genre rock
Page: 2
Douglas McCarthy, the co-founding vocalist of English industrial dance outfit Nitzer Ebb, has passed away at the age of 58.
McCarthy’s death was confirmed by Nitzer Ebb’s official social media account on Tuesday (June 11). “It is with a heavy heart that we regret to inform that Douglas McCarthy passed away this morning of June 11th, 2025,” a post read.
“We ask everyone to please be respectful of Douglas, his wife, and family in this difficult time,” it added. “We appreciate your understanding and will share more information soon.”
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
McCarthy co-founded Nitzer Ebb in 1982 alongside school friends Vaughan ‘Bon’ Harris and David Gooday, with the group taking inspiration from the post-punk genre for their early single releases. That sound soon evolved with more industrial and electronic influences, with the band quickly becoming regarded as noted figures within the ‘electronic body music’ scene – a genre that combined elements of industrial and punk with dance music.
The group’s debut album, That Total Age, would be issued in May 1987, and though avoiding chart success, the single “Join the Chant” would reach No. 9 on the Dance Club Songs charts.
Trending on Billboard
Nitzer Ebb would remain a fixture of the chart in the coming years, with singles such as “Control I’m Here,” “Lightning Man,” and “Fun to Be Had” all appearing therein, with the latter giving the band their highest peak when it reached No. 5 in 1990. They would also impact the Alternative Airplay charts, with 1991’s “Family Man” giving them a career high when it reached No. 21.
While 1991’s Ebbhead would be their only record to reach the Billboard 200 (peaking at No. 146), their follow-up, 1995’s Big Hit, would be the band’s last for 15 years, with Nitzer Ebb splitting soon after its release.
McCarthy would contribute to Recol, the solo project of Depeche Mode‘s Alan Wilder throughout the ’90s, and later collaborate with French producer Terence Fixmer as one half of Fixmer/McCarthy. Nitzer Ebb would reform in 2006 and release their final album, Industrial Complex, in 2010. In 2013, McCarthy would release his only solo album, Kill Your Friends.
In recent years, McCarthy had suffered from noted ill health, with Harris taking over vocals for a series of 2021 performances after McCarthy collapsed before a show due to a “pre-existing” medical condition. In early 2024, McCarthy announced he would no longer be performing live after being diagnosed with cirrhosis of the liver.
After almost two decades away, Yellowcard is back on a Billboard airplay chart. “Better Days,” the lead single from Yellowcard’s upcoming album of the same name, bows at No. 33 on the Alternative Airplay tally dated June 14. The song marks the Ryan Key-fronted band’s first appearance on any airplay ranking since 2007, when “Light […]
06/11/2025
Following the death of the legendary Brian Wilson, the absolute best from one of the greatest catalogs in rock or pop history.
06/11/2025
Brian Wilson, leader of The Beach Boys, widely acknowledged as one of America’s all-time greatest composers, a pioneer of advanced studio techniques, and one of the most sensitive chroniclers of the Californian experience, has died at age 82.
Explore
See latest videos, charts and news
See latest videos, charts and news
His death was confirmed Wednesday (June 11) by a post shared across his social media accounts. “We are heartbroken to announce that our beloved father Brian Wilson has passed away,” the post read. “We are at a loss for words right now. Please respect our privacy at this time as our family is grieving. We realize that we are sharing our grief with the world. Love & Mercy.”
Wilson is survived by his daughters Carnie and Wendy from his 1964 marriage to Marilyn Rovell, as well as his five adopted children with his wife Melinda Ledbetter. (Ledbetter herself passed in early 2024.)
Wilson was born in Inglewood, California on June 20, 1942 to Audree Neva and Murry Wilson, a factory worker who became a songwriter and The Beach Boys’ early manager. At Hawthorne High School, Wilson was an athlete, but demonstrated an ear for harmony. In Summer 1961, he formed the Pendletones with younger brothers Carl and Dennis, their cousin Mike Love, and friend Al Jardine. Released on the local Calpix label, their rudimentary “Surfin’” became a regional hit under their new name, The Beach Boys, and their next recordings landed them a contract with Capitol Records.
