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While the music world mourns Roy Ayers, the Godfather of Neo-Soul and a jazz-funk pioneer who died at age 84 on March 4, the hip-hop community will always remember him as one of its brightest inspirations.
“Everybody Loves the Sunshine,” the enduring hit from Roy Ayers Ubiquity’s 1976 album of the same name, became the highlight of his legacy — and everybody loved it so much they couldn’t help but borrow a bit of its brilliance. The New York Times‘ obituary for Ayers reported that “Everybody Loves the Sunshine” has been sampled nearly 200 times.
“Well, I have more sampled hits than anybody,” he said in a 2004 interview with Wax Poetics. “I might not have more samples than James Brown, but I’ve had more sampled hits. Oh, man, and there’s a few I don’t know about.”
Mary J. Blige — who sampled “Everybody Loves the Sunshine” for “My Life” from her 1994 album of the same name, which was later interpolated on “MJB Da MVP” featuring 50 Cent, on her 2005 LP The Breakthrough — opened up about the song’s indelible impact on her in her 2021 documentary My Life. “I don’t know what’s in that record, but it was something in it that just cracked open everything in me. That was the first music as a child that stuck with me because it made me forget that we lived where we lived,” Blige said in the film. “‘My life in the sunshine’ was something I wanted.” The Queen of Hip-Hop Soul also heavily sampled Ayers’ 1976 track “Searching” on her 1997 album Share My World.
Like Blige, Dr. Dre, TLC, Juvenile and Joe Budden also have songs titled “My Life,” while Scarface and Naughty by Nature have songs called “Sunshine.” Thirty years after he sampled “Everybody Loves the Sunshine” on “Book of Life” from his 1994 album Resurrection, Common dug back in the crates and dusted off the sample for the Grammy-nominated song “When the Sun Shines,” featuring Posdnuos, from his and Pete Rock‘s 2024 Grammy-nominated joint LP The Auditorium Vol. 1.
Outside of being sampled and interpolated by hip-hop heavyweights, Ayers also collaborated with Tyler, the Creator on “Find Your Wings,” also featuring Syd and Kali Uchis, from Tyler’s 2015 album Cherry Bomb; Erykah Badu on “Cleva” from her 2000 LP Mama’s Gun; The Roots on “Proceed II” from the deluxe version of the band’s 2005 album Do You Want More?!!!??!; and Talib Kweli on “In the Mood,” also featuring Ye (formerly known as Kanye West), from his 2007 album Eardrum as well as on “Something Special” from Kweli and Madlib‘s 2024 joint LP Liberation 2.
“Roy Ayers called me like ‘tyler, hey man, those changes are amazing, your chord selection is just beautiful my man’ OMG MY HEART MELTED,” Tyler tweeted in 2015. The Chromakopia rapper also sampled Ayers’ 1982 track “Ooh” on “Pothole,” featuring Jaden Smith, from his 2017 album Flower Boy. Later that same year, Ayers performed at his Camp Flog Gnaw festival. Questlove hailed him as “the cat who birthed us all in the ‘vibes only’ movement. The Soundtrack that ALL the incense you ever burned was truly made for. Thank You Roy Edward Ayers Jr for EVERYTHING you gave us. taught us. showed us. soothed us.”
Billboard rounded up 21 hip-hop and R&B songs that have sampled and interpolated Roy Ayers Ubiquity’s “Everybody Loves the Sunshine,” in order from newest to oldest.
Common & Pete Rock feat. Posdnuos, “When the Sun Shines Again”
Normani went public with her relationship and credited Ciara and Russell Wilson for the setup, Kai Cenat debates who the GOAT is between MJ & LeBron, and GloRilla is ready to take the stage for various sports events. What’s your favorite sports and music update from today? Let us know in the comments! Kai Cenat: […]
It’s almost Global Day of Unplugging, and in honor of it, Mustard, Lucky Daye, Lil Mosey and more shared how they take a break from their screens to reconnect.
Starting at sundown and lasting for the next 24 hours, take a moment — whether it’s a minute, an hour, or the full day — to unplug and be present.
How do you unplug? Let us know in the comments!
Rania Aniftos:You’re always plugged in, always locked in. What do you do to unplug?
Lucky Daye:I’ll travel or it’s really tough for me to unplug first of all, but I’ll break something just to put it back together.
