genre pop
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JoJo Siwa has had her fair share of viral moments over the past year, but now she’s in on the joke.
The “Karma” superstar walked the red carpet at the iHeartRadio Music Awards on Monday night (March 17), where she spotted Billboard‘s Tetris Kelly, with whom she had a controversial interview where she claimed she founded “gay pop.”
“I’m not talking to you,” she playfully told Kelly, before explaining, “You know what today is? It’s not only the iHeartRadio Music Awards, which is where I said ‘dream guest on my podcast’ but it’s also the one year anniversary of GLAAD Awards, which is where with your a— I said, ‘It’s called gay pop.’
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In her original Billboard News interview with Kelly, Siwa said that when she originally signed to Columbia Records, she told the label, “I want to start a new genre of music … it’s called ‘gay pop,’” before going on to compare the genre to the jazz-funk genre of dance. The online community quickly began criticizing Siwa for saying she wanted to “create” this “new genre,” with queer icons Tegan and Sara literally offering the 20-year-old singer some side eye on their TikTok page.
However, Siwa is moving forward, sharing that she has a “big announcement that involves a lot of people all over the world” coming on March 22. She joked that her next musical era will include “something that nobody has ever done before.”
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Her “unexpected” moves she’s planning include that she’s “going to sing,” and “maybe even write my own song for once,” referencing the backlash surrounding songwriter Brit Smith, who recorded Siwa’s track “Karma” back in 2012.
Wrapping up their interview, Kelly told Siwa that another viral moment is likely on the horizon. “We’ll see y’all on TikTok,” Siwa joked, looking into the camera. Watch the full interview below.
First released in 2019, Doechii’s “Anxiety” blasts onto the Billboard Hot 100 (dated March 22) at No. 13, thanks to its wide release at last, sparked by a 2023 reworking of the song and a new viral surge (with an assist by Will Smith and Tatyana Ali).
The song by the rapper-singer — who is set to receive the 2025 Woman of the Year award at the annual Billboard Women in Music celebration March 29 — enters with 20.6 million official U.S. streams, a 289% vault week-over-week, March 7-13, according to Luminate. Her highest charting Hot 100 hit also becomes her first top 10 on Streaming Songs (No. 5 debut), the Billboard Global 200 (No. 6) and Billboard Global Excl. U.S. (No. 7). It drew 56.9 million streams and sold 9,000 worldwide in the tracking week.
With “Anxiety” then available only on YouTube, Brooklyn rapper Sleepy Hallow co-opted its hook for the chorus of his own “A N X I E T Y.” Billed to Sleepy Hallow featuring Doechii, the 2023 release has experienced a TikTok-led surge in recent weeks, as users have soundtracked the “A N X I E T Y” chorus to a scene of Smith and Ali dancing in The Fresh Prince of Bel-Air, the Smith-led sitcom that aired on NBC in 1990-96. “A N X I E T Y” debuted on the March 15-dated Hot 100 at No. 45 and ranks at No. 59 in its second week with 8.7 million streams. It also garnered 29.6 million streams worldwide March 7-13.
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The new attention for “A N X I E T Y” sent fans to Doechii’s solo, YouTube-only version, prompting the rapper-singer to release her original “Anxiety” wide on DSPs and digital retailers on March 4, triggering its arrival on March 22-dated charts following the first full week of its greater availability.
Notably, “Anxiety” and “A N X I E T Y” prominently sample Gotye’s “Somebody That I Used to Know” (featuring Kimbra), the smash that topped the Hot 100 for eight weeks in 2012 and went on to win two Grammy Awards, including record of the year. That hit jumped by 20% to 16.5 million global streams in the week ending March 13. It also makes the Hot Rock & Alternative Songs chart at No. 9 with 5.1 million U.S. streams (up 17%). Still in rotation at multiple radio formats, it additionally logged 3.9 million in airplay audience (up 16%).
Meanwhile, Doechii accomplishes the rare double of appearing on the Hot 100 with two versions of a song simultaneously. (Generally, mixes of a current release roll up into one entry for chart purposes, although in certain cases, such as an act being billed as a lead on one version and a featured artist on another, they remain separate.) In 2009, for example, Jay-Z and Alicia Keys’ “Empire State of Mind” ruled the Hot 100 for five weeks. Amid its 30-week run, her solo ballad version — “Empire State of Mind (Part II) Broken Down” — spent a week on the chart, at No. 55, in January 2010.