The following year’s Surfin’ U.S.A. reached No. 2, and The Beach Boys became superstars. From ’63 to ‘65, the band released three studio albums each year while touring nearly nonstop. Earning full producer credit by September 1963’s Surfer Girl, Wilson made speedy progress as an arranger and sonic sculptor: Harmonies were overdubbed and perfected, and he often sang falsetto lead, particularly on ballads like “In My Room.” Although their instrumental chops also strengthened, Wilson soon augmented the Boys with session musicians. Even the British Invasion couldn’t squash their popularity: The Beach Boys were America’s biggest band.
Yet conflicts with Murry Wilson – who’d long bullied his sons – as well as pressure to maintain their constant schedule magnified Wilson’s anxieties. Following an inflight panic attack in late 1964, the songwriter stopped performing. During his first LSD trip, he composed July 1965’s “California Girls,” which marked the studio debut of his touring replacement, Bruce Johnston.
For May 1966’s expansive Pet Sounds, Wilson and lyricist Tony Asher created a song cycle documenting a passage from youthful innocence to mournful adulthood that the composer contrasted with delicately sophisticated yet openhearted orchestrations. Wilson recorded the band’s next single in several studios using even more unconventional instrumentation, but October 1966’s “Good Vibrations” became a worldwide smash.
Meanwhile, he and fellow experimentalist Van Dyke Parks toiled for many months on the even more ambitious Smile, but the project’s complexity overwhelmed its producer, who ultimately abandoned it in favor of September 1967’s simplified Smiley Smile, the first of several creative but commercially far less successful albums of the late ‘60s and early ‘70s in which Wilson typically diminished his input. After 1974’s Endless Summer – the first of three consecutive compilations – unexpectedly reached No. 1, the band suddenly became the era’s top touring draw.
Marilyn Wilson hired celebrity shrink Eugene Landy to cure her husband’s mounting instability and addictions during 1976’s 15 Big Ones and ‘77’s Love You, which he both produced. After Landy’s dismissal, his condition worsened again; an overdose brought Landy back in 1983. The therapist’s control over Wilson’s life extended even to 1988’s debut solo album Brian Wilson and 1991’s autobiography, Wouldn’t It Be Nice, until a 1992 restraining order.
Wilson’s condition gradually improved; he married Ledbetter in 1995, when his output resumed, sometimes with stellar results: 2004’s Brian Wilson Presents Smile, a re-recording of the abandoned album, justly earned universal accolades. He returned to touring solo and, in 2012, with The Beach Boys. That year, the band released the Wilson-helmed That’s Why God Made the Radio, which brought back early guitarist David Marks and celebrated the group’s 50th anniversary.
In December of 2021, Wilson sold his publishing rights to Universal for more than $50 million, according to documents filed in a lawsuit by his ex-wife Mary Wilson-Rutherford. In recent years, Wilson suffered a marked decline in mental and physical health, leading to him being placed under a conservatorship in late 2024.
Although an acclaimed 2014 biopic, Love & Mercy, chronicled the musician’s rise, fall and return to relative stability, the magnitude of Wilson’s work towers above his legend as a troubled genius. Equally adept at celebrating sun, surf, cars, and girls as well as his own vulnerability, Wilson broadened rock’s scope while deepening its spiritual impact. God only knows what we’ll do without him.
One of two irreplaceable instruments stolen from the band Heart at a New Jersey venue two weeks ago has been retrieved. According to the Associated Press, on Tuesday (June 10), police in Atlantic City said they had recovered the purple baritone Telecaster guitar with ah hand-painted headstock belonging to guitarist Nancy Wilson from a woman […]
Noel Gallagher has teamed up with Mantra of the Cosmos, a supergroup composed of Happy Mondays’ Shaun Ryder and Bez, Ride’s Andy Bell and former The Who drummer Zak Starkey, for a new song “Domino Bones (Gets Dangerous).”
The song was first teased earlier this year and released on a limited vinyl run, and is now available to listen to on streaming services. Speaking to The Times in January, Gallagher described the psych-rock song: “It’s Dylan, Dali, Ginsberg and a bit of cosmic jibber-jabber. Add in Bez, who dances on the tunes like Zak plays the drums and Andy Bell plays all things stringed, and you have it.”
The band celebrated the limited vinyl release back in January with a show at Liverpool’s Cavern Club, where Starkey’s father Ringo Starr played early shows with The Beatles beginning in 1962.
