genre pop
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03/20/2025
Here’s how Billboard ranks Gaga’s latest chart-topping LP within her stacked catalog.
03/20/2025
Lady Gaga has built one of the most impressive histories on Billboard’s charts, achieving seven No. 1 albums on the Billboard 200 and six No. 1 songs on the Billboard Hot 100, among other honors.
Her fiancé, Michael Polansky, has largely stayed out of the spotlight. The Harvard-educated businessman is the founder or co-founder of several tech companies, including Avos Capital Management, Hawktail and Outer Biosciences. He’s also a board member for the Parker Institute for Cancer Immunotherapy and Gaga’s makeup company, Haus Labs.
As of Billboard’s latest charts (dated March 22), he can now add another item to his résumé: Billboard-charting songwriter.
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Polansky is credited as a co-writer on seven songs on Gaga’s new album, MAYHEM, which debuts at No. 1 on the Billboard 200. Of those seven cuts, four are on Billboard’s Hot Dance/Pop Songs chart. Here’s a recap:
Rank, Title (co-writers in addition to Polansky):
No. 4, “Vanish Into You” (Lady Gaga, Andrew Watt, Cirkut)
No. 5, “Disease” (Lady Gaga, Andrew Watt, Cirkut)
No. 9, “LoveDrug” (Lady Gaga, Andrew Watt, Cirkut)
No. 13, “Don’t Call Tonight” (Lady Gaga, Andrew Watt, Cirkut)
Thanks to those four charting hits, Polanksy debuts at No. 6 on the Dance/Pop Songwriters survey, marking his first appearance on a Billboard chart.
Gaga places at No. 3 on Dance/Pop Songwriters, while Cirkut and Watt tie at No. 1.
Polansky is also credited as a co-writer on MAYHEM tracks “How Bad Do U Want Me,” “The Beast” and “Blade of Grass.” Of those, “How Bad Do U Want Me” debuts at No. 69 on the Hot 100, “Disease” peaked at No. 27 on the Hot 100 in November, while “Vanish Into You” and “LoveDrug” debut on the latest list at Nos. 61 and 95, respectively.
Gaga has been vocal in recent interviews about Polansky’s role in creating MAYHEM, saying he encouraged her to return to her dance-pop roots. “Michael is the person who told me to make a new pop record. He was like, ‘Babe. I love you. You need to make pop music’,” she shared in a September interview with Vogue.
Polansky added, “Like anyone would do for the person they love, I encouraged her to lean in to the joy of it. On the Chromatica tour, I saw a fire in her; I wanted to help her keep that alive all the time and just start making music that made her happy.”
Gaga and Polansky met in 2019 and got engaged in 2024. In a March 7 interview with ABC’s Good Morning America, she said the pair include each other in their work. “He includes me in his business, as well. He’s really creative, he plays guitar — he’s like a beautiful musician. We have a really creative relationship.”
Ariana Grande‘s deluxe Eternal Sunshine album may promise that brighter days are ahead, but a new teaser for the superstar’s accompanying short film is, on the contrary, distinctly dark and moody. In a black-and-white Casablanca-esque clip posted Thursday (March 20), a fuzzy string lullaby plays over the sound of seconds ticking by on a stopwatch, […]
Sitting in a sun-drenched room at Los Angeles’ Beverly Hilton, Gracie Abrams is shaking her head “no.” She’s reflecting on a breakout 2024 — during which she scored her highest-charting Billboard Hot 100 hit to date and received her second Grammy Award nomination, for “Us,” a collaboration with none other than Taylor Swift. But Abrams still struggles to see herself as the superstar she’s become.
“It’s such a dream and a pretty wild ride to look back on the year and be able to reflect on all of these moments that I never could have imagined ever happening,” the 25-year-old says in quiet awe. When it comes to the matter of her smash hit “That’s So True,” it is true — she never saw it coming. After humming the song’s in-the-works hook and melody for months, she and her songwriting partner and roommate Audrey Hobert finished it in about 15 minutes one day after “laughing our asses off on the roof” of New York’s Electric Lady Studios.
