genre rock
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The Grateful Dead left behind a legacy that continues to thrive through its devoted fanbase, the Deadheads. In this documentary, we explore the band’s career trajectory, its influence in reshaping modern concerts and fandoms and the enduring impact of its legacy.
Keep watching for an in-depth analysis as to how the Grateful Dead impacted the music industry.
Are you a Deadhead? Let us know in the comments below!
Diplo:The fandoms of today are very temporary.
Hanson:The Grateful Dead invented the modern concert as we know it.
Eric Renner Brown:There are going to be some differences between Grateful Dead and Swifties. I think that there is a fundamental similarity in terms of how they helped have a roadmap for what does a hyper-engaged fandom look like.
Romeo Okwara:They’re the most loyal fan base in all of music.
Diplo:They kind of invented the idea of a fandom.
Narrator:Formed in Palo Alto, 1965, the Grateful Dead are one of the most popular and influential bands in American history, known for their improvisational approach to music and fusing rock, folk, soul, blues and jazz. They were the original jam band and paved the way for others in music.
Katie Bain:The Grateful Dead are the fathers of psychedelic culture. They are a touchstone for many generations of music fans. They’ve influenced countless artists. They have created really a culture unto their own, and they’ve made a ton of good music, while doing it.
Narrator:With songs like “Truckin’,” “Touch of Grey” and “Friend of the Devil,” the Grateful Dead captured audiences with their lyrics and visuals to match.
Eric Renner Brown:First and foremost, the thing about this band is the songbook. The majority of their repertoire was Jerry Garcia wrote the songs with the lyricist Robert Hunter, who’s like a visionary in his own right. Their songs stand toe to toe with any of the great songwriters of the 20th century.
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Sir Elton John has been named the 2025 recipient of the Glenn Gould Prize. A wide range of creative talents have won the award over the years. John is only the second to come from the (broadly defined) rock world, following the late Leonard Cohen.
The award was established in 1987 by The Glenn Gould Foundation to honor the legacy of legendary Canadian pianist Glenn Gould, whose 1956 album Bach: Goldberg Variations is considered a classic. Gould died in 1982 at age 50. He received a posthumous lifetime achievement award from the Recording Academy in 2013.
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“After spending decades admiring the virtuosity of Glenn Gould’s work, I am awestruck and honored to receive this award,” John said in a statement. John, of course, has won countless lifetime achievement awards, including the Kennedy Center Honors, the Gershwin Prize for Popular Song, a Grammy Legend Award, the Johnny Mercer Award from the Songwriters Hall of Fame and induction into Rock & Roll Hall of Fame.
The Glenn Gould Prize is awarded biennially and includes a CDN$100,000 cash award for the Laureate, who also selects an exceptional young artist to receive the CDN$25,000 Glenn Gould Protégé Prize.
“In selecting our Laureate, Elton John, we chose to honor someone who has great artistic accomplishments, but whose life and whose art has been translated into something much greater than just performance or the consumption of music and things they’ve created,” said the Rt. Hon. Kim Campbell, former Prime Minister of Canada and this year’s jury chair for the Glenn Gould Prize.
“Elton John has used his enormous talent and his great success to change lives. He’s been courageous in taking on causes, whether AIDS, LGBTQ+ rights, addiction and all sorts of issues that were not popular when he engaged with them and he was prepared to take the wonderful success that his musical talent had given him to make a difference in the world. And from our perspective that represents the highest level of achievement for an artist and celebrates the memory of Glenn Gould in the best way.”
“Elton John embodies the spirit of artistic excellence, innovation, and profound humanity that The Glenn Gould Prize was created to celebrate,” added Brian Levine, CEO, Glenn Gould Foundation. “Glenn Gould’s vision was one of boundless creativity, fearless originality and an unshakable commitment to using music as a force for good in the world. Sir Elton has exemplified these ideals throughout his extraordinary career, not only with his incredible musical catalogue and immense talent but also championing emerging artists across genres and using his global platform to inspire transformational humanistic change. His enduring impact on music and culture makes him a truly perfect recipient of this honor.”
The announcement of The Glenn Gould Prize Laureate was made during a public event at Kings Place in London. The event featured a Q&A session with the jury and performances by South African soprano Pumeza Matshikiza and 17-year-old Canadian piano prodigy Ryan Wang.