Trending on Billboard
In a matter of weeks, Gallagher will kick off the Oasis reunion tour in Cardiff, Wales on July 4, with a run of shows in the U.K. and Ireland, North America, Asia and beyond. Bell is reported to join the Oasis lineup on bass, reprising a role he held between 1999 and 2009, appearing on three of their studio LPs. Starkey, who played in Oasis’ lineup from 2004 and 2008, appears to not be in the reunion tour, with Joey Waronker (Beck, R.E.M.) set to take on the drummer role.
Recently Starkey has been embroiled in an ongoing saga regarding his position as drummer of The Who. Starkey joined the band in 1996 and accompanied the Roger Daltrey and Pete Townshend-led band on a number of global tours.
Following a gig in March, however, Starkey was seemingly axed by the band over his performance, particularly on the show’s final track “The Song Is Over.” Following reports of his sacking, The Who blamed “communication issues” which “had been happily aired” and that Starkey was, indeed, back in the band.
Weeks later in late May, Starkey’s tenure in the band seemingly came to an abrupt end, and he claimed on his Instagram that Daltrey had asked him to “retire” from the band. Speaking on BBC 6 Music on Monday (June. 9), Starkey claimed that the issue arose from “two dropped beats” in the performance, but that “I’ve watched the gig over and over again on YouTube and I can’t find them.”
The Who will embark on their final North American tour this summer, kicking off in Amerant Bank Arena in Sunrise, FL on Aug. 16.
Listen to “Domino Bones” below.
English progressive rock icons Yes have announced a new fall tour which will see them play their 1971 album Fragile in full.
Officially dubbed The Fragile Tour 2025, The Album Series, the newly-announced run of shows will launch on Oct. 1 and sees the band performing a total of 31 dates until Nov. 16. Per a press release, the tour setlist will include Fragile full along with a number of other “classic cuts.”
Released in November 1971, Fragile was the fourth album from the group, and their third to be released in a 16-month span. It also became their most successful release up to that point. Expanding upon the initial chart success that The Yes Album brought earlier in the year (reaching No. 40 on the Billboard 200), Fragile would peak at No. 4, only being bested by one position thanks to Close to the Edge the following year.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The album’s lone single, “Roundabout,” would be issued in January 1972 and would reach No. 13 on the Hot 100. It remained their highest-charting single until “Owner of a Lonely Heart” hit No. 1 in 1983.
Trending on Billboard
Fragile would also be supported by a 115-date album tour, with the group returning to the U.S. in November 1971 – mere months after wrapping up their debut visit to the country. As a press release for the new run of dates explains, the record’s initial tour was a vital part of the band’s history, and marked the moment when Yes “became a headline act in the US.”
“All the band’s albums had a unique feel and approach,” explained guitarist Steve Howe. “After The Yes Album, so many things came together, with [co-producer] Eddie Offord steering the proceedings.
“While the band focused on only four main songs with full arrangements, each of us wrote and designed a solo piece, which was Bill [Bruford]’s great idea. It’s fairly ‘odd-ball,’ but we were at the height of our creativity, determined for success.
“It gave us confidence, further than our own in-stock belief, we’d crafted this unusual but noticeable musical twist to rock and what later became prog,” he added.
Of the original lineup which recorded Fragile in 1971, only Howe remains an active member. Drummer Bill Bruford would depart the group in 1992, while both vocalist Jon Anderson and keyboardist Rick Wakeman would depart in 2004. Bassist Chris Squire would remain with the band through all iterations until his passing in 2015.