Julia Michaels:Things I do to unplug? Oh, I love the sun. Love to be in the grass. I love a drive.
Tetris Kelly:There we go.
Julia Michaels:Love a long drive.
Lil Mosey:It’s hard to unplug. I was just saying last night. Right when you see a video on any Instagram, TikTok, you’re stuck in there for a whole hour just going.
Rania Aniftos:Going down the rabbit hole with the weirdest stuff, too.
Lil Mosey:You just gotta throw your phone out the window or something. Just call it a day.
Tetris Kelly:For the people that might be at home right now feeling like I don’t know what to do. I’m tired of scrolling through Twitter or X. What advice do you have to them?
Green Day:Take a break, stay off of social media for a while. I think one of the worst things in the world is the anxiety that we all feel collectively, and I think it has a lot to do with social media freaking us out even more, and then all of a sudden, you just realize you go and you hang out with a friend and you just make those connections that you’re supposed to make.
Three years into a 30-year sentence for sex trafficking and racketeering, R. Kelly broke his silence this week during a seven-minute phone call into the Inmate Tea With A&P podcast, in which the disgraced former R&B star claimed that he’s written more than two dozen albums since his imprisonment in 2022.
Kelly called in on a monitored prison phone line and told the show’s hosts that he was told he was supposed to sing someone “Happy Birthday,” as the two women giggled and referred to the 58-year-old singer born Robert Sylvester Kelly as the “King of R&B,” as well as by his once honorific title: “the Pied Piper of R&B.”
Saying he was feeling “great,” Kelly broke into the opening lines of his 1998 song “When a Woman’s Fed Up,” singing a cappella as one of the hosts danced in her seat, laughed and enthusiastically sang back-up vocals. Asked if he’s continued to used his talents while incarcerated, the vocalist — whose daughter, Buku Abi, now 26, claimed in a documentary last year that her father had sexually abused her as a child, claims his lawyer denied — referred to singing as “a beautiful disease that’s uncurable. That’s not gonna happen, not singing.”
In fact, Kelly, claimed that he’s written “like 25 albums” since he was sentenced to three decades in prison in 2021 following a conviction on racketeering and sex trafficking charges; in 2022, Kelly was also convicted of three counts of sexual exploitation enticement of a minor child via production of child pornography as well as three counts of coercion and enticement of a minor to engage in criminal sexual activity.
Before his sentence, Kelly was known for his prolific nature, releasing 18 studio albums from 1992 through 2016 as well as 33 chapters in his bizarre “Trapped in the Closet” musical soap opera series between 2005 and 2012.
In addition to writing songs from his cell at a federal prison in North Carolina, Kelly said he’s working on trying to get out of prison so he can get back to “what it is God gave me, my talent.” Last month, Manhattan’s 2nd Circuit U.S. Court of Appeals rejected Kelly’s bid to appeal his New York conviction, which, given the singer’s age, could keep him locked up into his 80s if he serves the full term.
Kelly was long dogged by allegations of sexual and physical abuse of women, as well as an illegal marriage in 1994 to a then-15-year-old Aaliyah when he was 27. He was accused in 2017 of holding half a dozen women hostage, some allegedly underage, as part of what was described as a “cult,” in which he allegedly controlled every aspect of their lives, from when they ate and bathed to how they dressed and when they had sex with him.
Multiple women later came forward to claim that Kelly sexually and physically abused them, including a number who spoke for the first time in public about his alleged abuse in the bombshell Surviving R. Kelly series; Kelly and his legal team have denied the allegations.
Beloved 1990s R&B trio Tony! Toni! Toné! issued an update on the group’s 64-year-old lead singer/guitarist D’Wayne Wiggins on Thursday (March 6), announcing in an Instagram post, “We wanted to share that D’Wayne Wiggins is experiencing medical complications. He is working through it one day at a time.”
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At press time no additional information was available on what health issues Wiggins has been dealing with and a spokesperson for the group had not returned Billboard‘s request for comment. The post continued, “We know how beloved he is by so many, and we are grateful for your prayers and concern. We also request that you respect the family’s privacy during this time.”
Wiggins is the co-founder of the 1980s/90s soul funk/R&B trio that also featured his half-brother, Raphael Saadiq, on bass and vocals and cousin Timothy Christian Riley on drums/keyboards. The band was formed in their native Oakland, CA in 1986, releasing their debut single, “One Night Stand,” a year later.
