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Trending on Billboard “Take your time, what’s the rush?” The lyric from Leon Thomas‘ 2024 hit “Mutt” couldn’t be more fitting to describe the song’s yearlong journey to the top 10 of the Billboard Hot 100, which it finally reaches this week. To be exact, “Mutt” took 38 chart weeks to reach its current position […]
Trending on Billboard After Pharrell Williams and the Jonas Brothers performed at the first two games of the 2025 World Series — the first time in 32 years Canada hosted the annual baseball championship — the MLB has unveiled its next slate of performers for games three and four in the matchup between the Toronto […]
Listen to new must-hear songs from emerging R&B/hip-hop artists like The BLK LT$ and María Isabel.
10/27/2025
Trending on Billboard Justin Bieber showed Odeal nothing but love and respect when the Nigerian-British star visited L.A. last week for his sold-out show at The Roxy. Both artists were seen casually hanging out in the video from Odeal’s The Shows That Saved Me tour vlog series posted Friday (Oct. 24) on YouTube, where Odeal […]
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Muni Long’s former managers are suing the singer for refusing to pay more than $600,000 worth of promised fees, though the Grammy-winning R&B star’s team calls the claims “unfounded.”
Long (Priscilla Renea Hamilton) is facing breach of contract claims from Ebony Son Entertainment, the Atlanta-based management company run by Chaka Zulu and Jeff Dixon. The duo is best known for managing Ludacris, with whom they started the record label Disturbing Tha Peace in 1998.
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Ebony Son claims in a Thursday (Oct. 23) federal court complaint that Zulu and Dixon’s hard work was instrumental to Long’s success, including her win for Best R&B Performance at the Grammy Awards this year. But Long fired her managers in January and now owes hefty commissions from live shows and recording and writing gigs, according to the complaint.
“Defendant Priscilla Renea Hamilton is publicly known as the musical artist ‘Muni Long’ but her less well-known performances are as a serial grifter,” reads the lawsuit. “After taking the benefit of plaintiff’s elite and highly sought-after management services for more than a year, Muni Long shamelessly reneged on her promises to pay plaintiff the agreed-upon, customary percentage of revenue she earned, and only earned because plaintiff assisted in obtaining those engagements.”
Long’s team denies the claims as “unfounded” in a statement to Billboard on Friday (Oct. 24). The team says it’s “deeply unfortunate that the matter could not be resolved privately and professionally,” claiming Long made “good faith” settlement offers even though “no formal contract ever existed” with Ebony Son.
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“The situation has been particularly distressing, as it involves the same team that took possession of the artist’s phone and sought to have her involuntarily committed to a mental health facility, despite medical confirmation that she was suffering from a Lupus flare-up,” says Long’s team in the statement. “All appropriate avenues are being pursued to ensure that the truth is fully and fairly defended. The artist hopes this underscores the importance to all those in creative fields to safeguard their personal and professional boundaries and be discerning about those they trust to represent them.”
Zulu and Dixon have been battling with Long in court since July, when the managers first leveled allegations over the unpaid commissions in a California state court complaint. That state court case was withdrawn just days before Ebony Son took the claims to federal court.
Long broke onto the R&B scene in 2022 with her hit single “Hrs and Hrs,” which spent 20 weeks on the Billboard Hot 100 and peaked at No. 16 on the chart. She signed with Def Jam Recordings that year, and “Hrs and Hrs” won the Grammy for Best R&B Performance at the 2023 ceremony.
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According to Thursday’s lawsuit, Long had her first meeting with Zulu and Dixon at New Orleans’ ESSENCE Festival of Culture in July 2023. During this meeting, the managers say, Long allegedly agreed to pay the duo 20% of all her gross revenue and reimburse all management-related expenses.
Zulu and Dixon say they began putting in work for Long “within days of being hired,” ensuring that her 2024 album Revenge was released before the Grammys cutoff date. This made it possible for Long to win another Best R&B Performance Grammy that year for her song “Made for Me,” the lawsuit claims.
The managers allege Long paid her required commissions and reimbursements for over a year, but that she “purportedly became unhappy” with the amount of the fees and ultimately stopped all payments in October 2024. In January, they say she officially cut ties with Ebony Son.
