genre pop
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The Jonas Brothers announced the release date for their upcoming single, “Love Me to Heaven,” on Thursday (March 13). The follow-up to the sibling trio’s recent singles with Marshmello (“Slow Motion”) and Rascal Flatts (“I Dare You”) is due out on March 21. They announced the news in an Instagram post in which all three modeled Canadian tuxedoes while flipping and jumping through the sky.
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The band previewed the uptempo pop tune during their 20th anniversary celebration show in Toronto last month, busting out the live debut of the track on which they sing, “Could give me everything, but it ain’t enough/ You can’t put a price on the human touch/ I could be down, but you love me to heaven/ Love me to heaven, babe.”
Joe, Nick and Kevin Jonas will continue their celebration of two decades of familial pop rocking with the upcoming one-day JONASCON at the American Dream mall in their native New Jersey on March 23. The event will feature live performances, DJ sets, Q&A panels, fan activations, pop-up surprises, retail takeovers, a Jonas trading post, trivia, games, immersive experiences, an interactive art installation, keynote event, karaoke, a Camp Rock bar, special guests, mini golf and exclusive merch. “From their early beginnings to global pop icons, JONASCON will honor the band’s incredible journey while also showing their appreciation to the fans who have been with them from the beginning,” a statement promised.
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While no specific information has been released about where the new single will land, earlier this year the trio promised that their 20th anniversary celebrations will include a “year of music,” featuring new songs, a live album, soundtrack, solo music and a holiday movie for Disney titled Jonas Brothers Christmas Music.
They will also be featured on Rascal Flatt’s upcoming duets album, Life Is a Highway: Refueled Duet via “I Dare You,” which was written by Nick Jonas with Dan + Shay’s Shay Mooney (as well as Dewain Whitmore Jr and Tommy English) and currently sits at No. 37 on the Billboard Country Airplay chart after peaking at No. 24.
Check out the “Love Me To Heaven” announcement below.
Lizzo is getting her groove back. On Thursday (March 13), the hitmaker dropped a new single titled “Still Bad” with a clear message at its center: Even after heartbreak, she’s still that girl. Produced with “About Damn Time” collaborators Blake Slatkin and Ricky Reed, the funky bassline-driven track finds Lizzo reclaiming her positive energy. “I […]
Rag’n’Bone Man‘s emotional video for his breakthrough 2016 hit “Human” has hit one billion views on YouTube. According to YT, the visual for the bare-bones blues pop song that has had a second, and third, life as the theme song for a variety of TV Shows, movies and video games has been averaging more than […]
For everyone who was begging to hear more new music from Lil Nas X over the last year, consider your wish well and truly granted as he drops his fourth single of the week. On Thursday (March 13), Lil Nas unveiled his latest track titled “Right There!” Over a simple club beat and some brassy […]
Folk legend Joan Baez was having a ball sitting on the couch with an eclectic group of fellow guests on the season debut of John Mulaney’s new Netflix series Everybody’s Live With John Mulaney. But the “Joe Hill” singer whose songs of protest and social justice were a staple of the 1960s folk scene also had some serious things on her mind as well.
In a prelude to a story about “funny person” Martin Luther King Jr., Baez said she needed to “set the context” for what is going on in our country at the moment. “You said I could say anything I want out here,” Baez said to the host. “We’re all here to be silly and have fun, and as long as we recognize the fact that our democracy is going up in flames… we’re being run by a bunch of really incompetent billionaires.”
Baez did not specifically note who said billionaires are, but it appeared she was talking about Donald Trump and DOGE boss Elon Musk, who have been deeply slashing the federal government workforce over the past two months in their attempt to cut government spending in a manner that has raised alarms about the impact on the environment, American’s health and safety of the LGBTQ+ community.
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After Mulaney joked about the thought of Baez driving a Tesla, the singer noted that she actually used to own one of Musk’s all-electric cars after her assistant suggested she try one, but that she now has serious buyer’s remorse.
“I hated that thing,” Baez, 84, said. “But I thought I was supposed to like it. So I drove off in it. Within 45 minutes I had smashed it into an oak tree on my property… I was thinking, ‘That’s a sign.’” While Baez said the crash was not on purpose, the joke came amid a national, and international, backlash against Musk’s chainsaw-like slashing of federal programs that has seen Tesla vehicles and showrooms vandalized.
“I hated it,” Baez added of the car without specifying when she owned it. “It was too big… I sold it and got one-half the amount of money I paid for.”