Further back, in 1990, the Righteous Brothers charted concurrent versions of their classic “Unchained Melody,” originally a No. 4 hit in 1965. Its synch in the blockbuster film Ghost scared up new love for the ballad, sending the original version back to a No. 13 high. With that single available at the time only on vinyl, the duo released a new recording of it (on a different label) as a cassette single, which hit No. 19.
Lady Gaga is back with a monster week on Billboard’s charts, thanks to her new album, MAYHEM.
The set blasts in at No. 1 on the Billboard 200 with 219,000 equivalent album units earned in the U.S. in its opening week (March 7-13), according to Luminate — the biggest weekly sum for an album by a woman this year.
MAYHEM earns Gaga her seventh career Billboard 200 No. 1, tying her with Janet Jackson for the fifth-most among women in the chart’s history (which dates to 1956). Taylor Swift leads with 14, followed by Barbra Streisand (11), Madonna (nine) and Beyoncé (eight).
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Meanwhile, nine songs from MAYHEM chart on the latest Billboard Hot 100, led by former five-week No. 1 “Die With a Smile,” with Bruno Mars, at No. 2. Here’s a recap (all of which are debuts except where noted):
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Rank, Title:
No. 2, “Die With a Smile,” with Bruno Mars (spent five weeks at No. 1)
No. 19, “Abracadabra” (up from No. 29; peaked at No. 13 in February)
No. 52, “Garden of Eden”
No. 61, “Vanish Into You”
No. 69, “How Bad Do U Want Me”
No. 81, “Perfect Celebrity”
No. 85, “Zombieboy”
No. 93, “Killah,” feat. Gesaffelstein
No. 95, “LoveDrug”
The seven debuts up Gaga’s career count to 46 total Hot 100 entries. She first appeared on the ranking dated Aug. 16, 2008, with “Just Dance,” featuring Colby O’Donis, her first No. 1, for three weeks beginning on Jan. 17, 2009. She boasts six No. 1s, among 18 top 10s.
MAYHEM also debuts at No. 1 on Top Dance Albums, becoming Gaga’s record-breaking eighth leader, as she surpasses Louie DeVito for the most in the chart’s 24-year history. Her 2008 debut, The Fame, has spent a record 193 weeks at No. 1.
Gaga also charts nine songs, all from the new set, on Billboard’s recently launched Hot Dance/Pop Songs chart:
No. 1, “Abracadabra” (up from No. 2; fourth total week at No. 1)
No. 3, “Garden of Eden”
No. 4, “Vanish Into You”
No. 5, “Disease”
No. 6, “Zombieboy”
No. 8, “Killah,” feat. Gesaffelstein
No. 9, “LoveDrug”
No. 12, “Shadow of a Man”
No. 13, “Don’t Call Tonight”
Hollywood can be a very lonely place. Whether you’re at the bottom trying to crawl your way up to the middle, or at the top looking down on all the places you’ve been, it’s not alway easy to find people who can relate, and embrace, who you really are.
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Snow White star Rachel Zegler knows that journey all too well, and now that she’s earning high praise for her title role in the live action remake of the classic Disney tale, the West Side Story veteran has opened up to Allure in a cover story about all the fellow A-listers who have had her back over the years.
“She reached out to me — kind of apropos of nothing — and was like, ‘If you need anything, I am here,’” Zegler, 23, said of Ariana Grande’s generosity. “She is so deeply kind. She has gone through so much in the public eye, and I have always really, really admired her courage in the face of all of that.”
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Among the other women who have stepped up to offer support according to Zegler are actor and activist Jameela Jamil, who she considers to be a “big sister” at this point. “I love that she has no regrets about being outspoken, about being strong-willed and strong-minded,” Zegler said of She-Hulk: Attorney At Law star. She also gotten props from her Shazam! Fury of the Gods costars Helen Mirren and Lucy Liu, who she called “my keepers in all of this, where I feel very held by them.”
While Hollywood is always a competitive place, Zegler said she doesn’t conform to the idea that it has to pit women against each other. “All I’m ever really looking for in this business is a sister and they’re not always easy to find. We’re often told that other women have to be your competition and I don’t subscribe to that,” she said, noting that she’s all for “championing your friends” and co-workers.