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The catchy, stream-of-consciousness song was one of four additions to the deluxe version of Abrams’ second album, The Secret of Us (which arrived in October), but quickly surpassed the album’s previous hits, including “I Love You, I’m Sorry” and “Close to You” (which peaked at Nos. 19 and 49, respectively, while “True” reached No. 6). Such wins have helped Abrams, who co-wrote and co-produced every track on The Secret of Us and its deluxe edition, earn the Billboard‘s 2025 Women in Music Songwriter of the Year honor — but, with characteristic humility, she won’t say she’s mastered the craft just yet.
“F–k no! Sorry,” she says with a laugh. “I feel very far away from having mastered anything in my life. But I will continue to attempt to get closer to that point.”
Sami Drasin
Since you released your debut album in 2023, how have you grown as a songwriter?
What I can point to specifically that has broadened my horizons is the partnership I’ve had with Audrey. She’s my oldest friend and we very much grew up together, and then to fold in this collaborative [relationship] was not something either of us ever would have anticipated. But as a songwriter, to find someone who you feel so open with, who you trust so much, who knows everything about you, who knows what your conversational language sounds like, who knows if you’re lying about a feeling… it infused so much life into our album that we made together.
What’s an example of a time she called “bulls–t” on you?
Less like “bulls–t” and more [like] in the morning if I would come downstairs and she’s like, “How are you doing?” I’m like, “I’m fine.” And she’s like, “You f–king liar.” Or like, “I’m really over that person,” [and she’s like,] “No, you’re not, you liar.” We checked each other as much in our songwriting process as we did in our day-to-day friendship.
Sami Drasin
Sami Drasin
As we speak, you’re about to head out on your European/U.K. tour [which Abrams wrapped March 12]. How did you spend your time before returning to the road?
I have just come back from being at Aaron [Dessner’s studio, Long Pond, in New York] so I feel like… I’m in the middle of something. I don’t know what it is yet… We’ve been collecting a whole lot of music over the past few months, and he and I are both very curious about all of it because I think [the songs] belong in different worlds a little bit, which excites me. I think that means there are many possibilities for what either the singular project looks like or multiple [projects].
You said you haven’t mastered songwriting yet. Do you feel close?
No. Oh, my God, no. I want to broaden my vocabulary times a thousand. I want to spend the majority of my year reading so that I can do that. I feel nowhere near that level. I have a million people I want to continue to learn from. Taylor is a great example of someone I’ve been lucky enough to spend a lot of time around and every single time I’m like, “Tell me everything you know, please. Teach me how to be.” I want to live fully and do my best to capture what that feels like.
Gracie Abrams photographed February 1, 2025 at The Beverly Hilton in Los Angeles.
Sami Drasin
This story appears in the March 22, 2025, issue of Billboard.
As two short blonde hitmakers, Dolly Parton and Sabrina Carpenter have a lot in common. But they also have some key differences, and according to the country legend, there were a couple things the pair had to agree on before she signed on to do the 25-year-old pop star’s “Please Please Please” remix earlier this year.
In an interview with Knox News published March 18, Parton had nothing but praise for Carpenter — even if the “Espresso” singer does “talk a little bad now and then.”
“I told her, I said, ‘Now, I don’t cuss,’” continued the “9 to 5” singer. “‘I don’t make fun of Jesus. I don’t talk bad about God, and I don’t say dirty words on camera, but known to if I get mad enough.’”
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Those ground rules led the Girl Meets World alum to scrap the famous “motherf–ker” bomb from the chorus of “Please Please Please” for her version with Parton, with the pair instead singing the much cleaner line, “I beg you, don’t embarrass me like the others.”
When Carpenter first announced in February that she and Parton would be teaming up, the former wrote on Instagram, “and yes that does say featuring Miss Dolly Parton…. 💋💋💋she wouldn’t want me to swear but holy s–t!!!!!”
