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Tems Accepts the Diamond Award From Yati Khumalo | SXSW London 2025  

Tems accepts the Diamond award from Yati Khumalo at SXSW London 2025.

Penske Media Corporation (which also owns Billboard) and film and production company MRC became investment partners of SXSW in 2021. Penske took majority ownership of SXSW two years later.

Yati Khumalo:
Created in partnership with the Botswana Investment and Trade Center, the Diamond Award represents the shared philosophy between the sustainable and ethical development of Africa’s mineral resources, which countries like Botswana have perfected, and our most noteworthy mainstream export — music. Generating more than $29.6 billion in revenue in 2024, music is the backbone of African culture, both on the continent and abroad. Alongside the Diamond Award, tonight’s winner will also receive an all-inclusive, curated tourism experience at Abercrombie and Kent travel group’s world renowned Chiefs Camp in Botswana’s Okavango Delta.

I’m so pleased to present this award to an artist who has been leading the vibe with authenticity, an unmistakable sound and an attitude of perseverance. Please join me in celebrating Nigerian singer-songwriter, producer, entrepreneur and the hit maker “Free Mind,” “Wait for You” and “Love Me JeJe,” Billboard and Billboard Africa‘s Diamond Award recipient, Tems.

Tems:
What an intro. Thank you so much. Thank you so much to Billboard. I’m really honored to be here to stand in front of so many beautiful people, so many, so many accomplished people. It’s an honor. It’s a great pleasure. And I really, really appreciate you.

Chartbreaker: Mariah the Scientist on Her Biggest Hit’s ‘Casual’ Start & Using Her Platform to ‘Help People Feel Included’

True to her name, Mariah the Scientist’s songs are often the result of several months, and sometimes years, spent combining different elements of choruses and verses until finding the right mixture. But when it came time for the 27-year-old to unveil her latest single, the sultry “Burning Blue,” the R&B singer-songwriter was at a crossroads. So, she experimented with her promotional strategy, too — and achieved the desired momentum.

“Mariah felt she was in a space between treating [music] like a hobby and this being her career,” recalls Morgan Buckles, the artist’s sister and manager. And so, they crafted a curated, monthlong rollout — filled with snippets, TikTok posts encouraging fan interaction and various live performances — that helped the song go viral even before its early May arrival. Upon its release, Mariah the Scientist scored her first solo Billboard Hot 100 entry and breakthrough hit.

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Mariah Amani Buckles grew up in Atlanta, singing from an early age. She attended St. John’s University in New York and studied biology, but ultimately dropped out to pursue music. Her self-released debut EP, To Die For, arrived in 2018, after which she signed to RCA Records and Tory Lanez’s One Umbrella label. She stayed in those deals until 2022 — releasing albums Master and Ry Ry World in 2019 and 2021, respectively — before leaving to continue as an independent artist.

“Over time, you start realizing [people] want you to change things,” Mariah says of her start in the industry. “Everybody wants to control your art. I don’t want to argue with you about what I want, because if we don’t want the same things, I’ll just go find somebody who does.”

Mariah the Scientist photographed May 20, 2025 in New York.

Mariah the Scientist

Carl Chisolm

In 2023, after six months as an independent artist, Mariah signed a joint venture deal with Epic Records and released her third album, To Be Eaten Alive, which became her first to reach the Billboard 200. She then made two Hot 100 appearances as a featured artist in early 2024, on “IDGAF” with Tee Grizzley and Chris Brown and “Dark Days” with 21 Savage.

“Burning Blue” marks Mariah’s first release of 2025 — and first new music since boyfriend Young Thug’s release from jail following his bombshell YSL RICO trial. The song takes inspiration from Purple Rain-era Prince balladry with booming drums and warbling bass — and Mariah admits that the Jetski Purp-produced beat on YouTube (originally titled “Blue Flame”) likely influenced some lyrics, too. She initially recorded part of the track over an unofficial MP3 rip, but after Purp caught wind of it and learned his girlfriend was a fan, he gave Mariah the beat. Mariah then looped in Nineteen85 (Drake, Nicki Minaj, Khalid) to flesh out the production.

“I [recorded the first part of ‘Burning Blue’] in the first room I recorded in when I first started making music in Atlanta,” Mariah says. “I don’t want to say it was a throwaway, but it was casual. I wrote some of it, and then I put it to the side.”

