State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show

State Champ Radio Mix

12:00 am 12:00 pm

Current show

State Champ Radio Mix

12:00 am 12:00 pm


genre pop

Page: 4

Trending on Billboard HUNTR/X brought KPop Demon Hunters to the 2025 Macy’s Thanksgiving Day Parade. The fictional K-pop girl group — voiced by EJAE, Audrey Nuna and REI AMI — made its daytime television debut during the annual celebration in New York City on Thursday (Nov. 27). Accompanied by a giant balloon of the blue […]

Trending on Billboard Training season’s not over just yet. Dua Lipa stars in the latest campaign for NBCUniversal as she hypes the women of Team USA ahead of the 2026 Milan Cortina Olympic Winter Games. The British pop star struts through a winter wonderland in the snowy streets of Milan and shows off her polyglot […]

Trending on Billboard

KPop Demon Hunters‘ chart dominance extends into October, as Billboard‘s Top Movie Songs chart, powered by Tunefind (a Songtradr company), again occupying the October 2025 ranking’s top seven.

Explore

See latest videos, charts and news

Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of September 2025. The ranking generally includes newly released films from the preceding three months, with exceptions given to movies whose music is still experiencing a high volume of public interest.

Despite its June premiere, KPop Demon Hunters has remained a pop culture force, paced by its multiweek Billboard Hot 100 No. 1 “Golden” by HUNTR/X, which also stays at the top of the latest Top Movie Songs ranking. In October 2025, it earned 177 million official on-demand U.S. streams and sold 38,000 downloads, according to Luminate. The track also led the Hot 100 for two weeks that month (Oct. 4-11) and has spent the most recent five frames at No. 2.

The rest of Top Movie Songs’ top seven is occupied by songs from the fictional KPop Demon Hunters groups HUNTR/X and Saja Boys, plus soloists EJAE and Andrew Choi, with Saja Boys’ “Soda Pop” leading the rest of the pack at No. 2 (88.2 million streams, 12,000 downloads).

After KPop Demon Hunters, the top song comes from Springsteen: Deliver Me From Nowhere, the Bruce Springsteen biopic that premiered on Oct. 24. Springsteen’s “Hungry Heart” appears at No. 8 with 2.1 million streams and 1,000 downloads; it was his first top 20 on the Hot 100 in its day, eventually peaking at No. 5 in 1980.

See the full top 10, also featuring music from Gabby’s Dollhouse and Tron: Ares, below.

Rank, Song, Artist, Film1. “Golden,” HUNTR/X, KPop Demon Hunters2. “Soda Pop,” Saja Boys, KPop Demon Hunters3. “How It’s Done,” HUNTR/X, KPop Demon Hunters4. “Your Idol,” Saja Boys, KPop Demon Hunters5. “What It Sounds Like,” HUNTR/X, KPop Demon Hunters6. “Takedown,” HUNTR/X, KPop Demon Hunters7. “Free,” EJAE & Andrew Choi, KPop Demon Hunters8. “Hungry Heart,” Bruce Springsteen, Springsteen: Deliver Me From Nowhere9. “Sunroof,” Nicky Youre & Dazy, Gabby’s Dollhouse10. “Who Wants To Live Forever?,” Nine Inch Nails & Judeline, Tron: Ares

Trending on Billboard

The second season of Netflix’s Nobody Wants This takes top honors on Billboard‘s Top TV Songs chart, powered by Tunefind (a Songtradr company), racking up eight of the tally’s 10 positions, paced by Sabrina Carpenter‘s “Manchild.”

Explore

See latest videos, charts and news

Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of October 2025.

Nobody Wants This premiered its second season in full on Oct. 23. That’s after its September 2024 first-season premiere, which saw the series notch three entries on Top TV Songs, led by Rihanna‘s “Love on the Brain” at No. 2.