Living candidates of any nationality are eligible for The Glenn Gould Prize, with nominations coming from the public. Disciplines include but are not limited to musical creation or performance, theater, dance, choreography, writing, design, film, television, radio and broadcasting, visual art, multimedia, writing, technology/innovation, architecture and design.
The prize will be presented to John during a special gala celebration to be held in Toronto this fall.
Here’s a complete list of recipients of the Glenn Gould Prize:
1987: R. Murray Shafer
1990: Yehudi Menuhin
1993: Oscar Peterson
1996: Tōru Takemitsu
1999: Yo-Yo Ma
2002: Pierre Boulez
2005: André Previn
2008: José Antonio Abreu
2011: Leonard Cohen
2013: Robert Lepage
2015: Philip Glass
2018: Jessye Norman
2020: Alanis Obomsawin
2022: Gustavo Dudamel
2025: Sir Elton John
It’s a few days late to tie in with St. Patrick’s Day, but U2 are the first Irish songwriters to be named Ivors Academy Fellows. They are the second group to receive the honor, following Bee Gees.
Ivors Academy Fellows is the highest honor that the organization, best known for their annual Ivor Novello Awards, bestows. The award will be presented at this year’s The Ivors with Amazon Music event at Grosvenor House in London on Thursday May 22. This year’s Ivor Novello Award nominees will be announced on Wednesday April 23.
With U2’s inclusion, the total number of Fellows rises to 32. This counts U2 (Bono, The Edge, Adam Clayton and Larry Mullen Jr.) as four individuals and Bees Gees (Barry, Maurice and Robin Gibb) as three. Most of the honorees (see full list at the end of this story) have hailed from Britain, though the roster also includes American composer/conductor John Adams, American rock singer/songwriter Bruce Springsteen and French composer/conductor Pierre Boulez.
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Formed in Dublin in 1978, U2 is one of the greatest songwriting partnerships and most influential bands of all time. The band has amassed eight No. 1 albums on the Billboard 200 and two No. 1 hits on the Billboard Hot 100. U2 is the only band to have a No. 1 album on the Billboard 200 in four consecutive decades (the 1980s through the 2010s).
U2 has won 22 Grammy Awards, far more than any other group in history. This tally includes four wins in songwriting categories: two for song of the year (for “Beautiful Day” and “Sometimes You Can’t Make It on Your Own”) and two for best rock song (for “Vertigo” and “City of Blinding Lights”).
In addition, the band members have received two Oscar nominations for best original song, for “The Hands That Built America” (from Gangs of New York) and “Ordinary Love” (from Mandela: Long Walk to Freedom).
U2 has won four Ivor Novello Awards – the Special Award for International Achievement in 1994, Best Song Musically and Lyrically for “Walk On” in 2002, Outstanding Song Collection in 2003 and International Hit of the Year for “Vertigo” in 2005.
Other prized songs by U2 include “I Will Follow,” “Pride (In the Name of Love),” “I Still Haven’t Found What I’m Looking For,” “With or Without You” and “One.”
“To be recognised in this way by The Ivors Academy feels very special indeed,” U2’s Adam Clayton said in a statement. “The appreciation of one’s peers is a humbling honour and we are immensely grateful. We’ve been playing our songs in this country for over 45 years, thank you to all those who have not just supported us, but carried us… producers, engineers, crew, fans, management, label.”
Bandmate Larry Mullen Jr. added: “Making music collectively, as we’ve done for close to 50 years, has been an incredible experience and privilege for the four of us and I believe it’s a testament to a band that values individual creativity and independence of mind. We are grateful to each other and very grateful to The Ivors Academy for recognising us with this award.”
Tom Gray, chair of The Ivors Academy said in a statement: “With fearless poetic lyricism always centre-stage in panoramic musical vistas, the sound of U2 has redefined the fabric of popular music. Their songs are sweeping catalysts: hymnals and rallying cries. U2’s induction into Fellowship honours their seminal contributions to music through exceptional songwriting craft.”
Roberto Neri, CEO of The Ivors Academy, added: “We are proud to welcome U2 to Fellowship of The Ivors Academy as era-defining songwriters whose legacy continues to propel musical innovation and inspire social progress. As U2’s politically charged anthems have sparked global change, The Ivors Academy is committed to championing creative integrity with the same unwavering passion. At a time when AI threatens to undermine human creativity, U2’s Fellowship stands as a testament to the irreplaceable role of songwriters and composers in shaping culture and inspiring change.”