Once Epic A&R executive Jennifer Raymond heard the in-progress track, she insisted on its completion enough that Mariah and her collaborators convened in Cabo San Lucas, Mexico, in February to finish the song. By that point, they sensed something special. Mariah shared a low-quality snippet on Instagram, but Morgan — who joined as a tour manager in 2022 — knew a more polished presentation was needed to reach its full potential.

Morgan Buckles and Mariah the Scientist photographed May 20, 2025 in New York.

Morgan Buckles (left) and Mariah the Scientist photographed May 20, 2025 in New York.

Carl Chisolm

Morgan eyed Billboard’s Women in Music event in late March as the launchpad for the “Burning Blue” campaign. Though Mariah wasn’t performing or presenting at the event, Morgan wanted to take advantage of her already being in glam to shoot a flashier teaser than Mariah’s initial IG story, which didn’t even show her face.

The two decided on a behind-the-scenes, pre-red carpet clip soundtracked by a studio-quality snippet of “Burning Blue.” Posted on April 1, that clip showcased its downtempo chorus and Mariah’s silky vocal and has since amassed more than two million views, with designer Jean Paul Gaultier’s official TikTok account sharing the video to its feed. Ten days later, Morgan advised Mariah to share another TikTok, this time with an explicit call to action encouraging fans to use the song in their own posts and teasing that she “might have a surprise” for fans with enough interaction.

Mariah then debuted the song live on April 19 during a set at Howard University — a smart exclusive for her core audience — as anticipation for the song continued to build. Two weeks later, “Burning Blue” hit digital service providers on May 2, further fueled by a Claire Bishara-helmed video on May 8 that has over 7 million YouTube views.

“We’re at the point where opportunity meets preparation,” Morgan reflects of the concerted but not overbearing promotional approach. “[To Be Eaten Alive] happened so fast, I didn’t even know what ‘working’ a project meant. This time, I studied other artists’ rollouts to figure out how to make this campaign personal to her.”

“Burning Blue” debuted at No. 25 on the Billboard Hot 100 dated May 17, marking Mariah’s first time in the top 40. Following its TikTok-fueled debut, the song has shown legs at radio too, entering Rhythmic Airplay, R&B/Hip-Hop Airplay and Mainstream R&B/Hip-Hop Airplay — to which Morgan credits Epic’s radio team, spearheaded by Traci Adams and Dontay Thompson. “[The song] ended up going to radio a week earlier [than scheduled] because Dontay was like, ‘If y’all like this song so much, then play it!,’ and they did,” Morgan jokes.

With “Burning Blue” proving to be a robust start to an exciting new chapter, Mariah has a bona fide hit to start the summer as she prepares to unleash her new project, due before the fall. She recently performed the track on Jimmy Kimmel Live! and will have the opportunity to fan the song’s flames in front of festival audiences including Governors Ball in June and Lollapalooza in August. But as her following continues to heat up, Mariah’s mindset is as cool as ever.

“I’ll take what I can get,” Mariah says. “As long as I can use my platform to help people feel included or understood, I’m good.”

Mariah the Scientist photographed May 20, 2025 in New York.

Mariah the Scientist

Carl Chisolm

A version of this story appears in the June 7, 2025, issue of Billboard.

Industry Pioneer Sylvia Rhone, Ciara & More Honored at Inaugural Black Women in Music Dinner

Epic Records chairwoman/CEO Sylvia Rhone being presented with the Vanguard Award was one of several highlights that took place during the inaugural Black Women in Music dinner, held Tuesday evening (June 3) at the Audrey Irmas Pavilion in Los Angeles.

The Black Music Month fete also honored Grammy-winning artist Ciara, music executive Phylicia Fant, creative director/costume designer June Ambrose, media personality DJ Kiss and photographer/photojournalist Florence “FLO” Ngala. Celebrating the global impact of Black women in the music industry, the dinner also served as the first fundraiser for its presenter, The Connie Orlando Foundation, which supports breast cancer prevention, care and research in Black communities.