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After signing with Wing Records, the group released their debut album, Who?, in 1988, which featured the hit single, “Little Walter,” a prime example of the band’s signature mixture of funk, soul, R&B and gospel that rode the wave of the mid-1980s New Jack Swing revolution spearheaded by producers Teddy Riley and Jimmy Jam and Terry Lewis and groups including Guy, Blackstreet and Keith Sweat. The song peaked at No. 47 on the Billboard Hot 100 singles chart and hit No. 1 on the Billboard Hot R&B/Hip-Hop Songs chart, while the album hit No. 69 on the Billboard 200 album chart.
The band’s second, mostly self-produced studio album, The Revival, was released in 1990 (No. 34 on the Billboard 200) and it featured their signature feel good dance funk anthem “Feels Good,” which hit No. 9 on the Billboard Hot 100 singles chart. They followed with 1993’s classic R&B-leaning Sons of Soul LP– which contained their highest-charting single, the Ice Cube-sampling New Jack Swinging classic “If I Had No Loot.” That song ran up to No. 7 on the Hot 100, with the album hitting their highest mark on the Billboard 200 at No. 24.
Their final studio effort was 1996’s House of Music, which hit No. 32 on the Billboard 200 chart. In total, the group landed five chart-toppers on the Hot R&B/Hip-Hops songs charts, as well as seven other songs in the top 10 on that tally.
The group went quiet for several years before reuniting in 2003 — without Saadiq — to appear on Grammy-nominated The Diary of Alicia Keys song “Diary” (No. 8 on the Billboard Hot 100)) and then again in 2023 for a U.S. reunion tour to celebrate the thirtieth anniversary of Sons of Soul.
In addition to his work with the group D’Wayne Wiggins was the bandleader for comedian D.L. Hughley’s short-lived Comedy Central series Weekends at the D.L. He also released a solo album, Eyes Never Lie, in 2000, which charted at No. 197 on the Billboard 200 album chart, with single “What’s Really Going On (Strange Fruit)” hitting No. 84 on the Hot R&B/Hip-Hop Songs chart that year.
Wiggins is also credited with helping to develop and shape the early career of Destiny’s Child, who recorded several tracks produced by him before they signed with Columbia Records, as well as being one of the major promoters of Oakland’s grimy, relentless late ’90s “hyphy” hip-hop offshoot thanks to his vocal work on fellow East Bay native Too $hort’s 1992 singles “Hoochie” and 1999’s “How Does It Feel.” He also lent his elegant guitar playing to “BabyLet’sHaveABabyBeforeBushDoSomethin’Crazy” from another East Bay group, The Coup, on their 2006 Pick a Bigger Weapon album.
Lizzo leans into a classic kiss-off on the just-released second preview of her upcoming Love In Real Life album. In a snippet released on Instagram on Thursday (March 6), the singer rocks a bedazzled red bodysuit with a series of cut-outs down the front as she shimmies and shakes her way through a 20-seconds of […]
Less than a year after dropping his Jamaican Situation EP, two-time Grammy-nominated Jamaican reggae star Protoje is set to embark on a world tour — and he’s also just dropped his highly anticipated new single.
On March 9, Protoje will hit the stage at Australia’s WOMADelaide festival before spending the rest of the month hitting stops across Europe, including Lisbon, Portugal; Berlin; and Copenhagen, Denmark. On April 4, the “Who Knows” singer will kick off the U.S. leg of the tour with an appearance at the Reggae Rise Up festival in Tempe, Ariz. Over the following month and a half, Protoje will visit fans in Southern cities across the states, including Miami, Atlanta and Asheville, N.C. By July 25, he’ll return to Europe for the final leg of the tour, playing festivals across the continent, including Sweden’s Uppsala Reggae Festival (July 25) and Austria’s One Love Reggae Festival (Aug. 9). The international trek will conclude on Nov. 29 at La Cigale in Paris.
To accompany his tour announcement, Protoje also unveiled a new single titled “Big 45.” Inspired by Jamaica’s iconic sound system culture, the St. Elizabeth-hailing artist-producer has crafted a booming, bass-driven track that playfully teases a rap-sung cadence over a sultry, groovy instrumental. “Big 45” — produced by The Indiggnation and Winta James — also arrives alongside a SAMO-helmed music video. The clip prominently features the massive sound systems traveling through the streets of JA.