U2’s many other awards include the Kennedy Center Honors in 2022 and Amnesty International’s Ambassador of Conscience award.
Here’s a full, updated list of Fellows of the Ivors Academy. Notes: Multiple honorees in a single year are listed alphabetically. Paul McCartney’s team prefers not to list him with his Sir honorific.
2000: Paul McCartney
2001: Sir Malcolm Arnold CBE, John Barry OBE
2004: John Adams, Sir Elton John
2005: David Arnold, Pierre Boulez CBE, Sir John Dankworth CBE, Sir Peter Maxwell Davies CH CBE
2006: Sir Barry Gibb CBE, Maurice Gibb CBE, Robin Gibb CBE
2007: George Fenton
2009: Don Black OBE, David Ferguson
2010: Sir Tim Rice
2012: Sir Andrew Lloyd Webber
2015: Annie Lennox OBE
2020: Joan Armatrading CBE, Julian Joseph OBE
2021: Kate Bush CBE
2022: Peter Gabriel, Judith Weir CBE
2023: John Rutter CBE, Sting
2024: Sir James Macmillan, Bruce Springsteen, Errollyn Wallen
2025: Bono (Paul Hewson), Adam Clayton, The Edge (Dave Evans), Larry Mullen Jr.
The Sea.Hear.Now festival will be back in Asbury Park, N.J. this fall with a lineup including headliners Blink-182, Hozier, LCD Soundsystem and Lenny Kravitz. The Sept. 13-14 event will also feature sets from Alabama Shakes, ZZ Top, Remi Wolf, Royel Otis, De La Soul, UB40, Gigi Perez, Sublime, Public Enemy, TV on the Radio, Spoon, Phantogram, 4 Non Blondes, Hot Mulligan and Mannequin Pussy, among others.
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The seaside event will once host some of the world’s greatest surfers and emerging stars, who will ride the waves throughout the weekend in team contests held between the Surf and Sand stages. Among the scheduled participants are: Landon McNamara, Cam Richards, Balaram Stack, Sam Hammer, Rob Kelly, Cassidy McClain, Pat Schmidt, Mike Gleason and many more.
A pre-sale for the event will kick off on Friday (March 21) at 10 a.m. ET, with a public on-sale to follow if any tickets remain; click here to sign up for a pre-sale passcode.
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Among the other musical acts on the roster for this year are: Trombone Shorty & Orleans Avenue, Inhaler, Mondo Cozmo, Bumpin Uglies, Not Yer Baby, Grace Bowers & the Hodge Podge, Landon McNamara, Neal Francis, Surfing for Daisy and The Tide Bends.
Last year’s fest got a major boost when Jersey legend Bruce Springsteen and the E Street Band ripped off a three-hour-plus throwdown for a massive crowd that was full of hometown stories and a mix of beloved classics and deep-cut tracks. The epic show was later released on CD and for streaming via nugs.net.
Check out the 2025 Sea.Hear.Now announcement below.
Smashing Pumpkins leader Billy Corgan and wife Chloé Mendel welcomed their third child on Tuesday (March 18). The couple shared the news with People magazine, revealing that Juno Corgan was born during the “wee hours” at the couple’s Highland, Park, IL home and weighed 9.9 lbs. and was 22 inches long. “My wife, Chloé is […]
Marty Callner, the acclaimed director responsible for numerous music videos, concert specials, and stand-up performances, has passed away at the age of 78.
Per The Hollywood Reporter, Callner’s representative Gail Parenteau confirmed that the director passed away at his home In Malibu from natural causes on Monday (March 17).
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Born in Chicago in 1946, Callner’s directorial career began while working for Cincinnati’s WCPO-TV in their news department, moving on to commercials and then sports until the mid-’70s. During this time, Callner began working for HBO, ultimately helping to set the standard for live comedy specials while serving as director of their On Location series.
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Helming specials featuring Robert Klein, Redd Foxx, Robin Williams, and Myron Cohen, Callner also directed 1981’s The Pee-Wee Herman Show, having discovered comedian Paul Reubens at The Groundlings in Los Angeles. Callner shifted his focus towards music with names such as Diana Ross, Paul Simon, and Liza Minnelli, before rising to prominence as an unsung hero of the entertainment world through his prolific career directing music videos.