“So the second that there’s any intimidation or competition, just put on ‘Girl, so confusing’ by Charli XCX and talk it out,” she counseled. “I’ve come to know that in the last couple of years, in search of female friendship in the industry, there is room for all of us no matter what anybody else will have you think.”
The story also touches on Zegler, whose family is Colombian, stepping into the role that was described in the original Brothers Grimm story in 1812 as one inhabited by a woman “white as snow,” at a time when the Trump administration is rolling back DEI initiatives and scrubbing the government’s websites of any words tied to diversity or inclusion.
“The reality is, I was given a chance because I could sing,” she told the magazine about her bona fides to play the role that has traditionally been inhabited by white actresses in the film opening on Friday (March 21). “They saw something. Something they could invest in for the future,” she said of Snow White coproducer Marc Platt and director Marc Webb’s recognition that it was her talent, not her appearance, that mattered when casting her in the role.
“Snow White has an optimistic, youthful grace. Even in her darkest moments, she finds humanity and beauty in others,” Webb said. “I think Rachel has that in her spirit. And it doesn’t hurt that during her screen test, she made us weep with her rendition of ‘Waiting on a Wish.’”

Lizzo has some things to get off her chest. In a series of posts on X Monday (March 17), the star clapped back at critics of her new music before calling out the way Black women have historically been mistreated.
Four days after the release of her latest single “Still Bad,” Lizzo began by writing, “Saying my brand of ‘poptimism’ doesn’t work in a ‘post Covid world’ is a lazy take.”
“As if I didn’t write ‘about damn time’ to be a post lockdown anthem to inspire us to get outside and together again.. and was successful at it btw,” she continued, referring to her 2022 Billboard Hot 100-topping single that won record of the year at the 2023 Grammys. “I think seeing and hearing a black woman make real music with radical joy triggers miserable people … but I follow in the footsteps of Janet [Jackson], of Funkadelic, of Earth Wind and Fire… nobody’s doing it like me for Us.”
It’s been a long time since Lizzo used X, having made the switch to Jack Dorsey’s Bluesky in November after declaring, “I hate the internet.” But on Monday, the hitmaker said of her return to Elon Musk’s platform, “Yall really got me off Bluesky … but I got time today.”
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The next day, the “Truth Hurts” rapper returned with a few closing thoughts. “The way this world treats black women is sickening,” she wrote, citing Jackson, Whitney Houston and Tina Turner as examples of Black women musicians who faced adversity in their careers. “The least protected person in America…”
“What happened to me was supposed to destroy me but it has only set me free!” Lizzo added. “Now I know none of this is real. The only thing that’s real is the love that I share with my family, my friends, nature, my fans, in Real Life.”
“Still Bad” and Lizzo’s previous single, “Love in Real Life,” mark her first proper releases since 2022’s Special album. The songs also serve as her comeback after a few of her former dancers sued her in August 2023 on allegations of sexual harassment and hostile work environment, all of which the Yitty founder has repeatedly and emphatically denied. She was also sued by her former stylist, Asha Daniels, for similar claims — which Lizzo also thoroughly refuted — but the musician was dismissed from the case in December. Her Big Grrrl Big Touring Company Inc. remains a defendant in the latter case.
Lizzo has been open about how her mental health has suffered in the aftermath, and perseverance is already a major theme in the two new songs she’s dropped this year leading up to new album Love in Real Life. She also elaborated on the subject during Tuesday (March 18) interview with SiriusXM’s The Morning Mashup, saying of her struggles with depression, “I think we like to shame ourselves for feeling bad, especially as Black women.”
“I’m like, ‘Get it together. Why can’t I just be in a good mood? Why can’t I just be happy? Why can’t I just be strong?’” she continued on the program. “And it’s just like, you have to be easy on yourself and let yourself feel what you’re feeling.”
See some of Lizzo’s messages on X below.