This time, the show nearly triples its chart appearances, with Carpenter’s “Manchild,” featured in the sixth episode of the season, at No. 1. In October 2025, the song, featured on her 2025 album Man’s Best Friend, earned 45.7 million official on-demand U.S. streams and sold 4,000 downloads, according to Luminate.

“Manchild” debuted at No. 1 on the weekly Billboard Hot 100 in June and enjoyed an October best of No. 6 (Oct. 4).

Chappell Roan‘s “Good Luck, Babe!” follows on October 2025’s Top TV Songs at No. 2 (28.2 million streams, 2,000 downloads), while music from Rihanna and Mikky Ekko, Taylor Swift, Ariana Grande and more also dots the chart thanks to the premiere, which will be followed by a third season that’s expected to air in 2026.

HBO Max’s Peacemaker and Apple TV+’s Slow Horses occupy the two lone non-Nobody Wants This positions. Peacemaker‘s at No. 3 with Foxy Shazam‘s “Oh Lord” (5.8 million streams, 4,000 downloads), while Slow Horses reaches No. 7 via The Zombies‘ “She’s Not There” (1.7 million streams, 2,000 downloads).

See the full top 10 below.

Rank, Song, Artist, Show (Network)1. “Manchild,” Sabrina Carpenter, Nobody Wants This (Netflix)2. “Good Luck, Babe!,” Chappell Roan, Nobody Wants This (Netflix)3. “Oh Lord,” Foxy Shazam, Peacemaker (HBO Max)4. “Stay,” Rihanna feat. Mikky Ekko, Nobody Wants This (Netflix)5. “…Ready for It?,” Taylor Swift, Nobody Wants This (Netflix)6. “7 Rings,” Ariana Grande, Nobody Wants This (Netflix)7. “She’s Not There,” The Zombies, Slow Horses (Apple TV+)8. “Big Energy,” Latto, Nobody Wants This (Netflix)9. “Dancing in the Smoke,” Giveon, Nobody Wants This (Netflix)10. “You’ve Got Another Thing Coming,” Teddy Swims, Nobody Wants This (Netflix)

Trending on Billboard

Billboard’s Producer Spotlight series highlights creatives currently charting on Billboard’s producer rankings. Whether they are new to the industry or have been churning out hit after hit, the intention is to showcase where they are now, and their work that’s having a chart impact.

Explore

See latest videos, charts and news

Olivia Dean is having a major moment on Billboard’s charts, thanks largely to her breakthrough single “Man I Need,” now sitting in the top five on the latest Billboard Hot 100 (dated Nov. 29).

And alongside her breakthrough is her go-to collaborator Zach Nahome, who jumps from No. 5 to No. 1 on this week’s Hot 100 Producers chart — his first time leading a Billboard chart in any capacity. Nahome is the principal producer behind Dean’s album The Art of Loving, having produced or coproduced all 12 of its tracks.

The album ranks at No. 7 on the Billboard 200 after reaching a new No. 5 peak last week, marking her first top 10 album.

Nahome reaches No. 1 on Hot 100 Producers thanks to five production credits on the Hot 100 this week, all from Dean’s album. Here’s a recap:

No. 4, “Man I Need”

No. 18, “So Easy (To Fall In Love)” (coproduced with John Ryan and Julian Bunetta)

No. 55, “A Couple Minutes”

No. 82, “Nice to Each Other”

No. 97, “Let Alone the One You Love” (coproduced with John Ryan, Julian Bunetta and Matt Zara)

While all five tracks contribute to Nahome’s chart points, “Man I Need,” “A Couple Minutes” and “Nice to Each Other” give him the biggest boost, as he’s credited as the sole producer on all three tracks. “Let Alone the One You Love” is also a big contributor too, debuting at No. 97 this week. The song raked in 4.7 million official U.S. streams, a 45% increase from the week before, likely boosted by Dean’s Nov. 15 performance of the song on Saturday Night Live, where she was the musical guest. The song also surged 842% in digital song sales to just under 1,000 downloads sold.