Alongside videos for beloved names such as Stevie Nicks, Pat Benatar, Heart, and The Bangles, Callner was responsible for some of the most memorable music videos in history. His impressive resumé includes Cher‘s “If I Could Turn Back Time,” Twisted Sister‘s “We’re Not Gonna Take It” and “I Wanna Rock,” Whitesnake’s “Here I Go Again” and “Is This Love,” Poison’s “Every Rose Has Its Thorn,” and numerous clips for Aerosmith, including “Livin’ on the Edge,” “Dude (Looks Like a Lady),” and “Love in an Elevator.”
Callner’s career would also boast numerous live concert specials, including a number of famed pop stars of the ‘90s and ‘00s. Madonna’s The Girlie Show: Live Down Under, Britney Spears’ Live From Las Vegas, Justin Timberlake’s FutureSex/LoveShow, and NSYNC: Live from Madison Square Garden.
Despite ten Prime Emmy Awards nominations, Callner didn’t win any during his lifetime, with his work on Jerry Seinfeld: I’m Telling You for the Last Time, Robin Williams: Live on Broadway, and the Rolling Stones: Forty Licks World Tour Live at Madison Square Garden all receiving nods at the turn of the century.
Callner is also remembered as the creator of HBO reality sports documentary series Hard Knocks, which has run since 2021 and takes viewers through the trials and tribulations of an NFL’s team’s pre-season preparation for the upcoming season.
Following his passing, some of the many names associated with Callner’s work came forward to offer their own tributes. Whitesnake’s David Coverdale labelled Callner “an amazing guy” and a “super talent,” while famed broadcaster Eddie Trunk dubbed him a “legend in music video,” and noted that “anyone who watched MTV knew his work.”
Dane Cook, who worked with Callner on his 2006 special Vicious Circle and 2022’s Above it All noted he was “heartbroken” following the loss of Callner, who labelled a “friend, collaborator and legend.”
“You put me on the map w/ Vicious Circle at HBO – you told me dream big and we did,” Cook said. “You directed the best because the best wanted to work with the best – you. You had the astonishing ability to take the best of a creative person and highlight it, define it with them all the while capturing it with your stellar team. Condolences to the whole family – I love you guys. Marty – we always said it to each other – ‘I love you more!’”
British indie-rock duo Wet Leg are teasing a full-scale return, plotting their launch with a pair of upcoming U.S. dates.
The group – which was formed in 2019 by Rhian Teasdale and Hester Chambers – announced their live return via a post on social media on Wednesday (March 19).
“Hey there neighbor,” they wrote. “Been a while hasn’t it? Why dont u come on down to the bottom of our garden? it’s about time we had ourselves a little gathering…just a couple of special nights in NYC and LA.”
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The first of these shows will take place on March 31 at Brooklyn’s Market Hotel, while their Los Angeles show will be on April 8 at The River in Frogtown. Sign-ups for ticketing access have been made available via the band’s website. These live shows will be the band’s first since August, and are set to be followed by a series of performances throughout the U.K. and Europe over summer.
News of the upcoming U.S. dates follows on from a surprisingly active period of time on social media for the band this week. On Monday (March 17), a post captioned “we’re so back” urged fans to visit Wet Leg’s website, where hints of the band’s new era were provided.
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“Salutations, lonely heart,” a message in a Windows 95-era textbox reads. “You have wandered far, but you are home. Enter Moisturizer Valley — where the skin never cracks, and the body never withers. Enroll now. Learn how to live forever.”
This was followed up by a snippet of a new song shared on Tuesday (March 18), though no official release date for the track has been revealed as yet.
Wet Leg rose to fame in 2021 with the release of their debut single “Chaise Longue.” Reaching No. 15 and 21 on the Alternative Airplay and Rock Airplay charts respectively, the Mean Girls-referencing track was featured on the band’s self-titled debut LP in 2022, which reached No. 14 on the Billboard 200 upon its release.
Such was the success of Wet Leg that they scored a nomination for best new artist at the 2023 Grammys, with “Chaise Longue” taking home best alternative music performance and their LP winning best alternative music album. The group have also managed to snare high-profile support slots for the likes of Harry Styles and the Foo Fighters in stadiums around the world in recent years.
After close to two decades together, Guns N’ Roses and drummer Frank Ferrer have parted ways,
News of the band’s lineup shift was confirmed by the group in a statement released on Wednesday (March 19). “Guns N’ Roses announce the amicable exit of Frank Ferrer, the longest-serving drummer in their storied run,” the statement read. “The band thanks Frank for his friendship, creativity and sturdy presence over the past 19 years, and they wish him success in the next chapter of his musical journey.”