As the first Black woman CEO of a major record label, Rhone accepted her award from Grammy- and Stellar Award-winning gospel powerhouse Yolanda Adams. In making the presentation to the industry trailblazer — also known as “The Godmother of the Music Industry” — Adams said of Rhone, “You are a beacon of hope and a powerful champion for change.”

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Flo Ngala, DJ Kiss, Sherrese Clarke, Phylicia Fant, Connie Orlando, Ciara, Sylvia Rhone and June Ambrose

Flo Ngala, DJ Kiss, Sherrese Clarke, Phylicia Fant, Connie Orlando, Ciara, Sylvia Rhone and June Ambrose attend Black Women in Music Dinner convened by The Connie Orlando Foundation at Audrey Irmas Pavillion on June 03, 2025 in Los Angeles.

Leon Bennett/Getty Images for The Connie Orlando Foundation

Grammy-nominated artist Normani presented the Avant Garde Award to Ciara, saluting the Grammy-winning singer/songwriter/entrepreneur as “the blueprint for leveling up.” Emmy-winning actress Niecy Nash stepped onstage to honor hip-hop and R&B style pioneer Ambrose with the Guardian of Vision Award. “She taught hip-hop how to wear its crown — and how to do it in a fresh pair of heels,” Nash remarked.

Grammy-winning singer and actress Andra Day, alongside co-presenter/entrepreneur Lori Harvey, paid tribute to veteran music executive Fant (Warner Bros. Records, Columbia Records, Amazon) and her work in music marketing and advocacy for equitable representation. “Phylicia has a deep understanding of how crucial Black artistry is to the future of business, and her work stands as a testament to this,” Day said.

Giveon

Giveon attends Black Women in Music Dinner convened by The Connie Orlando Foundation at Audrey Irmas Pavillion on June 03, 2025 in Los Angeles.

Leon Bennett/Getty Images for The Connie Orlando Foundation

HarborView Equity Partners founder/CEO Sherrese Clarke Soares — also founding partner of Black Women in Music — gave out special Guardian Angel Spotlight awards to aforementioned culture-shapers DJ Kiss and Ngala. Citing Black Women in Music as a “platform to reshape narratives around Black artistry and leadership,” Clarke Soares further commented, “At HarbourView, we believe artists deserve more than just a seat at the table. They deserve ownership of their stories and the freedom to build their own.”

In thanking the audience as well as the evening’s supporters and sponsors, Orlando addressed the call to action needed to fight the breast cancer crisis affecting the Black community. “It is a privilege for me to curate this event to give these extraordinary women their flowers, to shine a light on how vital they’ve been to global culture and to just say, ‘Thank You,’” added Orlando who is also exec. vp/head of specials, music programming and music strategy at BET. 

Connie Orlando

Connie Orlando attends Black Women in Music Dinner convened by The Connie Orlando Foundation at Audrey Irmas Pavillion on June 03, 2025 in Los Angeles.

Leon Bennett/Getty Images for The Connie Orlando Foundation

The inaugural Black Women in Music dinner/fundraiser was hosted by actress and comedian Zainab Johnson with performances by Giveon, Alex Isley and YULI. Hip-hop icon MC Lyte voiced the tribute videos, while DJ Midi Ripperton provided afterparty entertainment. In addition to The Connie Orlando Foundation and founding partner HarbourView Equity Partners, the event’s prestige partners were BET and BET HER; contributing partners included Jesse Collins Entertainment, Flavor Unit, Quality Control, CMG, Epic Records, Atlantic Records, OWN and Universal Music Group.

Zainab Johnson

Zainab Johnson attends Black Women in Music Dinner convened by The Connie Orlando Foundation at Audrey Irmas Pavillion on June 3, 2025 in Los Angeles.

Leon Bennett/Getty Images for The Connie Orlando Foundation

SZA’s ‘SOS’ Breaks Michael Jackson’s Record for Most Weeks at No. 1 on Top R&B/Hip-Hop Albums

SZA’s SOS sails into uncharted waters on Billboard’s Top R&B/Hip-Hop Albums chart by becoming the longest-running No. 1 title in the chart’s 60-year history. The juggernaut earns the achievement with a 38th nonconsecutive week at No. 1, on the chart dated June 7, breaking its tie with Michael Jackson’s Thriller, which set the previous record of 37 weeks in 1983-84.