Baez — who was portrayed by Monica Barbaro in the Bob Dylan biopic A Complete Unknown – appeared on the re-boot of the show alongside actor Michael Keaton, SNL alumni Fred Armisen and Tracy Morgan, popular personal finance columnist Jessica Roy and Christopher Lloyd, and, of course, Mulaney’s sidekick and announcer, comedian/actor Richard Kind.
She also talked about hanging out with civil rights icon Martin Luther King Jr. in the 1960s, saying she heard him tell “dirty jokes” when the cameras weren’t around. “I thought, ‘I am going to get the inside story on how these guys do these marches,’” Baez said, lamenting that instead “They all start telling dirty jokes… from the airport to his favorite little restaurant.” Asked if she remembered any of the bawdy jokes, Baez said, “I do, and I can’t tell them here.”
In addition, Baez proved her ageless nature by gamely dancing along to musical guests Cypress Hill as they performed their 1993 stone cold classic, “Hits From the Bong.”
Mulaney’s series began life as the Emmy-winning, six-episode Everybody’s in L.A. last May during the Netflix is a Joke festival, with a playful live format that focused on a series of very LA.-specific subjects, including coyotes, palm trees, helicopters and the paranormal. It will now air as a series of 12 live weekly shows.
It’s been a long lead-up to Lady Gaga‘s new album Mayhem. Aside from the collaborative Love for Sale LP with Tony Bennett and the Joker: Folie a Deux-accompanying Harlequin set — both of which mostly consisted of covers of pop standards — Mayhem is Gaga’s first official album in nearly half a decade, since the […]
Harry Styles is not planning a residency at Las Vegas’ Sphere, and according to a spokesperson for the venue, he never was. In a statement shared exclusively with Billboard Thursday morning (March 13) following a week of rumors purporting that the pop star was in talks to play 35 dates at The Sphere, the representative […]
Women artists etched some of the most vaunted records ever on Billboard’s charts over the first quarter of the 21st century, sparking their status among the 100 Top Women Artists of the 21st Century, based on performance on the Billboard 200 albums chart and the Billboard Hot 100 songs chart.
Among their honors, Taylor Swift claimed the entire top 14 titles on the Hot 100 last May the week that her album The Tortured Poets Department launched atop the Billboard 200, marking the most Hot 100 hits from No. 1 on down in a single week. The set also became her 14th Billboard 200 No. 1, the most among women and tying for the most among soloists in the chart’s history.
In 2019, Mariah Carey became the first artist to top the Hot 100 in four distinct decades, dating to the 1990s, thanks to the enduring appeal of her seasonal chestnut “All I Want for Christmas Is You.” Plus, Adele’s 21 ruled the Billboard 200 for 24 weeks in 2011-12, the longest No. 1 run ever for an album by a woman, and Katy Perry notched five Hot 100 No. 1s from 2010’s Teenage Dream, making the set the first by a woman to land that many leading songs.
Essentially, over the first quarter of the 21st century on Billboard’s charts, girls ran the world.
Ahead of 2025’s Women in Music celebration, to be held Saturday, March 29, at the YouTube Theater in Inglewood, California, Billboard has ranked the top-performing artists, albums and songs of the first 25 years of the century since 2000. Below, we’re counting down all 100 Top Women Artists of the 21st Century (including soloists, all-women groups and groups with prominent women’s vocals), to be revealed — 20 per day — on March 13, 14, 17, 18 and 19.
Plus, check out Top Artists of the 21st Century, Top Billboard 200 Albums of the 21st Century and Billboard’s Top Hot 100 Songs of the 21st Century charts, as well as all coverage of Billboard’s 21st Century charts here.
Billboard’s Top Artists, Top Billboard 200 Albums and Top Hot 100 Songs of the 21st Century recaps reflect performance on weekly charts dated Jan. 1, 2000, through Dec. 28, 2024. The Top Artists category, including the Top Women Artists of the 21st Century recap, ranks the best-performing acts in that span based on activity on the Billboard 200 and Billboard Hot 100. (Titles released prior to mid-1999 are excluded, although such entries that appeared on the Billboard 200 or Hot 100 in that span contribute to the calculation of the Top Artists chart.)
No. 100, Danity Kane
Love is hard, and messy and confusing. That’s the take-away from Haim‘s first new album-tied single in nearly five years. The sister trio dropped their new single, “Relationships,” on Wednesday (March 12), along with a sleek Camille Summers-Valli-directed video in which singer/guitarist Danielle Haim keeps falling in, and out, of love with Queer actor Drew Starkey.