Ferrer became a member of Guns N’ Roses in 2006, taking over from Bryan “Brain” Mantia, who had joined in 2000. Holding the role for 19 years, he is the longest-tenured percussionist in the band’s history, second only to Steven Adler, who sat behind the kit from 1990 to 1997.
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Ferrer’s recorded contributions to the band began with five tracks on their famously-delayed (and currently, their most recent) studio album, Chinese Democracy, which arrived in 2008. He would also appear on the live portion of 2022’s Hard Skool EP, with former drummer Brain appearing on the studio tracks and their 2023 singles “Perhaps” and “The General.”
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Ferrer’s last appearance with the band took place at Mexico’s Hell & Heaven Metal Fest in November 2023, which is currently the most recent live performance from Guns N’ Roses to date.
Currently, the band are scheduled to return to the road soon, launching their awkwardly-titled Because What You Want & What You Get Are Two Completely Different Things Tour in South Korea on May 1. The tour will visit the Middle East and Europe over the following months, with no dates set past their July 31 concert in Germany. No replacement for Ferrer has been named at the current time.
Outside of his time with Guns N’ Roses, Ferrer had previously performed with The Beautiful, later joining future Guns N’ Roses bandmate Richard Fortus in both Love Spit Love and The Psychedelic Furs. In 2019, Ferrer also co-founded the rock band PSSR, who have issued a handful of singles in recent years.
Garbage, the iconic American alternative rockers who rose to fame in the ’90s, are in the midst of their first Latin American tour in a decade. The trek kicked off March 12 in Colombia, followed by stops in Chile and Argentina, before arriving in Brazil this Friday (March 21).
On April 6, after an 11-year absence from the country, Garbage will perform in Monterrey, Mexico, at the Tecate Pa’l Norte festival.
“It’s great to go back to Mexico, you know. And going to Pa’l Norte again is even better,” lead singer Shirley Manson tells Billboard Español about their participation on the festival’s second day, which will also feature stars like Olivia Rodrigo and Kings of Leon. “Each represents different generations, and their own music. We’re not the same side of the coin. Having many options at the same place is fantastic.”
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Since the band’s inception in the early ’90s, Garbage has been beloved among Latin American audiences. Tracks like “Stupid Girl,” “Only Happy When it Rains” and “I Think I’m Paranoid” have transcended the years, creating a strong bond with fans in the region.
When asked about the growing globalization of Latin music, Manson shares: “Latin music is developing and expanding so quickly. Now, listening to music in Spanish is something we are used to. That’s so great, it’s wonderful.”
The reunion with their fans has been overwhelmingly positive. At the Festival Rec, recently held in Concepción, southern Chile, the band shared the stage with acts like Los Tres, Suede and Julieta Venegas, along with 40 other talents that brought together an estimated 360,000 attendees, according to Chile’s Ministry of Cultures, Arts and Heritage.
In Buenos Aires, Argentina, the Obras Stadium was packed with fans who had been waiting for the band since their last performance at the legendary Luna Park in 2014. Shirley Manson has a special connection with Argentina, particularly with its feminist movements; the singer even participated in a colloquium there in 2019.
For their performance at Parque Fundidora in Monterrey, where Tecate Pa’l Norte will take place from April 4–6, daily attendance is expected to reach at least 100,000 people. The eclectic lineup includes Green Day, Massive Attack, Justin Timberlake, Caifanes, Foster the People, Benson Boone, El Tri and Eden Muñoz, among others.
Garbage, comprised of Shirley Manson, Butch Vig, Duke Erikson and Steve Marker, has released several covers over the past two years, including David Bowie’s “Starman,” U2’s “Who’s Gonna Ride Your Wild Horses,” Siouxsie and the Banshees’ “Cities in Dust” and Patti Smith’s “Because the Night.” Fans are eagerly awaiting new music from the band, as their eighth studio album, Let All That We Imagine Be the Light, is set to drop on May 30.
Spiritbox earns its second No. 1 on the Top Hard Rock Albums chart, debuting atop the survey with Tsunami Sea. The set bows with 22,000 equivalent album units earned in the U.S. in the week ending March 13, according to Luminate. Of that sum, 16,000 units come from album sales, with 10,000 coming from a […]