The new title-holder attains its historic week with 47,000 equivalent album units earned in the United States in the tracking week of May 23-29, according to Luminate, a 2% increase from the prior week. In total, SOS has spent 129 weeks on Top R&B/Hip-Hop Albums and has never fallen outside the top 10.

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SOS, SZA’s sophomore studio album, was released in December 2022 as the long-awaited follow up to the singer-songwriter’s acclaimed debut LP, 2017’s Ctrl. The set opened at No. 1 on Top R&B/Hip-Hop Albums and sparked hit singles such as “Kill Bill,” which spent a then-record 21 weeks at No. 1 on the Hot R&B/Hip-Hop Songs chart and “Snooze,” which spent 13 weeks at No. 2 on the chart. The album received a second wind in December 2024 with its deluxe LANA edition’s release that added more than a dozen songs to the track list, including hits “Saturn” and “30 for 30.”



As SOS rewrites the record books, here’s an updated look at the albums with the most weeks at No. 1 on Top R&B/Hip-Hop Albums since the chart launched in 1965.

Most Weeks at No. 1 on Top R&B/Hip-Hop Albums Chart
38, SOS, SZA, 2022-25
37, Thriller, Michael Jackson, 1983-84
29, Please Hammer Don’t Hurt ‘Em, M.C. Hammer, 1990
26, Just Like the First Time, Freddie Jackson, 1986-87
23, Can’t Slow Down, Lionel Richie, 1983-84
20, Songs in the Key of Life, Stevie Wonder, 1976-77
20, Street Songs, Rick James, 1981
20, Shoot for the Stars Aim for the Moon, Pop Smoke, 2020-21
19, Purple Rain, Prince and The Revolution, 1984
18, The Temptations Sing Smokey, The Temptations, 1965
18, Bad, Michael Jackson, 1987-88

Since a methodology change to Top R&B/Hip-Hop Albums in February 2017 added streaming and individual track sales into the chart’s calculations, albums tend to spend much longer on the list due to consistent streaming activity. Prior to the switch, the chart’s ranks were based solely on traditional album sales. A growing shift toward longer track lists, too, has helped many popular albums retain strong chart positions as multiple popular songs from an album have provided a foundation for steady streaming numbers.

Due to the shifts, several longevity milestones have been rewritten in recent years. In addition to holding the No. 1 record for decades, Thriller also had the most weeks in the top 10 of Top R&B/Hop-Hop Albums, at 76 frames in 1983-84. While no album matched that total for over 30 years, six albums have now passed Thriller’s top 10-week count, all of which were released in 2012 or later.

Elsewhere on Billboard’s charts, SOS captures a 112th week at No. 1 on Top R&B Albums, far and away the longest leader on the 12-year-old list. On the all-genre Billboard 200, SOS ranks at No. 2, after having ruled the chart for 12 nonconsecutive weeks since its No. 1 arrival in 2022.

803Fresh’s Viral ‘Boots on the Ground’ Rises to No. 1 on Adult R&B Airplay Chart

803Fresh’s “Boots on the Ground” is flying high on Billboard’s Adult R&B Airplay chart as it rises from the runner-up spot to top the list dated June 7. The viral, line-dance track ascends by becoming the most played song on panel-contributing adult R&B radio stations in the United States in the tracking week of May 23-29, according to Luminate. “Boots” boosted 1% in plays for the week, compared to the previous tracking frame.

With “Boots on the Ground,” 803Fresh, born Douglas Furtick, earns his first No. 1 on Adult R&B Airplay with his maiden entry. The new champ knocks out Summer Walker’s “Heart of a Woman” after its two-week turn in the penthouse.

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Released and promoted by Snake Eyez/KG Music Group, the Southern soul “Boots on the Ground” sprouted across social media through a viral line dance created by Tre Little, often performed with a fan in hand. On TikTok, the song’s audio has been synced to more than 94,000 videos, and celebrities including Beyoncé, Kamala Harris and Michelle Obama have performed the routine.



Beyond its Adult R&B coronation, “Boots on the Ground” exhibits its first signs of crossover appeal with a No. 34 debut on the Mainstream R&B/Hip-Hop Airplay chart. There, the track improved 7% in week-over-week plays. Thanks to its strength at the adult format and rising traction in the mainstream sector, the single pushes 8-6 on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from both formats. Despite the position gain to a new peak, the song remained essentially even in audience impressions.