“She was so sweet,” Parton added of Carpenter in the interview before praising two of her other recent collaborators. “And Beyoncé’s great, and Miley [Cyrus], you know I love her. So, I’m just having fun with all of it.”
The Dollywood founder made a cameo on the “Texas Hold ‘Em” singer’s Billboard 200-topping Cowboy Carter, which also featured Bey’s updated version of Parton’s “Jolene.” Parton and the “Flowers” artist have worked together a number of times, with the godmother-goddaughter duo recently releasing a duet version of Cyrus’ “Wrecking Ball” for the country icon’s 2023 Rockstar album.
As for which modern star she wants to work with next, Parton said, “Whoever calls me that I like … I’ll I say, ‘Yeah, I’ll do that!’”
Her conversation with Knox News marks one of the Tennessee native’s first interviews since the death of her husband, Carl Dean, who passed away a few weeks prior at the age of 82. At the time, Parton wrote in a statement, “Carl and I spent many wonderful years together. Words can’t do justice to the love we shared for over 60 years.”
During the interview, Parton shared an update on how she’s faring since the loss. “I’m doing better than I thought I would,” she said. “I’ve been with him 60 years. So, I’m going to have to relearn some of the things that we’ve done. But I’ll keep him always close.”
“I’m at peace that he’s at peace,” she added. “But that don’t keep me from missing and loving him.”
As 1995 began, Madonna was still an A-plus-list superstar and one of the most famous people in the world — but she was no longer at the absolute center of pop music. A half decade of increasingly controversial (though often brilliant) albums, singles, videos, movies and appearances had left the public divided and unsure about the Queen of Pop’s standing, while the dance-pop she’d conquered the world with in the ’80s had fallen out of fashion in a top 40 landscape dominated by alt-rock, hip-hop and R&B. But ’95 saw her reclaim her radio supremacy, while still taking huge artistic chances and pivoting to a more mature cross-platform star persona — though hardly all at the same time.
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In this week’s Vintage Pop Stardom episode of the Greatest Pop Stars podcast, host Andrew Unterberger is joined by Keith Caulfield, Billboard‘s Managing Director of Charts & Data Operations (and co-host of the Billboard Pop Shop Podcast, and longtime M disciple) to express ourselves and not repress ourselves about Madonna’s incredibly fascinating 1995. We pick up mid-Bedtime Stories rollout with Madonna, as she improbably scores the biggest Billboard Hot 100 hit of her entire storied career, and we make it through her LP’s experimental final two singles (and their rather notable music videos), through getting cast in the film role of a lifetime, through the ’95 Video Music Awards, and finally end with her Something to Remember era, while she preps the world for a year of Oscar campaigning.
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In the meantime, we brace the most important questions about La M as she reached the midpoint of her 1990s: Which super-cool-and-acclaimed European act made for better Madonna collaborators, Björk or Massive Attack? Why does nobody remember that “Take a Bow” was her longest-running No. 1? Should “Human Nature” have been a bigger hit? Was Evita worth shutting down her mid-’90s touring plans for? Did she really deserve a Razzie for her Four Rooms appearance? And of course: How did she fare in her infamous interview showdown with Courtney Love following the ’95 VMAs?
Check it out above — along with a YouTube playlist of some of the most important moments from Madonna’s 1995, all of which are discussed in the podcast — and subscribe to the Greatest Pop Stars podcast on Apple Music or Spotify (or wherever you get your podcasts) for weekly discussions every Thursday about all things related to pop stardom!
And if you have the time and money to spare, please consider donating to any of these causes in the fight for trans rights. (Madonna would want you to!)
Transgender Law Center
Trans Lifeline
Gender-Affirming Care Fundraising on GoFundMe
Also, please consider subscribing to the trans legislation journalism of Erin Reed, and giving your local congresspeople a call in support of trans rights, with contact information you can find on 5Calls.org.