Yes – The Fragile Tour 2025, The Album Series
Oct. 1 – Toyota Oakdale Theatre, Wallingford, CTOct. 2 – Mayo Performing Arts Center, Morristown, NJOct. 4 – Hard Rock Live at Etess Arena, Atlantic City, NJOct. 5 – The Capitol Theatre, Port Chester, NYOct. 7 – The Paramount, Huntington, NYOct. 8 – Keswick Theatre, Glenside, PAOct. 9 – Keswick Theatre, Glenside, PAOct. 11 – Appell Center for the Performing Arts, York, PAOct. 12 – Penn’s Peak, Jim Thorpe, PAOct. 14 – Warner Theatre, Washington, D.C.Oct. 16 – Carolina Theatre, Durham, NCOct. 18 – Ruth Eckerd Hall, Clearwater, FLOct. 19 – Broward Center, Au-Rene Theater, Ft Lauderdale, FLOct. 21 – Sharon L. Morse Performing Arts Center, The Villages, FLOct. 22 – Charleston Music Hall, Charleston, SCOct. 24 – Coca-Cola Roxy, Atlanta, GAOct. 25 – Graceland Soundstage, Memphis, TNOct. 27 – The Louisville Palace, Louisville, KYOct. 28 – Taft Theatre, Cincinnati, OHOct. 30 – Murat Theatre at Old National Centre, Indianapolis, INOct. 31 – Des Plaines Theatre, Des Plaines, ILNov. 1 – The Arcada Theatre, St. Charles, ILNov. 3 – The Orpheum Theater, Madison, WINov. 4 – The Riverside Theater, Milwaukee, WINov. 6 – Stifel Theatre, St. Louis, MONov. 7 – Steelhouse Omaha, Omaha, NENov. 9 – Paramount Theatre, Denver, CONov. 11 – Mesa Arts Center, Mesa, AZNov. 13 – YouTube Theater, Inglewood, CANov. 14 – Viejas Casino, Alpine, CANov. 16 – Grand Theatre at The Grand Sierra Resort, Reno, NV
Turnstile is hitting the road this fall in support of their new album Never Enough, launching Sept. 15 in Nashville. The tour includes support acts SPEED and Jane Remover and special appearances by guests Amyl & The Sniffers, Blood Orange and Mannequin Pussy. Last week, the band released their new record and companion film Turnstile: […]
MGK‘s next album will be a tribute to Americana, and it seems that he tapped one of the subculture’s biggest heroes, Bob Dylan, to narrate the project’s trailer.
In a clip previewing the August-slated LP posted Tuesday (June 10), a voice sounding very familiar to Dylan’s can be heard reading a description of the rapper-turned-rocker’s Lost Americana, calling it “a personal excavation of the American dream.”
“It’s a sonic map of forgotten places, a tribute to the spirit of reinvention and a quest to reclaim the essence of American freedom,” the Dylan-esque drawl says over fuzzy shots of MGK smoking, riding motorcycles, hanging out with friends, taking in a mountainous landscape in awe and walking the Las Vegas strip. “From the glow of neon diners to the rumble of the motorcycles, this is music that celebrates the beauty found in the in-between spaces. Where the past is reimagined, and the future is forged on your own terms.”
Trending on Billboard
MGK further teased that Dylan is in fact the featured voice by cheekily writing in the video’s caption, “narrated by …” without revealing any names. Later, the “My Ex’s Best Friend” artist not-so-randomly shared a black-and-white photo of the Rock & Roll Hall of Famer on Instagram Stories Tuesday.
Billboard has reached out to Dylan’s reps for comment.
Arriving Aug. 8, Lost Americana will mark MGK’s seventh studio album, following 2022’s Billboard 200-topper Mainstream Sellout. Leading up to its release, the artist born Colson Baker has dropped singles “Your Name Forever” and “Cliche,” which followed his 2024 collaborations with Jelly Roll, “Lonely Road” and “Time of Day.”
And while a collaboration with the famously elusive Dylan might seem random, the Lost Americana trailer wouldn’t be the first time he and MGK’s worlds have collided (assuming that it really is the legend’s voice in the narration). In February, Dylan left fans confused when, without explanation, he posted an old video of the “I Think I’m Okay” artist rapping in a Florida music store in 2016 on Instagram.
Whether that was Dylan’s way of declaring that he’s a fan of MGK or just a random moment, the younger musician was amused by the post. “you having a phone is so rad,” MGK commented at the time.
See MGK’s Lost Americana trailer, seemingly featuring the voice of Bob Dylan, below.
Just days after performing the Talking Heads’ “Burning Down the House” with Olivia Rodrigo at New York’s Governors Ball over the weekend David Byrne announced his 11th solo album, Who Is the Sky? The follow-up to Byrne’s 2018 LP American Utopia is due out on Sept. 5 via Matador Records.
Produced by Kid Harpoon (Miley Cyrus, Harry Styles), the 12-track album will feature collaborations with Paramore’s Hayley Williams, St. Vincent and The Smile drummer Tom Skinner, with arrangements by the New York chamber ensemble Ghost Train Orchestra. Byrne previewed the album on Tuesday (June 10) with a video for the universalist anthem about the emotions and feelings we all share.