“Man I Need” became the first Hot 100-charting hit for both Dean and Nahome. Before that, Nahome had charted once before with a production credit on PinkPantheress’ “Reason,” which reached No. 39 on Hot Rock & Alternative Songs in 2021.

Beyond Dean and PinkPantheress, Nahome has also produced songs for Bakar, gnash, slowthai and Biig Piig.

Billboard’s Hot 100 Producers chart is based on total points accrued by a producer for each attributed song that appears on the Hot 100. So, for Nahome, all five of his current Hot 100 entries contribute to his points total for Hot 100 Producers. For a song such as “So Easy (To Fall In Love),” which is credited to three producers, all three would split the song’s points equally.

The full Hot 100 Producers chart and full genre rankings can be found on Billboard.com.

Trending on Billboard Doja Cat and SZA’s groovy “Take Me Dancing” collaboration caught fire on social media thanks to a viral TikTok trend, which was created by an Australian superfan named Joel Houwen in September following the arrival of Doja’s Vie. Explore See latest videos, charts and news She brought the Tour Ma Vie World […]

Trending on Billboard

It was 20 years ago this week (Nov. 29) that 16-year-old Chris Brown vaulted onto the scene with his self-titled debut studio album and triple platinum-certified Hot 100 No. 1 “Run It!” And in celebrating that anniversary, Brown — under the guidance of manager Anthony “Ant” Wilson of Tycoon Music — has achieved various other career milestones during what’s become an even more momentous year for the singer-songwriter.

Brown kicked off 2025 with the best R&B album Grammy for his latest album 11:11 (Deluxe) — his second win in that category after 13 years. He’s now closing out the year with two more nominations for the 2026 Grammy ceremony: best R&B song and best R&B performance for “It Depends” featuring Bryson Tiller, which peaked at No. 16 on the Hot 100. Prior to that in 2024, Brown picked up his first RIAA Diamond-certified single for “No Guidance” featuring Drake.

Related

Of witnessing Brown’s second Grammy win, Wilson — a 2025 R&B/Hip-Hop Power Players honoree — told Billboard in August, “Winning isn’t everything, but it feels good. And the consistent recognition of his artistry continues to solidify him as one of the biggest artists in the world.”

Between those Grammy bookends, Brown embarked on what’s since been logged by Billboard Boxscore as his highest-grossing live outing to date, the Breezy Bowl XX World Tour. Spanning 39 cities and 48 shows, his 20th anniversary and first-ever stadium run (June 8-Oct. 16) earned $300 million and drew 2 million fans across North America, Europe and the U.K. Accompanied by Tiller as a special guest through the run and Grammy-nominated artists Jhené Aiko and Summer Walker on select dates, Brown also welcomed pop-up performances along the way by Usher, 50 Cent, GloRilla, Tyga, Bow Wow, Sexyy Red and Davido during his three-hour, 56-song set.

It’s Brown’s indefatigable energy and love of performing that Wilson first focused on strategically when he became the global star’s manager 10 years ago after predecessors Tina Davis and Mike G.

“We started off doing club and spot dates,” Wilson recalls. “Then we got the Heartbreak on a Full Moon tour [2018 with H.E.R., 6lac, and Rich the Kid]. I just wanted to get him back to the touring part of the business because I felt he could touch the most fans there. That was my initial goal.”

Wilson also created the annual Tycoon Music Festival. Presented this year in association with Live Nation and 313 Presents, the festival marked its sixth anniversary on April 19 at Little Caesars Arena in Detroit. Headlined by Brown, the lineup also starred Skilla Baby, Fabolous, Gucci Mane and Wiz Khalifa with surprise appearances from Sexyy Red, G-Herbo, Payroll Giovanni and Tee Grizzley.

Based in Las Vegas, as is Brown, Wilson recently spoke with Billboard about what’s next on the drawing board for him and his superstar client.

Chris Brown and Anthony “Ant” Wilson

Travis Colbert

What’s it like managing such a tireless artist as Brown?

