genre pop
Page: 24
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Have you ever wanted to be serenaded by Michael Bolton in bed? Well, Hatch has you covered.
For Valentine’s Day, Hatch partnered with the Grammy-winning singer/songwriter to add his 1989 smash hit “How Am I Supposed to Live Without You” to the sleep-wellness company’s premium service Hatch+.
The song is used as a limited-edition Hatch Cue (“A Michael Bolton Evening”), which is paired with a “Pure Red Waves” mood lighting to help you fall asleep smoothly at night, or a Hatch Alarm (“A Michael Bolton Morning”) to slowly wake you up in the morning.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Not a subscriber? You can sign up for a 30-day free trial to try everything Hatch+ has to offer before you commit to the service month-to-month. Hatch+ provides you with a series of sounds and lights that are specialized to help you wind down and create healthy sleep habits for $4.99 per month.
Trending on Billboard
However, before you can use Hatch+, you’ll need a Hatch sleep machine first. Ahead, you’ll find Hatch sleep-wellness devices.
Hatch
Hatch Restore 3
Hatch
Hatch Rest+
Hatch
Hatch Rest
Hatch
Hatch Rest Go
Hatch builds custom sleep routines for better sleep and a better you when you’re awake. It features soft lights, meditations, bedtime podcasts, music and much more. It also has special white noise features to block out any distractions and disruptions, so you can stay asleep throughout the night.
Until Friday, Feb. 28, the limited-edition “How Am I Supposed to Live Without You” Cue and Alarm are available with a Hatch+ subscription. Learn more about Hatch and Hatch+ here.
In the meantime, watch the music video for Michael Bolton’s version of “How Am I Supposed to Live Without You,” below:
For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
Lady Gaga debuts at No. 1 on the Feb. 15-dated Hot Dance/Pop Songs tally with “Abracadabra,” becoming the second chart-topper in the survey’s five-week history. Tate McRae’s “It’s Ok I’m Ok” drops to No. 6 after reigning for the list’s first four frames.
All Billboard charts dated Feb. 15 will update tomorrow, Feb. 11. Hot Dance/Pop Songs ranks the most popular current dance/pop titles, separate from Billboard’s Hot Dance/Electronic Songs chart, which focuses on producers and DJs.
“Abracadabra” and its official music video were debuted during last weekend’s Grammy telecast (Sun, Feb. 2), before appearing in full on digital platforms later that night. Billboard‘s tracking week stretches from Friday to Thursday, meaning that the song’s chart debut was handicapped by its Sunday release. Still, its No. 1 entry was powered by 13.7 million official U.S. streams, 1.3 million radio audience impressions, and 10,000 downloads sold through Feb. 6, according to Luminate.
Trending on Billboard
Despite its shortened week, “Abracadabra” boasts the highest sales and streaming totals in the chart’s brief history.
Gaga also debuts on the Billboard Hot 100, with “Abracadabra” arriving at No. 29 in its first abbreviated week. Following the chart’s current reigning champ, the Bruno Mars-assissted “Die with A Smile”, and “Disease” (No. 27), her upcoming Mayhem now boasts three top 40 hits on the all-genre ranking before its impending March 7 release, marking her first album to do so since 2013’s Artpop. Overall, it’s her 39th entry on the chart dating back to “Just Dance,” featuring Colby O’Donis, which spent three weeks at No. 1 in 2009.
Gaga’s history in the genre reaches farther back than her No. 1 debut. She crowned the Dance/Mix Show Airplay list four times, reigning for one week with “Bad Romance” and “Born This Way,” for four weeks with “Rain on Me” featuring Ariana Grande, and for a 15-week stretch with “Poker Face.” Plus, her debut album The Fame has logged 193 weeks at No. 1 on Top Dance Albums, climbing back to No. 2 in its 569th week on the chart, 17 years removed from its 2008 release.
Sabrina Carpenter is the latest act to join the list of performers at the upcoming BRIT Awards (March 1), and will collect the global success award on the night. The “Espresso” singer will head to The O2 Arena in London to perform during the ceremony. She joins JADE, Myles Smith, Shaboozey, Teddy Swims and The […]
Will Morgan Wallen take No. 1? Tetris Kelly: This is the Billboard Hot 100 top 10 for the week dated Feb. 15. Up to 10 is “TV Off,” “Beautiful Things” bounces back to nine, “Lose Control” falls to eight, Weeknd and Carti climb to seven. Bruno and ROSÉ are at No. 6. Shaboozey is still at […]
ROSÉ and Bruno Mars’ “APT.” claims a record-breaking 15th week at No. 1 on the Billboard Global Excl. U.S. chart. The team-up, which in November debuted as the stars’ second leader each on the list, one-ups Mariah Carey’s “All I Want for Christmas Is You” for the longest command in the chart’s four-year-plus history. (The latter has notched at least one week at No. 1 in each holiday season since the survey began.)
Meanwhile, Lady Gaga and Bruno Mars’ “Die With a Smile” rebounds for a ninth week atop the Billboard Global 200 chart, and its first since October; Gaga’s new single, “Abracadabra,” launches in the top 10 of both global tallies; and The Weeknd’s “Cry for Me” opens in the Global 200’s top 10.