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“This is just a reggae and dancehall anthem,” Protoje said in a press release. “It’s talking about sound system, it’s talking about live music … the moment we started [playing] it, everybody got excited because we knew it was one of those ‘bring everyone together’ type of songs.”
After teasing “Big 45” on socials and in his live shows, Protoje has finally released the song. The new track is a natural progression from the national pride that colored tracks such as “Where We Come From” from last year’s Jamaican Situation EP. Protoje’s last solo full-length album was 2022’s Third Time’s the Charm, which featured collaborations with Jorja Smith, Lila Iké, Samory I and Jesse Royal.
Protoje has sent five consecutive projects to the top 10 of Reggae Albums, including two chart-toppers: 2015’s Ancient Future and 2018’s A Matter of Time. In 2018, he entered the Emerging Artist chart for the very first time at No. 42.
Check out the dates for Protoje’s 2025 world tour below.
March 9 — Australia @ WOMADelaide
March 14 — New Zealand @ Womad Aotearoa
March 19 — Aarau, Switzerland @ KIFF
March 21 — Barcelona, Spain @ Razzmatazz
March 22 — Lisbon, Portugal @ Disaster Club
March 25 — Berlin, Germany @ Maaya Club
March 26 — Hamburg, Germany @ Fabrik
March 27 — Cologne, Germany @ Die Kantine
March 28 — Copenhagen, Denmark @ Grey Hall
March 29 — Legorreta, Spain @ Legoreggae
April 4 — Tempe, Ariz. @ Reggae Rise Up
April 16 — Miami, Fla. @ Miami Beach Bandshell
April 17 — St. Petersburg, Fla. @ Jannus Live
April 18 — Ormond Beach, Fla. @ Granada Theatre
April 19 — Atlanta, Ga. @ Sweetwater 420 Fest
April 20 — Asheville, N.C. @ Orange Peel
May 23 — Monterey, Calif. @ California Roots
May 30 — Durango, Colo. @ Rise and Vibes
July 12 — Marshfield, Mass. @ Levitate Music Festival
July 25 — Uppsala, Sweden @ Uppsala Reggae Festival
July 26 — Fraga, Spain @ Monegros Desert Festival
Aug. 1 — Geel, Belgium @ Reggae Geel Festival
Aug. 2 — Milton Keynes, U.K. @ Reggaeland
Aug. 9 — Wiesen, Austria @ One Love Reggae Festival
Aug. 10 — Saint-Malo, France @ No Logo BZH
Nov. 20 — Amsterdam, Netherlands @ Paradiso
Nov. 21 — Zurich, Switzerland @ Rote Fabrik
Nov. 29 — Paris, France @ La Cigale
After spending the last two years navigating the fulfilling experience of writing for her peers, Sabrina Claudio is entering a new chapter of her career as the R&B singer signs with EMPIRE, Billboard can reveal. “I think my uniting with Empire was divine timing,” says Claudio, who was signed to Atlantic Records from 2018 to […]
Two months removed from his Billboard cover story, Vybz Kartel is effortlessly maintaining his comeback momentum.
After attending last month’s Grammys (Feb. 2) on the heels of his very first nomination (best reggae album for Party With Me), Worl’ Boss received the Impact Award at the MOBO Awards, where he performed a medley of “Fever” and “Clarks.” This summer (July 13), he’ll join three-day headliner Drake as a special guest alongside PARTYNEXTDOOR, Summer Walker and Burna Boy.
Of course, the Caribbean music scene has been buzzing outside of Karrtel and dancehall. Earlier this week (March 3-4), Trinidad celebrated its Carnival with a explosive collection of new soca anthems. Machel Montano’s “Pardy” was crowned the Road March winner, racking up 267 plays. Bunji Garlin’s “Carry It” — a heavy favorite for the title — landed in a close second with 253 plays. The Arima-born artist also placed in third with “Thousand.” Montano’s victory marked his 11th Road March title, tying him with the late Aldwyn “Lord Kitchener” Roberts for the most of all time. The King of Soca also claimed first-ever Chutney Soca Monarch title with “Pepper Vince,” but he came in fifth place at Calypso Monarch behing Yung Bredda’s third place-finishing “We Rise.”