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“Relationships, oh/ What’s all this talk about relationships?/ It feels like everyone’s caught up in it/ Oh, just you wait, you must be new to this,” she sings over the song’s snappy drums and subdued keyboards as she packs, and unpacks, her boxes while moving out, unsure if it’s over or worth another chance.
With time moving backwards and forwards, Danielle can’t figure out how to handle the vicissitudes of love, lamenting, “Why do I have a guilty conscience?/ I’ve always been averse to conflict/ But you really f–ked with my confidence,” as she goes from comfortably lounging with her love to questioning why she’s even trying.
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There are good times, with the couple dancing cheek-to-cheek at a club, their hands all over each other, dressing and undressing each other at home over the soothing jazz pop arrangement produced by Rostam Batmanglij and singer Danielle.
“Relationships” is the first taste of new music from the group’s upcoming follow-up to their Grammy nominated Women in Music Pt. III, which was released in 2020 and reached No. 13 on the Billboard 200 album chart.
The sister band, which also features drummer Alana and bassist Este, began teasing the song earlier this month in a series of posts in which they were pictured walking in a parking lot, soaking in the sun and smiling, a tribute to a viral meme featuring Nicole Kidman depicted the same way in snaps believed to have been taken after the actress finalized her divorce from Tom Cruise in the early 2000s; Kidman has since debunked the theory about the snap, saying it was from a movie.
At press time no additional information was available on Haim’s upcoming fourth studio album. Back in 2023 the group recorded “Home” for the Barbie the Album soundtrack collection.
Watch the “Relationships” video below.
As Chappell Roan prepares to release her highly-anticipated new song “The Giver,” she’s assured fans that this doesn’t mean her pop music is a thing of the past.
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Roan confirmed earlier week that her new single – the first since the release of 2024’s “Good Luck, Babe!” – would arrive on Thursday, March 13, with the fresh track inspired by her lifelong exposure to country music.
“I have such a special place in my heart for country music,” she wrote on Instagram. “I grew up listening to it every morning and afternoon on my school bus and had it swirling around me at bon fires, grocery stores and karaoke bars.”
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“Many people have asked if this means I’m making a country album???” the Missouri native continued “My answer is.. hmm right now I’m just making songs that make me feel happy and fun and The Giver is my take on c–try xoxo may the classic country divas lead their genre, I am just here to twirl and do a little gay yodel for yall.”
Now, the Grammy-winning musician will be appearing on the March 14 episode of Apple Music’s Today’s Country Radio with Kelleigh Bannen, with E! News sharing a new teaser clip that sees Roan expound upon her love of the country genre.
“I wanted to write a country song because I just thought it would be funny,” she explained succinctly. “It’s campy and fun.
“I’m from southwest Missouri,” she continued. “[I] grew up on Christian and country, and then found ‘Alejandro’ by Lady Gaga and I was like, ‘I think I like this, too.’ So, I have kept country in my heart. And it’s so incredibly nostalgic to drive in West Hollywood and have Jason Aldean [playing] or Alan Jackson’s ‘Chattahoochee.’”
According to Roan, one of the biggest inspirations for her pivot to the world of country came by way of Tennessee duo Big & Rich and their Grammy-nominated 2004 single “Save a Horse (Ride a Cowboy).”
“I was like, ‘I want to feel that way on stage. I want to feel that,’” she explained. “Because that’s how I write. I’m like, ‘How do I want to walk around on stage and sing?’ And I was like, ‘I want to write that song, but Chappell’s version.’”
In keeping with her previous comments about the decision to venture into the world of country music, Roan also again assured fans they’ll be hearing plenty of the pop music they’re used to moving forward. “I really just did it for fun,” she added. “I’m not switching genres or anything.”
The imminent arrival of “The Giver” will mark Roan’s first release since “Good Luck, Babe!,” which she dropped in April last year. The track — which remains the only song she’s released since breakthrough 2023 album The Rise and Fall of a Midwest Princess — peaked at No. 4 on the Billboard Hot 100 in September.
Roan has been teasing the arrival of “The Giver” for weeks, rolling out a series of characters — a lawyer, a plumber, a private investigator, and now, a construction worker — who can “get the job done” à la the lyrics on the track, which she debuted on Saturday Night Live in November. Fans have spotted the alter egos on billboards all around the country, as well as on Roan’s Instagram.
All of the personas correlate to different special versions of 7-inch single vinyls for “The Giver,” which are available for purchase on Roan’s website.