Saying my brand of “poptimism” doesn’t work in a “post Covid world” is a lazy take..As if I didn’t release ‘about damn time’ post pandemic..— LIZZO (@lizzo) March 17, 2025
As if I didn’t write ‘about damn time’ to be a post lockdown anthem to inspire us to get outside and together again.. and was successful at it btw 😉— LIZZO (@lizzo) March 17, 2025
I think seeing and hearing a black woman make real music with radical joy triggers miserable people… but I follow in the footsteps of Janet, of Funkadelic, of Earth Wind and Fire… nobody’s doing it like me for Us. And I stand on that.— LIZZO (@lizzo) March 17, 2025
Yall really got me off Bluesky 😂 but I got time today 🙂↕️— LIZZO (@lizzo) March 17, 2025
The way this world treats black women is sickening… blacklisted Janet and now 20yrs later yall calling her music “cute black girl bops” & giving her flowers… Dogged Whitney for her love life & called her a drug addict for laughs but now yall wanna honor her Yall laughed at…— LIZZO (@lizzo) March 18, 2025
What happened to me was supposed to destroy me but it has only set me free!Now I know none of this is real. The only thing that’s real is the love that I share with my family, my friends, nature, my fans, in Real Life ♥️— LIZZO (@lizzo) March 18, 2025
An Evening With Elton John and Brandi Carlile, a one-hour concert special featuring live performances, stories about the pair’s friendship and an intimate look at their new collaborative album, will air on CBS on Sunday, April 6 (8-9 p.m. ET/PT) and stream on Paramount+. Filming on Wednesday, March 26, at London’s iconic Palladium Theatre and […]

Feeling good can definitely lead to sounding good. That’s the lesson Selena Gomez said she learned while working in secret on her first album with fiancé Benny Blanco, I Said I Love You First.
In an joint interview with Rolling Stone, the happy couple said that while they are super psyched to plan their wedding — “I think every day she’s planned a new wedding in her head” said Blanco — for now, they are focusing on promoting and talking about the LP due out this Friday (March 21).
On her first album since 2020’s Rare, Gomez said the sessions were the “most intimate” she’s ever had in a studio, helped by the fact that she was working with her beloved and their trusted group of friends and collaborators. “We did everything from home, and we created it with people that we love,” she said, citing a re-team with songwriters Julia Michaels and Justin Tranter, who she worked with a decade ago on her Billboard Hot 100 No. 5 hit “Good For You.”
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And while the seating arrangements for their nuptials are not being worked out just yet, Blanco said the sessions were a love-filled supplement to their relationship. “I hadn’t seen her excited about music for a long time. And I remember she was like, ‘I have to pull over the car because I’m so happy,’” Blanco said. “And then I knew at that moment. I was like, ‘Well, if it’s making both of us happy, then hopefully it makes a few other people happy.’”
Gomez said she was “very frustrated and kind of confused” about where she wanted to go next musically, confiding in Blanco that she wasn’t sure what her sound is now. Luckily, 11-time Grammy nominee producer/songwriter Blanco was there, with a pad and pen, writing down whatever was on Sel’s mind as soon as she woke up, then jumping right into their home studio to make it a reality. “It was such a cathartic and therapeutic experience,” he said of the sessions they purposely kept “really close to the chest” so that they could write “exactly how we wanted it and to feel exactly now we wanted it to feel.”
After the success of her 2019 No. 1 hit “Lose You to Love Me” Gomez, 32, said she realized that storytelling was her strength and that her vocal sweet spot was in a lower register with a softer tone. Plus, given Blanco’s platinum status contact list, roping in current chart queens like Gracie Abrams (as well as Billie Eilish collaborator and older brother Finneas for two songs) was easy, and made perfect sense.
Blanco has known the “That’s So True” singer since she was 14 — she used to date one of his close friends — so when it came to inviting Abrams, 25, into their circle of trust to record “Call Me When You Break Up” he said it was not only a slam dunk, but seemingly meant to be. “One day, me and Selena were just talking about stuff, and Selena started following her, and they started commenting on each other’s things … She has so many unique characteristics about her, but she also has so many similar ones to Selena,” he said of Abrams. “When they hang out, they’re like, ‘Oh my god, we’re like, the same person.’ And they’re both little hermits that want to stay in and they’re both pretty shy, but somehow turn it on and become the biggest stars in the world.”
During the shoot for the song’s video, Blanco said the two women had what he described as “almost like telepathy” when they were talking to each other, with Gomez easily slipping into the big sister role. “And low-key, I got cool points from my little sister for having her on [the album],” Gomez added.
The ease of the sessions also helped produce one of Gomez’s cheekiest love songs to date, the lascivious “Sunset Blvd.” which is simply dripping with innuendo that Blanco said had them laughing during the sessions. “‘Can we really get away with it? Is this really something we’re gonna do?’” he remembered asking. “That’s when the best moments come out. A lot of artists won’t do stuff like that. And Selena has the perfect way of dipping her toe in the water of, like, almost too far, but not — but, like, is it? And it’s because she’s so multifaceted.”