We don’t sleep too much over here [laughs]. That’s because he stays up working in the studio he has in his house. He’s in that studio every day until we put out an album. And then the hard part before that is figuring out what songs are going to make the album. Chris also has a billion ideas about different things. So another hard thing is trying to get those billion ideas down to at least 10.

Talk about the rapport between the two of you, which is an important part of the artist/manager collaboration.

I met Chris when I was working with Bow Wow. that’s when Tina was involved. She’s a friend of mine as well. So I used to help out whenever she needed some assistance. Mike G was there too; we were all together then. But Chris is my brother first then it’s business, I don’t hope that he wins. He has to win because he’s my family. So that’s why there is no sleeping because I’ve got to make sure he does. I don’t know if there’s a blueprint on how to manage an artist. Every artist is different. But there is one key thing: understanding the artist and the fans of that artist.

Very few artists have made the successful transition from teen to adult star. Why has Brown been able to cross that bridge?

A lot of artists can do one thing; they can either sing or they can dance. But not a lot of artists can perform the way that he does: he’s singing, he’s dancing, he’s crying, he’s laughing, he’s flying, He’s doing everything he can to please fans. He’ll take less money just for the production to be what it is. He just wants [his performance] to stand out. Breezy XX was originally three and a half hours. I’m like, “Chris, come on. We’re going to run into overtime on every show. Like I said before, that’s the hardest thing … trying to get things down to where we’re both happy [laughs].

A new album coming before this year is out has been rumored given the 20th anniversary. Any hints about the next project?

There’s always an album. The name of it always changes. The songs always change. Even with the last album, we were in the studio putting another song together on the day before it came out. So I can’t say the name or a date for the album. I’ll leave it open because he could wake up and say let’s put it out next week. I’m ready though. I have it [the album] at the moment, but it changes every week.

Chris Brown performs in San Diego, CA, on September 18, 2025.

Acre Media

What else is next? A concert movie à la Taylor Swift and Beyoncé or a return to acting?

He loves and wants to act. There are acting classes, and he’s gearing up for that. I also think the Super Bowl would be a great place for him. I believe it will happen.

Have there been any overtures on that front?

We’ll just see.

How has it been navigating the negativity that he still encounters as you work to move his career forward?

It’s nothing that I’m not used to at this point. We just smile and keep going. I just try to show improvement with work over the words, you know? I think that’s the best way. But his kids ground him. He’s a great, involved dad. I also think Chris’ fans love him so much because they can relate. He’s a real person who’s gone through things that others have but he did it in front of the world. So I feel like that’s his legacy: going through life with everyone else.

Now that Verzuz is back, is the long-rumored Usher/Chris Brown match-up a stronger possibility?

It may. Usher and Swizz Beatz are friends of mine; Swizz recently spoke to me about it. I’m not saying no if it makes sense.

Beyond your ownership of the Tycoon Festival, what other projects are you shepherding?

I also work with 50 Cent in a company called the Green Light Gang. We have 40 TV shows [in the works] at the moment and a few movies. We’re also going to build a production company in Shreveport, Louisiana. So that’s my new baby, television.

Trending on Billboard Benny Blanco‘s mom, Sandra Levin, was the victim of a scary robbery attempt at her Studio City, Calif. home earlier this week. According to ABC7, police said Levin was unharmed after burglars smashed their way into her home while she was there alone. Authorities did not identify Levin by name, but neighbors […]

Trending on Billboard It’s the collab you didn’t know you needed to go alongside your Thanksgiving turkey: MGK teamed up with the Jonas Brothers for the “Cliche” remix on Tuesday (Nov. 25). Explore See latest videos, charts and news “Cliche” arrived in May and served as the lead single for MGK’s Lost Americana album, which […]

Trending on Billboard

Hundreds of Taylor Swift fans have won a key court victory allowing them to move forward with a blockbuster lawsuit over Ticketmaster’s botched sale of Eras Tour tickets three years ago.