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Naturally, Billboard’s monthly Reggae/Dancehall Fresh Picks column will not cover every last track, but our Spotify playlist — which is linked below — will expand on the 10 highlighted songs. So, without any further ado:
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Valiant, “Whole Lotta”
One of dancehall’s brightest stars, Valiant continues his streak of solid rap performances and trap dancehall offerings with “Whole Lotta.” Fingerpicked guitar introduce the track, eventually slinking into the background and serving as warm complement to the dark underbelly of the song’s dancehall soundscape. “Rick Owens beats currency/ Gyal, come with me cah yuh man n’ave no sense/ Travel ’round the world, we nuh travel inna comments/ Compare me and me take that as a offense,” he raps in the first, immediately establishing an arresting cadence that nods to the agression of classic gun chunes without visiting that space lyrically.
Kraff Gad, “Chant”
Leaning even more into trap than dancehall, Kraff Gad’s latest track is one that you can’t help but “Chant” along too. Kraff probably has the most interesting flow of his class; it shapeshifts effortlessly, going from rapid fire delivery one second to a more laid-back cadence that plays on the kick drum instead of the skittering hi-hats another. Less of a club track and more of a vibe, “Chant” offers an interesting look at what happens when you slow down the tempo and temper your trap with Jamaican patois.
Lila Iké, “Too Late to Lie”
One of the leading female voices in contemporary reggae, Lila Iké has been on a roll with her recent releases, including collaborations with Joey Bada$$ (“Fry Plantain”) and H.E.R. (“He Loves Us Both”). On this tender roots reggae ballad, Lila croons of the specific pain sourced from betryal and shattered trust. “I know my life will never be the same/ You made your choice and I will not complain/ Don’t raise your voice/ Please don’t speak my name,” she sings in the chorus. “Just say goodbye/ It’s too late to lie.”
Likkle Vybz, “Miss Independent”
Last month, we named Likkle Addi one of 10 Caribbean Artists to Watch in 2025. With the release of his Valentine’s Day-themed Love Lane EP, Likkle Vybz — Addi’s brother and fellow offspring of Vybz Kartel — lets it be known that he’s also one to keep an eye on. “Miss Independent,” a smooth, guitar-inflected dancehall midtempo dedicated to the baddest lady in the room, is a surprisingly solid showcase of Likkle Vybz’s vocal abilities. He tenderly sings the hook, bleeding into verses that echo his father’s cadence while opting for a notably lighter, flirtier tone.
Voice & Bunji Garlin, “Flatten”
Though he came up short for the Road March title at Trinidad’s Carnvial, Bunji Garlin was once again an inescapable voice and presence this season. Outside of “Carry It” and “Thousand,” “Flatten” stands as a winning tribute to the fetes of soca’s golden era. Anchored by relentless “Hand up, hand up, hand up” chants, vigorous drums and jaunty background brass, “Flatten” isn’t just a reflection of the road; it’s a reflection of the road before the commercialization of Carnival started significantly altering its vibe.
Lutan Fyah, “Pieces of Broken Soul”
“Abundance of weed, crack pipe and liquor so cheap, there’s a lot of hungry mouths to feed/ There’s a lot of hungry mouths to feed!” Lutan Fyah cries out in “Pieces of Broken Soul,” a heartwrenching reggae ballad that yearns for humanity to achieve some semblance of wholeness. Fyah’s voice is at once forlorn and cautiously hopeful, just like the horns that wail in the background across Zion I King’s lush roots reggae production.
Patrice Roberts, “The Great Escape”
“I’ll take you to a place not too far away/ Where all of your dreams come rushing in like a tidal wave/ You could be my Carnivl dahlin’/ And we gon’ fete till we fall in love,” sings soca queen Patrice Roberts. Written and produced by Tano alongside Kitwana Israel, Mical Teja Williams and Jovan James, “The Great Escape” is a classic, no-frills Carivnal jam. With her lyrics painting a gorgeous portrait of the road and Kyle Peters’ guitars adding a melodic touch to those pounding drums, “The Great Escape” is a welcome taste of musical escapism.
Yung Bredda, “We Rise”
This song helped Yung Bredda place third in his first-ever Calypso Monarch appeance — and it’s clear to see why. The Ato Williams-helemed track shifts Bredda away from soca and zess and toward classic calypso. His charismatic, animated vocal performance appropriately honors the message of the song: that Trinidad and her people will rise again despite the ever-changing forces of oppression that seek to keep them down. Written by Leeanna Williams, Kester Stoute and Ato, “We Rise” is calypso that you must listen and dance to — another stellar offering from Trinidad’s hottest new star.