Trending on Billboard
The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“APT.” holds atop Global Excl. U.S. with 103.9 million streams (down 4% week-over-week) and 11,000 sold (up 5%) outside the U.S. Jan. 31-Feb. 6.
Lady Gaga and Mars’ “Die With a Smile” keeps at No. 2 on Global Excl. U.S., following eight weeks at No. 1 starting last September; Bad Bunny’s “DtMF” repeats at No. 3, after hitting No. 2; Billie Eilish’s “Birds of a Feather” rises 6-4, after three weeks on top in August; and Bad Bunny’s “BAILE INoLVIDABLE” dips to No. 5 from its No. 4 best.
Gaga’s “Abracadabra,” unveiled (through a MasterCard commercial) during the 67th Annual Grammy Awards Feb. 2, debuts at No. 9 on Global Excl. U.S. with 34.1 million streams and 8,000 sold outside the U.S. through Feb. 6. The song marks Gaga’s second top 10 since the survey started.
On the Global 200, “Die With a Smile” returns to No. 1, from No. 2, with 131.1 million streams (up 3%) and 16,000 sold (up 61%) worldwide. The ballad won the Grammy for best pop duo/group performance, while Gaga and Mars performed a cover of the Mamas & the Papas’ “California Dreamin’ ” as a tribute to Los Angeles during the Grammys.
“Die With a Smile” spent its first eight weeks at No. 1 on the Global 200 in September-October and ends a 15-week break from the summit, the longest such gap in the chart’s archives, excluding Carey’s seasonal “Christmas.”
ROSÉ and Mars’ “APT.” drops to No. 2 on the Global 200 following 12 weeks at No. 1 beginning in October; Bad Bunny holds at No. 3 with “DtMF,” after two weeks on top beginning in January; Eilish’s “Birds of a Feather” lifts 7-4, after three weeks in the lead in August – after she sang the song as the second performance during the Grammys; and Lola Young’s “Messy” is steady at its No. 5 high.
Plus, two songs debut in the Global 200’s top 10: The Weeknd’s “Cry for Me,” at No. 7 (led by 51 million streams worldwide), and Gaga’s “Abracadabra,” at No. 10 (47.7 million streams). The Weeknd and Gaga add their 14th and second top 10s, respectively. “Cry for Me,” which The Weeknd performed at the Grammys, is from his new album, Hurry Up Tomorrow, new at No. 1 on the U.S.-based Billboard 200 chart.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 15, 2025) will update on Billboard.com tomorrow, Feb. 11. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Kendrick Lamar and SZA’s “Luther” lifts 4-3 on the Hot 100, returning to its best rank first reached upon its December debut. It concurrently rebounds for an eighth week at No. 1 on the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100.
Billie Eilish’s “Birds of a Feather” flocks 7-4 on the Hot 100, after hitting No. 2. It leads the multimetric Hot Rock & Alternative Songs and Hot Alternative Songs charts for a 27th week each. She sang the song as the second performance during the Grammys, spurring its 30% surge to 19.2 million streams and 219% blast to 8,000 sold in the week ending Feb. 6.
Shaboozey’s “A Bar Song (Tipsy)” keeps at No. 5 on the Hot 100, following a record-tying 19 weeks at No. 1 beginning last July. It gained by 8% to 17.9 million streams and 118% to 9,000 sold in the tracking week, after he performed it as part of a medley by best new artist Grammy nominees.
ROSÉ and Bruno Mars’ “APT.” drops to No. 6 from its No. 3 Hot 100 high.
The Weeknd and Playboi Carti’s “Timeless” vaults 18-7 on the Hot 100, after it debuted at its No. 3 best in October. It increased by 51% to 20.3 million streams in the tracking week after the pair performed it in a mix with The Weeknd’s “Cry for Me”; both songs are from his new album, Hurry Up Tomorrow, which debuts as his fifth No. 1 on the Billboard 200. “Timeless” also tops the multimetric Hot R&B Songs chart for a 17th week.
Teddy Swims’ “Lose Control,” which led the Hot 100 for a week in March 2024 – and became the year’s top song – dips 6-8. It logs a 77th week on the list, tying for the fifth-longest stay in the chart’s history. (It also matches Dua Lipa’s “Levitating” for the most weeks ever spent on the chart for a song on Warner Records.)
Benson Boone’s “Beautiful Things” backflips 15-9 on the Hot 100, after reaching No. 2. It bounded by 29% to 16 million streams and 515% to 14,000 sold in the tracking week, after he, like Shaboozey, contributed to the medley by best new artist Grammy nominees.
Rounding out the Hot 100’s top 10, Lamar’s “TV Off,” featuring Lefty Gunplay, rises 11-10 after it debuted at its No. 2 best in December.
As proven by his expansive resume, Travis Scott is always open to collaboration. Whether he’s teaming up with The Weeknd or Beyonce, Scott’s imagination never runs dry. In his latest cover story with Billboard, the Utopia superstar rattled off names that are currently piquing his interest creatively. “It’s this band called Khruangbin I want to […]
After making headlines with her critical acceptance speech at the 2025 Grammys, Chappell Roan is doubling down on helping up-and-coming artists earn a livable wage and affordable healthcare.