The lawsuit was the first in a series of cases brought by Swifties in the wake of Ticketmaster’s infamous Eras Tour presale in November 2022. A previous version of the complaint was dismissed this past May as legally deficient — but in a Monday (Nov. 24) order, a California federal judge says revised antitrust claims against Ticketmaster and its parent company Live Nation are now strong enough to survive.

Related

Citing the Department of Justice’s ongoing effort to break up Live Nation and Ticketmaster, 357 of Swift’s fans claim the companies’ monopolistic control over both ticketing and major concert venues has shut out all competition and allowed them to operate a shoddy sales platform. The lawsuit says this led to a “massive disaster” when Ticketmaster crashed amid overwhelming traffic from bots and scalpers during the Eras Tour presale, depriving many fans of the chance to buy face-value tickets.

Ticketmaster argued there’s an inherent problem with the Swifties relying on the U.S. government’s antitrust suit for their monopoly claims, as the DOJ case focuses on Live Nation’s deals with arenas and amphitheaters, not the stadiums where Swift performed her Eras Tour. But the Monday court ruling rejected this argument.

“None of these allegations clearly indicate that the government action excludes conduct related to stadiums,” wrote U.S. District Judge George H. Wu. “Furthermore, while noticeably absent from the [complaint] is the word ‘stadium,’ the court fails to see any meaningful distinction between arenas, amphitheaters and stadiums that would render baseless plaintiffs’ reliance on the government action.”

Related

Judge Wu is thus allowing the antitrust claims to move forward into evidence discovery, though he trimmed away other breach of contract and fraud claims brought by the Swifties. That part of the lawsuit claimed Ticketmaster lied when it promised to keep bots and scalpers away from the presale, and that the platform falsely said it would give priority access to fans who’d bought merch for Swift’s Midnights album or tickets to the star’s canceled 2020 Lover Fest.

The issue with the contract claims, says Judge Wu, is that Ticketmaster never actually made these promises in any enforceable agreement. And according to the judge, the consumer fraud claims don’t work because Ticketmaster believed it was telling the truth when it advertised the terms of the Eras Tour presale.

“Plaintiffs have failed to sufficiently allege that Defendants made promises with no intent to perform,” writes Judge Wu. “Plaintiffs’ reliance on the aftermath of the presales (i.e., defendants’ purported failure to deliver on the promises they made) cannot support a plausible fraud theory.”

A lawyer for the Swift fans, Jennifer Kinder, said in a statement to Billboard on Tuesday (Nov. 25) that they are “ecstatic to finally be moving towards our day in court.”

Related

“Ticketmaster has spent the past two years trying every legal trick to have their case dismissed. Judge Wu has ruled they will not be able to escape a jury trial,” said Kinder.  “The people of Los Angeles will decide the legality of Ticketmaster’s monopoly.”

Reps for Ticketmaster did not return a request for comment. Swift’s team did not return a request for comment either, though the star previously had some choice words for Ticketmaster when the presale imploded back in November 2022.

“It’s really difficult for me to trust an outside entity with these relationships and loyalties, and excruciating for me to just watch mistakes happen with no recourse,” wrote Swift in an Instagram statement at the time. “I’m not going to make excuses for anyone because we asked them, multiple times, if they could handle this kind of demand and we were assured they could.”

The chaotic presale for Swift’s Eras Tour, which wrapped last year with a record-breaking haul of more than $2 billion in face-value ticket sales over a two-year run, spurred multiple legal actions against both Ticketmaster and brokers who resold tickets at massive markups on the secondary market.

Related

The debacle also led to congressional scrutiny and sparked renewed interest in the DOJ’s attempt to break up Ticketmaster and Live Nation, which is set for a trial this spring. The companies have denied that they’ve done anything to stifle competition, either in the Eras Tour ticket market or elsewhere.

Earlier this year, two people were criminally charged with stealing and reselling hundreds of Eras Tour tickets. One of these individuals copped to the charges last month, and the second pled guilty on Tuesday (Nov. 25).