Kes & Tano, “Last Drum”
Kes has been dominating the season with both the Full Blown-assisted “No Sweetness” and their own “Cocoa Tea,” and they’ve once again teamed up with longtime collaborator Tano for another anthem for the aunties. With his pleas for his lady to “show me your wild side,” Kes continues his streak of clean, digestible soca tunes that are perfect for all ages and audiences, while still maitaining the unbridled energy at the center of the genre.
Aidonia, “Waste Har Time”
Though Aidonia preceded the trap dancehall wave, he’s routinely proven that he can hang with the best of them in that space. As X-rated as the come, “Waste Har Time” is Aidonia’s personal lesson in seduction. “You don’t know what fi do with it/ She wine pon di cocky right to the tip,” he rhymes before slightly dipping in his falsetto for a hook that would make any avid reader of “spicy books” blush. “I get you wet, I make you cum/ She like when sex is fun/ We haffi go one more time when we done,” he proclaims.
James Brown, the trailblazing Godfather of Soul who passed in 2006, places a new song on a Billboard chart for the first time since 1993 as his co-billed collaboration with 310babii, “Bad,” reaches No. 37 on the Rhythmic Airplay chart dated March 8. The new single samples Brown’s “The Boss” from his 1973 album, Black Caesar.
“Bad,” released on HIGH IQ/EMPIRE, is the fourth Rhythmic Airplay hit for rapper 310babii, born Kameron Milner. His debut entry, “Soak City,” ruled the list for two weeks in March-April 2024. His follow-up track “Rock Your Hips” peaked at No. 2 last December, and his collaboration with Jaydon, “Ah! Ah!,” reached a No. 19 best last week (it slides seven spots to No. 26 on the current list.)
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For Brown, who died in 2006 at age 73, “Bad” is the icon’s maiden appearance on the Rhythmic Airplay chart, which launched in October 1992. It’s his first new recording on any Billboard songs chart since 1993’s “Can’t Get Any Harder,” which netted a No. 76 high on Hot R&B/Hip-Hop Songs. Some of his best-known recordings, including “I Got You (I Feel Good),” “Living in America” and “Santa Claus Go Straight to the Ghetto” banked time on digital song sales or other charts in recent years due to commercial syncs or holiday-fueled consumption.
In addition, Brown charted for one week in 2012 on the now-defunct Hot Singles Sales chart with a Record Store Day-exclusive vinyl single release of two previously unreleased live recordings from 1972 — “There It Is” and “Pass the Peas.”
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“Bad” adds another piece to Brown’s legendary career on the Billboard charts. To scratch the surface of his many accomplishments, the oft-proclaimed “hardest working man in show business” logged 57 top 10 entries on the Hot R&B/Hip-Hop Songs chart, a record that stood from 1969 until 2018, when Drake surpassed the mark. Among them, 17 titles topped the chart, a run that spans from “Try Me” in 1959 to “Papa Don’t Take No Mess (Part I)” in 1974 and contains classics such as “It’s A Man’s Man’s Man’s World,” “Say It Loud (I’m Black and I’m Proud)” and “Get on the Good Foot.” His crew of No. 1s is the fourth-most among all acts, with only Drake (30), Aretha Franklin and Stevie Wonder (20 each) above him.
From 1958-1986, Brown accumulated his 91 Billboard Hot 100 hits, with a No. 3 career high through “I Got You (I Feel Good)” in 1965. Thanks to his storied career, Brown was inducted into the Rock and Roll Hall of Fame’s inaugural 1986 class alongside legends such as Chuck Berry, Ray Charles, Elvis Presley and Little Richard.
And while Brown more than merits his spot with the all-time greats, his legacy credentials only swell with his catalog’s prolific sampling for new generations. In the past few decades, Brown, via sampling, has collected songwriting credits on plenty of top 20 Hot 100 hits, including Mary J. Blige’s “Everything” (No. 24) in 1997, Jennifer Lopez’s “Get Right” (No. 12) in 2005, Jay-Z and Kanye West’s “Otis,” featuring Otis Redding (No. 12) in 2011 and Beyoncé’s “Church Girl” (No. 22) in 2022.