“Everybody laughs and everybody cries/ Everybody lives and everybody dies/ Everybody eats and everybody loves/ Everybody knows what everybody does,” Byrne sings over strummed acoustic guitar and a bouncy rhythm in the clip in which the camera scoots from left to right as dozens of people act out the lyrics and bust into an impromptu marching band performance when they’re not dancing with selfie sticks.
Trending on Billboard
“Someone I know said, ‘David, you use the word “everybody” a lot.’ I suppose I do that to give an anthropological view of life in New York as we know it,” said Byrne in a statement announcing the album and the single. “Everybody lives, dies, laughs, cries, sleeps and stares at the ceiling. Everybody’s wearing everybody else’s shoes, which not everybody does, but I have done. I tried to sing about these things that could be seen as negative in a way balanced by an uplifting feeling from the groove and the melody, especially at the end, when St. Vincent and I are doing a lot of hollering and singing together. Music can do that – hold opposites simultaneously. I realized that when singing with Robyn earlier this year. Her songs are often sad, but the music is joyous.”
Producer Kid Harpoon (born Tom Hull) added, “It took me a second to realize, oh yeah, these songs are personal, but with David’s unique perspective on life in general. Walking around New York listening to the demo of ‘Everybody Laughs’ was so joyous, because it made me feel like we’re all the same – we all laugh, cry and sing. The thing about David that resonates with a lot of people is that he’s in on the joke. He gets the absurdity of it all, and all of these personal observations are his perspective on it.”
Byrne said there are “more story songs than usual” on the new album, tracks he describes as “mini-narratives based on personal experience including “She Explains Things to Me,” “A Door Called No,” “My Apartment Is My Friend” and “I Met the Buddha at a Downtown Party.” The “jaunty” song with Paramore’s Williams, “What Is the Reason For It?,” is focused on codifying “love in a way logic can rarely accomplish.”
“Does it do something useful?/ Nobody understands,” goes one line from the song.
“I suspected that intimate orchestral arrangements would bring out the emotion I sense is there in these songs,” Byrne said. “It’s something that folks don’t always hear in my work, but this time for sure I thought it was there. At the same time, I also see myself as someone who aspires to be accessible. I imagined that Kid Harpoon would help with that, as well as being a set of trusted ears, since there was a lot going on. People think of producers as people who mainly make a record sound good, and Kid Harpoon did that, but he was also aware of how important the storytelling is.”
The collaboration with St. Vincent comes more than a decade after the two musicians teamed up for the 2012 album Love This Giant.
Among the other contributors to the LP are American Utopia percussionist Mauro Refosco, who has toured and recorded with Byrne for more than three decades. “At my age, at least for me, there’s a ‘don’t give a s–t about what people think’ attitude that kicks in,” Byrne said. “I can step outside my comfort zone with the knowledge that I kind of know who I am by now and sort of know what I’m doing. That said, every new set of songs, every song even, is a new adventure. There’s always a bit of, ‘how do I work this?’ I’ve found that not every collaboration works, but often when they do, it’s because I’m able to clearly impart what it is I’m trying to do. They hopefully get that, and as a result, we’re now joined together heading to the same unknown place.”
Byrne will hit the road with a new live show featuring a 13-person troupe of musicians and dancers to support the album on a world tour slated to kick off on Sept. 14 at Veterans Memorial Auditorium in Providence, R.I.
Watch the “Everybody Laughs” video and check out the Who Is the Sky? tracklist and Byrne’s 2025-2026 tour dates below.
Who Is the Sky? track list:
“Everybody Laughs”
“When We Are Singing”
“My Apartment Is My Friend”
“A Door Called No”
“What Is the Reason for It?”