Gomez said that toe-dipping came as a result of her being more comfortable playing around with lyrics that she used to be, crediting acts like Chappell Roan, Sabrina Carpenter, Abrams and Charli XCX for giving her “a little bit more freedom to play.”
Clearly at ease in each other’s company, Gomez said the title of the album perfectly describes their relationship and “embodies his stories combined with my stories,” while also leaving some things unsaid. “They have meanings that are really just personal to both of us,” he said. “So one song could actually mean two different things.”
At this point, Blanco said he’s just “happy to be along for the ride” thanks to his “put me in, coach” attitude about his professional and personal relationship with Gomez. “I’m doing whatever it takes,” he said.
Thanks to the “massive” marquise-cut diamond ring Blanco slipped on Gomez’s finger in December, it’s only natural that questions about their wedding plans keep coming up. Blanco said they’re just taking things one day at a time for now, even as Gomez can’t stop staring at the sparkler. “I genuinely feel like this is such a special time that we get to apply it to this album and really just pour our heart into it, and completely translate what we feel and bring it to the world,” she said. “That’s my main focus right now, at least.”
John Legend is going global with the 20th anniversary celebration of his debut album Get Lifted. The 13-time Grammy Award winner’s Get Lifted 20th Anniversary World Tour — with select dates produced by Live Nation — will visit more than 40 cities across the U.K., Europe and North America when it begins on May 27 in Glasgow, U.K. Additional major stops include The O2 in London, Ziggo Dome in Amsterdam, Accor Arena in Paris, Hollywood Bowl in Los Angeles and Barclays Center in New York before the tour wraps on Dec. 9 in Oakland, Calif.
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In tandem with the tour announcement, Legend will visit The Tonight Show Starring Jimmy Fallon Tuesday (March 18). Doubling as both a talk and musical guest, he will perform the Get Lifted track “Used to Love U” along with Black Thought and backed by The Roots.
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“Used to Love U” is one of several fan faves featured on Legend’s Grammy-winning breakthrough album. Released Dec. 28, 2004 (Legend’s 26th birthday) via GOOD Music, Sony Urban Music and Columbia Records, the 14-track Get Lifted was comprised of songs written or co-written by Legend, who also served as an executive producer. In addition to “Used to Love U,” the album spun off the singles “Number One,” “So High” and “Ordinary People” (his first top 40 Hot 100 hit at No. 24) while notching No. 4 and No. 1, respectively, on the U.K. Singles Chart and U.K. R&B Singles Chart.
With its engaging and seamless fusion of R&B, neo-soul, hip-hop and pop, Get Lifted gave Legend his first Billboard 200 top 10 (No. 4) and first No. 1 on the Billboard Top R&B/Hip-Hop Albums chart. It later scored eight Grammy nominations and won Legend three statuettes — best new artist, best R&B album and best male R&B vocal performance for “Ordinary People.” The single as well as the album have since attained RIAA double-Platinum status.
Also available now are two special Get Lifted (20th Anniversary) packages:the digital deluxe and deluxe 3LP vinyl editions. Highlights on both include remixed versions of eight tracks such as the aforementioned Black Thought guesting on the revamped “Used 2 Love U.” Among the editions’ other special guests are Tems, Killer Mike and Lil Wayne, and Simi. Expanding on the original album with 11 bonus tracks, Get Lifted (20th Anniversary) offers eight brand new remixes, rare B-sides and two previously unreleased studio performances recorded during the original Get Lifted sessions.
Legend will be backed by his full band on the forthcoming world tour. The setlist will include fan faves, deep cuts and fresh interpretations of seminal tracks from Get Lifted. The EGOT-winning singer-songwriter-pianist will also perform an array of his other career-defining hits.
Additional dates for the Get Lifted 20th Anniversary World Tour will be announced soon. In the meantime, presales for the U.K./Europe dates begin March 19, with general onsale starting March 21. North America presales kick off March 26, followed by general on-sale starting March 28. For additional tour details and ticket information, visit Legend’s website.
See the full list of tour dates below:
James Taylor‘s music is headed to the theater. Fire & Rain, a jukebox-style musical based on the music of the Rock and Roll Hall of Famer was announced on Monday (March 17), with the in-development project to feature a story by Tony-winning playwright/actor Tracy Letts (August: Osage County, Who’s Afraid of Virginia Woolf?) and direction by Tony-winner David Cromer (The Band’s Visit).