In a series of posts to Instagram Stories on Sunday night (Feb. 9), Roan continued the conversation about her speech, and called on music industry’s power players to invest more financial support into their artists. “Sharing my personal experience at the Grammys wasn’t meant to be a crowdfunded bandaid but a call to action to the leaders of the industry to step up, help us make a real change and protect their investments in a sustainable way,” she wrote.
The “Pink Pony Club” singer also continued to indirectly call out former music industry executive Jeff Rabhan, who criticized the singer’s speech in a blistering op-ed for The Hollywood Reporter. Rabhan referred to Roan’s call for change “wildly misinformed” and claimed that the singer was both “too green and too uninformed to be the agent of change she aspires to be today.”
Trending on Billboard
“My mind will not be changed about artists deserving more than what’s standard in the industry,” she wrote. “Random dudes are allowed to criticize my Grammy speech, but they best put their money where their mouth is, otherwise MOVE out the way.”
Roan and Rabhan previously traded public messages, with Roan calling for Rabhan to match her $25,000 donation to funding developing artists. Rabhan, in turn, replied that Roan should “stop dumpster diving” by criticizing his criticism, and instead should “act like the agent of change you say you want to be,” pointing out that the singer’s donation came after his critique.
In her posts, Roan also revealed the charity she was sharing her money with — Backline, a nonprofit that “connects music industry professionals and their families with mental health and wellness resources.” Specifically, Roan pointed to a fundraising initiative from the organization that is “supporting accessibility of health care for artists.”
However, Roan told her fans that she did not expect them to donate to these efforts — instead she pointed out that industry executives should feel compelled to donate to the organization. “Fans, y’all don’t have to donate a damn penny,” she wrote. “This is one of many opportunities for the industry powers to show up for artists. There is much more work to be done.”
For anyone questioning whether or not Roan herself shared such a donation, the “Hot to Go” singer concluded her posts with a screenshot of a confirmation email from Backline confirming her donation of $25,000 to their fundraiser. “Here,” she added.
Among those who shared their support for Roan were Noah Kahan and Charli XCX, both of whom pledged to match the singer’s $25,000 donation before her latest posts, with both artists posting since-expired posts to their Instagram Stories. “I’m inspired by you,” Kahan said of the singer. “Happy to get the ball rolling. Money where my mouth is.”
Donald Trump became the first sitting President to attend a Super Bowl on Sunday (Feb. 9), when he watched two quarters of the Philadelphia Eagles’ dismantling of the Kansas City Chiefs on their way to a decisive 40-22 victory. The second termer also became the first commander in chief to post a nasty taunt of […]
Before becoming a Billboard Hot 100-topping singer/songwriter, Teddy Swims was dominating in a different arena: the football field. But just like Zac Efron’s High School Musical character before him, Swims had to take a break from sports to follow his musical dreams.
On the next episode of Mythical Kitchen’s Last Meals web series, premiering Tuesday at 6 a.m. ET, Swims sits down with host Josh Scherer to eat their way through some of the musician’s all-time favorite foods and talk about his life story. When Scherer compared Swims’ teen days growing up in Conyers, Georgia, to High School Musical — in which Efron’s Troy Bolton is the basketball star who harbors secret musical aspirations — Swims immediately related to the Disney analogy.
“I call myself the fat Troy Bolton, you know?” Swims laughed. “I wanted to quit football to do music, focus on theater. I remember my mom was so bummed out about it. She had [saved] all my stuff, all my trophies … since 6 years old. She was like, ‘Baby, we’re a football team. We’re a football family. Why would you do this to us? We’ve always done football!’ She was so confused. I just told her, ‘I want to do music. I really like music.’”
Trending on Billboard
His mom’s mind changed when she saw him onstage for the very first time. “I remember her coming to my first performance. We did this show called Damn Yankees, and I had, like, all of two lines in it. As soon as it got done, I remember her coming to me and saying, ‘Baby, I’m so sorry. This is where you belong. You’re a superstar.’ It just flipped. Just watching me onstage, it just flipped it upside down for her.”
Last month, Swims shared the news via Instagram that he’s expecting his first child with his partner, fellow musician Raiche Wright, and he sees fatherhood as an opportunity to revisit the world of sports.
“We’re gonna get back on that field,” he tells Scherer. “I just want to be the coach of something. Hopefully I’m gonna have a son and I can coach a football team. I want to do the Snoop Dogg, like, youth league Netflix series. That’s what I’m trying to do eventually: Teddy Swims little league, and like coach my son. Hopefully I get that opportunity. Maybe a daughter wants to play football, or maybe I’ll do the Teddy Swims cheerleading league … chess league. Whatever they’re into, I’m into.”
Teddy Swims released his second studio album, I’ve Tried Everything But Therapy (Part 2), on Jan. 24 — debuting atop Billboard‘s Top Album Sales chart and at No. 5 on the Billboard 200 — ahead of his Feb. 2 performance at the 2025 Grammy Awards, where he was nominated for best new artist.