“I Met the Buddha at a Downtown Party”
“Don’t Be Like That”
“The Avant Garde”
“Moisturizing Thing”
“I’m an Outsider”
“She Explains Things to Me”
“The Truth”
North America 2025 tour dates:
Sept. 14: Providence, RI @ Veterans Memorial Auditorium
Sept. 16: Pittsburgh, PA @ Benedum Center PAC
Sept. 17: Columbus, OH @ Mershon Auditorium
Sept. 19: Akron, OH @ Akron Civic Theatre
Sept. 21: Schenectady, NY @ Proctors
Sept. 23: Syracuse, NY @ Landmark Theatre
Sept. 25: Buffalo, NY @ Shea’s Buffalo Theatre
Sept. 27: Washington D.C. @ The Anthem
Sept. 28: Washington D.C. @ The Anthem
Sept. 30: New York, NY @ Radio City Music Hall
Oct. 1: New York, NY @ Radio City Music Hall
Oct. 3: Boston, MA @ Boch Center Wang Theatre
Oct. 4: Boston, MA @ Boch Center Wang Theatre
Oct. 7: Wallingford, CT @ Toyota Oakdale Theatre
Oct. 8: Portland, ME @ Merrill Auditorium at City Hall
Oct. 10: New York, NY @ Radio City Music Hall
Oct. 14: Richmond, VA @ Altria Theater
Oct. 16: Philadelphia, PA @ The Met Philadelphia presented by Highmark
Oct. 17: Philadelphia, PA @ The Met Philadelphia presented by Highmark
Oct. 21: Toronto, ON, Canada @ Massey Hall
Oct. 22: Toronto, ON, Canada @ Massey Hall
Oct. 25: Detroit, MI @ Fox Theatre
Oct. 28: Chicago, IL @ The Auditorium
Oct. 29: Chicago, IL @ The Auditorium
Oct. 31: Chicago, IL @ The Auditorium
Nov. 3: Minneapolis, MN @ Orpheum Theatre
Nov. 4: Minneapolis, MN @ Orpheum Theatre
Nov. 6: Denver, CO @ Bellco Theatre
Nov. 7: Denver, CO @ Bellco Theatre
Nov. 11: Seattle, WA @ Paramount Theatre
Nov. 12: Seattle, WA @ Paramount Theatre
Nov. 16: San Francisco, CA @ The Theater at Bill Graham Civic Auditorium
Nov. 17: San Francisco, CA @ The Theater at Bill Graham Civic Auditorium
Nov. 20: Los Angeles, CA @ Dolby Theatre
Nov. 21: Los Angeles, CA @ Dolby Theatre
Nov. 25: Austin, TX @ Bass Concert Hall
Nov. 26: Austin, TX @ Bass Concert Hall
Nov. 28: Dallas, TX @ Music Hall at Fair Park
Nov. 29: Dallas, TX @ Music Hall at Fair Park
Dec. 2: Atlanta, GA @ Fox Theatre
Dec. 3: Atlanta, GA @ Fox Theatre
Dec. 5: Miami, FL @ Fillmore Miami Beach At Jackie Gleason Theatre
Dec. 6: Miami, FL @ Fillmore Miami Beach At Jackie Gleason Theatre
2026 Australia & New Zealand dates:
Jan. 14: Auckland, New Zealand @ Spark Arena
Jan. 17: Brisbane, Australia @ Brisbane Entertainment Center
Jan. 21: Sydney, Australia @ ICC Sydney Theatre
Jan. 22: Melbourne, Australia @ Sidney Myer Music Bowl
Jan. 24: Adelaide, Australia @ Adelaide Entertainment Centre Arena
Jan. 27: Perth, Australia @ RAC Arena
2026 Europe & United Kingdom dates:
Feb. 12: Berlin, Germany @ Tempodrom
Feb. 15: Amsterdam, Netherlands @ AFAS Live
Feb. 16: Amsterdam, Netherlands @ AFAS Live
Feb. 18: Brussels, Belgium @ Forest National
Feb. 21: Milan, Italy @ Teatro degli Arcimboldi
Feb. 22: Milan, Italy @ Teatro degli Arcimboldi
Feb. 24: Frankfurt, Germany @ Jahrhunderthalle
Feb. 27: Zurich, Switzerland @ The Hall
March 2: Cardiff, UK @ Utilita Arena
March 3: London, UK @ Eventim Apollo
March 4: London, UK @ Eventim Apollo
March 6: Glasgow, UK @ SEC Armadillo
March 7: Glasgow, UK @ SEC Armadillo
March 9: Manchester, UK @ o2 Apollo
March 10: Manchester, UK @ o2 Apollo
March 13: Dublin, Ireland @ 3Arena
March 15: London, UK @ Eventim Apollo
March 18: Paris, France @ La Seine Musicale
March 19: Paris, France @ La Seine Musicale