Hours into their Billboard Women in Music photo shoot, the members of aespa are goofing off. High-pitched giggles reverberate through the studio as Winter, Karina, Ningning and Giselle tickle one another’s sides, talk in silly voices and play with the straps on their leathery stage outfits.
It’s mesmerizing to watch the four early-20-somethings be so, well, real, not just because they’re one of K-pop’s most polished acts — which they demonstrate by immediately snapping back into place once the photographer is ready again — but also because aespa has a particular penchant for the surreal. The SM Entertainment group debuted in 2020 with K-pop’s first lineup to feature both human and virtual members, pairing each girl with an artificial intelligence (AI) avatar as part of a cyberpunk musical metaverse marked by dark, 808-laced hyperpop and edgy-chic outfits.
Join us at Billboard Women in Music 2025 — get your tickets here.
Ever since, the act has leveraged its niche into unprecedented crossover success — in November, mini-album Whiplash made it the first K-pop girl group to have six projects reach the Billboard 200 top 50, and it just wrapped its second global arena tour — and a reputation for being one of the genre’s “most adventurous and contemporary” groups, as its “Over You” collaborator Jacob Collier put it to Billboard in January.
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But going forward, 2025’s Billboard Women in Music Group of the Year also wants to focus on something potentially even more subversive: showing that beneath the personas, its members are just those real-life girls blowing off steam between camera flashes. “We’re not actual AI; we do have days where we don’t feel the best,” Giselle says once the foursome has squeezed together on a couch. “Our storyline can be fun to keep up with, but I want fans to look up to aespa for our human traits, too.”
Karina
Abi Polinsky
Why do you think aespa has made a name as trendsetters?
Giselle: There’s always going to be trends, but we don’t follow them because we can’t. We have our own story to tell that was set from the start.
Winter: We usually talk about ourselves more than love [in our lyrics]. We’re the main characters of our stories.
Karina: We’re honest. Of course, you have to be professional and present your best self, but we also try to show the not-perfect side. We’re not trying to filter everything or over-mask ourselves.
Giselle
Abi Polinsky
What’s next in aespa’s evolution?
Ningning: We did start out with our avatar concept, but now we’re also trying really hard to explore different concepts and themes. In the future, there may be moments where the fans don’t see the avatars.
Karina: We want aespa to be a really stylish group, not only in fashion and music, but also in terms of versatility and excelling in every genre. I also want all our members to shine individually when we’re together and even when we’re not together.
From left: Ningning, Karina, Giselle, and Winter of aespa photographed on February 10, 2025 in New York.
Abi Polinsky
Who are your favorite artists/dream collaborators at the moment?
Ningning: Doechii. I’d just really like to meet her.
Winter: Billie Eilish. She’s so good at expressing her honest feelings through her music.
Karina: Olivia Dean. Whenever I need to find composure, I listen to her.
Giselle: SZA. Her music is so hard to get sick of — and very relatable.
Winter
Abi Polinsky
As a girl group, how do you support one another?
Ningning: We’re all from different countries and environments, but we’ve been doing this for five years. They’re always there for me. Working with this mindset that we’re in this together makes it easier to handle challenging situations and emotions.
Winter: I don’t think we could’ve made it through this alone. We’ve had to overcome certain obstacles, but with each other’s support, we were able to move forward. (Karina giggles as Giselle starts poking her affectionately.) These girls are all very precious to me.
Ningning
Abi Polinsky
This story appears in the March 22, 2025, issue of Billboard.
Dua Lipa is continuing her tributes to iconic Australian artists as she tours throughout the continent this spring. Just a day after Lipa covered AC/DC’s “Highway to Hell” during her Radical Optimism tour stop at Rod Laver Arena in Melbourne, Australia, the pop superstar continued the covers for night two at the venue. On Tuesday […]
Alex Warren‘s career trajectory is anything by “Ordinary.” The rising superstar performed his latest hit on the Love Is Blind season 8 reunion on March 9 — marking the first-ever performance on the popular Netflix series — and the track has seen an impressive boost since the episode.