Airplay gains, in turn, have helped the song’s standing on the multimetric Hot R&B Songs and Hot R&B/Hip-Hop Songs charts, which also add streaming and sales data into their ranks. On the former, “Boots” climbs 9-8 to a new high and slides one spot (21-20) from its best position on the latter ranking.

Billboard Hot 100 Top 10 Countdown for June 7, 2025 | Billboard News

Will Alex Warren’s “Ordinary” take the No. 1 spot from Morgan Wallen?

Tetris Kelly:

This is the Billboard Hot 100 top 10 for the week dated June 7th. “Beautiful Things” hangs on at No. 10. “Nokia” is up to No. 9, as is “Lose Control” to No. 8, “Die With a Smile” to No. 7, and “A Bar Song (Tipsy)” to No. 6. “Luther” is still at No. 5. Morgan’s “I’m the Problem” slips to No. 4, as does “Just in Case” to No. 3, and “What I Want” to No. 2. But grabbing his first week at No. 1 is Alex Warren with “Ordinary.” If you want more Billboard, make sure you hit the subscribe button and ring the bell to be notified on all our latest videos.

Doja Cat Joins SZA On Stage to Perform ‘Kiss Me More’ at Grand National Tour

SZA and Doja Cat haven’t kissed their smash-hit duet good-bye just yet, with the pair reuniting to perform “Kiss Me More” together for the first time in years Saturday (May 31).

Rising up from beneath the stage floor to join the “Kill Bill” singer in front of thousands of fans at Allegiant Stadium in Las Vegas — the latest stop on SZA and Kendrick Lamar’s Grand National Tour route — the Los Angeles rapper was all smiles as she delivered her parts to the high-energy single, which reached No. 3 on the Billboard Hot 100 in 2021. “Can you kiss me more?/ We’re so young, boy, we ain’t got nothin’ to lose,” spit Doja, dressed in a leafy green dress to match the scenery of SZA’s stage setup as the latter danced along. “It’s just principle/ Baby, hold me ’cause I like the way you groove.”

The R&B hitmaker thanked Doja for joining her with a post on Instagram Stories, writing, “First time performing together in soooo long.”

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Appearing on Doja’s Planet Her album, “Kiss Me More” was one of the biggest hits of 2021. It won both artists their first Grammys in 2022, taking home best pop duo/group performance.

The “Woman” artist is just the latest A-lister to pop up on stage at one of SZA and Dot’s Grand National performances, which kicked off April 19 with a show in Minneapolis. Also in May, SZA brought out both Lizzo and Justin Bieber at different shows, singing “Special” with the former and “Snooze” with the latter. Lamar has also welcomed his share of guests, with Playboi Carti and Baby Keem performing alongside him on different stops.

The trek comes amid the success of SZA and Lamar’s “Luther,” which reigned atop the Hot 100 for 13 weeks. Before embarking on the Grand National trek, the pair performed it during the “Not Like Us” rapper’s 2025 Super Bowl Halftime Show.

As for Doja, the hip-hop star has dropped a couple of new collaborations in recent weeks. “Just Us” with Jack Harlow arrived in March, followed by April’s “Lose My Mind” with Don Toliver for the F1 film soundtrack.

R&B/Hip-Hop Fresh Picks of the Week: Justine Skye, Molly Santana, J.P., Leon Thomas & More

Though Taylor Swift’s victory in the years-long fight for ownership of her masters dominated last week’s headlines, there were also a slew of head-turning news items in the R&B and hip-hop worlds.

Clipse — comprised of Pusha T and No Malice — made its grand return on Friday (May 30) with “Ace Trumpets,” in which the duo name-dropped former frequent collaborator Ye (formerly known as Kanye West). “Sold ecstasy and disappeared, I am Whodini/ Look at them, him and him, still waitin’ on Yeezy/ I hope you got your squeegees/ At your interviews, I just ki-ki,” Pusha spit. In response, Ye took to X, writing, “I miss me and Pusha’s friendship” — just one of several tweets in a routine social media rant from the controversial rapper.

