and Phoenix’s long running hip hop and dance showcase Blunt Club set for May 23.
A calendar of shows for May is available below. Tickets for the series go on sale Friday at 10 a.m. local time. Tickets and information for all shows can be found at TheRebelLounge.com/10years.
The depth and detail in the 464-page Heartbreaker: A Memoir (Grand Central Publishing) is impressive — and surprising.
To Mike Campbell as well.
The Tom Petty and the Heartbreakers guitarist tells Billboard that he was actually keeping a journal when the band (then known as Mudcrutch) moved to Los Angeles in 1974 from the members’ native Florida. “I did it for the first couple of months,” Campbell recalls. “Every day the entry was, ‘We went into the studio. We couldn’t get the track. We couldn’t get the track.’ It was so depressing I just quit writing it down. But the stuff was still stuck in my memory.” And he credits his co-author, novelist Ari Surdoval (Double Nickels), with helping to pull those out of him.
“As I started thinking back on my memories, a lot of things just popped out that I didn’t know were in there,” Campbell says. “It’s kinda crazy how the mind works.”
Heartbreaker offers the proverbial long, strange trip through the 75-year-old Campbell’s life from an impoverished, single-parent upbringing in Florida through his discovery of guitar and music, the Heartbreakers’ ascent and his own success as a sideman and songwriter (starting with Don Henley’s “The Boys of Summer” in 1984), right up through his current endeavor leading the Dirty Knobs, a band he formed as a side project more than a decade ago which has become Campbell’s primary musical outlet since Petty’s death in 2017. It’s spirit-lifting in spots, heart-breaking in others, and it offers a deep and revealing dive that will please Petty fans and guitar geeks alike.
“I didn’t want to write a sex, drugs and rock n’ roll book,” Campbell says. “I wanted to talk about the creative energy for the songs and the personal relationships between me and my bandmates. And I wanted to show the struggle it took to get where we got; it wasn’t just handed to us, and I wanted to tell the whole story of how we started out really poor and sacrificed for many years before we saw any income. So that was my basic thing.
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“Mostly I wanted to touch base on the creative mystery of songs and where they come from. I set those boundaries at the beginning — we’re not gonna talk about stupid things that every rock star writes about. I don’t find that very interesting.”
Campbell does check off all those boxes with Heartbreaker. There’s minimal sex; he’s been married to his wife Marcie for nearly 50 years, and their meeting at a Halloween party is sweetly recounted in the book. There are some drugs — his own use as well as his bandmates, including Petty’s heroin addiction — and plenty of rock n’ roll, documenting not only the Heartbreakers but also Campbell’s Forrest Gump-like connection to the likes of Bob Dylan, George Harrison, Stevie Nicks and Fleetwood Mac (whom he toured with during 2018-19), Johnny Cash and more.
“I did find myself just looking around and going, ‘How did I get here?’ a lot,” Campbell says with a laugh. “When a song would come, ‘Why me? How did I get so lucky that this song came out of the air to me, of all people?’”
Amidst his positive intentions, however, Campbell is also brutally honest about the sometimes-turbulent inner workings of the Heartbreakers, ranging from Petty’s ascent to frontman status and the group’s business structure to the delicate dynamics exacerbated by forceful personalities.
Mike Campbell ‘Heartbreaker’
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“I wanted to be real, and I wanted to be truthful,” says Campbell, who co-produced several Heartbreakers and Petty solo albums, as well as the posthumous 2022 box set Live at the Fillmore 1997. He also co-wrote Billboard Hot 100 top 40 hits such as “Refugee,” “You Got Lucky,” “Runnin’ Down a Dream’ and others. “I don’t want to dwell on other people’s drug and alcohol problems. I have not read the book Tom put out (Conversations with Tom Petty, 2005), but I understand he talks about all that himself. I wanted to illuminate my relationship with my brothers in the Heartbreakers. We all come from the South and we grew up in a very similar way, and I wanted to show how special that brotherhood was. I wanted to let people look behind the curtain, see a little bit about what it’s like being in a band like this.
“Bands are very delicate creatures. It doesn’t take much to break a band up. You have all the egos and personalities and sometimes wives or girlfriends get involved, money…. But our group, the music always outweighed it. It was so important to keep the music alive that nobody’s wives or arguments over money, as far as I was concerned, was ever going to break it up. It was too special…and we cherished it.”
To that end Campbell says he shared excerpts of the book with those who were mentioned, including Petty’s daughter Adria, who’s been running the estate, keyboardist Benmont Tench, Dylan, Roger McGuinn, Jeff Lynne and others. “I wanted them to sign off that they were comfortable with it,” Campbell says. “Nobody had anything but thanks for how I treated them. Nobody said, ‘No, you can’t put me in the book.’”
“The parts that I read I thought were great,” says Tench, who’s waiting for the audio version of Heartbreaker, which Campbell recorded himself, to come out. “Mike’s memory is much more reliable than mine; I’m glad he’s writing it, and not me.”
Campbell’s great affection for Petty and the other Heartbreakers aside, he considers Dylan — whom he met during sessions for Dylan’s 1985 Empire Burlesque album before the Heartbreakers joined him on tour during 1986-87 — the most surreal character in the book. “He is a mystery genius, a beautiful creature,” Campbell notes. “He’s so enigmatic, but so brilliant. I’ve met a lot of my heroes, from George Harrison to Johnny Cash; they’re all intimidating and have the aura. But Bob has this special thing around him that’s intriguing ’cause he’s so brilliant and he’s so mystical and so hard to read. But he’s so good.”
A surprising thread throughout Heartbreaker, however, is Campbell’s professed insecurity, an inferiority complex that finds him taking much of the blame for any of the band’s shortcomings of failures. “That’s a therapist question,” he says when it’s pointed out. “I think maybe if I dig deep and look at it, maybe my parents’ divorce affected me in a very deep way, where my whole world was broken apart. Throughout my whole life I’ve tried to build a world that won’t break up, and keep it together — my band and my marriage. So maybe that’s why. Maybe it’s genetics. I don’t really know the answer, but…I’m still here doing it, so I think I’m dealing with it alright.”
Campbell has three author appearances slated so far for Heartbreaker: March 19 at the New Jersey Performing Arts Center in Newark; March 20 at the Powerhouse Arena in Brooklyn; and March 21 at Strand in New York City. Meanwhile, he’s been working on songs for the Dirty Knob’s follow-up to last year’s Vagabonds, Virgins & Misfits, with, he says, “several songs I’m excited about” already in hand. The quartet, which now includes former Heartbreakers drummer Steve Ferrone, will join Chris Stapleton for All-American Road Show stops on June 12-13 in Grand Rapids, Mich., and will be playing a selection of summer shows with Blackberry Smoke starting July 25-26 at Nashville’s Ryman Auditorium.
“I’m just busy,” Campbell notes. “I love my band and I love the songs I’m doing and the crowds we have so far. I’m writing all the time, and I’m happy. I’m really blessed. It’s been a great life, and it’s not nearly over.”
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