On Monday (March 10), “Ordinary” was Shazamed 56,000 times, up 306.8% since its release. Single sales spiked from an average of 180 a day to 420 on Sunday (March 9) and 577 the next day. Spotify global streams hit a career peak of 3 million daily on Tuesday (March 11), and the song hit No. 25 on the Spotify Global Chart. “Ordinary” also reached No. 5 on the iTunes Top Songs U.S. chart.
Meanwhile, on the Billboard charts, “Ordinary” jumped from No. 64 to 43 on the Billboard Hot 100 songs chart dated March 22. On the Global 200, it jumped from No. 37 to 26.
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“Alex is one of the most talented artists that I’m fortunate to work with, but he feels like he’s positioned to become part of the next freshman class of global superstars,” Kevin Weaver, president of Atlantic Records’ West Coast branch, tells Billboard, which is why Warren was the perfect artist in the Atlantic roster to pitch for a Love Is Blind performance.
“I actually pitched the song to [Love Is Blind‘s music supervisor] Jon Ernst before it came out, and I told him it’s going to be a massive record. Fortunately, it all worked out great,” Weaver recalls. “Very early on — I think was actually during the pandemic — I was watching the first or second season of Love Is Blind, and I was just hearing these massive music cues in the show, and it was all library music. Seeing that the show was becoming incredibly popular on Netflix, I had a light bulb moment where I was like, ‘Why isn’t there contemporary music on this hit show that uses music in such an important way?’ How do we help support Jon and the series with with great songs that also benefit our developing artists?”
He added, “With ‘Ordinary,’ it felt like it was a natural fit. I know the background of the song, and Alex wrote the song based on his own personal relationship [with wife Kouvr Annon]. Knowing what the show is, hearing the song, I was like, ‘This is perfect.’”
Michael Parker, Vice President of A&R at Atlantic Records, agrees. “These are the things we always wanted to do,” he tells Billboard. “Now the people know the real Alex, the musician, and now he’s getting those opportunities that we always wanted. We’re getting to do the collabs we always wanted with other artists, and we’re getting to do the shows he’s always wanted to be on. It’s all the things that when you sign an artist and you dream, those are all the things that are on the dream list. And now he’s reached the place where he gets to do all those things.”
He continues, “The beautiful thing about Alex was, you see his social prowess and you see his marketing prowess — but then, you listen to the music. You could take one listen to the music and know he was going to be brilliant, and then you add everything on top of it, it just made him a dream to work with.”
Over on the Love Is Blind side of business, the show’s creator and producer Chris Coelen, music supervisor Ernst and executive producer Ally Simpson were immediately thrilled at the idea of including not only a performance on the show, but also Warren specifically. “We’re just so flattered and privileged to have had Alex and his team want to come and participate. It was amazing to see,” Coelen says, noting that having the performance happen within the on-set pods was particularly fun. “The pods are a really cool, unique, one-of-a kind environment. So, why not actually have a performance there?
Coelen says that Love Is Blind is “just getting started” on incorporating music more in the series. “Music has always been a big part of Love Is Blind. It’s something that we’ve always enjoyed connecting to the action that’s going on in the in the show,” he explains. “We decided that with the fifth anniversary of Love Is Blind and going into this most recent season, that we were going to really go all out and and use commercial music and really be able to spotlight some of the amazing songs that have been out there over the years. Music can be such a mood changer and shifter. It’s incredibly additive to the show, and there’s no going back now.”
Rewatch Warren’s performance of “Ordinary” on Love Is Blind below.
Pop singer-songwriter Sia has always been keen on keeping her personal life private — so private, that according to a new report, the singer welcomed her third child almost a year ago. According to documents obtained by The Associated Press, Sia welcomed a baby named Somersault Wonder Bernad with her now-estranged husband, Daniel Bernad, on […]