The same day, Donald Trump, one of Ye’s favorite politicians, sounded off on whether he would consider pardoning Diddy, who’s currently in the midst of a highly publicized sex trafficking trial. “Nobody’s asked, but I know people are thinking about it,” he said. “I think some people have been really close to asking. First of all, I’d look at what’s happening, and I haven’t watched it too closely.”

In lighter news, Cardi B made things Instagram official with her new boo, New England Patriots wide receiver Stefon Diggs, on Sunday (June 1).

With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from J.P.’s gospel-informed comeback to Justine Skye and Kaytranda’s summer-ready banger. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Cynthia Erivo Gets Real About ‘Wicked: For Good,’ Coming Out & New Album ‘I Forgive You’ | Billboard Cover

Billboard cover star Cynthia Erivo is gearing up to release her new album, ‘I Forgive You.’ The actress and singer shares insights into how she created the album and discusses the differences between filming ‘Wicked’ and ‘Wicked: For Good.’ She also opens up about her queerness, the role ‘The Color Purple’ played in her journey of self-discovery, and her experiences performing on renowned stages such as Coachella and The Kennedy Center and more!

What was your favorite part of the interview? Let us know in the comments!

Stephen Daw:

Well, thanks for sitting down for this, Cynthia, I really appreciate it. I’m so excited to talk to you. First things first: Congratulations on your new album. I’ve been listening to it pretty much on repeat since they sent it to me. This is your second studio album. You put out ‘Ch. 1 Vs. 1’ back in 2021 and I know that you’ve talked a little bit about how you know you weren’t 100% satisfied with that process. Can you tell me a little bit about why that was?

Cynthia Erivo:

Well, most of it was made in the pandemic, which meant that I was apart from my producer, and though I worked with a lot of producers and a lot of writers, it was never — and they were all so lovely, and I had such a great time with each one of them — but they had different sounds, different things that they brought to it, and it didn’t feel like it was one uniform story. And it never quite felt like it was mine. This time, I felt like I could really sort of hone in on what it is that I wanted with one person, so that we could really create a sound that felt uniform to the whole thing, that felt like it was mine. I could create something that belonged to me. Yeah, that’s why it felt very, very different. 

And I know that you’ve talked in past interviews about, you know, maybe with the first album, you weren’t necessarily with the team that you’re with now, you weren’t necessarily with the right people.

Keep watching for more!

Rihanna’s Father, Ronald Fenty, Dies at 70: Report

Ronald Fenty, the father of Rihanna, has reportedly died at the age of 70.

Fenty passed away following a brief illness, according to Starcom Network News, a radio station based in Rihanna’s native Barbados. The official cause and exact date of death have not yet been disclosed. Sources told the outlet that he was surrounded by family at the time of his passing.

Billboard has reached out to Rihanna’s representatives for comment.

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On Wednesday (May 28), Rihanna’s younger brother, Rajad Fenty, was photographed arriving at Cedars-Sinai Medical Center in Los Angeles. TMZ reports that the singer was also in the vehicle but was not visible in the photos.

Rihanna — who is currently expecting her third child with A$AP Rocky — had a complicated relationship with her father over the years. The two were estranged for a period before eventually making amends.

After Rihanna (born Robyn Rihanna Fenty) was assaulted by then-boyfriend Chris Brown in 2009, Fenty spoke publicly about the incident without her consent. In a 2011 interview with Vogue, the singer expressed her disappointment.

“You grow up with your father, you know him, you are a part of him, for goodness’ sakes!” she said at the time. “And then he does something so bizarre that I can’t begin to wrap my mind around it.”

In a 2012 interview with Oprah, Rihanna said she had repaired her relationship with her father, who she had described as being violent growing up. In 2019, however, she filed a lawsuit against him and his business partner, Moses Perkins, accusing them of attempting to profit off her name by launching a company called Fenty Entertainment. She alleged they misled investors by falsely claiming she was involved in the venture. Rihanna dropped the lawsuit shortly before it was set to go to trial in 2021, according to the BBC.

Fenty shared three children — Rihanna, Rajad and Rorrey — with his ex-wife, Monica Braithwaite. The couple divorced in 2002. The family was raised in Bridgetown, Barbados, where Rihanna lived until she moved to the U.S. at age 16. He also had three children from previous relationships: daughters Samantha and Kandy, and son Jamie, People reports.