“Plaintiff, who worked tirelessly to advance Muni Long’s career, [has] secured over $5 million in revenue for defendants to date,” says the complaint. “But as to a significant percentage of this revenue, defendants have failed to pay plaintiff the corresponding commission payments as required by the agreement.”
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Zulu and Dixon claim Long owes more than $600,000 worth of commissions and expenses from the money she made via live shows, a $1 million ASCAP publishing deal, songwriting agreements with Shenseea and Tiwa Savage, and features on tracks by Teddy Swims and Toosi.
The lawsuit says Long also owes fees on other sources of revenue that Zulu and Dixon have not yet been able to fully audit, including the money she made opening for Chris Brown on the 11:11 Tour in 2024.
Unrelatedly, Zulu was criminally charged with murder in 2022 for shooting a man during an altercation in Atlanta. The charges were later dropped after prosecutors determined that Zulu was acting in self-defense.
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With just one week to go before Halloween weekend, a wide range of artists fired off new music releases just in time for spooky season.
Megan Thee Stallion unveiled her second single of 2025, “Lover Girl,” a Total-sampling ode to her basketball star boyfriend, Klay Thompson. The new track leads a busy week for hip-hop and R&B releases, including new projects from Bruce Springsteen (Nebraska ’82), Miguel (Caos), Daniel Caesar (Son of Spergy), Leon Thomas (Pholks) and Halle Bailey (Love?… Or Something Like It).
Notably, Bailey’s album marks her debut solo full-length efforts following years of solo singles such as “In Your Hands” and the Grammy-nominated “Angel,” as well as acclaimed turns in movie musicals including 2023’s The Little Mermaid and The Color Purple. Thomas’ Pholks EP arrives on the heels of his “Mutt” success — and a week before his Mutts Don’t Heel Tour launches — while Caesar’s latest LP is the follow-up to 2023’s Never Enough, which became his highest charting effort on the Billboard 200 (No. 14). As for Miguel, Caos marks his first album in nearly eight years.
To coincide with Springsteen: Deliver Me from Nowhere finally hitting U.S. theaters, The Boss shared an expanded edition of his landmark 1982 Nebraska album. The record, whose conception the Jeremy Allen White-led film chronicles, reached No. 3 on the Billboard 200 during its original chart run. This new 4LP version of Nebraska features acoustic demos, little-known B-sides and the six long-rumored, E Street Band-assisted “Electric Nebraska” tracks.
On the pop side, Demi Lovato returned to dance-pop stomping grounds with her new album, It’s Not That Deep, and Alessia Cara issued a deluxe edition of her Love & Hyperbole LP. Brandi Carlile is also back with a new solo album, Returning to Myself, months after sharing a joint album with Elton John, and Shenseea, Hayley Williams, Sampha, Tee Grizzley and Samara Cyn all shared new tracks.
That’s a lot of new music to digest as we enter the penultimate month of the year, but Billboard still wants to know which new release you can’t get enough of. Tell us by casting your vote in the poll below.
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To celebrate the release of her debut solo studio album, Halle Bailey gets strikingly honest in the latest episode of Billboard’s Takes Us Out video series.
The six-time Grammy-nominated singer-songwriter took Billboard’s Tetris Kelly out to H.O.P.E. (Healthy Organic Positive Eating) in Studio City, Calif., where the pair dug into a spread of some of Halle’s favorite vegan bites. While conversing over spring rolls and green curry dumplings, the pair discussed The Little Mermaid, accepting the Billboard Women in Music Rising Star Award in 2020, her first love, working with Mariah the Scientist and GloRilla, and Beyoncé‘s reaction to her debut solo album, Love?… Or Something Like It.
Released on Friday (Oct. 24) via Parkwood Entertainment and Columbia Records, Halle’s new LP features collaborations with Chlöe, Mariah the Scientist, GloRilla and H.E.R., as well as the previously released singles “Angel,” “Because I Love You,” “In Your Hands,” “Braveface” and “Back and Forth.” Notable cowriters and producers include RAYE, D. Phelps, Freaky Rob, Sevyn Streeter, BongoByTheWay, and, of course, Bailey herself.
