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British singer Duffy has been off-the-radar for much of the past decade after revealing in 2020 that she was the victim of a terrifying assault and kidnapping in 2015. The Grammy winner took her latest tentative step back into the spotlight this week when she made a brief cameo in a TikTok video posted by […]

Dua Lipa is marking the fifth anniversary of her Grammy-winning sophomore album Future Nostalgia with a remix of one of its biggest hits, enlisting Australian pop star Troye Sivan for a brand-new version of “Physical.” Explore See latest videos, charts and news See latest videos, charts and news Released Friday (March 28), the reimagined track […]

Time to enjoy some Brighter Days Ahead. Ariana Grande unveiled the highly anticipated deluxe edition of her Billboard 200 chart-topping album, Eternal Sunshine, on Friday (March 28). Explore Explore See latest videos, charts and news See latest videos, charts and news The extended edition of the original 13-song project features six new tracks, including “Twilight […]

A little over a year ago, Ariana Grande made the pop world a little bit lighter with the release of Eternal Sunshine, her seventh studio album. Crafted in the afterglow of her divorce from realtor Dalton Gomez during the 2023 SAG-AFTRA strikes that paused Wicked production, Eternal Sunshine arrived atop the Billboard 200 (her sixth […]

Los Angeles-based alt-pop duo Magdalena Bay have paid tribute to David Bowie for their recent appearance on Like a Version, the long-running segment from Australian radio station triple j. 

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Premiering on the morning of Friday, March 28 (Australian time), the pair – which comprises Mica Tenenbaum and Matthew Lewin – recorded their performance during a recent trip to Australia in early March. The two-song set saw them performing original track “Image” before focusing on Bowie’s 1980 single “Ashes to Ashes.”

First released as the lead single to Bowie’s 1980 album Scary Monsters (and Super Creeps), the single did not impact the Hot 100, though it gave Bowie his first U.K. chart-topper since 1969’s “Space Oddity.” The album, meanwhile, peaked at No. 12 on the Billboard 200 and was Bowie’s first in six years to top the chart in his home country.

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“It’s a great, kind of weird experimental pop song that I think we took a lot of inspiration from,” said Lewin in a post-performance interview. ”We’re always just kind of listening to it, it’s never really left our rotation of songs that we love,” added Tenenbaum.

“I drew a lot of influence from his ideas of being an artist and what it means to create art,” continued Tenenbaum. “I found [it] very inspiring as we were going into the creation of our latest album, Imaginal Disk. 

“It’s tough, because when you love a song so much and you know what you love about it and then you also want make it your own a little bit, it’s like, ‘How much should you really mess with it?’”

Magdalena Bay’s cover was indeed preceded by a cut from latest album, Imaginal Disk, with second single “Image” also performed in the Like a Version studio. The track was voted in at No. 147 in triple j’s annual Hottest 100 countdown, and in December 2024 was chosen by Billboard staff as one of the 20 Pop Songs From 2024 That Deserved to Be Smashes.

Having first launched in 2004, the Like a Version series has gone from being a near-impromptu acoustic affair to featuring larger studio productions. Numerous artists have taken part over the past two decades, with the likes of Billie Eilish, Childish Gambino, Arctic Monkeys, and more reinventing classic tracks in the process.

The original Broadway cast recording of Maybe Happy Ending – led by Emmy Award and Golden Globe-winner Darren Criss and Helen J Shen – scores the year’s highest debut on Billboard’s Cast Albums chart, as the set enters at No. 5 on the list dated March 29. Maybe Happy Ending was released on March 14 […]

Miley Cyrus has upped her platinum records to 23. According to the Recording Industry Association of America (RIAA), her two hits, “Flowers” and “Used to Be Young,” have been certified 7x platinum and platinum, respectively. Explore Explore See latest videos, charts and news See latest videos, charts and news A platinum certification recognizes one million equivalent […]

Chris Hemsworth is a music fan, just like the rest of us. So much so, that he once asked for a selfie with a major pop star. The Avengers actor joined The Late Show With Stephen Colbert this week, where he answered a series of deep-dive questions to get to know him better. One of […]

When Taylor Swift‘s The Tortured Poets Department dropped in April last year, fans were all but certain that a person mentioned in the album’s title track was supposed to be Lucy Dacus. And nearly one year later, the Boygenius star has finally officially confirmed that she was, in fact, the “Lucy” in question, revealing that the pop superstar actually reached out to her before its release to make sure the name drop was all right.
In an interview with People published Thursday (March 27), Dacus responded candidly when asked point-blank whether she was the “Lucy” referenced in the bridge of “The Tortured Poets Department.” “I think it’s fair game to say yes,” the “Night Shift” singer said. “She actually texted me and asked for my approval.”

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Widely believed to be about Swift’s short-lived romance with The 1975’s Matty Healy in 2023, “The Tortured Poets Department” finds the 14-time Grammy winner singing, “Sometimes I wonder if you’re gonna screw this up with me/ But you told Lucy you’d kill yourself if I ever leave/ And I had said that to Jack about you, so I felt seen/ Everyone we know understands why it’s meant to be.”

Fans determined at the time of the album’s release that the “Jack” referenced in the same stanza was likely Swift’s longtime producer, Jack Antonoff. Dacus and the Bleachers frontman aren’t the only stars who got shoutouts, though; a certain “See You Again” singer was also featured in the song’s lyrics, with the Eras Tour headliner proclaiming, “You smoked and ate seven bars of chocolate/ We declared Charlie Puth should be a bigger artist.”

According to Dacus, the ordeal of listening to The Tortured Poets Department — which spent a collective 17 weeks atop the Billboard 200 — and hearing herself referenced in the lyrics was “so crazy.” “This [was] the first Taylor record to come out since meeting her, and listening to a friend’s record feels so much different than a stranger’s record,” the Virginia native told People. “So I was like, ‘This is really weird. This voice that I’ve heard basically what feels like my whole waking life saying my name.’”

“It was definitely an experience,” she added. “I sat down and I was like, ‘Huh. Wow.’ But I think that that record of hers is super open-hearted, and I don’t know how many people at her level, if anyone is at her level, are writing from the heart that openly.”

The interview comes one day ahead of Dacus’ fourth studio album, Forever Is a Feeling. Earlier this month, the “Ankles” songwriter — who recently confirmed her long-rumored romance with Boygenius bandmate Julien Baker — spoke to Billboard about her most romantic LP yet.

“Once you focus on one thing and one person, it actually recontextualizes everything else,” she said. “You realize that every detail is its own universe.”

Billboard Women in Music is this Saturday, March 29, and with our celebration of Doechii as Woman of the Year, we’re taking you to Brazil and Canada where we celebrated Ana Castela and Charlotte Cardin. Are you excited for Billboard Women in Music 2025? Let us know in the comments! Tetris Kelly: As we get […]