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According to Deadline, while no details have been announced so far about the storyline for the show, a release announcing it heaped praise on six-time Grammy winner Taylor, referring to his musical legacy as, “one of profound influence on American music, particularly in the genres of folk, pop, and singer-songwriter traditions. His career spans over five decades, and his impact can be felt in both the personal nature of his songs and his stylistic innovations. His deeply personal, introspective lyrics and soulful delivery helped define the era’s musical landscape.”
The statement noted that the title song — which was featured on the singer’s 1970 sophomore album, Sweet Baby James, and reached No. 3 on the Billboard Hot 100 chart — “helped solidify James Taylor’s career and introduce him to a wider audience. The song’s vulnerability and honesty made it resonate with listeners and became one of the defining songs of his career.”
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At press time there was not timeline for when Fire & Rain will be staged or where it will debut.
Taylor is the latest in a long line of iconic pop, country and Latin artists who’ve brought their music to the stage in biographical musicals, including Elton John, Cyndi Lauper, The Go-Gos, Sting, Alanis Morissette, Carole King, Michael Jackson, Neil Diamond, Alicia Keys and many more.
The 77-year-old singer is gearing up to launch his 2025 summer tour, which is slated to kick off on May 5 at the Footprint Center in Phoenix and keep him on the road through a July 1 gig at the BankNH Pavilion in Gilford, NH.

At Monday night’s (March 17) 2025 iHeartRadio Music Awards, Taylor Swift‘s groundbreaking Eras Tour was given a title it will spend the next 75 years defending: tour of the century. And to celebrate the honor, Swift treated the iHeart audience to her live performance of “Mirrorball” from the acoustic set of her very first Eras Tour date in Glendale, Arizona.
The Eras Tour kicked off in March 2023 — two years ago today, in fact — and wrapped in December 2024. Swift’s record-setting global trek grossed more than $2 billion and sold over 10 million tickets. The Eras Tour is the highest-grossing tour of all time, by artists of any genre, and from any era in music history, per Billboard Boxscore. It surpasses the record of Coldplay’s ongoing Music of the Spheres World Tour, the only other tour to gross more than $1 billion.
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Super Swiftie comedian Nikki Glaser announced the tour of the century honor by revealing that she attended 22 concerts of the trek. “Never in my childless dog lady life will I ever witness a live performance of that magnitude,” Glaser promised. “Every single show was a marathon of perfection, the vocals, the athleticism, the costumes, the secret songs, my bedazzled adult diaper — those are memories and a rash I’ll have forever. So it makes perfect sense why iHeartRadio is giving Taylor Swift the award for tour of the century.”
While Swift wasn’t in the building, she did send in a video message to thank iHeart and her dedicated fans.
“I’ve been doing a lot of processing since I’ve been off the road these last few months,” Swift said in the video. “And, you know, people often say that sometimes the greatest challenges in life end up being something you’re so proud of, or end up being the most gratifying feeling in the end, if you can rise to the occasion. And this tour was absolutely the most challenging thing I’ve ever done in my life. Three and a half hour show,s more shows than I’ve ever done on a tour, and it really was the most gratifying thing I’ve ever done.
“I think about that tour constantly,” she continued. “I’m so proud of it. And the only reason I was able to take on those challenges, among others, the ambition of the production, the length of the show, the amount of shows, all the different countries we played in, that’s all because of the fans. You made the songs for the last couple decades into what they became so that we could do a three and a half hour setlist. You had the passion and the generosity to care about traveling to see us on tour in all these places all over the world. It blows my mind. I’m never going to stop being grateful for it, and I appreciate this more than you know.”
Swift had a treat for the audience in her absence, sharing a video of her “Mirrorball” performance from night 1. Her second of two acoustic songs that night was her first single ever, “Tim McGraw.”
Earlier in the night, while accepting the breakthrough artist award, Gracie Abrams shouted out Swift for including her on The Eras Tour as an opening act throughout its two-year run, giving thanks “for the incredible artists who allowed me to share their stages at different times and in different ways — Taylor and Olivia [Rodrigo] and Noah Kahan and The National.”
Watch Swift’s acceptance speech below:
https://twitter.com/tswifterastour/status/1901812177016860789