“I hear my sister on so many songs, I think it’s the way my brain is wired,” she tells Billboard. “I hear her, I hear what she can add, like, ‘She would be good on this; she would be good on that!’ When it came to our song ‘Feel Again,’ I was like, ‘I cannot do this song without Chlöe, I need to hear her on this.’ My sister is a freakin’ cool musical genius; she travels with her equipment. She can record wherever she is because she brings all her s—t with her.”
And if there’s been one constant in Halle’s life as she navigates the music industry — outside of her sister — it’s Beyoncé, the music icon who mentored the sibling duo and signed them to her Parkwood label.
“I played this one for [Beyoncé] too,” Halle reveals. “And she was obsessed with hearing our voices again together.”
The new record arrives as Halle’s first full-length solo offering since her sister duo of Chloe x Halle took a hiatus following the release of 2020’s breakthrough Ungodly Hour album. As her older sister embarked on a career that has yielded two solo albums and buzzy music videos, Halle focused on bringing Princess Ariel to life in the 2023 live-action remake of The Little Mermaid, securing safety and stability for her son Halo (whom she shares with ex DDG), and figuring out her solo sound.
Watch the latest episode of Takes Us Out above.
Trending on Billboard Since its release in August, Kehlani‘s “Folded” has quickly emerged as one of the year’s most beloved R&B songs. A hopeful plea for seemingly doomed reconciliation elegantly sung across ’00s R&B-evoking production, “Folded” has reached No. 18 on the Billboard Hot 100, marking the highest peak of Kehlani’s career, and emerged as […]
Trending on Billboard Earlier this year at Coachella, funk forefather George Clinton gifted Leon Thomas a custom hat, lauding him as one of the contemporary torchbearers of the genre. A few months later, not only is Thomas still riding high on the success of “Mutt,” but he’s also doubling down on his funk inclinations with […]
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Now that Billboard’s R&B/hip-hop team has posted its Grammy predictions for four of the R&B categories in the 68th annual race — best R&B performance, best traditional R&B performance, best R&B song and best R&B album — it’s time to review the top prospects in the fifth and final category: best progressive R&B album.
Recent winners in the category include Lucky Daye (Table for Two, 2022), Steve Lacy (Gemini Rights, 2023) and SZA (SOS, 2024). Thanks to a tie, two winners took home the gramophone in 2025: longtime independent artist Avery Sunshine (So Glad to Know You) and the R&B/hip-hop super duo NxWorries comprised of Anderson .Paak and producer Knxwledge (Why Lawd?).
Formerly known as best urban contemporary album, the category was renamed best progressive R&B album in 2020. In recognizing “excellence in albums of progressive R&B vocal tracks,” per the Recording Academy’s definition, such entries are rooted in many of the elements comprising R&B but also embrace additional sounds including hip-hop, rap, pop, dance and electronic music. The rulebook further defines the category’s music as having “an emphasis on experimentation and innovation, often through unconventional song structures, dynamic production techniques and multi-genre influences that challenge traditional R&B conventions.”
Albums released between Aug. 31, 2024 and Aug. 30, 2025 fitting this category include familiar vets like Bilal (Adjust Brightness), Gallant (Zinc), Jessie Reyez (Paid in Memories), Kali Uchis (Sincerely) and Allen Stone (Mystery). A host of upstarts also waved the progressive banner in their own inimitable styles, such as SAILORR (From Florida’s Finest), Laila! (Gap Year), Jordan Adetunji (A Jaguar’s Dream) and Cautious Clay (The Hours: Morning).
In addition to those on-the-cusp contenders, there are others of note to consider. Chief among them is the group FLO (Access All Areas), KWN (With All Due Respect), Destin Conrad (Love on Digital), Fridayy (Some Days I’m Good, Some Days I’m Not), UMI (People Stories) and Kelela (In the Blue Light).
With such a cornucopia of projects to choose from, predicting the nods in this category isn’t an easy task. One scenario could have Kali Uchis, Destin Conrad, Fridayy and Jessie Reyez fighting for the last spot. Or perhaps there could be another surprise from left field a la Avery Sunshine at the 67th annual ceremony.
So which five albums will score nods for best progressive R&B album when the Recording Academy unveils its slate on Nov. 7? Check out Billboard’s predictions below.
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